Silver Nude Paintings

This piece is not framed. Raluca Vulcan is a French-Romanian artist who likes to express the life and sensitivity of the human body, mostly through semi-abstract nudes and portraits...

Matthew Durante's "Figure 1 2021" is an original, handmade acrylic painting that depicts a blue-toned nude female model superimposed over a pink and purple background.

This piece is not framed. Raluca Vulcan is a French-Romanian artist who likes to express the life and sensitivity of the human body, mostly through nudes and portraits.

Brightly colored expressionist nude figurative painting of a reclining nude female with bold yellow, blue, and magenta accents by Linda Goodman (American...

This superb British nude portrait oil painting is attributed to the circle of Harold Knight. Painted circa 1930, it is a seated study of a nude woman in soft focus, arms raised to on...

This piece is not framed. Raluca Vulcan is a French-Romanian artist who likes to express the life and sensitivity of the human body, mostly through nudes and portraits.

Matthew Durante's "Figure 2 2021" is an original, handmade acrylic painting that depicts a pink-toned nude male model kneeling on a blue surface.

Suchitra Bhosle's "Attitude in Diaphanous" is an original, handmade oil painting that depicts a woman, within a dark interior, wearing a transparent white dress as she rests a hand o...

Elizabeth Zanzinger's (US based) "Foragers" is an oil painting that depicts two nude females traversing a tree trunk in the wilderness. Elizabeth Zanzinger is an award-winning paint...

Hollis Dunlap's (US based) "Study of Morgan" is an original, handmade oil painting that depicts a nude woman, face downturned, with her long dark hair trailing down her porcelain fig...

[Hippolyte-Alexandre Michallon (1849-1930)] Oil on canvas Signed in red, l.l. 48 x 60 inches, canvas size 54 x 66 inches in gold leaf frame 61 x 74 x 6 inches, framed This artwork is offered by ClampArt, located in New York City. “By his own account, the most ambitious work of Michallon’s career was a thirty-foot canvas depicting Noah’s Ark, which he exhibited in the Salon of 1875, where it went unmentioned by the critics. Preparatory work for this elaborate composition took him frequently to the Jardin des Plantes, where he made painstaking drawings and oil sketches of the animals on view. These studies were enthusiastically remarked upon by visitors to his studio, some of whom counseled him to give up history painting altogether and pursue the less dignified but presumably more lucrative career of animal painter. Following this advice, and profiting from the tremendous vogue in 1880s Europe for all things African...

A moment of retreat, a whisper of flesh against shadow. The female form turns inward, her back becoming the quiet locus of emotion. In this fragment, Kosow softens the tactile abrasi...