Paint Interior Paintings

-The painting was created alongside my tropical series and does not depict a specific scene, but rather abstract forms and shades of nature. Contemplating these natural motifs always...

This abstract painting explores the relationship between color, form, and space through the use of two dominant fields: a deep violet blue shape suggesting a mountainous contour and ...

"Encounters at Dawn" – Contemporary Abstract Painting on Canvas in Violet Tones with Figuration is an abstract oil painting that explores color field and abstract expressionism. The ...

-The painting was created alongside my tropical series and does not depict a specific scene, but rather abstract forms and shades of nature. Contemplating these natural motifs always...

In this piece, I poured vibrant emotion into layers of soft pastels, letting acrylics dance freely across the canvas. The swirling pinks, yellows, and blues express an uplifting ener...

In this piece, I let emotions flow freely through sweeping layers of soft blues and warm beiges, blending impressionistic textures with abstract forms. The contrasts evoke a serene y...

Bibliothèque Sépia (Sepia Library) exemplifies Sophie Dumont’s celebrated series of abstract libraries — compositions that merge geometry, color, and reflection. In this piece, the a...

Oil on canvas Unframed size: 100 x 81 cm (39.37 x 31.88 in) Framed size: 107 x 88 cm (42.12 x 34.64 in) Choice of natural oak or black floater frame Year: 2025 Signed lower right Cer...

This vibrant floral abstract artwork titled "Pink Blooms," created by French artist born in Kazakhstan, beautifully captures the essence of blooming roses through bold and expressive...

Vintage American modernist abstract interior scene oil painting. Oil on canvas. Framed. Signed and titled verso, "Bertoia Chair". Handsomely framed in a period molding. Excellent ...

Title: Palimpsest Medium: Oil on canvas Dimensions: 100 x 100 cm 39.37 x 39.37 in (canvas only), 107 x 107 cm 42.12 x 42.12 in framed Year: 2025 Framing: Black wooden floater frame ...

Clean and refreshing. Easy on the eyes yet distinct in a classic appeal. White on white has the subtlety of a quiet personality in a room full of people. When it speaks everyone li...

This contemporary abstract expressive vivid painting by French artist Natalya Mougenot is titled "Peace 0.2". It’s a bold and emotionally charged piece inspired by the subtle harmony...

This extra-large artwork is made with acrylic on canvas. UV protection varnish. Inspired by the Very Peri color and abstract elements with fantasy lettering. The artwork and the com...

Created by a contemporary French artist recognized for his refined approach to material and abstraction, this painting reflects a deep exploration of memory, silence, and time throug...

Medium: Oil on linen canvas Canvas size: 50 x 50 cm (19.68 x 19.68 in) Framed size: 57 x 57 cm (22.44 x 22.44 in) Frame: American box frame (collector's choice of black or natural wo...

"Observe a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." – Eckhart Tolle Let your g...

Color is always central in Henriques' delightful compositions that are at once, balanced, harmonious, and a toast to life. 'Rhapsody in Yellow' with its bright and pure hues shimmer...

Red and Black By French artist Gabriel Jenny, 20th Century Oil painting on canvas, unframed Signed by the artist on the lower right hand corner Canvas size: 25.5 x 32 inches Dramati...

Exquisite antique portrait painting of a young fashionable woman. Framed. Oil on canvas. Signed. Image size, 31H by 24L.

In creating this piece, I harnessed the vibrant chaos and serenity of nature's own contrasts. Using acrylics allowed me to layer and texturize, enveloping the canvas in a dance of sh...

Antique American school modernist mixed media painting. Oil on board with gold leaf assemblage, circa 1930. Unsigned. Image size, 13L x 17H. Housed in a period wood frame most li...

This is a small colourful abstract painting. The painting is framed in a black wooden frame, ready to hang. (size framed: 34x34x3,5 cm) Please feel free to ask any questions if need...

Diptych of The paintings was created alongside my tropical series and does not depict a specific scene, but rather abstract forms and shades of nature. Contemplating these natural mo...

In this marvelous painting I used neon acrylic pigments not thinking about composition or chromatic and I'm very pleased about the results. A little about me: what you might think i...

There’s something ethereal, almost magical, about contemporary paintings. The incredible Expressionism bleeds through the canvas, transforming any room into an entirely new experienc...

Amit Kalla - Pratyabhigyan - 36 x 72 inches (unframed size) Acrylic on Canvas, 2021 ** Free Shipment ...... will be delivered in rolled form. Style : Kalla’s work can be represented...

