Robert Lavin

Hanging the Transformers

This painting is a 20th century realist landscape depiction of a shipyard by Robert Lavin. The piece is executed in oil on board and measures 10" x 24". Robert Lavin was born in New York City. His education included Townsend Harris, a prep school in New York followed by college at City College of New York. He also attended the National Academy of Art, where he studied as a painter. Studying the social realists of the 1930’s, Lavin, a former Marine pilot, portrayed steelworkers, roughnecks and trainmen. Lavin often painted his “proletarian ballets”- as one critic called them – to illustrate magazine advertisements. The Smithsonian Institution and other museums collected Lavin’s original paintings, which portrayed the laboring subjects with dignity and integrity. Lavin also illustrated stock certificates and books. Paper Money magazine praised him as “one of the greatest vignette artists of the 20th century.” In addition to this, Lavin was for a number of years an Associate Professor of Art at City College of New York, a position he left in the mid ‘60’s in order to devote himself full time to his painting. His commissions took him around the world, from the North Sea to the coast of Africa, from the slopes of Alaska to the Sea of Japan. As part of a series for Gulf Oil, he painted the royal family of England for the opening of a new refinery in Wales. Another portrait of one of the early Americanastronauts, appeared on the cover of Time Magazine. Other major commissions during these years included Readers Digest books...

An exact giclée on canvas facsimile (the only one made) of the painting by Charles William Shaw ( American, 1941 - 2005 ). The piece depicts a fu...

"Global Marine Oil Workers" Artist: Robert Lavin Medium: Oil on Canvas Size: 39" x 64" Framed In 1980, Charles Russel Luigs, CEO of Global Marine Inc. commissioned painter Robert La...

By Hugo Herbeck (1923-2009) This landscape by Hugo Herbeck captures the atmosphere of autumn in the Central Texas Hillcountry. A road in the foreground with a barbed wire fence exten...

James Allen, 'The Connectors', 1934, etching, edition not stated, Ryan 66. Signed in pencil. A superb, richly-inked impression, on handmade, cream laid paper, with margins (1/2 to 1...

Ron Rizk’s paintings depict the intimate personal history of locales from his life. Ethereal and yet grounded in reality, the paintings tell the stories of very real places as seen ...

Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, life on the road, and 1960s West Coast art. His main subj...

Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade: “Over the course of his career, Bob Stuth-Wade has examined his responses to...