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Style: Flemish School
17th Century Old Head Flemish School Eyes Caravagism Oil on Canvas Yellow White
Located in Sanremo, IT
Painting oil on panel depicting a strong and distinctive old man's head with dimensions of 36 x 28 cm without frame and 68 x 60 with frame coeval Flemish school of the second half of...
Category
Late 17th Century Flemish School Portrait Paintings
Materials
Oil, Board
18th Century Portrait Flamish School Character Oil on Canvas Black Orange White
Located in Sanremo, IT
A late 17th/early 18th century Flemish painting measuring 90 x 70 cm without frame and 100 x 80 cm with a contemporary frame.
An important characteristic of this painting is its str...
Category
Early 18th Century Flemish School Portrait Paintings
Materials
Canvas, Oil
After Franken School Crucifixion of Jesus Pannel
Located in Pasadena, CA
Frans Francken the Younger (1581, Antwerp – 6 May 1642, Antwerp was a Flemish painter and the best-known and most prolific member of the large Francken family of artists.[1] He painted large altarpieces for churches as well as smaller historical, mythological and allegorical scenes. His depictions of collectors' cabinets established a popular new genre of art in the era. Francken often collaborated with other artists, adding figures and narrative elements to scenes created by specialists in landscape, architectural and floral still life painting
Francken was a versatile artist who practiced in many genres and introduced new subjects into Flemish art. Many of his works are small historical, allegorical and biblical...
Category
17th Century Flemish School Portrait Paintings
Materials
Oil
Portrait of a bearded man - Adriaen Thomasz. Key (c. 1544-1589)
Located in Gent, BE
Oil on panel
We are grateful to Koenraad Jonckheere for confirming the attribution after inspection of the original. He dates the work to circa 1570.
The present portrait of a bearded man, arresting in its intimacy, capturing the contemplative gaze of the sitter, along with the intense naturalism with which his face is rendered, is an outstanding example of the oeuvre of the Antwerp master Adriaen Thomasz. Key. Attired in an expensive and modish ‘Burgundian black’ doublet...
Category
16th Century Flemish School Portrait Paintings
Materials
Oil, Panel
Young fisher - Phlegmatism allegory
Located in BELEYMAS, FR
Attributed to Godfried SCHALKEN
(Made 1643 – The Hague 1706)
Young fischer
Oil on panel in one board
H. 32.5 cm; L. 25.5 cm
Around 1670/75
Related works:
- Autograph version with numerous variants, Berlin, Gemaldegalerie, Inv. N°837
- Copy or workshop version of our painting with slight variations but of inferior quality, Germany, sold at Berlinghof Auktionshaus in 2002
The object of this notice is not to produce a biography of Schalken, the reference work by Thierry Beherman published by Maeght in 1988. The goal here is to understand this version of a painting of formidable craftsmanship and to compare it to the work preserved in Berlin with its many variants in order to draw some hypotheses for conclusions
Our young angler is a very interesting subject that can be found as early as the 16th century to invoke one of the four temperaments. Not melancholy as one might think at first glance, but phlegmatic character. The interpretation of astrological symbols closely linked peach and phlegm, laziness, slowness, often represented alongside the moon. Here the composition is very clear in this sense. The young man, chin resting on his arm, looks at his modest cane, the cork of which he soaks alongside snails and butterflies located in the Irises. All near a willow under a heavy sky, like a night sky. All the elements are there to give an explanation of the subject and not to leave the spectator in front of a simple genre scene. Let's go back to the willow, a tree that loses its fruits before they mature. It is often considered a symbol of lost youth, a reference to passivity or times of debauchery. Plato advised in his time to banish fishing from the education of children since it is an activity of expectation and not of exercise or reflection. Needless to explain the presence of small slow-moving animals with short lives or flowers… The image speaks for itself!
Let's go back to the differences between the Berlin version and ours, of which it must be recognized that the quality is slightly lower and therefore can hardly be given with certainty to Schalken itself. This version has some additional elements compared to ours. In our version, the row of willows cut into trunks located to the left of the composition is replaced by a simple area of reeds that opens up to a luminous sky. The sky is also different by the clouds represented. A white butterfly flying in the middle of the Irises has been removed, as has a large leaf located on the back of the young fisherman at the foot of the willow. Only addition to our table in addition to the Berlin version: a second fish near the earthen pot...
Category
1680s Flemish School Portrait Paintings
Materials
Oil, Wood Panel
Christine de France, duchesse de Savoi - Franco-Flemish school (17th C.)
Located in Gent, BE
A portrait of Christine de France, duchesse de Savoi, made with oil paint on canvas.
Christine Marie of France (10 February 1606 – 27 December 1663) was Duchess of Savoy from 26 Ju...
