The Last Supper, Spain Late 15th Century
Located in PARIS, FR
Large oil on softwood panel depicting the Last Supper, Spain (Aragon or Castile), late 15th - early 16th century. The Last Supper was one of the founding events of Christianity. The...
Oil, Wood Panel
Italian painting of Alphonsus Liguori in French Neo-Gothic Frame
Located in London, GB
Italian painting of Alphonsus Liguori in French Neo-Gothic Frame Italian and French, Late 18th and 19th Century Frame: Height 61cm, width 39cm, depth 6cm Panel: Height 28cm, width 22...
Oil, Panel
LARGE ENGLISH OIL PAINTING TUDOR HOUSES IN WINTER SNOW LANDSCAPE
Located in Cirencester, Gloucestershire
"Tudor House in Winter Landscape" by Roy Merrington (British, contemporary) Signed, Oil painting on canvas, unframed painting size: 16 x 21.75inches Lovely depiction of this traditional English landscape and a fine view of a Tudor period...
Oil
"New Easel View" (2023), Original Landscape Oil Painting by Heather Neill
Located in Denver, CO
Heather Neill's (US based) "New Easel View" is an original, handmade oil painting that depicts an eerie overcast farm landscape, with a decaying tree in front of a collapsed fence, w...
Oil, Panel
Abject Art -Figurative Dark Oil on Canvas Contemporary Painting - Gothic Culture
Located in Vilnius, Vilniaus apskr.
Raminta's works relates to the human body but not as we are accustomed to seeing it. The newes circle of her works - Monstrare (from Latin, “to show, to demonstrate”) - frames the bo...
Canvas, Oil
$158,305
H 23.63 in W 28.75 in
'Agay, le château et le Sémaphore'. Oil on canvas. Signed.
Located in Paris, FR
'Agay, le château et le Sémaphore'. Oil on canvas. +/- 1922 Signed lower right Measurements : 60 x 73 cm. This painting will be recorded in the second volume of the Catalogue Raisonn...
Oil
Shore Birds
Located in Salt Lake City, UT
"Shore Birds" by Gerald Purdy, oil on panel, 11 1/2 X 14 inches (framed size: 17 X 21 1/2 inches), $2,800. "I chose narrative art from the menu and have ...
Oil, Panel
$2,800
H 18 in W 24 in D 1 in
Darling, Oil, Acrylic, Sailboat, Textured, Water, Beach House, Blue, Sailing
By Jason Wright
Located in Riverdale, NY
Darling by artist Jason Wright is a textured oil and acrylic painting on wood panel. It is 18x24, framed. This sailboat image is richly layered and created with a palette knife. J...
Oil, Acrylic, Wood Panel
Boulevard de la Madeleine
Located in Greenville, DE
Excellent example of Cortès Paris scene. Provenance: Galerie Haussmann, Paris.Herbert Arnot, Inc., New York, New York (May 29, 1964).Country Store Gallery, Austin, Texas (February 2...
Canvas, Oil
$2,015Sale Price|20% Off
H 15.36 in W 10.63 in D 0.99 in
Virgin of Kataphyge and St. John, after a Byzantine Bulgarian Icon 14th Century
Located in Segovia, ES
The Virgin of Kataphyge with Saint John the Evangelist, after a Bulgarian Byzantine icon of the 14th Century. Egg tempera and gold leaf on gesso and wood. Author: Oliver Samsinger...
Gold Leaf
"Cloud Composition 7" Original Realist Skyscape with Clouds
Located in Denver, CO
"Cloud Composition 7" is a realistic capturing of a golden skyscape, created with oil paint on panel. This piece is framed at 9.5 x 9.5 inches and is ready to hang. Jesse Mangerson ...
Oil, Panel
$20,499
H 36.23 in W 38.19 in D 2.76 in
15th-century Spanish School : The Virgin and Child with Saints - Painting #RARE
Located in Paris, IDF
15th-century Spanish School The Virgin and Child Enthroned with Saints Carved and painted wooden altarpiece adorned with coats of arms, opening with two doors Tempera on panel and o...
Oil, Tempera, Egg Tempera
Dreaming Anew, Departing New York Harbor
By Henry Bacon
Located in Costa Mesa, CA
Pensive in thought sitting at a wood-slat stern bench of a departing vessel in New York Harbor, the prominent grandeur of the Statue of Liberty recently passed, a woman and her loyal...
