Fabric Paintings

Antique American impressionist oil painting. Oil on canvas. Framed. Signed verso. Measuring 33 by 25 inches overall and 32 by 24 painting alone.

This remarkable mid-17th-century oil painting, which probably originated in the Naples region of Italy, depicts Saint Jerome in penitence with a skull and sleeping lion. It’s reminis...

Oil Painting of a Woodland Scene in the English Countryside by 20th Century Modern British Artist, James Wright Art measures 30 x 16 inches Frame measures 36 x 22 inches This 198...

In this contemporary abstract painting in flashe on canvas, thin, carefully ordered stripes of color in gradient shades of soft hues, starting with a pale peachy shade of ivory beige...

The garden XV. Butterflies The original painting, inspired by the feeling of summer, was painted by Andrei Sisko using purple, pink, blue, lilac, yellow and light green tones in his ...

Antique French important portrait oil painting by Achilles Theodore Cesbron (1849 - 1915). Oil on canvas. Signed. Framed. Measuring 21 by 29 inches overall and 12 by 20 painting alone.

Still Life with Apples is an exquisite still-life painting that captures a quiet moment of abundance and peace. On a humble wooden table lies a cluster of ripe apples, their rosy and...

Early Morning St. AM 1987 (Impressionist Figurative City Scene by William Clutz) Impressionist Painting of A Man Crossing a Street in Manhattan in the Early Morning Sunlight Colorful Painted by William Clutz in 1987 50" X 40" x 2", oil on canvas This figurative oil on canvas was painted in 1987 by William Clutz as part of a series of works called "Crossings". These paintings were a study of NYC dwellers engaging in the simple, daily activity of crossing the street. Clutz discovers the extraordinary in the ordinary, simply by studying how the sunlight bounces and reflects off the human form. In New York in the early 50's and 60's,, abstract expressionism was the orthodox approach to art at the time. However, Clutz was committed to his personal style that focused on abstracted human figures within urban tableaux. Working in a context of artists who challenged abstract expressionism's popularity in New York, Clutz established himself as a significant proponent of abstract figuration. His paintings focus on human figures within the urban environment, often exposing the transfiguration of his subjects as they travel through the complex light of city streets or summer parks, as shown in two of his early works. Clutz's interest in working from direct observation of urban life was influenced by a long-standing interest in German Expressionism, as well as artists like Henri Matisse, Arshile Gorky, and Nicholas De Stael...

"Love in Hope" is a framed contemporary oil on canvas painting by Amy Donaldson features an abstracted landscape. The artist uses energetic, textured brushstrokes and a vibrant mix o...

Peter Kuttner’s "Pale Green Dream II" is a delicate and whimsical mixed-media composition, measuring 28 x 28 inches. Set against a soft, pale green background, the artwork features a...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Oil painting on wooden panel realized by Marco Fariello in 2025. Fortune, blind and unpredictable, has always had a central place in the collective imagination, especially in Neapol...

Pocket White Anemone 5 c is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque st...

Alessandro Salucci (Florence 1590 - Rome c. 1655/60) - Architectural Capriccio with Characters. 73.5 x 106.5 cm without frame, 84 x 116.5 cm with frame. Antique oil painting on can...

This rare 1965 abstract painting by Joan Semmel captures a pivotal moment in the artist’s evolution. Created during her seven-year residency in Madrid, this work reflects Semmel's tr...

➡️ Beautiful study Landscape⬅️ Title: Sur les bords du Loing (Seine et Marne France) Jean Baptiste Camille Corot Medium: Oil on canvas Period: Likely mid-19th century Framing: A wid...

With a contemporary perspective on landscape painting and inspired by paintings created by old masters, German artist Katharina Husslein paints in a representational manner to captur...

Clara Berta’s acrylic and mixed-media paintings blend texture and color to create harmony, mystery, and depth on the painted surface. Her paintings transform spaces into Zen environm...

The Dismounted Hunter, Sir William Rowley, circa 1800 by DEAN WOLSTENHOLME (1757-1837) sales to $70,000 Large circa 1800 English Hunting scene of a dismounted huntsman, horse and t...

Amber Goldhammer’s “Live, Laugh, Love”, a striking 36-inch high by 60-inch wide metallic graffiti-inspired painting, exemplifies the artist’s signature blend of urban street art ener...

