Offset Landscape Paintings

“Being There,” an original oil on canvas by Robert K. White, is a piece for the true collector. White’s careful attention to detail and vivid use of browns and reds project from the painting, immediately capturing the viewer's attention and highlighting the artist's keen ability to capture emotion and life - all in a brushstroke. White's talent for depicting light and shadow provides the foundation for him to deliver subjects and scenes to the viewer's eye. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for cityscapes, theater, and architecture. In the artist’s own words, “I don’t paint what is inside of me; I paint what I see outside of me. I’m an observer. If I see something and I feel an affinity for it, something just clicks in my head. I’ll make the decision right then and there to paint that particular subject during that particular moment. It’s a perfect moment. Once something has caught my eye and I’ve heard the “perfect” click, it’s like a photograph has been taken in my mind’s eye. I only have a few days of clarity with that image. I have to start the painting quickly or else it will be gone and I will lose that image forever.” Artist: ROBERT KENNETH WHITE...

Christopher Clark's "Ray of Hope" is an original, hand made oil and acrylic painting that depicts a highway with a bright shaft of sunlight shining through pink and blue clouds. Chr...

OIL PAINTING SIGNED 19th Century BRITISH SCHOOL Fine Original Antique 19th Century British OIL PAINTING GOLD GILT FRAME By Major John Edward Bale Excellent Condition Panel, Professional Cleaned & re-varnished Ready to hang. frame is in wonderful condition . John Edward Bale, was born at Low Farm House, Pattesley-cum-Oxwick, South Creake, Norfolk on 27 July and baptised at South Creake on 1 August 1834, eldest child of John Edward Bale (1803-27 April 1862), a farmer of 620 acres, and his wife Mary née Branford, who married at Horningtoft, Norfolk on 27 November 1833. In 1841, a 6 year old, living at Low Farm with his parents, 35 year old John and 28 year old Mary, and his two sisters, Mary 3 and Esther 1. In 1861, a 26 year old 'artist architecture' boarding at 11 Bulstrode Street, Marylebone, London but in October 1863, he was an Ensign by purchase in the 1st West Indian Regiment. As a lieutenant, whilst on a tour of duty in West Africa, Surgeon Major Augustus Frederick Elliott (born 1834), kept a diary (now at Duke University Library) which is embellished with calligraphy and watercolour titles by Bale. During this tour, Bale was promoted to Captain and retired from the army in 1881 with the rank of major. Bale married at Christ Church, Ealing on 10 November 1868, Charlotte Gordon Lee née Johnson (c1847-1910). A painter in oil and watercolour and a member of the Ipswich Fine Art Club 1886-1890 and as Major Bale exhibited from 9 Creffield Terrace, Colchester, Essex in 1888, 'View from Museum...

OLD MASTER OIL PAINTING High Quality 19th CENTURY The Catch GGF Description OLD MASTER LARGE OIL PAINTING 19th Century NEW COLLECTION Of RARE PIECES OF ENGLISH HISTORY Good cond...

OIL PAINTING 19th CENTURY Cram Seas GGF Description 19th Century Good condition canvas ..Piece has been cleaned , no repairs , Frame is in Good condition for age (see pictures) De...

Oil PAINTING Antique 19th Century OIL PAINTING BRITISH SCHOOL 19th Century Gold Frame Description Late 19th century “Good Condition on Canvas " Very Good condition Piece , clea...

ORIGINAL ARTIST E . Horton 19th CENTURY BRITISH OIL PAINTING Fine Medium Size Original Antique 19th Century British OIL PAINTING Romantic Scene GOLD GILT FRAME Good Condition ...

LARGE FINE 20th Century Piece Maritime Battle Scene British oil painting in a Gold Gilt Frame FINE RARE MARTINE PAINTING ORIGINAL 20th Century OLD MASTER STYLE OIL PAINTING GOLD GILT FRAME Good condition for age , (see pictures) Description Born in 1940 Anthony Brandrett...

