Satin Paper Paintings

In this vibrant fusion of emotion and color, I've layered acrylics, oil pastels, and colored pencils to craft a garden alive with movement. My brushstrokes echo expressionist fervor,...

In this vivid expanse of warmth and vitality, I’ve unleashed my passion through oil pastel and colored pencil, embracing expressionism, impressionism, and pop art to provoke emotion....

In crafting this vibrant piece, I imbued each stroke with the warmth and energy of the sun. The rich textures formed by oil pastel and colored pencil blur the lines between pop art's...

In this piece, I've poured my passion into each stroke, blending acrylics, oil pastels, and colored pencils to capture the vibrant essence of poppies swaying in an unseen breeze. Dra...

In creating this piece, I was captivated by the vivid dance of colors and emotions. Harnessing oil pastel and colored pencil, my strokes are charged with the excitement of pop art, t...

In creating this piece, I drew inspiration from a surge of emotions and aimed to channel the vividness of life's passions. Utilizing acrylics, oil pastels, and colored pencils, I ble...

FLOWERS (Large Format Thick Paper) Art - Work on Paper In this artwork, I've infused vibrant expressions, using acrylic and oil pastel, capturing the ethereal beauty of irises as the...

In this energetic piece, I've unleashed a symphony of vibrant colors and passionate strokes to celebrate life's vivacity. Merging expressionism with a touch of pop art, I've used acr...

In this vibrant fusion of expressionism, impressionism, and pop art, I've layered oil pastels and colored pencils to capture the essence of joy. My strokes are deliberate, alive with...

In this vibrant piece, I passionately layer acrylics, oil pastels, and colored pencils to capture the dynamic essence of nature's rebirth through tulips. My brush strokes breathe lif...

Hidden in the Flowers - Abstract Bird in Acrylic on Threaded Paper Multicolored abstract composition by Judith W Winslow (JW) (American, 1943-2023). A bird with white feathers is pa...

In this vibrant piece, I've melded the energy of pop art with the emotive strokes of expressionism and the dreamy touch of impressionism. With oil pastel and colored pencil, I crafte...

In this vibrant work, I've mingled the vividness of acrylics, the depth of oil pastels, and the delicacy of colored pencils to capture the essence of vitality and joy. Drawing from e...

Color silkscreen with enamel inks, flocking, and over printed flocking on Somerset 500 gsm Satin Radiant White with deckle edges. Edition of 60

Documents indicate that Cornelis Pietersz Bega was born in either 1631 or 1632 in Haarlem. His grandfather was the renowned history painter Cornelis Cornelisz van Haarlem (Dutch, 1562 - 1638), and his extended family included many other more minor painters, sculptors, and craftsmen. In the spring of 1653 he traveled with the portraitist and still life painter Vincent Laurensz van der Vinne (1628–1702) through Germany, visiting Frankfurt am Main, Heidelberg, Strasbourg, and Basel. Although, like Van der Vinne, he may have intended to continue on to Rome, Bega instead returned to Haarlem in June of that year. He joined the Guild of Saint Luke in 1654. Bega died unmarried in 1664 at the young age of 32, likely a victim of the plague that claimed many lives in Haarlem that year. Dutch artist biographer Arnold Houbraken wrote that Bega was the “first and best pupil” of Adriaen van Ostade (Dutch, 1610 - 1685), a painter of low-life genre scenes. Bega similarly specialized in paintings of jovial taverngoers, smokers, quack doctors, alchemists, and musicians, but he also created tender and sympathetic images of peasant families and nursing mothers. Like Ostade, he also produced etchings, and he may have been one of the first Dutch artists to experiment with monotypes. Bega was also a confident draughtsman, and made numerous chalk drawings remarkable for their sculptural quality. Houbraken wrote that Bega and his close friend Leendert van der Cooghen (1632–1681) frequently drew from life together. Early in his career, Bega painted in a loose, rough style similar to Ostade, although his paintings differ from Ostade’s in that they exhibit a greater degree of monumentality and occasionally include classical elements and figures derived from live models. Bega may have been influenced by the classicizing tradition in Haarlem painting, which he would have known both from the extensive art collection he inherited from his grandfather, as well as from contemporary Haarlem painters who had trained there, such as Salomon (1597–1664) and Jan de Bray...

Soody Sharifi, mixed media collage on paper, Middle Eastern Artist. Framed artwork in brand new condition. Signed by artist on verso.

Soody Sharifi, mixed media collage on paper, Middle Eastern Artist. Framed artwork in brand new condition. Signed by artist on verso. Certificate of authenticity provided with purchase.