New Media Paintings

DRINKS WITH DEGAS - This dress painting features an interplay of paint, lace collage and ribbon creating an outcome both expressive and refined. Through the process of adding and sub...

Put On A Red Dress And Make Yourself A Drink - This dress painting features an interplay of paint and lace textile with an outcome both expressive and ref...

"Divine Spontaneity II" 2023, 48" H x 36" W. An original vertical abstract painting consisting of acrylics, house paint, oil pastels, color pencils, and carbon pencils on canvas by ...

"Adagio in Burnt Umber" 2025, 72" H x 60" W. Abstract, mixed media painting consisting of acrylic, pencils, and oil pastels on canvas by Argentine-born artist Karina Gentinetta (feat...

"La Boheme", 2026, 72" H x 72" W. "La Boheme" is a monumental contemporary abstract painting consisting of acrylic, pencils, and oil pastels on canvas by Argentine-born artist Kari...

Kristin Cronic says of her work... I create large scale gestural paintings of nature forms. The live oaks of my birthplace, uprooted tree carcasses, and rock formations magnify the ...

Pearls are featured in this engaging interplay of paint, pencil and textile collage. The combination of intricate detail and loose intuitive paint strokes, communicates an ethereal i...

"Capriccio," 2026, 72" H x 108" W. "Capriccio" is a monumental contemporary abstract painting by Argentine-born artist Karina Gentinetta, whose work has been featured in Architect...

Kristin Cronic says of her work... I create large scale gestural paintings of nature forms. The live oaks of my birthplace, uprooted tree carcasses, and rock formations magnify the ...

Kristin Moore says of her work… My work explores architectural landscapes through an atmospheric and cinematic lens. Through painting, I create interpretive renderings of recognizab...

SLIPPING INTO SOMETHING MORE COMFORTABLE #2 This painting on canvas emphasizes strong composition and an engaging interplay of textures. The combination of paint and textile collage...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck arrived, but in that moment it was a revolving abstraction of potential, delineation, growth, and destruction. Once filled it was gone: the plywood was stripped away, the earth was backfilled. To suspend that moment he began building models of formworks. Leaving them unfilled, they are perpetually unfinished. From models based directly on architecture, Horstman expanded to forms found in the landscape. Making a formwork that depicts constraint upon the landscape is not exactly a reversal of the formwork’s function, but it asks different questions than a formwork designed for a building would. Why would you make a cement creek? What is the relationship between a flowing creek and poured cement? Is this a barrier or just delineation? For River Woman ODETTA, in addition to several small sculptures in the Flat File, Horstman will install Formwork for the East River, which describes that river’s shape as it flows from Rikers Island to the tip of Manhattan. The 3 x 18 x 7 foot sculpture...