Construction Landscape Paintings

A dramatic breakthrough of sunlight illuminates the waters of Vaxholm Bay (Vaxholmsfjärden) in this 1932 oil painting by Swedish artist Oskar Bergman. The composition captures the et...

Silent stillness and transient atmospherics draw me to paint the water and its reflections. There is a mystical infinite quality to the light, in particular the exquisite, vaporous a...

Peter Durieux Terraces 33 x 23 cm (Framed, included in price 42 x 32 cm) The work of Durieux is characterized by serene French landscapes. In recent years, he has also created work ...

An acrylic painting by Clarence Holbrook Carter from 1979. Carter's modernist style utilizes strong structural lines and architectural aesthetics to form almost surreal-like scenes. Signed on lower right corner, framed in elegant silver wooden frame. Artist: Clarence Holbrook Carter, American (1904 - 1998) Title: Oil Well...

"Sunset at the Breakwater" is a large-format piece that captures a serene moment on the southern coast of Spain. At the center of the scene, a solitary figure stands on the breakwate...

"California Field at Sunset," Oil on Canvas, 36 x 36 Inches is a highly realistic landscape which depicts a deep green field and dusky sky punctuated...

My interest is to convey elements of the classical arcadian landscape paintings of the 17th and 18th century, inviting the viewer to reflect again at the sublime landscape of the pas...

Silent stillness and transient atmospherics draw me to paint the water and its reflections. There is a mystical infinite quality to the light, in particular the exquisite, vaporous a...

“Insomnia” From the series “Arcana of the Heart” In this painting, the night sky transforms into a space of thoughts that refuse to let sleep come. Lights, resembling sun-stars, burn...

This nature study was painted in Veliky Ustyug during a trip to the Russian North in 2001. This artwork, an exquisite portrayal of a serene rocky landscape, encapsulates the subtle b...

George Tzannes is an American painter of Greek origins. In his twenties he visited Kythera, the Greek island of his father's birth. Since that time, Greece and the island of Kythera ...

Artist/ School: René Bellanger (French 1875-1964), signed Title: Industrial port, France Medium: signed oil painting on board, unframed. painting: ...

Morning Solitude 8.0 × 10.0 × 1.0, 2.0 lbs Acrylic paint Hand signed by the artist Artist's Commentary: "This piece is from my American Heartland Small Series. This Series is very...

Todd Carpenter's (US based) "Sinking In" is an acrylic painting that depicts a black and white landscape of an industrial river scene. Bio/artist statement: Todd Carpenter is a Lo...

Our next plein air trip was to the ancient city of Phaselis in Turkey. Beautiful coastline with blue and lilac hills. A huge number of yachts stood in the bay. And the unusual variet...

Work on canvas Dimension with frame 68.5 x 85 x 5 cm This captivating work depicts a natural landscape with striking detail. The scene features a winding stream bordered by rocks in ...

Ridge Beyond Reach, 2019

Chopstick Tree, 2017

These paintings reflect the love Nancy Baker has for combining classical imagery with an image that is strange. The most direct example is in Alien Nation where i have a potter at a ...

David Cheifetz's "Sparks on 3rd" is an oil painting featuring a dramatic city skyline. About the artist: David is an internationally acclaimed and collected ar...

"Sunset at Sea (1/5)" Stephen Dorsett (United States) is an acrylic photo with pencils. This piece is ready to hang. Stephen Dorsett, an artist known for his innovative use of mate...

The Artist mission: “Depicting the overwhelming nature in paint is a permanent challenge, which keeps me amazed again and again. Esther Schlebos won ...

William Samuel Horton (1865 - 1936) La Seine Fumee bleu, Paris, France, circa 1909 Oil on canvasboard 17 x 21 inches Signed lower left A landscape painter, William Horton lived and ...

Valerio D'Ospina's (US based) "Docks from Above" is an oil painting depicting a yellow crane above a dock yard. Valerio D’Ospina was born in Taranto in 1980. On July 14, 1999 he re...

My trip to the Kola Peninsula in 2010 to the Kolvitsa River and living in the village of Kolvitsa left the warmest memories. Despite the rather harsh conditions for plein air, especi...