Oil, Panel
"Cloud Composition 3" Original Realist Skyscape with Clouds
Located in Denver, CO
"Cloud Composition 3" is a realistic capturing of a golden skyscape, created with oil paint on panel. This piece is framed at 9.5 x 9.5 inches and is ready to hang. Jesse Mangerson ...
Oil, Panel
"Cloud Composition 2" Original Realist Skyscape with Clouds
Located in Denver, CO
"Cloud Composition 2" is a realistic capturing of a golden skyscape, created with oil paint on panel. This piece is framed at 9.5 x 9.5 inches and is ready to hang. Jesse Mangerson ...
Oil, Panel
$19,930
H 30.71 in W 22.45 in
Portrait of a woman with a book
Located in BELEYMAS, FR
Italian school circa 1560, circle of Bernardino Campi Portrait of a woman with a book Oil on panel H. 78 cm ; L. 57cm Unsigned
Oil, Wood Panel
Bucks County Bridge
Located in Greenville, DE
Outstanding work by Bucks County artist David Hahn. The winter scene is of Bucks County Bridge painted with heavy imposto.
Masonite, Oil
$3,850
H 19 in W 13 in D 2 in
"EL SANTO FRISCO" Figurative Oil on Wood Painting 19" x 13" inch by Isaac Pelayo
By Isaac Pelayo
Located in Culver City, CA
"EL SANTO FRISCO" Figurative Oil on Wood Painting 19" x 13" inch by Isaac Pelayo Medium: Oil and aerosol on wood panel ABOUT THE ARTIST: Isaac Pelayo is a head on crash collision...
Oil, Spray Paint, Wood Panel
Villiers le Bel
Located in Paris, FR
PRESSEMANE Joseph 'Villiers le Bel'. Oil on board. Signed. 47 x 21 cm. Titled and signed on the back. Biography Born Jozef Presman in 1904 in Berestechko, Ukraine, he studied at th...
Oil
$26,111
H 38.59 in W 26.78 in
Crucifixion, Antwerp, Flemish 16th century, oil on panel
Located in PARIS, FR
Crucifixion, studio of the Master of the Half-Figures (Antwerp, active 1500-1550), not signed Antwerp School, mid-16th century Oil on oak panel , h. 88 cm, w. 59 cm Original frame, framed: h. 98 cm, w. 68 cm A rare example of Antwerp painting from the first half of the 16th century, our Crucifixion captivates as much by the quality of its expansive river landscape as by the delicacy of its figures and the brilliance of its palette. The richness of the colors, the balance between devotion and narrative, and the subtlety of the atmospheric effects make it a particularly representative work of the artistic refinement developed in the workshop of the Master of the Half-Figures. Through its remarkable synthesis of the world-landscape inherited from Patinir and the expressive gentleness characteristic of the Master of the Half-Figures, this composition stands out as a particularly accomplished example of the Antwerp Flemish Renaissance. Our painting of the Crucifixion is organized around the central figure of Christ nailed to a high cross erected atop Golgotha. His slender, pale body stands out against a blue-green sky that lightens towards the horizon, creating an atmospheric depth characteristic of Flemish painting of this period. The bowed head, encircled by the crown of thorns, expresses agony in a restrained pose. The white loincloth, tied at the front according to a recurring motif in the work of the Master of the Half-Figures, has one end drawn between the legs before billowing outwards in a movement lifted by the wind, subtly animating Christ's silhouette. At the foot of the cross, a skull and a few bones evoke Adam and the redemption of humanity through Christ's sacrifice. To the left stands the Virgin Mary, enveloped in a flowing blue-green mantle whose heavy folds accentuate her contemplative posture. Her pale face, framed by a white veil, expresses silent sorrow. Kneeling at the center of the composition, Mary Magdalene embraces the cross in a gesture of fervent devotion, while to the right, Saint John, clad in a richly textured red cloak, gazes up at Christ, his hands folded across his chest. Contrary to the iconography typically found in 16th-century Antwerp workshops, he appears here as a bearded, middle-aged man. This relatively rare characteristic, however, is found in several works by the Master of the Half-Figures. The Virgin's face displays the typical characteristics of the Master of Half-Figures' repertoire : a high forehead, full cheeks, a rounded chin, and a gentle expression tinged with restrained melancholy. This youthful, feminine physiognomy is found in numerous depictions of Virgins, Magdalenes, and other saints from his