Graphite Paintings

Convergence in Blue by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 24 x 38. Rose Umerlik extracts the intangible emotional moments that live in our collect...

Yvette Cohen makes art that transforms space. Her oil paintings of geometric masses of color on shaped canvas look sculptural, but mount flat on the wall. Paintings become objects ...

Yvette Cohen makes art that transforms space. Her oil paintings of geometric masses of color on shaped canvas look sculptural, but mount flat on the wall. Paintings become objects ...

Yvette Cohen makes art that transforms space. Her oil paintings of geometric masses of color on shaped canvas look sculptural, but mount flat on the wall. Paintings become objects ...

Yvette Cohen makes art that transforms space. Her oil paintings of geometric masses of color on shaped canvas look sculptural, but mount flat on the wall. Paintings become objects ...

Yvette Cohen makes art that transforms space. Her oil paintings of geometric masses of color on shaped canvas look sculptural, but mount flat on the wall. Paintings become objects ...

Ellen Hackl Fagan creates works of art focused on building a visual language. Primer is a large acrylic on canvas painting that was painted during the attacks on NYC on 9/11. She used the alphabet as a metaphor, as a way towards communicating anew with one another. The alphabet is a recurring theme in Fagan's work, ranging from interactive, ColorSoundGrammar works to painting, sculpture, lost languages...

Inviting the accidental while painting, the artist's materials continue to reveal limitless possibilities for improvisation, like jazz music. Influenced by scientific theories-both real and imagined, kitsch, music, decorative art and indigenous textiles, Fagan's abstract paintings and interactive performance build connections between color and surface to sound. This exploration has led to creating a series of interactive games with viewers, the most recent being The Alphabet Game. To play, viewers select, from colored squares, the color(s) that best represent each note in the familiar ABC Song melody. Through these playful interventions their thoughts about color and music are explored in-depth. Documenting their responses in the form of photographs and notes in journals, Fagan has compiled the results of fifteen artists who played the Alphabet Game during a lecture on color where the artist was the guest presenter in order to create this particular painting. Fagan distilled the data gathered and painted this visualization of a color/sound alphabet based on the colors selected by this artist's group. These alphabet paintings introduce a wonderful completion to this pseudo-scientific investigation and celebrate painting...

Portraits of Androids, Blond Sophia #1, 2018 Hand embellished monoprint on canvas 47 1/5 × 35 2/5 in 120 × 90 cm Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a way to better understand humanity, authenticity, identity, and memory in the early 21st century. The installation, inspired in part by the dystopian literary works of George Orwell, Mary Shelley, Philip K. Dick, Isaac Asimov...

Abstract geometric composition by California artist Jay Weiner (American, 20th Century). Signed and dated "Jay Weiner 2006" in the lower right corner. No frame.

Generous by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 48 x 36. This is part of a new 2022 series. According to Umerlik, " I became a mother this past ye...

A handsome man and a beautiful woman are depicted in a rapturous pose. Their bodies are intertwined with each other and with the surrounding floral elements. This masterfully render...

Completing by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 49 x 36. This is part of a new 2022 series. According to Umerlik, " I became a mother this past ...

Graphite on nautical chart collage, torn and reassembled. A sailboat stands tall, out of water, the bow taking center stage of the composition. The boat rests on three skinny support...

Geometric Landscape mixed media on canvas 40x60 cm Original Art In Marilina Marchica's work, architecture takes on a symbolic value in relation to collapses and demolitions and i...

"It's Springtime Somewhere In the World" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium, and pastel powder, and rice paper on a cradled wood panel; measuri...

Figurative colorful Painting Mixed Media Wall Art for Sale "Damespiel 2" by Skadi Engeln Experience the enchanting and mysterious world of "Damenspiel 2" a unique artwork that stimu...

Tango Boardgame with Markers-acrylic paint, graphite, decorative paper, found objects and marked tissue paper on canvas. The board game of life, as with tango, metamorphically has ma...

Sheppard’s recent month-long excursion across Italy, France, and Monaco served as inspiration when creating “Pink Kink David” which draws inspiration from Michelangelo’s “David”. The...

Here we have a Surreal Male Nude by a famous Cuban artist Carlos Macia (1951-1994). *** please excuse the photos, it is under glass and there are reflections of a yellow light. I’v...

Elfi Schuselka (Austrian, b. 1940), Surrealist Composition, Mixed Media on Paper, stamped "Studio / Elfi Schuselka" to verso. 39.75" H x 29.75" W. Provenance: From the Collection o...

Louis Eisner Box 36, 2013 signed and dated 'Louis E 2013' on the reverse Oil, graphite and ink on linen 55.0 x 44.7 cm Louis Eisner’s paintings vary in imagery and subject—and somet...

Oil, charcoal, wax, pigment, and graphite on canvas. Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotat...

Nauset by Joseph Conrad-Ferm, 2021 Acrylic paint, spray paint, marker, oil pastels, color pencil, and graphite on canvas. W 48" x H 60" x D 1.5" "Nauset beach is one of the most m...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

traces, minimalist painting on canvas medium size original art 80x60 cm the painting is sold stretched out on a wood frame ready to hang...

graphite & ink on trace paper

"Bliss in Bloom" is a profile portrait of an elegant and powerful woman in a headscarf adorned with strings of beads. Vibrant flowers crown her head and fall gently along the edges o...

graphite on mylar

gouache & graphite on mylar

Genichiro Inokuma, Japanese (1902 - 1993) - Subterranean III, Year: 1970, Medium: Graphite, gouache and collage on board, signed and dated lower le...

