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Medium: Digital Pigment
painting on glicee print circles
Located in London, GB
acrylic painting on clicee canvas print
limited edition
hand signed
Collective exhibitions:
2023 London biennale, Chelsea, Old Town Hall;
2023 YICCA International art contest, ...
Category
21st Century and Contemporary Expressionist Digital Pigment Paintings
Materials
Color, Canvas, Cotton Canvas, Acrylic, Giclée, Digital Pigment
"Carmen Herrero (2)", Painting on cut aluminium, Conceptual art
Located in Carballo, ES
The root of Guedes's work is located in the MADÍ movement, of Argentine origin and little repercussion in Spain, which attaches great importance to the tensions that are established ...
Category
21st Century and Contemporary Pop Art Digital Pigment Paintings
Materials
Digital Pigment
Keeran
Located in London, GB
Artist: Anastasia Kurakina
acrylic painting on canvas glicee print
hand signed
BIO
In search of the human essence
As an artist, Anastasia Kurakina nurtures a great fondness for hu...
Category
21st Century and Contemporary Vienna Secession Digital Pigment Paintings
Materials
Canvas, Cotton Canvas, Acrylic, Color, Giclée, Digital Pigment
"Lygia Clark (2)", Painting on cut aluminium, Trompe l'oeil, Constructivism
Located in Carballo, ES
The root of Guedes's work is located in the MADÍ movement, of Argentine origin and little repercussion in Spain, which attaches great importance to the tensions that are established ...
Category
21st Century and Contemporary Pop Art Digital Pigment Paintings
Materials
Digital Pigment
"Lygia Clark (1)", Painting on cut aluminium, Trompe l'oeil, Constructivism
Located in Carballo, ES
The root of Guedes's work is located in the MADÍ movement, of Argentine origin and little repercussion in Spain, which attaches great importance to the tensions that are established ...
Category
21st Century and Contemporary Pop Art Digital Pigment Paintings
Materials
Digital Pigment
"Max Bill (1)", Painting on cut aluminium, Trompe l'oeil, Constructivism
Located in Carballo, ES
The root of Guedes's work is located in the MADÍ movement, of Argentine origin and little repercussion in Spain, which attaches great importance to the tensions that are established ...
Category
21st Century and Contemporary Pop Art Digital Pigment Paintings
Materials
Digital Pigment
"Damien Hirst (3)", Painting on cut aluminium, Pop Kinetic art, 60 x 60 cm
Located in Carballo, ES
The root of Guedes's work is located in the MADÍ movement, of Argentine origin and little repercussion in Spain, which attaches great importance to the tensions that are established ...
Category
21st Century and Contemporary Pop Art Digital Pigment Paintings
Materials
Digital Pigment
"Sol LeWitt (1)", Painting on cut aluminium, Pop Kinetic art, 60 x 60 cm
Located in Carballo, ES
The root of Guedes's work is located in the MADÍ movement, of Argentine origin and little repercussion in Spain, which attaches great importance to the tensions that are established ...
Category
21st Century and Contemporary Pop Art Digital Pigment Paintings
Materials
Digital Pigment
"Sol LeWitt (3)", Painting on cut aluminium, Pop Kinetic art, 60 x 60 cm
Located in Carballo, ES
The root of Guedes's work is located in the MADÍ movement, of Argentine origin and little repercussion in Spain, which attaches great importance to the tensions that are established ...
Category
21st Century and Contemporary Pop Art Digital Pigment Paintings
Materials
Digital Pigment
"Sol LeWitt (2)", Painting on cut aluminium, Pop Kinetic art, 60 x 60 cm
Located in Carballo, ES
The root of Guedes's work is located in the MADÍ movement, of Argentine origin and little repercussion in Spain, which attaches great importance to the tensions that are established ...
Category
21st Century and Contemporary Pop Art Digital Pigment Paintings
Materials
Digital Pigment
"Helio Oiticica (2)", Painting on cut aluminium, Pop Kinetic art, 60 x 60 cm
Located in Carballo, ES
The root of Guedes's work is located in the MADÍ movement, of Argentine origin and little repercussion in Spain, which attaches great importance to the tensions that are established ...