workshop. The figures are also distinguished by their smooth complexions, elegant proportions, and attention to the richness of the fabrics, favoring formal refinement over dramatic expressiveness. The background unfolds according to the world-landscape formula inherited from Joachim Patinir. A vast panorama, blending a fortified city, estuary, winding paths, rocky outcrops, and bluish hills, stretches behind the sacred figures. At the heart of this lively river landscape, a small port, quays, and several boats also appear, their silhouettes punctuating the waterway and testifying to the attention paid by Antwerp painters to the commercial and maritime activities that ensured the city's prosperity. The composition is structured by a succession of narrative planes that invite the viewer's eye to move through the image as a continuous story, a technique characteristic of Antwerp painting in the first half of the 16th century. Behind the main scene appears the episode of the Carrying of the Cross, depicted by a group of soldiers and horsemen, with Golgotha rising on the mountain to the left, while to the right, in a grotto carved into the rocks, unfolds the Entombment of Christ. This multifaceted narrative, integrated into the landscape, enriches the meditative dimension of the work while highlighting its kinship with the inventions of Patinir. The attribution to the workshop of the Master of the Half-Figures seems all the more plausible given that several art historians, notably Robert Koch and Walter Gibson...
Wood Panel, Oil
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H 8.08 in W 5.52 in
Gothic Italian School, St John the Baptist with Lamb, after Cimabue 14th Century
Located in New York, NY
This small devotional panel (20.5 x 14 cm) depicts Saint John the Baptist in the wilderness, accompanied by the lamb, an allusion to Christ as the Agnus Dei, and holding a slender cr...
Gold Leaf
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H 25.99 in W 11.42 in
Cathédrale Notre Dame de Rouen Watercolor, Signed, 1912, 66x29 cm
Located in Stockholm, SE
This refined watercolour from 1912 presents the soaring interior of the Cathedral of Notre Dame in Rouen, rendered with remarkable sensitivity to vertical rhythm and atmospheric dept...
Watercolor
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H 12 in W 10 in D 1.5 in
"TRiCK" (2024) By Aria Fawn, Watercolor and 24K Gold Leaf Mysticism Painting
Located in Denver, CO
"TRiCK" (2024) By Aria Fawn is a beautiful and esoteric watercolor painting, embossed with 24 Karat gold leaf on hand-textured paper. This piece depicts a still from a fictional vide...
Gold Leaf
Paula Wildhack, Memento Mori
Located in Cheltenham, GB
This macabre late-19th-century oil painting by German artist Paula Wildhack (1872-1955) depicts a still life with skull, bible, crucifix, candlestick and flowers. Wildhack was an acc...
Canvas, Oil
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H 24.8 in W 16.54 in
Crucifixion, 15th century South Germany school, oil on gilt background
Located in PARIS, FR
Crucifixion, South Germany, 15th century, circa 1470-1480 Pine panel, oil and gold background Dimensions: h. 63 cm, w. 42 cm (24.8 in x 16.54 in) Our rare panel imbued with all the Gothic symbolism, presents one of the subjects that has become universal in Western art. The crucifixion of Jesus, recounted in all the gospels, is one of the episodes of the Passion of Christ. The contemplation of his death by the faithful is and has always been an intense devotional exercise. The suffering of Christ had to be made as realistic as possible by the artist, in order to move the spectators and create piety. Christ with his emaciated and collapsed body hangs on his cross. In an attitude of resignation and abandonment, his head crowned with thorns is leaned on his right shoulder, but the eyes still remain open under the eyebrows contracted by suffering. His wounds shed large drops of blood and clearly show how painful the torment he is enduring is. At the foot of the cross to her right, the Virgin swoons in the arms of Saint John out of compassion for the suffering of her Son. Behind them Saint Marie-Salomé with clenched hands and face twisted in pain looks at the Cross, near her another holy woman seen from behind. To his left, Joseph of Arimathea stands near the cross, his hand placed on