Pattern Paintings

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. In October 2023 Isabel won the Evelyn Williams Drawing Award at the Trinity Buoy Wharf Drawing Prize. Known as the UK’s most prestigious annual open exhibition for drawing; part of the prize is a solo show at Hastings Contemporary, scheduled for 2024. Whilst Isabel always has a tale to tell for each of her images, you may or may not choose to go on the journey with her or you may indeed have a different story, one of your own that jumps off the page at you, that that you decide to follow. Artwork Details: Blue Banana...

This is a beautiful oil painting of an array of flowers in a vase in front of a colour gradient in the background. Reminding us of old master paintings, this is a brand new painting ...

Robin Hextrum's (US based) "Mega City Redux" is an oil painting that depicts a calm blue background with gold patterning interrupted with bright red and orange floral patterns and bo...

Still Life Of Flowers In A Vase, 17th Century circle of JEAN BAPTISTE MONNOYER (1636-1699) Large 17th century French Old Master Still Life of various flowers in a vase upon a mantle, oil on canvas by Jean Baptiste Monnoyer. Excellent quality and condition example of the famous still life painters work, authenticated from the published designs of Nicolas de Poilly...

Beautiful impressionist oil painting of blue Japanese irises in a white pitcher in style of Vincent Van Gogh, by an unknown artist. Signed illegibly. Presented in a giltwood frame. F...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

Title: Untitled Medium: Oil on canvas Size: 22 x 18 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa A...

'Still Life on a White Tablecloth' is an original painting by Deborah Windsor. It is a delightful small vases of summer flowers, a cactus and other objects sit on a crisp white tablecloth in this large Still Life painting. Contained in an elegant white frame this painting would look beautiful in a large kitchen or living room. Deborah Windsor, painter and printmaker, is available for sale online and in our art gallery at Wychwood Art. Deborah grew up in the Kent countryside surrounded by animals and nature and started painting with her mother who was a portrait painter at a very young age. After art college Deborah co-founded a ran a successful ceramic design business in Portobello Road, London, designing, making and selling contemporary ceramics and undertaking commissions for well know media clients. Moving back to Kent in her thirties Deborah taught art and returning to painting, her first love, developed her still-life painting style. Deborah works in oil and acrylics building up her paintings with layers and washes to achieve depth and richness. Pattern, texture, decoration, shapes and colour are all important elements in her work. Working from life is vital to Deborah so that she can capture the essence of her subject. Jugs and vases spill over with fresh flowers and she will often paint part of one of her abstract paintings in the background to add an extra element to the composition. Deborah’s work features vintage china and fabrics from her collections which with her mainly gentle colour palette give her work a homely, peaceful feeling. Deborah now lives with her husband Vincent and their ginger cat in part of a converted Victorian...

The Cosmic Dream - Visionary Figurative Nude Composition in Acrylic on Masonite Flowing and stylized figurative work by Kimberlee Kuwica (American, b. 1967). A figure is dancing tho...

Original painting by Agnese Negriba. Female figure is depicted in a reclining position and is enjoying a moment of contemplation and relaxation in a fragrant and blooming space. The ...

Brixham Harbour is an Original Painting by Eleanor Woolley. This painting is inspired by the Artist's summer vacations around Devon. Preliminary sketches were made of the harbour and...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. In October 2023 Isabel won the Evelyn Williams Drawing Award at the Trinity Buoy Wharf Drawing Prize. Known as the UK’s most prestigious annual open exhibition for drawing; part of the prize is a solo show at Hastings Contemporary, scheduled for 2024. Whilst Isabel always has a tale to tell for each of her images, you may or may not choose to go on the journey with her or you may indeed have a different story, one of your own that jumps off the page at you, that that you decide to follow. Artwork Details: Tom Yum Yum, 142x121.5cm, ink, mixed media and acrylic paint on paper, 2013 Artwork Provenance: from the Artist Studio photo credits, Isabel working, black and white shots, James Brown In Isabel's own words: Tom Yum Yum Of the King prawns, the normal prawns and the shrimps, all prawns were equal when they were in the soup. There was no monarchy in the hot volcanic bubbles of the boiling tasty soup. All the prawns had regrets, some more than others. Some regretted they had spent more time with their prawn spawn, others that they had been kinder to their friends, it all seemed rather trivial now, the petty jealousies, the rivalry, the endless striving to get ahead, trying to find the best mating partner. None of it really mattered as the soupy steam engulfed them. 'We had a good time,' shouted one valiant King prawn, 'I did my best,' came a high squeak of a shrimp. 'I tried to be content with what I had, that's all that matters but it is hard when constantly bombarded with images of others success,' said a thoughtful prawn. *Please note we are happy to ship this work rolled in an art tube. Whilst the work is on heavy duty art paper and mixed media, the artist is happy that the painting will be fine rolled in a tube. This is a more cost effective and environmentally sound method of shipping. Shipping via this method is free. About Isabel Rock and her work: Taking inspiration from Japanese woodblock prints and Indian miniature painting Rock has developed a unique collage technique that combines bold structures with large-scale woodblock prints and intricate detailing. The subject is a grand mixture of humour, drama, hidden morals, fanciful characters, modern culture, mythical beings and fantastical situations. Rock creates a world that pulls you in and demands your attention. Quality of line is paramount, the drawings are created using a dipping pen and acrylic ink. An essential tool is a squirrel’s hair brush that gives incredible fine lines and was purchased on her travels in India. Born in Hammersmith, London in 1981, Rock knew her destiny was to be an artist. Studying Fine Art Printmaking at The University of Brighton and graduating with First Class Honours in 2004 she went on to do a Masters Degree at The Royal College of Art in London, continuing her studies in printmaking and drawing, graduating in 2008. Her first solo show at Bearspace Gallery in Deptford, London in April 2009 sold out and was the beginning of a career that continues to rise. Rock participated in the first ever India Art Fair represented by Art 1821...