"Abstract Composition" by Sally Bradshaw (British, b.1962) 2 x oil paintings on canvas each painting: 20 x 16 inches Superb original pair of modern abstract expressionist paintings...

This still life oil painting by John Traynor captures a scene of a large bouquet of purple and pink lilacs in a colorful, porcelain vase. It sits on an off-white fabric next to a lemon which is half peeled, the peel spiraling off the edge of the table on which it sits. The wall behind the bouquet of flowers is a warm, earthy sienna. The painting is signed by the artist along the lower right-hand edge of the canvas. It is 20" x 24", and 27" x 31" framed. The frame is an ornate metal-leaf frame with a linen liner. It is wired and ready to hang. Professionally framed in classic, antiqued, closed corner frame. Frame is metal leaf gold. John C. Traynor's painting style is reminiscent of some 19th century painters and the Dutch Masters. He uses his knowledge of light and color to create a certain mood in each of his works. The creation of atmosphere is an important element in Traynor's paintings. Painting outdoors, on location, is a prime source of inspiration and ideas for his landscapes. John travels extensively, painting the landscapes around him. John was born in 1961 and spent his early years in Chester and Mendham, New Jersey. His art studies began at Delbarton School in Morristown, New Jersey, and from there he furthered his education at Paier College of Art in New Haven, Connecticut. He studied figure painting at the Art Students League of New York, as a merit scholar, with Frank Mason. Traynor continued his studies in Vermont with Mr. Mason on landscape painting, drawing with Carroll N. Jones Jr. of Stowe, Vermont and sculpture with Brother Jerome Cox...

Italian painter (18th century) - Saint Monica in prayer. 56 x 32 cm. Antique oil painting on canvas, without frame (not signed). Condition report: Good state of conservation of th...

Hunt Slonem (American, b. 1951), "Hornbills", Oil on Canvas, 1995, impasto Neo-Expressionist piece, signed, dated, titled, and numbered "JEM0664" to verso, with a Certificate of Auth...

Country scene - Oil on canvas cm.80x120, Giovanni Santaniello, Italy 2002 Gold gilded wooden frame available on request The painting by Giovanni Santaniello depicts a scene of return...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2024 Style: Impressionism, Title: Calm Meadow, Size: 43" x 56.5" x 1...

Man in Blue French School, circa 2000 oil painting on canvas, framed canvas: 60cm x 50cm framed: 76cm x 66cm Superb decorative French portrait of a young man, painted in blue. Wonde...

Clara Berta’s acrylic and mixed-media paintings blend texture and color to create harmony, mystery, and depth on the painted surface. Her paintings transform spaces into Zen environm...

"Nude in the Mirror" is inspired by Magritte's "The Lovers" painted in 1928 in his Surrealist period. Original, unique painting. 70x60cm / 27.5x23.5in Part of the "Nude in Interi...

In this contemporary abstract painting in oil on linen mounted on panel, carefully ordered patterns, geometric shapes and delicate lines in light green, robin's egg blue and pale pea...

In this oil painting, I've captured the essence of a vibrant autumn, blending impressionism with realism to evoke the warmth of the season. The vivid colors dance with energy, symbol...

Vivid late 1970's floral still-life featuring a colorful bouquet by Doro (American, 20th Century), 1979. Signed and dated "Doro 1979" lower left. Unframed. Image size, 24"H x 18"L.

Hiroshi Sato's "Alley Shadow," created in 2024, is an original oil painting on canvas, measuring 54 x 70 inches (137.16 x 177.80 cm). This captivating piece showcases Sato's masterfu...

Artist: Francis Wynne Thomas (1907-1988), signed Painter and art teacher born in Bromley, Kent. He was an architectural graduate from Cambridge University but went on to study art at Heatherleys (193-34) under Frederick Whiting. Title: Portrait of a Stylish Lady...

Untitle -Oil on canvas cm.170x122 - Massimo Caiafa Italy 2009. Abstract painting on canvas inspired by Maestro Mimmo Paladino.Lacquered wooden frame.

Charles Towne (1763-1840) A bay hunter in a landscape signed and dated 'Charles Towne Pinxit 1816' lower left Oil on canvas Painting Size - 20 x 26 Framed Size - 25 x 31 in Provena...

Dark Bay Hunter IN A Landscape, 19th Century Daniel CLOWES (1774-1829) Large 19th Century English dark bay hunter in a landscape, oil on canvas. Excellent quality and condition sid...