Category
17th Century Flemish School Portrait Paintings
Materials
Oil
After the Hunt, Jan Josef Horemans the Younger, Antwerp 1714 – 1790, Flemish
By Jan Josef Horemans the Younger
Located in Bruges, BE
After the Hunt
Jan Josef Horemans the Younger
Antwerp 1714 – 1790
Flemish School
Signature: Attributed to Jan Josef the Younger Horemans
Medium: Oil on canvas
Dimensions: Size incl...
Category
18th Century Flemish School Portrait Paintings
Materials
Canvas, Oil
CHERUBS - In the Manner of Rubens - Italian Oil on copper painting
Located in Napoli, IT
Cherubs - Ettore Frattini Italia 2006 - Oil on copper cm.30x50.
This delightful oil on copper in Baroque style depicts dancing cherubs, most likely inspired by the allegories with c...
Category
Early 2000s Flemish School Portrait Paintings
Materials
Copper
After a Good Hunt, Petrus Kremer, Antwerp 1801 – 1888, Belgian Painter, Signed
Located in Bruges, BE
After a Good Hunt
Kremer Petrus
Antwerp 1801 – 1888
Belgian Painter
Signature: Signed bottom left
Dimensions: Image size 49,50 x 44 cm, frame size 63,50 x 58,50 cm
Medium: Oil on panel
Biography: Kremer Petrus was born on May 9 in 1801 in Antwerp. He was a Belgian painter of genre scenes with religious and historic context, still lifes and portraits.
He studied at the Antwerp Academy of Fine Art, with master teachers and artists Guillaume Herreyns (1743 – 1827) and Mattheus van Bree (1773 – 1839). He perfected himself in Paris, travelled in 1838 Germany, France and Italy where he studied in the museums the pictures of the Dutch and Flemish masters.
He excelled in the representation of flowers, poultry and game. Some of his paintings were engraved by English engraver Joseph Brown (1809 – 1887) and other artists.
Belgian painter Gustaaf Wappers (1803 – 1874) painted his portrait.
Kremer was honoured with several medals at various exhibitions, notably in London in 1929. He exhibited at the Brussels National Exhibition of 1842 “Examination of Don Carlos...
Category
19th Century Flemish School Portrait Paintings
Materials
Oil, Panel
PHILOSOPHER - Dutch and Flemish- Oil on canvas painting- Italy
By Ciro De Rosa
Located in Napoli, IT
PHILOSOPHER - Oil on canvas diam. cm.26 by Ciro De Rosa, Italy,2011
The evocative portrait of Ciro De Rosa portrays an elderly man with a beard on a Flemish background, light is the ...
Category
21st Century and Contemporary Flemish School Portrait Paintings
Materials
Canvas, Oil
INSIDE SCENE- Belgian School - Italian figurative oil on canvas painting
Located in Napoli, IT
INSIDE SCENE - Oil on canvas painting, Eugenio De Blasi, Italy, 2005
Gold leaf gilded wooden grame cm. 90X130
The painting by Eugenio De Blasi is inspired by the work of David Tenier...
Category
Early 2000s Flemish School Portrait Paintings
Materials
Canvas, Oil
Portrait of a lady in a lace collar.
By Circle of Paul van Somer
Located in Tallinn, EE
Paul van Somer, circle of
(1576, Antwerp - 1621, London)
Portrait of a lady in a lace collar.
Oil on panel. 64 x 49.5 cm.
Provenance
Private collection, Switzerland
The present...
Category
17th Century Flemish School Portrait Paintings
Materials
Oil, Panel
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Male and female portrait, both in silk kimono, possibly textile dealers
By Christoffel Lubieniecki
Located in Amsterdam, NL
CHRISTOFFEL LUBIENIECKI (1659-1729)
Pair of portraits of a gentleman and a lady, both in silk kimono, before a country house (circa 1680)
Indistinctly signed “C.......” on a box under the man’s left hand
Oil on canvas, 79.5 x 67 cm each
Both sitters are portrayed wearing a silk “Japanese” coat. During the second half of the seventeenth the Japanese silk coat, an adapted Japanese kimono, became a real vogue in the Dutch elite. The exclusive Dutch trade contacts with Japan can explain the popularity of the kimono-style silk coats in the Netherlands. Everybody who could afford one, dressed in such a fashionable and comfortable coat and, like the present sitters, some proud owners had themselves portrayed in a “Japanese” coat often together with an oriental carpet to underline their standing and international connections. These portraits are the work of the Polish-born portraitist Christoffel Lubieniecki (also known as Lubienitski, Lubinitski or Lubiniecki)
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Located in Greven, DE
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Located in Oostende, BE
Unsigned oil on board painting painting of a 19th century woman holding a book and dressed with a lace hat and collar. The level of det...