the cross, like a gesture of protection to leave dignity to the dying. His face turned from the cross, a resigned look, suggests his complete helplessness in the face of Jesus' torture. Longinus the centurion carrying a spear and shield looks impassively before him, while another standard-bearer soldier contemplates the cross. The man who stands prominently in profile next to the cross of Christ and is highlighted by his rich clothes adorned with precious stones and his pointed hat with gold trim, is probably Levi, tax collector. This intimate scene with very tight framing, tightens the figures around the raised cross, the absence of landscape replaced here by a gold background which comes from the Italian pictorial tradition helps to reinforce the feeling of timelessness of the scene and of its sacred context, gold being assimilated to the divine world. Our work dates back to the last quarter of the 15th century; comparison with similar works (including dimensions) could suggest that it is an altarpiece element, typical of German art. The use of softwood allows us to establish the origin of our panel from southern Germany, Swabia or Bavaria. Related works: 1. Crucifixion, German School around 1470, oil on lime (57.5 cm x 31 cm), Dresden Old Masters Painting Gallery, inventory number: 1964 and 343 2. Crucifixion, around 1475 oil on lime 69 x 45.5 cm Stuttgart, National Museum of Württemberg, 3. Crucifixion, attributed to Wolfgang Katzheimer around 1480-1485, Forchheim, Catholic parish church of St. Martin 4. Crucifixion, around 1450, Schwabach, town church of St. John -et-Saint-Martin 5. Fainting of the Virgin and Christ on cross...
Gold Leaf
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H 11.5 in W 15.5 in
"Familia Huida" Icon painting of the Holy Family, Mary Christ Baby Joseph Angel
By Martha Ochoa
Located in Austin, TX
By Martha Ochoa, contemporary painter of Catholic religious icons that revive Renaissance and Latin American Colonial art. This painting ...
Canvas, Oil
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H 22 in W 14.5 in
Josef Theodor Hansen, Nocturnal Study Of A Mosque By A Coastline
By Josef Theodor Hansen
Located in Cheltenham, GB
This atmospheric early 20th-century oil study by eminent Danish artist Josef Theodor Hansen (1848-1912) depicts a substantial coastal mosque lit by the moon. Hansen was one of the f...
Canvas, Oil
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H 29.14 in W 17.33 in D 0.79 in
"Eve and the apple" by Vivaldo Martini - Oil on canvas
Located in Geneva, CH
His first name sounds like a concerto. Vivacious, its name is reminiscent of an aperitif or a cyclist. The addition of the two evokes the Italianate. Indomitable and unavoidable. Moreover, I was born on November 11, 1908 in Bellinzona, one day became a portrait painter of the president of the confederation, residing most of his life in Geneva, Vivaldo Martini...
Oil
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H 22 in W 8.75 in D 2.5 in
Antique 19thC. Italian Florentine Painted Gothic Renaissance Panels Olga Ciardi
Located in Portland, OR
Pair of fine antique 19th Century Italian Florentine Painted Gothic Renaissance Panels by Olga Ciardi, circa 1850. The panels painted in egg tempera ...
Egg Tempera, Panel
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H 11.23 in W 13.9 in
Painting, 19th century oil on panel, "Cathedral / Church" by J.B. Tetar v. Elven
Located in Berlin, DE
Painting, 19th century, oil on wood, "Brussels Cathedral / Church" by Jan Baptist Tetar Van Elven. Very fine painting. Dimensions with frame 35,3cm x 28,5cm. Age-related condition.
Wood, Oil
Ide Hill
By Mike Ellis
Located in London, GB
These works are from an exhibition entitled Flawed Beauty. An exploration of the Japanese concept of wabi-sabi. “Wabi-sabi represents a comprehensive Japanese world view or aesthetic...
Canvas, Oil
Rex
By Mike Ellis
Located in London, GB
These works are from an exhibition entitled Flawed Beauty. An exploration of the Japanese concept of wabi-sabi. “Wabi-sabi represents a comprehensive Japanese world view or aesthetic...
Canvas, Oil
Shackles
By Mike Ellis
Located in London, GB
These works are from an exhibition entitled Flawed Beauty. An exploration of the Japanese concept of wabi-sabi. “Wabi-sabi represents a comprehensive Japanese world view or aesthetic...
Canvas, Oil