Genichiro Inokuma, Japanese (1902 - 1993) - Subterranean II, Year: 1970, Medium: Gouache, Graphite and Collage on board, signed and dated in pencil...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent...

Stone Lantern in Tyme II, cold wax, monoprints, oil stick on canvas, 2024. The symbols inherent in the gorintō, the stone lantern, are: the cube (Earth) representing stability, groun...

Mario Schifano (Homs 1934 - Rome 1998), Untitled (Window) (1980-1981) Enamel and graphite on canvas 100 x 70 cm, labels of Mario Schifano Foundation and HR Docks Gallery are on the...

Materials: Graphite and hand-sewn beads on primed linen MONICA ZERINGUE received her Masters of Fine Arts from the University of New Orleans in 2006, and her BA in 1993. In 1999 she...

"Unapologetically Me" depicts a portrait of a young person holding who is looking straight at the viewer. Their eyes have a serene expression. The subject has dreaded hair, a colorfu...

Rooted in observation and fueled by a curiosity about the behavior of objects and handicraft processes, Carly Glovinski makes paintings, sculpture and works on paper that often teeter between representation and abstraction. Letting craft techniques like weaving inform her mark making, her work mimics everyday objects and highlights geometric pattern and structure found in textiles, while exploring the resourceful attitudes associated with domestic craft and rural communities that prioritize placemaking in concert with nature. She received her BFA from Boston University in 2003 and is represented by Morgan Lehman Gallery...

Stone Lantern in Tyme I, cold wax, monoprints, oil stick on canvas, 2024. In the metaphor of lanterns of light, they open tyme/space, but they can also close it down. A flickering la...

Marie Gardeski grew up in Grand Rapids, Michigan. She received her BFA from the Maryland Institute College of Art and her MFA from the Cranbrook Academy of Art, and currently lives i...

Marie Gardeski grew up in Grand Rapids, Michigan. She received her BFA from the Maryland Institute College of Art and her MFA from the Cranbrook Academy of Art, and currently lives i...

Marie Gardeski grew up in Grand Rapids, Michigan. She received her BFA from the Maryland Institute College of Art and her MFA from the Cranbrook Academy of Art, and currently lives i...

John Selburg was born and raised in Peoria, Illinois. He holds a BFA in Drawing, Sculpture, and Graphic Design from Bradley University (2006), and an MFA from the University of Misso...

Graphite, Watercolor, and Dry Pigment on Canvas.

Sentinel at the Border Graphite and monoprints on canvas. Vast frontiers require a watchful eye, whether in the terrain of the physical world or the world of ideas. This image calls ...

ABOUT THE ARTIST Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes in the manufacturing of pigm...

Skylar Fein was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...

Cry Me a River (a fleuve) 2017 cca. Acrylic, graphite, pen, gesso and gel medium on paper 22 x 30 inches

JERRY BERNECHE Untitled (Cats & Dogs No. 11), 1965 Charcoal on paper 28.5 x 22.5 inches

Oil, charcoal, wax, pigment, and graphite on canvas. Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotat...

Diptych Moloka’i Spirit Dances, Art Graf, monoprint, tissue paper on Rives BFK, 2021. The island natives appear to be part of the earth. With a swinging gait, their body language is ...

Amulet, metal object with rust paint mixed media on wood panel, 2020. Amulet, on a wood panel, applied rust and acrylic paint and mixed media, suggests how an object is precious as i...

24"x30" oil, graphite on canvas, signed on reverse by the artist. This contemporary abstract painting by New York artist, Mark Masyga is visually laid out with painted lines of color intertwined and layered on top of each other. The neutral warm grey ground is activated by the multiple layers of paths of blues, beige, cream white, dark greys and near blacks, interspersed with fine curved and bent lines of light green, orange, lavender and rose pink. This is an engaging linear abstract painting with an immense visual depth of field. This painting is featured in a solo show released by the Front Room Gallery in New York, entitled, "Charitable Deceptions". In this new body of work, the title “Charitable Deceptions,” refers to a passage written by Gabriel García Márquez in which, “…memory eliminates the bad and magnifies the good.” Mark Masyga ruminates on this concept through his process of addition and subtraction in his compositional constructions. The linear abstract paintings in this exhibition chronicle a passage of time as explored through the artist’s application...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

Based in the New Haven, CT area, Barbara Marks creates sumptuous, multicolored paintings. Her canvases are small in scale, compared to the mid-century abstractionist traditions they ...

Based in the New Haven, CT area, Barbara Marks creates sumptuous, multicolored paintings. Her canvases are small in scale, compared to the mid-century abstractionist traditions they ...

Based in the New Haven, CT area, Barbara Marks creates sumptuous, multicolored paintings. Her canvases are small in scale, compared to the mid-century abstractionist traditions they ...

Based in the New Haven, CT area, Barbara Marks creates sumptuous, multicolored paintings. Her canvases are small in scale, compared to the mid-century abstractionist traditions they ...

Diptych San Miguel Comida, Art Graf, graphite, monoprints, tissue paper on watercolor paper, a two-tabled neighborhood eatery wraps tacos in checkered paper. San Miguel de Allende h...

Moloka’i Beach, Art Graf, impasto textures, tissue paper on Rives BFK, 2021. On this island, to prevent us from flying away, there is a sense that our great central sun fastens each ...