Frame size 91x110 cm. Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that worl...

Oil on canvas by Charles PICART LE DOUX (1881-1959), France, 1939. The Beautiful Girl. With frame: 85.5x72.5 cm - 33.7x28.5 inches ; without frame: 73x60cm - 28.75x23.6 inches. 20F f...

This painting reflects my deep admiration for the beauty and resilience of nature. Through oils, I've harmonized impressionism with realism to capture the spontaneity and wispy essen...

Olf is a unique acrylic on canvas painting by contemporary artist Ramon Enrich, dimensions are 40 × 60 cm (15.8 × 23.6 in). The artwork is signed, sold unframed and comes with a cer...

The Queen by Diogène Ulysse Napoléon Maillart (French, 1840 – 1926) *see notes below oil painting on canvas, framed canvas: 42 x 30 inches framed: 45 x 33 inches condition: overall v...

Vibrant tidal pool seascape at sunset at Manresa Beach in Santa Cruz by Cecil F. Chamberlin (American, 1899 -1963), circa 1950. Translucent wave and breaking wave add interest and de...

Beautiful mid century Joshua Tree desert landscape with desert flowers in bloom by an unknown California artist Briggs (American, 20th Century). Signed "Briggs" along stretcher bar (...

The depiction of a young white cow on a black background using oil paints creates a unique and captivating painting. Its endlessly playful expression gives the artwork a special char...

José Luis Florit Rodero (1909-2000) - Venice Venezia Italy - Oil on canvas Oil measures 50x61 cm. Frameless. José Luis Florit Rodero (Madrid, 1909-Pa...

Unidentified Artist, 20th Century – "View of Samarkand" Medium: Oil on canvas Dimensions: 106 x 73 cm (unframed), 130 x 92 cm (framed) Signature: Lower left corner (illegible) Pro...

Perseo and Andromeda - Oil on canvas cm.120x80, Eugenio De Blasi, Italy, 2005. Gold gilded wooden frame available on request This is his reinterpretation of a large ancient painting...

"Bobby's Nightmare" by Rudolf Kosow is a striking blend of humor and surrealism, juxtaposing an exaggeratedly expressive pug with an intense military scene. The dog's bulging eyes, lolling tongue, and shocked expression contrast sharply with the highly detailed helicopter and soldiers descending from the sky, creating an absurd and unexpected composition. The painting plays on the idea of a pet's anxiety, turning an ordinary moment of canine surprise into an action-packed, almost cinematic spectacle. The hyperrealistic rendering of the pug’s fur and facial details enhances the surrealism, making the implausible scene feel eerily convincing. With its mix of realism and whimsy, Bobby’s Nightmare captures the chaotic energy of an overactive imagination—whether that of a dog startled by its surroundings or a playful human interpretation of a pet’s exaggerated emotions. keywords; painting on canvas, surrealist painting, americana...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Georgine Lara English Village landscape A painting by Georgina Lara depicting a 19th-century English village scene offers a charming and evocat...

A stunning 19th century English Antique oil landscape with cows resting by a river. Alfred Vickers was a painter of marine subjects and landscapes. He exhibited extensively througho...

Anita Johnson Untitled (Seated Nude with Red Frames), c. 1970s Oil on canvas Framed dimensions: 37 in. H × 31 in. W Original artist-selected floater frame Exhibited at the Memorial ...

This rare mythological scene depicting the Greek author Homer on the island of Scyros. You will notice the Trojan War being fought in the background. Our painting, dating from 1864, is unsigned, but has a solid attribution to academic artist Henri-Léopold Lévy...

18th Century Military portrait of a young officer in Napoleonic period military dress. The painting is not signed but the subject is Major Alexander Brown. The work is oil on canvas later mounted on board and presented in a fine 'Regence style' carved gilt frame. There are labels to the back referring to the subject, 'Major Brown of Trinity' and a framers trade label from Edinburgh. A magnificent and imposing portrait of a young military officer in the prime of his life. His red uniform adorned with fine buttons, fringed epaulettes and high gilt collar. His ruddy complexion offset by his stylish hair, a quiff and swept forward to the sides as was the fashion at the time. Sir David Wilkie RA (18 November 1785 – 1 June 1841) was a Scottish painter, especially known for his portraits, including formal royal ones, and scenes from his travels to Europe and the Middle East. He painted successfully in a wide variety of genres, including historical scenes. His main base was in London, but he died and was buried at sea, off Gibraltar, returning from his first trip to the Middle East. He was sometimes known as the "people's painter". He was Principal Painter in Ordinary to King William IV and Queen Victoria. Apart from royal portraits, his best-known painting today is probably The Chelsea Pensioners Reading the Waterloo Dispatch of 1822 in Apsley House. Sir David Wilkie was actually admitted in 1799 (despite only being 14) through the influence of the Earl of Leven...