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St. Vincent Ferrer Preaching to the People of Salamanca
Located in New York, NY
Provenance:
Private Collection, New Jersey
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Category
15th Century and Earlier Flemish School Portrait Paintings
Materials
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Saint Martin de Porres
Located in New York, NY
Provenance: Private Collection, New York, until 2022.
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Located in Firenze, IT
This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...
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Early 20th Century Flemish School Portrait Paintings
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Venice Landscape Italian Oil on Canvas Painting in Gilt Wood Frame, Belle Epoque, Early 20th Century
H 51.19 in W 33.47 in D 1.19 in
Portrait of a Lady with a Chiqueador
Located in New York, NY
Provenance: Torres Family Collection, Asunción, Paraguay, ca. 1967-2017
While the genre of portraiture flourished in the New World, very few examples of early Spanish colonial portraits have survived to the present day. This remarkable painting is a rare example of female portraiture, depicting a member of the highest echelons of society in Cuzco during the last quarter of the 17th century. Its most distinctive feature is the false beauty mark (called a chiqueador) that the sitter wears on her left temple. Chiqueadores served both a cosmetic and medicinal function. In addition to beautifying their wearers, these silk or velvet pouches often contained medicinal herbs thought to cure headaches.
This painting depicts an unidentified lady from the Creole elite in Cuzco. Her formal posture and black costume are both typical of the established conventions of period portraiture and in line with the severe fashion of the Spanish court under the reign of Charles II, which remained current until the 18th century. She is shown in three-quarter profile, her long braids tied with soft pink bows and decorated with quatrefoil flowers, likely made of silver. Her facial features are idealized and rendered with great subtly, particularly in the rosy cheeks.
While this portrait lacks the conventional coat of arms or cartouche that identifies the sitter, her high status is made clear by the wealth of jewels and luxury materials present in the painting. She is placed in an interior, set off against the red velvet curtain tied in the middle with a knot on her right, and the table covered with gold-trimmed red velvet cloth at the left. The sitter wears a four-tier pearl necklace with a knot in the center with matching three-tiered pearl bracelets and a cross-shaped earing with three increasingly large pearls. She also has several gold and silver rings on both hands—one holds a pair of silver gloves with red lining and the other is posed on a golden metal box, possibly a jewelry box. The materials of her costume are also of the highest quality, particularly the white lace trim of her wide neckline and circular cuffs.
The historical moment in which this painting was produced was particularly rich in commissions of this kind. Following his arrival in Cuzco from Spain in the early 1670’s, bishop Manuel de Mollinedo y Angulo actively promoted the emergence of a distinctive regional school of painting in the city. Additionally, with the increase of wealth and economic prosperity in the New World, portraits quickly became a way for the growing elite class to celebrate their place in society and to preserve their memory. Portraits like this one would have been prominently displayed in a family’s home, perhaps in a dynastic portrait gallery.
We are grateful to Professor Luis Eduardo Wuffarden for his assistance cataloguing this painting on the basis of high-resolution images. He has written that “the sober palette of the canvas, the quality of the pigments, the degree of aging, and the craquelure pattern on the painting layer confirm it to be an authentic and representative work of the Cuzco school of painting...
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17th Century Flemish School Portrait Paintings
Materials
Canvas, Oil
H 66.25 in W 43.75 in
Dance me to the end of love- 21st Century Romantic painting- a girl with lantern
Located in Nuenen, Noord Brabant
Liseth Visser
Dance me to the end of love
80 x 60 cm
(Frame is included, framed 85 x 75 cm)
Oilpaint on wood panel
Dutch Female Artist Lis...
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2010s Flemish School Portrait Paintings
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H 31.5 in W 23.63 in D 1.97 in
Portrait of George and Edward Finch-Hatton in Van Dyck Dress
By David Martin
Located in New York, NY
Appointed Portrait Painter to the Prince of Wales in Scotland in 1785, David Martin was the leading Scottish portrait painter of his generation. The artist is best known in the United States for his portrait of Benjamin Franklin, which is in the White House collection, Washington, D.C. The sitters depicted in this double portrait were the sons of the British diplomat Edward Finch-Hatton. George (1747-1823), later of Eastwell Park, Kent, is shown seated, reading an ancient charter or medieval manuscript...
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18th Century and Earlier Flemish School Portrait Paintings
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Flemish School portrait paintings for sale on 1stDibs.
Find a wide variety of authentic Flemish School portrait paintings available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. Many Pop art paintings were created by popular artists on 1stDibs, including Ciro De Rosa, Eugenio De Blasi, and Ettore Frattini. Frequently made by artists working with Oil Paint, and Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Flemish School portrait paintings, so small editions measuring 9.06 inches across are also available. Prices for portrait paintings made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,153 and tops out at $66,000, while the average work sells for $8,384.
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