Lacquer Paintings

Comes framed and ready to hang in black floater frame. Artist’s Statement: “These paintings are technically challenging, as they combine wax (encaustic), tar, oil, acrylic, powdered...

I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the process. Using propane torches I burn, scorch, re-burn, sand and scratch the surface of paper or wood to create my drawings. My earlier work, the Nocturne Series was inspired by walking at night in the light filled streets of American cities; those drawings were often mistaken for soft focus sepia toned photographs. My present work is a considerable departure in regard to content, execution and appearance - from those dark, abstracted cityscapes, my current drawings are light filled, clearly rendered landscapes. The burning process I use to make my drawings evolved differently for each series. Experimentation (in both bodies of work) is always important to me and always informs the resulting image. In the case of the Nocturnes the image arose from intermixing water with the flame from a large industrial torch. With these new works, I’ve tried to create a visually stimulating accumulation of (often minuscule) marks on the wood surface using the tiny flame from a jeweler’s torch...

I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the process. Using propane torches I burn, scorch, re-burn, sand and scratch the surface of paper or wood to create my drawings. My earlier work, the Nocturne Series was inspired by walking at night in the light filled streets of American cities; those drawings were often mistaken for soft focus sepia toned photographs. My present work is a considerable departure in regard to content, execution and appearance - from those dark, abstracted cityscapes, my current drawings are light filled, clearly rendered landscapes. The burning process I use to make my drawings evolved differently for each series. Experimentation (in both bodies of work) is always important to me and always informs the resulting image. In the case of the Nocturnes the image arose from intermixing water with the flame from a large industrial torch. With these new works, I’ve tried to create a visually stimulating accumulation of (often minuscule) marks on the wood surface using the tiny flame from a jeweler’s torch...

Hand-cut vinyl applied to Perspex panel. The 5th in a new series of artworks focusing on British seaside towns. I have longed to capture my own take on this theme, where even the mos...

Acrylic, enamel, lacquer & solar print on canvas

Acrylic, enamel, lacquer & solar print on canvas

Acrylic, enamel, lacquer & solar print on canvas

Acrylic, enamel, lacquer & solar print on canvas

Acrylic, enamel, lacquer & solar print on canvas

Acrylic, enamel, lacquer & solar print on canvas

Chen Yu’s art started with lacquer painting. On this foundation, her materials experiments and conceptual extensions have developed in two directions; she is serious and measured, an...

Pham Minh Tuan expresses his perception of modern Vietnam through his art. He believes many people are conflicted between tradition and modern influences on their society. Tuan was b...

I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the proces...

Vu Coung figurative contemporary paintings are painted with bright colors using lacquer on wood. His piece, "Serenade" has dimensions of 40" x 40".

Trail Beyond, Polyurethane & Lacquer on Aluminum Art by Billy Al Bengston, 1969 A flamboyant character and a key figure in the Ferus Gallery circle in Los Angeles, Billy Al Bengston is associated with West Coast Pop and best known for spray painting dented sheets of square aluminum with lacquer. These highly finished pieces often featured car and motorcycle motifs, such as the chevron symbol placed at the center of his works, and many include Bengston’s signature sergeant’s stripes, or abstracted images of hearts. His interest in car culture would inspire Judy Chicago, a student of Bengston’s, to attend auto body school and eventually use spray paint techniques. Additional information: Medium: Polyurethane and lacquer on dented aluminum Condition: Excellent Frame: Not included Dimensions: 34 × 35 in 86.4 × 88.9 cm About artist: Billy Al Bengston (June 7, 1934 – October 8, 2022), the quintessential LA “bad boy,” is best known for his Chevron paintings...

Tran dinh Khuong is a contemporary artist inspired by the Vietnamese countryside. He paints using traditional lacquer on wood creating bold modern compositions in vivid colors of r...

‘Living’ is a medium size contemporary lacquer on wood figurative painting created by Vietnamese artist Truong Tan in 2008. Drawing from his own identity and exploring perceptions of...

Truong Tan currently lives and works in both Hanoi and Paris. Truong Tan was born in 1963 and graduated in 1989 from the University of Fine Arts in Hanoi, Vietnam. Truong Tan’s uniqu...

‘Floating on the River’ is a medium size lacquer on wood figurative painting created by Vietnamese artist Truong Tan in 2008. Featuring a palette made of gold, orange and black color...

Truong Tan was born in 1963 and graduated from the University of Fine Arts, Hanoi in 1989. As an artist, Truong Tan is known above all for his erotic references to his sexuality, ma...

This painting is about the close relationship between people and nature. The hope that we can live our live's as a part of nature, keep balance and not destroy each other. Anh uses t...

Lacquer on Wood

Colorful wandering clouds in Hung’s works are inspired by traditional cloud ornaments from Vietnam’s ancient citadels and temples. Those ancient ornaments act like a negative version of clouds wandering throughout the space of the pieces. They link together to create a limbo world, where matters become vague and surreal. Another level lies underneath, hiding deep below the clouds the artist has created realms of consciousness and thoughts. Hung, joyful and relaxed, plays around with his dots. Silver dots, golden dots, together they light up the atmosphere to create a passive aura. Ornamental clouds, or simply just dots, they move from one shape to another, unsettled trying to find a logical order for themselves to fit in therefore challenging viewers’ senses. The order of signs creates spaces of uncertainties and invalidities, where the artist’s stories would be tied together and unfold. Silently, the artist submerges himself into an imaginative valley with no boundaries of shapes, strokes, and of random visual connections. The dreamy artist tries to hold on to his childhood memories, from straw scarecrows, late afternoon birds, handmade kites, boys looking after horses in mountain...