Category
21st Century and Contemporary Pop Art Digital Pigment Paintings
Materials
Digital Pigment
Alice Zilberberg - Bear With It, Photography 2019, Printed After
Located in Greenwich, CT
Bear With It
Series: Meditations
Photo-based painting on Canson Infinity Rag Photographique
Available sizes
30 x 32 in Edition of 15
40 x 42 in Edition of 12
60 x 62 in E...
Category
2010s Contemporary Digital Pigment Paintings
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
"Max Bill (3)", Painting on cut aluminium, Optical illusion
Located in Carballo, ES
The root of Guedes's work is located in the MADÍ movement, of Argentine origin and little repercussion in Spain, which attaches great importance to the tensions that are established ...
Category
21st Century and Contemporary Pop Art Digital Pigment Paintings
Materials
Digital Pigment
"Max Bill (4)", Painting on cut aluminium, Pop Three-dimensional art
Located in Carballo, ES
The root of Guedes's work is located in the MADÍ movement, of Argentine origin and little repercussion in Spain, which attaches great importance to the tensions that are established ...
Category
21st Century and Contemporary Pop Art Digital Pigment Paintings
Materials
Digital Pigment
"Max Bill (2)", Painting on cut aluminium, Conceptual art
Located in Carballo, ES
The root of Guedes's work is located in the MADÍ movement, of Argentine origin and little repercussion in Spain, which attaches great importance to the tensions that are established ...
Category
21st Century and Contemporary Pop Art Digital Pigment Paintings
Materials
Digital Pigment
Beauté du XVIIIe siècle 7, Agent X, Contemporary Art, Original digital painting
By Agent X
Located in Deddington, GB
Beauté du XVIIIe siècle 7 by Agent X [2022]
original and hand signed by the artist
Original Digital artwork on Canvas
Image size: H:147 cm x W:139 cm
Complete Size of Unframed Work:...
Category
21st Century and Contemporary Contemporary Digital Pigment Paintings
Materials
Canvas, Digital Pigment
Luis Miguel Valdes, "Garden", 2015, painting 53x74in
Located in Miami, FL
Luis Miguel Valdes (Cuban, 1949)
"Garden", 2015
Oil and Acrylic on Canvas
53 × 78 in
Unframed
Category
2010s Contemporary Digital Pigment Paintings
Materials
Canvas, Acrylic, Digital Pigment
Luis Miguel Valdes, "She also went", 2016, painting 48x72 in
Located in Miami, FL
Luis Miguel Valdes (Cuban, 1949)
"Ella también fue", 2016
Mixed media on Canvas
48 × 72 in (121.9 × 182.9 cm)
Unframed
Category
2010s Contemporary Digital Pigment Paintings
Materials
Canvas, Acrylic, Digital Pigment
Luis Miguel Valdes, "Andar la Habanera", 2015, painting 48x72 in
Located in Miami, FL
Luis Miguel Valdes (Cuban, 1949)
"Andar la Habanera", 2015
Mixed media on Canvas
48 × 72 in (121.9 × 182.9 cm)
Unframed
Category
2010s Contemporary Digital Pigment Paintings
Materials
Acrylic, Canvas, Digital Pigment
Luis Miguel Valdes, "My Left Hand", 2017, painting 58x83in
Located in Miami, FL
Luis Miguel Valdes (Cuban, 1949)
"My Left Hand" (Tribute to those who help", 2017
Oil and Acrylic on Canvas
58 × 83 in
Unframed
Category
2010s Contemporary Digital Pigment Paintings
Materials
Canvas, Acrylic, Digital Pigment
Luis Miguel Valdes, "Dancer", 2017, painting 59x78in
Located in Miami, FL
Luis Miguel Valdes (Cuban, 1949)
"Dancer" (Tribute to Carlos Acosta, 2017
Oil and Acrylic on Canvas
59 × 78 in
Unframed
Category
2010s Contemporary Digital Pigment Paintings
Materials
Canvas, Acrylic, Digital Pigment
FutArism 3.2, 2011
Located in ATLANTA, GA
Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...
Category
21st Century and Contemporary American Impressionist Digital Pigment Paintings
Materials
Digital, C Print, Digital Pigment
"SPRING FLOWERS 04042018 559pm", Abstract, Digital Print, Blue, Rose, Pink, Grey
By Justin Neely
Located in Toronto, Ontario
The abstract print "SPRING FLOWERS 04042018 559pm" is a digital artwork, created with the Brushes Redux iPhone app, and printed at 36x36" on museum-quality Canson Platine Fibre Rag 310gsm archival paper. As the title indicates, the artwork was created on April 4, 2018 at 5:59 pm.