Title: Rainy Night 3 Medium: Oil on canvas Size: 8 x 12 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is ...

"Rock River" is an original oil painting on canvas by Dan Muller. Muller depicted a pile of rocks in a river. The artist scratched into the paint to make thin marks among the broad b...

Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North German Realists since 2006. He paints everyda...

Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North German Realists s...

'Glimpses of the Cityscape' series 'The paintings explore views of structures and buildings that I’m drawn to when travelling around the city. They catch my eye in a momentary glimps...

Framed sized is 16 x 20 inches. Framed in a white oak frame. In any landscape there are places and objects of quiet monumentality so ingrained into the scene that they are nearly invisible or regarded only as ordinary or outdated artifacts of the past. Some are small in scale, and some suggest a kind of architectural grandeur mixed with a pathos stemming from their obsolete utility and the evidence they bear of the passage of time. Some, like the abandoned oil rigs in and around the Gulf of Mexico, are poignant reminders of environmental optimism and tragedy. Primarily encountered on trips around our region, stretching up as far as the delta of northwestern Mississippi and southeastern Arkansas and as far south as the mouth of the Mississippi, these places and objects evoked the curiosity and affection, which prompted this show. The paintings, the result of a labor-intensive technique requiring many layers of color, are intimately sized though they often deal with subjects of great scale. Trained as an architect and a practicing architect until 2016, Barron now works primarily as a painter. For many years he has taught at the Tulane University School of Architecture and is a Fellow in the American Institute of Architects. In 2012, he was awarded the Gold Medal of the Louisiana Architects Association and in 1995 was awarded the prestigious Gabriel Prize from the Western European Architecture Foundation. Errol Barron...

Audrey Barrett grew up in Queens, New York. It was there that her fascination with urban landscape began. Audrey, a self-taught artist, studied art history and became known for her landscapes and botanical subjects. Audrey Barrett worked as a package graphic designer for 25 years while painting large botanical paintings...

Framed dimensions are 16 x 20 inches Without an overt theme, Errol Barron’s recent work seeks primarily to convey the pleasures and mysteries of curiosity, speculation, and reflecti...

Framed sized is 16 x 20 inches. Framed in a white oak frame. In any landscape there are places and objects of quiet monumentality so ingrained into the scene that they are nearly invisible or regarded only as ordinary or outdated artifacts of the past. Some are small in scale, and some suggest a kind of architectural grandeur mixed with a pathos stemming from their obsolete utility and the evidence they bear of the passage of time. Some, like the abandoned oil rigs in and around the Gulf of Mexico, are poignant reminders of environmental optimism and tragedy. Primarily encountered on trips around our region, stretching up as far as the delta of northwestern Mississippi and southeastern Arkansas and as far south as the mouth of the Mississippi, these places and objects evoked the curiosity and affection, which prompted this show. The paintings, the result of a labor-intensive technique requiring many layers of color, are intimately sized though they often deal with subjects of great scale. Trained as an architect and a practicing architect until 2016, Barron now works primarily as a painter. For many years he has taught at the Tulane University School of Architecture and is a Fellow in the American Institute of Architects. In 2012, he was awarded the Gold Medal of the Louisiana Architects Association and in 1995 was awarded the prestigious Gabriel Prize from the Western European Architecture Foundation. Errol Barron...

Every painting begins with a place to stand. Sometimes I find one in seconds; sometimes the hunt goes on for many seasons. A canvas can easily frame the everyday. But my task is to t...

In Colin Hunt’s new paintings, myriad tiny rocks, grains of sand, and strands of rockweed form a coastal beach, while lush forests pierce a crystalline sky. Elsewhere, palpable mists...

