Lacquer Paintings

A striking painting blending Renaissance poise with surreal symbolism. A dignified woman in a dark gown stands in a sunlit garden surrounded by black cats — timeless emblems of myste...

In 1962, Elvis Presley purchased one of the world’s first four-engine business jets — the iconic Lockheed JetStar. Luxuriously equipped with leather seats, a bar, a bedroom, and even...

"Summer 2025" is an animalistic landscape by Lilia Volskaya. Let's start with the shape of the canvas, which is a hexagon, which is unusual, isn't it? The canvas is painted black. Th...

Energy" is an abstraction of expressionism from the Volsky Lily. What is 2025 for us? What to expect and what to prepare for?Summing up the results. The end of the cycle, what has ju...

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

The central concept of Larios painting series KHLORIS is based on the idea of ​​the garden as a metaphorical space. Larios seeks to find a certain romantic beauty in the details of n...

"At dawn" abstract marine landscape by Lilia Volskaya. Charming seascape. He breathes sea spray and foam. Waves run into the endless expanses of the sea At dawn, the water turns red....

"Sakura Blossoms" is a floral still life oil painting by Volskaya Lilia. It is a celebration of nature. It is a spring and summer story. The beauty and extraordinary fragrance of the...

Purple lace of white peonies" realistic still life by Lilia Volskaya. Flowers are the ultimate delight in beauty, which is flawless. The slight curves of lines, tones and semitones, ...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

This captivating work of art presents a surreal dialogue between the mundane and the fantastic. A casually dressed woman sits confidently on a vintage chair, wearing dark sunglasses...

"Yellow Roses in Cold Water" by Volskaya Liliуа. The painting is made with ceramic paints on 350-gram cardboard. It is an original technique. The painting features charming yellow ga...

The central concept of Larios painting series KHLORIS is based on the idea of ​​the garden as a metaphorical space. Larios seeks to find a certain romantic beauty in the details of n...

These stunning spring narcissus are placed in a transparent vase. The bright yellow flowers create a vivid color contrast against the silvery blue background focusing the viewer's ey...

"Provence. The flowering of irises" impressionistic landscape of the Volsky Lily. Magical shimmers on the canvas For this hell, For this nonsense, Send me a garden In my old age.   (...

"White lilies" floral still life realism of the Volsky Lily. The painting is done in oil on canvas. It is written in 3 layers. Flowers look very impressive on a dark background. Lil...

A magnificent cosmic abstract painting by Duane Albert Armstrong (American, b. 1938) reminiscent of the amazing images of space sent back from the Hubble telescope. Titled "Black Hol...

Artist: Detlef E. Aderhold Medium: Mixed Media on Canvas Edition: Original Abstract Painting in Turquoise, Green, Yellow, Blue, Red and Black About the Artist: Detlef E. Aderhol...

Artist: Detlef E. Aderhold Medium: Mixed Media on Canvas Edition: Original Abstract Painting in Yellow, Blue, Red and Black About the Artist: Detlef E. Aderhold is a contemporar...

"Flying islands" abstract landscape Volskaya Lily . Everyone remembers Japanese anime cartoons, vivid and imaginative images. This painting is a dream of wonderful worlds where you c...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

"Still Life with Peonies" oil, Volskaya Lilia palette knife. This still life was painted with great love and joy. My mother's garden brought us happiness! The peonies were blooming a...

Artist: Detlef E. Aderhold Medium: Mixed Media on Canvas Edition: Original Abstract Painting in Yellow, Blue, Red and Black About the Artist: Detlef E. Aderhold is a contemporar...

Flow is the ability of liquids to continually move from one place to another. Also, It means accepting each situation as it is. The movement of the liquid comes from life, it is natu...

Artist: Detlef E. Aderhold Medium: Mixed Media on Canvas Size: 90 x 90 cm Edition: Original Artwork About the Artist: Detlef E. Aderhold is a contemporary abstract painter from...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Artist: Detlef E. Aderhold Medium: Mixed Media on Canvas Edition: Original Abstract Painting in Turquoise, Green, Yellow, Blue, Red and Black About the Artist: Detlef E. Aderhol...

An exotic garden and 3 green birds. the original oil painting of the Volsky Lily. This painting is a continuation of the series "My Funny Birds". Maybe you will say that such color...

The central concept of Larios painting series KHLORIS is based on the idea of ​​the garden as a metaphorical space. Larios seeks to find a certain romantic beauty in the details of n...

"Flower panel"landscape on canvas with oil of Volskya Lilya.The original painting. Painted on a black canvas. The paints are handmade with metallized powders. Beautiful original hexa...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Artist: Detlef E. Aderhold Medium: Mixed Media on Canvas Edition: Original Abstract Painting in Turquoise, Green, Yellow, Blue, Red and Black About the Artist: Detlef E. Aderhol...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

I am a Gippsland-based artist, whose creative process is ever-evolving, with the constant being my subject matter. Native Australian flora and fauna are commonly depicted in my works...

Magic geranium" still life framed by Volskay Lilya. A beautiful airy, very light still life. It is executed in a mixed technique. There are also acrylic paints and inks, ceramic cont...