OIL PAINTING ATTR to JOHN WILSON CARICHAEL 1799 to 1868 FINE 19th CENTURY BRITISH Original Antique Large Early 19th Century British OIL PAINTING Romantic Sea Scene GOLD GILT FRAME ...

FINE 20th Century Piece By Louis Dodd SEASCAPE British old master oil Style painting in a Gold Gilt Frame Description “condition is very good for age , o...

Untitled Landscape is an original acrylic painting on canvas by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworldly realms. The viewer is invited to step into the painting to explore the scene within and imagine gazing at an easel of a plein-air painter with the water-filled sky and saturated ground in full view. Here, Perkinson chose to depict the beauty and calm of the rain, with an expansive view of a lush landscape. Women are holding umbrellas in the middle ground with their young children enjoying the feeling of rain drops. A pond just creeps into view from the right and the edge of town can be seen in the distance, just over the trees. Perkinson describes his style of painting as "Romantic Realism," a technique that incorporates two iconic art movements. This style, in combination with the imagination of the artist, produces remarkable results, showcasing Perkinson's keen ability to capture emotion, nature, and life - all in a brushstroke. Both his technical talent and choice of subject matter pair perfectly with its carved, custom, antique-finish, gilt frame. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for landscapes, impressionism, romanticism, realism, plein-air painting, and nature. In the artist’s own words: “My color combinations aren’t in the realm of the natural world, because I don’t paint reality; I’m a painter of fiction. I try to paint a sense of place, as though this scene really does exist. I have had my collectors ask me where this scene is, and I just have to point to my head and say I made it up. Thus, I think of my work as romantic realism. I’m painting a certain reality that I’ve invented, inspired by the fascinatingly rich Southwestern landscape.” “Color gets all the credit, but it’s the values that do all the work. I don’t begin with sketches, because I want to be free to follow the painting in any direction. I start with washes of different values and tints. Then, I begin to look for a landscape. Several directions will appear to me at this time, and then I have to decide on one of them. During these first few moments, I must establish my distance from the scene. Am I a mile away or just across the river? This is one of the first steps, and I have to decide before I can continue. It’s important for working out the perspective and how things are going to relate to one another in the picture. Then, as the landscape evolves, I look for more images to add to the composition.” Artist: TOM PERKINSON (1940-) Title: UNTITLED LANDSCAPE Medium & Surface: ORIGINAL ACRYLIC PAINTING ON CANVAS (framed) Signed: HAND SIGNED AND DATED BY ARTIST LOWER RIGHT Year Created: 1983 Country of Creation: UNITED STATES Image Area Dimensions: 24 x 40 INCHES Frame Dimensions:* 28.5 x 44.75 x 1 INCHES *This work of art is being sold framed. If you would like to change the frame to better match your style or environment, please contact us for Custom Archival Framing options. Additional Info: HIGHLY COLLECTIBLE WORK BY TOM PERKINSON IN GREAT CONDITION IN A CARVED CUSTOM ANTIQUE-FINISH GILT FRAME. FRAME IS IN GREAT CONDITION CONSISTENT WITH AGE AND STYLE. Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED About the Artist: Tom Perkinson, born in Indiana in 1940, has become distinguished as a regional painter, known for his work grounded in the visually dramatic landscape of the Southwest. As a child, Perkinson discovered he had a love for the natural landscape, and a talent for art. He fostered that talent through classes at the John Herron Institute of Art in Indianapolis, and then at the Chicago Art Academy upon graduating from high school. He received a degree in art from Oklahoma Baptist University in 1964, before moving on to graduate school at the University of New Mexico. Here, among noted works of a larger scale, he continued to paint the landscape, and it was this work that began to reflect a new fascination with the Southwest. He had found what would become an infinite source of inspiration. Influenced by early painters of the southern Indiana landscape...

Signed lower right dated 1875.