What makes this work important? It's not that it's a commissioned artwork for a men's 60s pulp adventure magazine depicting the instant a soldier is shot. The big point of the painting is how brilliantly the formal elements are thought out, designed, and executed. John McDermott tells a story using a complex figural composition in an unexpected wide-angle vision. The work is as abstract as it is representation. His use of light is significant because it creates a high-contrast two-color style that bears the mark of its creator. This is a work done by a master artist/illustrator without peers compared to artists living today. If the contemporary art world gave awards for draftsmanship, painting technique, and graphic design .... John McDermott would win the highest accolades. Initialed lower left - unframed John McDermott (August 30, 1919 – April 20, 1977), also known under the pen names J.M. Ryan and Mariner, was an American illustrator and author noted for action and adventure illustrations.[1] McDermott worked as an in-between and effects animator for Walt Disney Studios and as a US Marine combat artist,before establishing himself as a cover illustrator for 1950s paperbacks and pulp magazines such as Argosy, American Weekly, and Outdoor Life. Under his J.M. Ryan pen name, he wrote the novels The Rat Factory (1971), a derogatory satire of Walt Disney and the Disney studio; Brooks Wilson Ltd (1967), on which the 1970 film Loving was based; and Mother's Day (1969) about Ma Barker. Under his own name, he novelized director-writer Bo Widerberg's screenplay for the 1971 film Joe Hill, which would be his final published book. Early life John Richard McDermott was born 30 August 1919 in Pueblo, Colorado, the younger of two sons of Henry McDermott, an oil broker. McDermott was a young child when his father committed suicide.[4] The family eventually moved to Los Angeles where McDermott's mother, Hazel, worked in a beauty parlor. He graduated from Hollywood High School in 1936. Although he had had no formal art education, he took a job as an artist at Walt Disney Animation Studios. Career Disney At Disney, McDermott worked as an in-betweener and effects animator on Brave Little Tailor, Pinocchio, The Reluctant Dragon and Fantasia. His experiences while working at Disney, particularly during the time of the 1941 Disney animators' strike, would later become the basis for his 1969 satirical novel The Rat Factory. McDermott left Disney to fight with US forces during World War II. US Marines McDermott World War II sketch titled "Buddy is Wounded" On September 29, 1942, McDermott enlisted with the US Marine Corps. He served as a "pistol and palette" combat artist assigned to the map-making section. As a sergeant with the III Amphibious Corps, McDermott was involved in battles in the South Pacific theater of war, documenting the Guam, Okinawa and the Guadalcanal Campaigns. McDermott considered his wartime years to be his art education. "In the Marines, as a combat artist, I traveled with the troops and for three years got all the drawing opportunity anyone could want. My work changed enormously during this time and I’m sure it was due to constant drawing, every single day, from life, just putting down what I saw around me. In a few instances it was a dangerous kind of scholarship." According to the Marine Corps history journal Fortitudine, McDermott was so prolific that his contemporary style pen-and-ink sketches became easily recognizable to both Marines, from published work in Leatherneck Magazine, and civilians, from glossy copies supplied by the Marine Corps to the nation's press.His wartime art appears in World War II history books and is displayed at the Pentagon and the National Museum of the Marine Corps. Illustration Following the end of World War II, McDermott moved from California to New York City to work as a freelance illustrator. McDermott made his reputation drawing modern action, war and adventure scenes. His work adorned the covers and inside story pages of popular pulp magazines of the 1950s such as Argosy, Adventure, Blue Book, Outdoor Life and American Weekly. McDermott's illustrations appeared on numerous covers of 1950s paperback novels published by Dell, Fawcett Gold Medal, Bantam Mystery and others. His action graphics were geared toward thriller and detective genres, such as Donald Hamilton's Matt Helm books Murderers' Row and The Betrayers. He also created covers for science fiction comic titles such as Voyage to the Deep[citation needed] and horror-themed paperbacks such as the classic 1955 science fiction novel The Body Snatchers...

I was born in 1972 in Chartres. I live and work near Orleans. After having taken courses at the Beaux Arts in Orléans in drawing of live models, sculpture and painting, I decided to devote myself entirely to painting. Education ARTISTIC APPROACH: When the day fades, the truth appears in the light of the twilight. The whole being, invaded by the padded silence of the advancing night, sees his humanity bend under the awakening of his senses. He becomes again more instinctive, more animal, more true in the beauty of his solitude ... and the return to nature that the twilight imposes, then sends him back an exact image of himself...

Framed dimensions are 16 x 20 inches Without an overt theme, Errol Barron’s recent work seeks primarily to convey the pleasures and mysteries of curiosity, speculation, and reflecti...