I have worked on a new collection of abstract paintings.This new abstract series is dedicated to a "heart- mind connection". This is the one of them called "Connection". While work...

In "Tipping point", Pierre Morquin invites us on a journey into the world of abstract expressionism. The canvas is dominated by vivid colors and dynamic shapes that intersect and ove...

Richard Andres (American, 1927-2013) Shore V, c. 1964 acrylic on canvas signed lower right, signed and titled verso 54 x 44 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Painting: Acrylic and enamel on Canvas. Esta obra es una explosión de energía y pasión que quise capturar con colores vivos y movimientos caóticos. Utilicé acrílico y esmalte para c...

Contemporary expressive vivid painting "Happiness 0.2", created by French artist Natalya Mougenot, depicts nature through a dynamic abstract lens. This standout piece from her collec...

Ready to hang with the edges painted A beautiful large modern abstract painting, 100% handmade, made with professional varnished acrylics and Amsterdam acrylic sprays on stretched h...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." – Eckhart Tolle Abstract te...

"AD 177" Abstract Painting 79" x 79" inch by Ahmed Dafrawy Medium: Mixed Media on Canvas Dafrawy’s fine arts academic background started in 2014 when he received the certificate of...

Vintage American modernist abstract oil painting. Oil on canvas. Framed. Measuring: 21 by 25 inches overall, and 16 by 20 painting alone.. In excellent original condition. Handsomel...

Magic 6. It is very important to remember that there is magic in each of us. A modern, abstract, expressive, sophisticated painting that fits into a modern interior. The work was cre...

There’s something ethereal, almost magical, about contemporary paintings. The incredible Expressionism bleeds through the canvas, transforming any room into an entirely new experienc...

This contemporary impressionist painting represents the deepest ocean with its varied blues and textures.

Flowers Starwars Vibrant floral still life Technique: oil, acrylics and ink on canvas 70x50cm ■■ 27.6x19.7 inch ⏩》R E A D Y -- T O -- H A N G《⏪ 🟢 → Original signed work. Certifi...

The abstract floral artwork "Flourish of Colors" by French artist Natalya Mougenot is part of her Floral series. This vibrant painting bursts with energy, capturing a rich array of c...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." — Eckhart Tolle Romantic R...

In my abstract artwork, "Radiant Harmony," I engage in a spontaneous and intuitive process, allowing the paints to guide my expression without a predetermined plan. By embracing the ...

Richard Andres (American, 1927-2013) Naval Occurrence, c. 1963 oil on canvas signed and titled verso 24 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Large Abstract Oil Painting, Mythical Style, Signed. British School, indistinctly signed. Oil painting on canvas, unframed Signed on the bottom right hand corner, and also on the bac...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." — Eckhart Tolle Summer Gar...

This contemporary abstract, dynamic, and expressive piece was created by French artist Natalya Mougenot and is part of her ongoing series dedicated to abstract expressionism. Natalya...

The artwork Flowing Energy 30 is part of the Flowing Energy Collection. It is ready to hang with the edges painted and on the back will have two metallic hangers. Gallery quality. D...

This striking abstract painting features a dynamic interplay of colors and textures, commanding attention with its vertical orientation. Bold streaks of black cascade down the center...

This contemporary abstract expressionist interior painting with vivid colors was created by the French artist Natalya Mougenot. Liberty 0.2 is part of her newest body of work, the He...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." — Eckhart Tolle Morning Se...

Rene Genis (French 1922-2004) Acrylic on paper mounted on mat board. Image size is 7 1/2" x 6 3/4" laid down on mat board 24" x 16". Mat board could be resized to fit your frame. ...

"Magical Nets of Love" is an artwork that combines elements of abstract painting and symbolism. The painting depicts white nets floating on the waves of a deep blue ocean. These ...

Like a symphony that blends different instruments and musical themes, a library can contain a variety of books representing diverse genres, authors, and subjects. Each book brings i...

Oil on canvas Unframed size: 100 x 81 cm (39.37 x 31.88 in) Framed size: 107 x 88 cm (42.12 x 34.64 in) Choice of natural oak or black floater frame Year: 2025 Signed lower right Cer...

"Floral Symphony in Color" is a vivid, expressive contemporary painting created by French artist Natalya Mougenot, and it forms part of her Floral series. In this series, Natalya ble...

Abstract 2273 - painting is a powerful vision of Love’s vibration, Compassion’s strength, and Hope’s vitality. Woosh away your worries! Feel the exhilarating and mighty presence of W...