While Justin Neely...
Category
21st Century and Contemporary Abstract Impressionist Digital Pigment Paintings
Materials
Archival Paper, Archival Pigment, Digital Pigment
Eternite
Located in Miami, FL
Artist Bio:
To watch Sébastien PRESCHOUX work is to agree to oscillate between the serenity of a work that lets itself be built without haste and t...
Category
2010s Abstract Geometric Digital Pigment Paintings
Materials
Wood, Wood Panel, Digital Pigment
"WHAT COLOR IS GOOD NIGHT? 07292018 1256am", Abstract, Digital, Black, Cream
By Justin Neely
Located in Toronto, Ontario
The abstract print "WHAT COLOR IS GOOD NIGHT? 07292018 1256am" is a digital artwork, created with the Brushes Redux iPhone app, and output at 36x36" on museum-quality Canson Platine ...
Category
21st Century and Contemporary Contemporary Digital Pigment Paintings
Materials
Archival Paper, Archival Pigment, Digital Pigment
FutArism Marker 2.2, 2011
Located in ATLANTA, GA
Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...
Category
21st Century and Contemporary American Impressionist Digital Pigment Paintings
Materials
Mixed Media, Digital, Digital Pigment
FutArism Marker 2.1, 2011
Located in ATLANTA, GA
Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...
Category
21st Century and Contemporary American Impressionist Digital Pigment Paintings
Materials
Digital, Mixed Media, Digital Pigment
FutArism Marker 1.2, 2011
Located in ATLANTA, GA
Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...
Category
21st Century and Contemporary American Impressionist Digital Pigment Paintings
Materials
Mixed Media, Digital Pigment, Digital
FutArism Marker 1.1, 2011
Located in ATLANTA, GA
Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...
Category
21st Century and Contemporary American Impressionist Digital Pigment Paintings
Materials
Mixed Media, Digital Pigment, Digital
"BISOUS 03312018 1125pm", Abstract, Digital, Archival Paper, Blue, Red, Yellow
By Justin Neely
Located in Toronto, Ontario
The abstract print "BISOUS 03122018 1125pm" is a digital artwork, created with the Brushes Redux iPhone app, and output at 36x36" on museum-quality Canson Platine Fibre Rag 310gsm archival paper. As the title indicates, the artwork was created on March 12, 2018 at 11:25pm.
While Justin Neely...
Category
21st Century and Contemporary Modern Digital Pigment Paintings
Materials
Archival Paper, Archival Pigment, Digital Pigment
FutArism 3.1, 2011
Located in ATLANTA, GA
Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...
Category
21st Century and Contemporary American Impressionist Digital Pigment Paintings
Materials
Digital Pigment, C Print, Digital
"FOR YOUR SAFETY 04072018 458pm", Abstract, Digital Print, Green, Black, Yellow
By Justin Neely
Located in Toronto, Ontario
The abstract print "FOR YOUR SAFETY 04072018 458pm" is a digital artwork, created with the Brushes Redux iPhone app, and printed at 36x36" on museum-quality Canson Platine Fibre Rag 310gsm archival paper. As the title indicates, the artwork was created on April 7, 2018 at 4:58 pm.
While Justin Neely...
Category
21st Century and Contemporary Street Art Digital Pigment Paintings
Materials
Archival Paper, Archival Pigment, Digital Pigment
"CY, SOL AND NOT AT ALL 03032019 1211am", Abstract, Digital, Orange, Pink, White
By Justin Neely
Located in Toronto, Ontario
The abstract print "CY, SOL AND NOT AT ALL 03032019 1211am" is a digital artwork, created with the Brushes Redux iPhone app, and printed at 36x36" on museum-quality Canson Platine Fi...
Category
21st Century and Contemporary Abstract Geometric Digital Pigment Paintings
Materials
Archival Paper, Archival Pigment, Digital Pigment
"YOU SAY X, I SAY I 05132018 822pm", Abstract, Digital, Pink, Silver, Blue, Red
By Justin Neely
Located in Toronto, Ontario
The abstract print "YOU SAY X, I SAY I 05132018 822pm" is a digital artwork, created with the Brushes Redux iPhone app, and printed at 36x36" on museum-quality Canson Platine Fibre Rag 310gsm archival paper. As the title indicates, the artwork was created on May 13, 2018 at 8:22 pm.
