Papier Mâché Portrait Paintings

This particular piece depicts an anonymous portrait of a beautiful woman. Inspired by the every day, JM Robert strives to create paintings that mimic the fla...

Cartoon Urban Graffiti Pop Art of Winnie the Poo entitled 'Winnie the Poor' by British Street Artist Chris Pegg. Art measures 39 x 39 inches Chris Pegg is a self-taught artist fr...

"Pink Hair Lady" is an original artwork by Eustace Mamba and measures 14"h x 11"w x 1.25"d. The artists cuts, arranges, sews, and collages fabric and paints to create layers of textu...

It's okay to say no. It's okay to say no to someone you love. It's okay to say no to someone who is angry or sad. To a friend. To a parent or child. To relationships and sexual adva...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Brian Kenny, (German-American, 1982-) MIxed Media Painting with Drawing, Oil or Acrylic on Canvas. Hand signed On Verso and Dated 2015, NYC Dimensions: Sight- 30" x 24", Frame- 36" x 30" Brian Kenny (born 1982, Heidelberg, Germany) is a NYC-based American multidisciplinary artist exhibited in galleries, museums, theaters and alternative venues in the US, Canada, Russia, Israel and across Europe. In 2004 Brian began an ongoing collaboration with artist Slava Mogutin as SUPERM, and in 2016 with writer Rich Juzwiak as BOYFRIEND HOUSE. Using an array of mediums including drawing, painting, sculpture, textile, video and performance, Brian’s artwork is bright and vividly expressionistic; often autobiographical and reflective of his current states of mind which include themes of his queer identity, shifting societal perceptions about gender, sexuality and politics, urban living and free-associative wanderings of thought and creative experimentation. New York-based artist Brian Kenny’s work is a visually striking exploration of gender, sexuality, and politics in contemporary North America. Known for his experimental and expressionistic practice, Brian mixes mediums such as painting, illustration, collage, sculpture, and textiles – oftentimes all at once. Brian’s foundation in drawing is evident across his portfolio, with nearly every piece incorporating some signature scribblings from the artist. He has experimented with drawing, collage, photography, performance and, more recently, painting. “All the other mediums I’m exploring like, painting, textile art, and animation all branch out from drawing,” he explains. This focus is what makes Brian’s vast collection of work all feel so cohesive. "Both of my parents were in the US military and we moved around a lot in the US. But most of the places I lived were rural, far from big cities and art museums, so I had no idea who Andy Warhol, Mark Rothko, Chuck Close, David Hockney or Damien Hirst were. The few small art museums I visited as a child were full of old-school oil paintings; all life-like portraits, rural landscapes and historical recreations. It wasn’t until I met Slava Mogutin and moved to New York that I began to meet artists, see exhibitions at art galleries of living artists near my age, and tour lot of contemporary art museums like MoMA and begin learning about contemporary art history". Brian says. “I’m definitely not a minimalist and lean toward more narrative and figurative artwork than abstraction or decoration”. Minimalist, he is not: Brian’s work pops with vibrant colours, characters and shapes, evoking a Warholian play on pop art culture. Kenny’s signature line drawing style is reminiscent of Keith Haring and LA Ortiz and evokes comparisons to early Jean Michel Basquiat. Brian's commercial and fashion work includes art and design commissions and collaborations with Onitsuka Tiger (Japan...

This original circular portrait painting is part of Natasha Lelenco’s Currencies series and features a hyperrealistic female profile against a vibrant yellow background. Titled Currency #130, the piece combines figurative painting with symbolic text, forming a dialogue between identity, migration, and memory. The painted...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

John Baker’s “Eating and Drinking I” is an acrylic painting on canvas with collage 24 x 30 inches in reds, greens and yellows against a neutral background. What at first glance appea...

The Currencies series by Natasha Lelenco is designed for versatile display, working either as a standalone contemporary artwork or as part of a modular art installation, allowing collectors to create custom panel compositions that adapt to any space. Each piece is a unique hand-painted wood artwork, reflecting themes of migration, identity, and value. We offer special pricing for multiple acquisitions, and the artist also accepts custom commissions related to this series. For more details, feel free to contact the seller by clicking the "Ask the Seller" button—we respond in less than an hour! The phrase in French inscribed on the piece can be translated as "Doesn't matter what they say, you deserve something more." This piece belongs to the "Exchange Currency Series" created by Natasha Lelenco in 2024, starting from the concept of the "face" on coins. It is a unique work consisting of a meticulously crafted black woman portrait...

The Currencies series by Natasha Lelenco is designed for versatile display, working either as a standalone contemporary artwork or as part of a modular art installation, allowing co...

The Currencies series by Natasha Lelenco is designed for versatile display, working either as a standalone contemporary artwork or as part of a modular art installation, allowing co...