‘Land of the Sleepwalker 05’ is a large horizontal contemporary lacquer on wood panel “abstract figurative” painting created by Vietnamese artist Nguyen The Hung in 2017. Featuring a palette made of a variety of colors such as brown, red, black, yellow, blue and green accentuated with gold leaf, the painting presents a format that has a faux-air of Guernica revised by Miró. Painted on a dotted ground, two characters walk among a variety of creatures. We are in the land of the sleepwalker after all… Curves are perfectly balanced by straight lines; light browns oppose themselves to blacks and petite fluffy clouds seem to be falling on the ground. Colorful wandering clouds in Hung’s works are inspired by traditional cloud ornaments from Vietnam’s ancient citadels and temples. Those ancient ornaments act like a negative version of clouds wandering throughout the space of the pieces. They link together to create a limbo world, where matters become vague and surreal. Another level lies underneath, hiding deep below the clouds the artist has created realms of consciousness and thoughts. Hung, joyful and relaxed, plays around with his dots. Silver dots, golden dots, together they light up the atmosphere to create a passive aura. Ornamental clouds, or simply just dots, they move from one shape to another, unsettled trying to find a logical order for themselves to fit in therefore challenging viewers’ senses. The order of signs creates spaces of uncertainties and invalidities, where the artist’s stories would be tied together and unfold. Silently, the artist submerges himself into an imaginative valley with no boundaries of shapes, strokes, and of random visual connections. The dreamy artist tries to hold on to his childhood memories, from straw scarecrows, late afternoon birds, handmade kites, boys looking after horses in mountain...

‘Autumn Clouds No1’ is a large “abstract figurative” contemporary lacquer on wood panel painting of vertical format, created by Vietnamese artist Nguyen The Hung in 2017. Featuring a palette made of a variety of colors such as black, red, blue and green accentuated with gold leaf, this unframed painting exudes a surrealistic feel that would have made a Joan Miró proud. Painted on a dotted gold, dark green and black ground, a trapezoidal character is facing us. His head, reminiscent of medieval jesters and painted in yellow and red, has a cubist flair. Colorful clouds seem to be falling down the character’s garment and adorn the upper sections of the piece, while scintillating stars accentuate the rest of the composition. Colorful wandering clouds in Hung’s works are inspired by traditional cloud ornaments from Vietnam’s ancient citadels and temples. Those ancient ornaments act like a negative version of clouds wandering throughout the space of the pieces. They link together to create a limbo world, where matters become vague and surreal. Another level lies underneath, hiding deep below the clouds the artist has created realms of consciousness and thoughts. Hung, joyful and relaxed, plays around with his dots. Silver dots, golden dots, together they light up the atmosphere to create a passive aura. Ornamental clouds, or simply just dots, they move from one shape to another, unsettled trying to find a logical order for themselves to fit in therefore challenging viewers’ senses. The order of signs creates spaces of uncertainties and invalidities, where the artist’s stories would be tied together and unfold. Silently, the artist submerges himself into an imaginative valley with no boundaries of shapes, strokes, and of random visual connections. The dreamy artist tries to hold on to his childhood memories, from straw scarecrows, late afternoon birds, handmade kites, boys looking after horses in mountain...

Colorful wandering clouds in Hung’s works are inspired by traditional cloud ornaments from Vietnam’s ancient citadels and temples. Those ancient ornaments act like a negative version of clouds wandering throughout the space of the pieces. They link together to create a limbo world, where matters become vague and surreal. Another level lies underneath, hiding deep below the clouds the artist has created realms of consciousness and thoughts. Hung, joyful and relaxed, plays around with his dots. Silver dots, golden dots, together they light up the atmosphere to create a passive aura. Ornamental clouds, or simply just dots, they move from one shape to another, unsettled trying to find a logical order for themselves to fit in therefore challenging viewers’ senses. The order of signs creates spaces of uncertainties and invalidities, where the artist’s stories would be tied together and unfold. Silently, the artist submerges himself into an imaginative valley with no boundaries of shapes, strokes, and of random visual connections. The dreamy artist tries to hold on to his childhood memories, from straw scarecrows, late afternoon birds, handmade kites, boys looking after horses in mountain...

Colorful wandering clouds in Hung’s works are inspired by traditional cloud ornaments from Vietnam’s ancient citadels and temples. Those ancient ornaments act like a negative version of clouds wandering throughout the space of the pieces. They link together to create a limbo world, where matters become vague and surreal. Another level lies underneath, hiding deep below the clouds the artist has created realms of consciousness and thoughts. Hung, joyful and relaxed, plays around with his dots. Silver dots, golden dots, together they light up the atmosphere to create a passive aura. Ornamental clouds, or simply just dots, they move from one shape to another, unsettled trying to find a logical order for themselves to fit in therefore challenging viewers’ senses. The order of signs creates spaces of uncertainties and invalidities, where the artist’s stories would be tied together and unfold. Silently, the artist submerges himself into an imaginative valley with no boundaries of shapes, strokes, and of random visual connections. The dreamy artist tries to hold on to his childhood memories, from straw scarecrows, late afternoon birds, handmade kites, boys looking after horses in mountain...

Trinh Quoc Chien has a unique style of painting contemporary abstract paintings on a traditional medium of lacquer and wood. His composition of panels of iconic images is unique and...

Nguyen Xuan Tien uses the traditional lacquer on wood but brings a modern contemporary look with the use of greens and hint of red/organge.