While Justin Neely...
Category
21st Century and Contemporary Abstract Digital Pigment Paintings
Materials
Archival Paper, Archival Pigment, Digital Pigment
"TRANSITIONS 07292018 126am", Abstract, Digital, Archival Paper, Yellow, Black
By Justin Neely
Located in Toronto, Ontario
The abstract print "TRANSITIONS 07292018 126am" is a digital artwork, created with the Brushes Redux iPhone app, and output at 36x36" on museum-quality Canson Platine Fibre Rag 310gsm archival paper. As the title indicates, the artwork was created on July 29, 2018 at 1:26 am.
While Justin Neely...
Category
21st Century and Contemporary Contemporary Digital Pigment Paintings
Materials
Archival Paper, Archival Pigment, Digital Pigment
"IMAGINED HEAT SPOTS 06212018 807pm", Abstract, Digital, Rose, Pink, Blue, Gold
By Justin Neely
Located in Toronto, Ontario
The abstract print "IMAGINED HEAT SPOTS 06212018 807pm" is a digital artwork, created with the Brushes Redux iPhone app, and printed at 36x36" on museum-quality Canson Platine Fibre Rag 310gsm archival paper. As the title indicates, the artwork was created on June 12, 2018 at 8:07 pm.
While Justin Neely...
Category
21st Century and Contemporary Abstract Geometric Digital Pigment Paintings
Materials
Archival Paper, Archival Pigment, Digital Pigment
"BROKEN MIRROR 03242018 607pm", Primitive, Digital Print, Flag, Purple, Red
By Justin Neely
Located in Toronto, Ontario
The abstract print "BROKEN MIRROR 03242018 607pm" is a digital artwork, created with the Brushes Redux iPhone app, and printed at 36x36" on museum-quality Canson Platine Fibre Rag 310gsm archival paper. As the title indicates, the artwork was created on March 24, 2018 at 6:07 pm.
While Justin Neely...
Category
21st Century and Contemporary Outsider Art Digital Pigment Paintings
Materials
Archival Paper, Archival Pigment, Digital Pigment
"CALL MY BOOKIE 04042018 600pm", Abstract, Digital Print, Black and White, Arrow
By Justin Neely
Located in Toronto, Ontario
The abstract print "CALL MY BOOKIE 04042018 600pm" is a digital artwork, created with the Brushes Redux iPhone app, and printed at 36x36" on museum-quality Canson Platine Fibre Rag 3...
Category
21st Century and Contemporary Contemporary Digital Pigment Paintings
Materials
Archival Paper, Archival Pigment, Digital Pigment
"NO, GRIMACE, NO! 04082018 356pm", Abstract, Digital, Orange, Purple, Cat, 2018
By Justin Neely
Located in Toronto, Ontario
The abstract print "NO, GRIMACE, NO! 04082018 356pm" is a digital artwork, created with the Brushes Redux iPhone app, and output at 36x36" on museum-quality Canson Platine Fibre Rag 310gsm archival paper. As the title indicates, the artwork was created on April 8, 2018 at 3:56 pm.
While Justin Neely...
Category
21st Century and Contemporary Abstract Digital Pigment Paintings
Materials
Archival Paper, Archival Pigment, Digital Pigment
"MURDER IS NOT THE CONSEQUENCE... 08152018 212am", Abstract, Digital, Orange, X
By Justin Neely
Located in Toronto, Ontario
The abstract print "MURDER IS NOT THE CONSEQUENCE... 08152018 212am" is a digital artwork, created with the Brushes Redux iPhone app, and printed at 36x36" on museum-quality Canson Platine Fibre Rag 310gsm archival paper. As the title indicates, the artwork was created on August 15, 2018 at 2:12 am.
While Justin Neely...
Category
21st Century and Contemporary Contemporary Digital Pigment Paintings
Materials
Archival Paper, Archival Pigment, Digital Pigment
"OVERHEAD LIGHTS 04282018 158am", Abstract, Digital Print,
By Justin Neely
Located in Toronto, Ontario
The abstract print "OVERHEAD LIGHTS 04282018 158am" is a digital artwork, created with the Brushes Redux iPhone app, and printed at 36x36" on museum-quality Canson Platine Fibre Rag 310gsm archival paper. As the title indicates, the artwork was created on April 28, 2018 at 1:58 am.