When I arrived at my grandmother's house, the neighbors said, "Oh, the city girl has arrived." And my grandmother said, "Child, what have you done to yourself? You're a girl..." My g...

I tried to find the color harmony of red-green pears and bright yellow milk jug. The shape of the jug echoes the shape of pears and the drapery, giving a unified movement and dynam...

The paintings are drawn with oil on the hardboard (back side made of the double cardboard). Evening in purple. This dream scene uses hues of purple, pink, blue, and blue. A gorgeous...

Evening city over the sea bay. The triptych. An atmospheric seascape in blue. The central painting has a size of 40x40cm. The left part of the triptych has a size of 30x40cm. The r...

"Magnificent romantic seascape" oil painting of the Volsky Lily. Everyone has dreams. And every person has moments when dreams come true. This is a point of high enjoyment of life. I...

(NOTE: if you enter "Gridish" into the 1stDibs search field you can view other paintings in this series) Artist’s Statement: “As I often do, I chose a very simple form to work with ...

The paintings are drawn with oil on the canvas with stretcher A bright still life with pomegranates and lemons. The national Armenian headscarf is on a dark background. There is a s...

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint and and lacquer on board. It features light textured and a light blue-grey and yellow palette contrasted by the almost black focal point of the composition. The painting is 14.5" x 19" and measures 16.25" x 20.5" x 2" framed. Signed by the artist in the lower left-hand corner of the painting, it is framed in a floater frame with warm silver face and black sides and is ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

Choosing a painting for a house is of great importance not only from an aesthetic point of view, but also in accordance with the principles of Vastu – the ancient Indian doctrine of ...

The collection of paintings has the name of the "Gothem City". The paintings are drawn with oil on the canvas with stretcher The night city calls you for a walk and the rain does no...

Oz El Hai (Israeli, b. 1976) Polychrome Figural Painting Lacquer on Wood (possibly acrylic panel) Oz El Hai, born in Israel in 1976, channels his passion a...

Artist’s Statement: “After working on my 'Gridish' series for awhile, I went back to revisit a series of work I did in 2020, where I was putting down successive layers of paint in a ...

(Note: sorry about the large pic of the full painting; could not get the light right, without reflections from the varnish; in person the negative space is less brownish, lighter. Th...

"Golden Dreams" is a contemporary and parametric wall sculpture. Made from oil lacquer paint and acrylic mirror on carved maple, this body of work is c...

HUGO G. URRUTIA B. 1974, Mexico Hugo G. Urrutia is a multidisciplinary artist-designer, interested in the cross-pollination between art and architecture. His artwork challenges the...

(Comes professionally framed in a solid maple floater frame, ready to hang) Artist's Statement "This series of intensely colorful paintings was begun a couple of years back in reaction to the gray oppressive weight that had descended like a pall on the American scene. I wanted to make paintings about nothing but pure delight, in honor of the fact that beneath the fog of germs and political antagonism, we still eat, laugh, love and if we're wise, acknowledge how spectacularly fortunate we are -- at least for now, in this time and place, despite the problems. For me, the colors, forms and brushstrokes here feel exuberant without suggesting an unnerving chaos. I have purposely used unlikely color combinations that despite their dissonance seem to work together. I don't feel this is a time to be making brooding works that reflect the problems we are working our way through; we all know about this. On the contrary, I think it's a time for art...

(Comes float-framed behind glass.) Artist's Statement: "I was working on my "Gridish" paintings (you can find them in a search on the term "Gridish" on this site) when I became fascinated with certain materials I was working with - a new type of super-flat, super-black paint; powdered graphite; and iron oxide pigment. I had a small canvas ready to go, and shifted my attention to concentrating on just one of the rectangular forms I had been using in the Gridish series, and applying these materials in a way that pleased me. That sort of industrial sheen on the surface of the rectangle is really beautiful to me. This was a second I made, on paper. Quite obviously the mood given off by these works is greatly different from the colorful Gridish paintings that spawned them. My daughter, studying design at RISD, said she found the pic I...

(NOTE: if you enter "Gridish" into the 1stDibs search field you can view other paintings in this series) Artist’s Statement: “As I often do, I chose a very simple form to work with ...

Emma's artwork is inspired by the Parisian luxury world of fashion, textures and pure colour. "Night 01" is a stylish and contemporary bright blue abstract painting. It is created us...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

The central concept of Larios painting series KHLORIS is based on the idea of ​​the garden as a metaphorical space. Larios seeks to find a certain romantic beauty in the details of n...

Untitled 3 (K3) 2011 (Abstract wall object) Lacquer on MDF - Unframed This work is one of 12 similar wall objects consisting of colour lacquered MDF. Form and colour of the object...

Entre Claros is a piece inspired by María Zambrano’s book Claros del Bosque. It unfolds like an expandable landscape, drawn on ceramic mosaics, where female bodies walk through the t...

Entre Claros is a piece inspired by María Zambrano’s book Claros del Bosque. It unfolds like an expandable landscape, drawn on ceramic mosaics, where female bodies walk through the t...

Elfi Schuselka (Austrian, b. 1940), Abstract Figural Composition, Mixed Media on Paper, 1965, male and female figures, signed and dated low center, signed, to verso, wood frame. Imag...