Contemporary figurative painting with lots of details and movement. Beautiful statement piece for any art collection. Combining a lot of different colors in any interiors and settin...

Mid 20th Century oil on canvas portrait of a mother and child by the noted Franco Spanish artist Pere Modesto Luis Creixams. The painting is signed bottom left and presented in a very fine patinated wood frame. This vibrant painting portrays an intimate moment between a mother and her child, capturing the depth of their bond. Creixams employs a dynamic palette of blues, greens, and warm earthy tones, creating a harmonious contrast that emphasizes the tenderness of their connection. The mother, clad in a vivid, multi-hued garment, appears to be in motion, her gentle gaze focused intently on the child cradled in her arms. The child, painted with delicate brushstrokes, mirrors her affectionate expression. The background features abstract floral and geometric shapes, adding depth and complexity. The expressive use of brushwork and colour conveys emotion, movement, and warmth. This painting stands as a timeless celebration of maternal love and the nuances of human emotion. Its captivating composition invites viewers to engage with the serene yet dynamic energy of the scene. Pere Créixams (9 November 1893 – 1965) was a Spanish painter and illustrator. A figurative and self-taught painter, his work reflects both the sources of the School of Paris and Catalan painting. Throughout his life, he divided his time, between Spain, his native country, and France, his adopted country. Pere Créixams began his studies at the Escuela Moderna (the Modern School). He travelled in 1917 to Paris, in Montparnasse. He made his debut with François Bernouard, at La Belle Édition in 1917. The meeting with the writer Florent Fels was decisive. He introduced him to all of intellectual Paris: the poet, art critic and writer André Salmon who nicknamed him Pierre the Printer, the Swiss writer Blaise Cendrars, Max Jacob, André Malraux, Raymond Radiguet, André Salmon and the painter Amedeo Modigliani. Creixams continued his art under the advice of the painter Othon Friesz and it was the time of his first successes. He exhibited in 1921 at the Café du Parnasse and at the Galerie Montaigne in Paris. His portraits of women are marked by the style of the illustrious representative of the School of Paris, Amedeo Modigliani. Florent Fels introduced him to the famous Parisian art dealer Paul Guillaume, who was located at 39, rue La Boétie. The latter offered to sign a contract to commit to delivering all his artistic production to him from November 1921 to June 1922. Creixams' paintings are exhibited alongside those of André Derain, Pablo Picasso, Maurice de Vlaminck, Henri Matisse and Amedeo Modigliani... Subsequently, Creixams worked with the gallery owner Pierre Loeb with whom he signed a contract in 1925. Located at the corner of Rue de Seine and Rue des Beaux-Arts, the famous Pierre Gallery which, from 1927 to 1963, represented many artists who marked the twentieth century (Braque, Klee, Chirico, Derain, Dufy, Gromaire, Léger, Miro, Pascin, Picasso, Soutine, Masson, Man Ray...) In painting, he turned to his Spanish ancestors, El Greco, Francisco de Goya, Diego Velázquez in order to affirm their artistic heritage. His admiration for Pablo Picasso was also felt in his production of the 1920s and he learned the lesson of the painter of the poor, the acrobats and the guitarists. From 1922, he settled in Montmartre and frequented the former members of the Bateau-Lavoir such as Pablo Picasso, Max Jacob, André Salmon. His friends in Florent Fels' literary circle supported him and Creixams then became friends with writers. The painter became an illustrator and collaborated with the writer and publisher duo Pascal Pia and René Bonnel on the unpublished poem by Charles Baudelaire, published from the original manuscript, which he adorned with eight etchings. In 1928, he exhibited at the Salon d'Automne and also took part in the Salon des Indépendants and the Salon des Tuileries. Creixams made a name for itself by exhibiting in Parisian galleries and salons. (Salon des Indépendants, Salon d'Automne, Salon des Tuileries). In Paris, he befriended Catalan artists, like him exiled, or staying in the French capital, such as Joaquín Torres García, Eugenio d'Ors and Joan Miró. In Barcelona, in the same way, Creixams maintained friendships. His meeting with the critic and painter Rafael Benet opened the doors to the Barcelona artistic world. Creixams was a total success: he