While Justin Neely...
Category
21st Century and Contemporary Abstract Digital Pigment Paintings
Materials
Archival Paper, Archival Pigment, Digital Pigment
Potrait, Mixed Media Painting, Red, Pink, Black, White Indian Artist "In Stock"
Located in Kolkata, West Bengal
Dipali Bhattacharya - Untitled - 20 x 20 inches (unframed size)
Mixed Media on canvas
Inclusive of shipment in roll form.
Style : Bhattacharya works in many mediums but finds that s...
Category
Early 2000s Contemporary Digital Pigment Paintings
Materials
Canvas, Mixed Media, Archival Ink, Acrylic, Digital Pigment
Nancy Baker, Registration 1, 2017, paper, acrylic, digital pigment print
By Nancy Baker
Located in Darien, CT
In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres...
Category
2010s Abstract Geometric Digital Pigment Paintings
Materials
Paper, Acrylic, Digital Pigment
Nancy Baker, Eternal Bar Codes, 2017, paper, acrylic paint
By Nancy Baker
Located in Darien, CT
In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres...
Category
2010s Abstract Geometric Digital Pigment Paintings
Materials
Paper, Acrylic, Digital Pigment
Nancy Baker, Registrating Green, 2017, paper, acrylic, archival digital print
By Nancy Baker
Located in Darien, CT
In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres...
Category
2010s Abstract Geometric Digital Pigment Paintings
Materials
Paper, Acrylic, Digital Pigment
Nancy Baker, Pink Golden Section, 2017, paper, acrylic paint
By Nancy Baker
Located in Darien, CT
In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres. This collapsible, frantic universe parallels the global climate created by our current administration.
Nancy Baker is compelled to put things together; underscoring the process of combining and interlocking forms in elegant configurations, she interweaves mathematical data in her constructions that speak to her need for stasis and a reliable reality. The recently new experience of living once again in an urban environment has made her sensitized to the dominating forces of infrastructure, and to those corresponding interstitial spaces that, arouse wonder and anxiety. The competition for space and sky has been instructive; her work reflects this struggle by recreating the battlefield in the studio, and attempting to tame it, and ultimately, to own it.
For the exhibit, No Regrets, Baker seizes upon current political anxiety that informs her series of works which employ text from the US Constitution, in addition to mathematical constructs such as Pi, and the Golden Section...
Category
2010s Abstract Geometric Digital Pigment Paintings
Materials
Paper, Acrylic, Digital Pigment
Nancy Baker, Pink Box, 2017, paper, acrylic paint, digital pigment print
By Nancy Baker
Located in Darien, CT
In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres...
Category
2010s Abstract Geometric Digital Pigment Paintings
Materials
Paper, Acrylic, Digital Pigment
Pop Mouth - dimensional wall sculpture
By Chloe B
Located in Miami, FL
Mixed media wall sculpture (the shadows become part of the art)
Limited and signed edition, number 8 of 8
It all begins with her contagious « joie de vivre », energized looks, iconoclastic personality and undeniable stamina. The young but well-established artist Chloé B...
Category
2010s Pop Art Digital Pigment Paintings
Materials
Metal
Pop Heart - dimensional wall sculpture
By Chloe B
Located in Miami, FL
Signed and limited edition, number 8 of 8; Edition of 8 + 4 AP.
Mixed media wall sculpture.
It all begins with her contagious « joie de vivre », energized looks, iconoclastic personality, and undeniable stamina. The young but well-established artist Chloé B...
Category
2010s Pop Art Digital Pigment Paintings
Materials
Metal
Real Rhinos Wear Pink
Located in Santa Monica, CA
A delightful new work by the artist
Category
21st Century and Contemporary Digital Pigment Paintings
Materials
Digital Pigment
Digital Pigment paintings for sale on 1stDibs.
Find a wide variety of authentic Digital Pigment paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add paintings created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, purple, pink, blue and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Justin Neely, Amir Baradaran, Alice Zilberberg, and Nancy Baker. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Digital Pigment paintings, so small editions measuring 0.1 inches across are also available
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