was presented in the city's avant-garde galleries, in salons and his works attracted the eye of collectors (Galeríe Dalmau, Sala Parés, Syra Art Galleries). He exhibits his works regularly at the Exposició de Primavera [Spring Exhibition], Saló de Montjuïc. Creixams' painting was first inspired by the Catalan noucentista. This movement, which began around 1906 and lasted until the beginning of the civil war in 1936, was artistic and political and proposed a renewal of society. Eugenio d'Ors, the theoretician of this new aesthetic, wanted an artistic regeneration in Catalonia. Then Creixams quickly evolved towards a popular and direct realism claimed by the new generation of artists called Generació del 17. His landscapes are very constructed, geometrized, the result of a great admiration for Paul Cézanne. Creixams' attachment to his country was manifested in regular visits to Catalonia throughout his life. The summer period was privileged and the small fishing village of Tossa de Mar welcomed the artist during many stays. These returns to Catalonia bring Creixams a new inspiration and a more personal style. Tossa, a haven of peace and a site of great beauty, became a real artistic and intellectual centre under his leadership. Creixams and Benet brought with them their Catalan friends: Emili Bosch Roger, Francesc Camps Ribera, Josep Gausachs, Francesc Domingo, Josep Mompou, Manuel Humbert, Emili Grau Sala, Enric Casanovas. But the attraction went beyond the Catalan borders thanks to the knowledge of the artist who invited his Parisian friends, writers, led by Florent Fels, Georges Charensol, Georges Duthuit and artists such as Albert Marquet, Roger Wild, Georges Kars and Marc Chagall. After spending the summer of 1934 in Tossa in the company of many artists, Creixams did not return to Paris and remained in Catalonia until 1937. In fact, he was appointed professor at the Escola Superior de Paisatge d'Olot. Then came the year 1937, marking a historical and political turning point for Catalonia and Spain. Creixams is artistically committed to the Republicans. It was at that time that the Catalan government chose him to illustrate a propaganda work published by the Commissariat de Propaganda de la Generalitat. He experienced the first armed clashes in Barcelona, but finally, as the situation deteriorated, he returned to live in Paris on February 20, 1937. He left Catalonia in the middle of the civil war and only returned after an eleven-year exile. Following his committed drawings, in 1939 he produced canvases illustrating the Retirada depicting the flight to France of thousands of Spanish Republicans. This return to France, during the Second World War, and the period of the Occupation were difficult. But Montmartre once again welcomed him with open arms and Creixams met up with his friends from the Butte, writers, painters and songwriters. He then became an essential figure in Montmartre alongside Marcel Aymé, Pierre Mac-Orlan, Gen Paul among others. The traditional party atmosphere that reigns in Montmartre suits the bon vivant character of Creixams perfectly. The distance from his native country for several years resulted in a painting with deep Spanish accents. Creixams,in 1938, again participated in the various Parisian salons. In addition, he exhibits as a Montmartre artist in group exhibitions but also alongside his Catalan compatriots. Regular solo exhibitions are devoted to him by Parisian galleries. (Delpierre Gallery, Petridès Gallery, Élysée Gallery, Charpentier Gallery...) Around 1940, Creixams met Nana de Herrera (1905-1991) and from their love was born a child, Ramon de Herrera. Nana de Herrera, a major figure in Parisian social life during the Roaring Twenties, is a Spanish classical ballet dancer. She was the model for Max Ponty for his design of the famous Gitanes cigarette packet (from the Seita). She also played a few film roles, both before and after the war. It is famous, among other things, for the portrait made by Tamara de Lempicka...

This is the country of people who seek lovelessness in love, and lovelessness in this country. Strangeness and fear on one, melancholy and worthlessness on the other…. But what will ...

The painting "Waiting" is painted on canvas with oil paints in impasto style. A very cute story with a cat sitting in the window of an old house, waiting for its owner. A wonderful...

Maria C Bernhardsson's original artworks are influenced by the architecture and geometry of houses. Born in Sweden, Bernhardsson travels the world photographing and sketching houses ...