Mid-Century still life by American artist Jean M. Stites of Fayetteville, North Carolina (b. 1929). A variety of yellow flowers are in a reddish vase, sur...

The sweetness that characterizes the work of Mexican painter Jose Maria de Servin (1917-83) is a melancholy and placid one. While he worked in the most modern of styles, he adapted i...

The aesthetic appeal of the collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold, creating geometric...

The collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold...

Mid-century oval floral still-life by M. Allen (American, 20th Century). Signed "M. Allen" lower right. Presented with a period oval shaped rust orange ve...

Red Poppies, Vintage Botanical Garden Floral Still-Life Colorful vintage botanical still-life of red poppies by M. Tokira (20th-Century), c.1970's. This close-up view of a group of ...

These paintings reflect the love Nancy Baker has for combining classical imagery with an image that is strange. The most direct example is in Alien Nation where i have a potter at a ...

Erte (Romain de Tirtoff) Russian/French 1892-1990. "Les Rois de Legendes #24 Musicien" The Kings Of Legend #24 Musician. A beautiful, original gouache and ink piece (this is not a ...

"Yellow Hutch" is a framed oil painting by Hunt Slonem, depicting a group of iconic bunnies in black with a bright yellow background. Signed to the verso. This piece is finished i...

In lushly-colored paintings, Mark Messersmith creates dense narratives packed with animals, birds, plants, and insects that express his concern for the shrinking world they inhabit. ...

Keng Wai Lee is a painter trained to a high level. Keng Wai Lee’s gorgeously rich nature impressions are a synergy of decorative tableaux and depiction in paint on canvas of his memo...

Wonderful still life of the red Flanders Field Poppy by Heide van Doren (Germany, 20th Century), circa 1940. Signed lower right "Heidi van Doren". Presented in carved gilt-toned fram...

This stunning floral still life by A.D. Greer features a bouquet of vibrant red and white roses, purple lilacs, and red and orange zinnia flowers. Measuring a sizable 36 x 48 inches,...

Robin Hextrum's "Western Still Life with Eastern Landscape" is an original, handmade oil painting that depicts a realistic still life of Peonies, Irises, Morning glories, and nectari...

Sandra Cohen’s “agnosticism” is a 30 x 30 x 1 inch abstract acrylic painting on canvas, in hot colors of pinks, reds, and oranges with a variable white background. The hard edged geo...

Jim Stoker describes himself as an Artist-Naturalist, endeavoring to express his reverence for wildlife through his richly-colored paintings. In his love for the vivid and varied col...

This charming still life painting showcases a vibrant bouquet of mixed flowers, including daisies, peonies, and lilacs, arranged in a vibrant, overflowing composition. The artist's d...

A new portrait from Kerry Louise Bennett's ongoing series which gently reflects those amusing and bittersweet moments (with which we are all familiar with), and celebrates a sense of...

Framed 29 X 23 Image 18 X 24 The sweetness that characterizes the work of Mexican painter Jose Maria de Servin (1917-83) is a melancholy and placid one. While he worked in the most modern of styles, he adapted it to an anecdotal folk-art approach distinctly his own. When he was an infant, de Servin's family moved with him to Guadalajara. A city of history and culture, Guadalajara had a thriving artistic community with strong connections to Europe. His brothers Antonio and Miguel became artists as well, and in later years they worked collaboratively. As a teenager, de Servin studied at one of Mexico's Schools of Open-Air Painting, free art-teaching institutions sponsored by the government. Later de Servin became a pupil of the painter Chucho Reyes, known for his improvisational watercolor variations on traditional Mexican themes. This interest in imagery particular to Mexico would be of great significance to de Servin. De Servin also studied under the more traditional painter Jose Vizcarra. In the early 1930s de Servin joined the Pintores Jovenes de Jalisco, or Young Painters of Jalisco. An influence of critical importance to de Servin was Pablo Picasso. One of the originators of Cubism, the Spanish painter soon departed from its quasi-scientific and optical basis to create lively and humorous geometrical abstractions. It was this Cubism, personal and decorative, that de Servin adopted. His earliest Cubist works mimic Picasso, while during the second stage of his career, his works become smooth and polished, with an emphasis on gentle surface textures. After these cautious years, however, a rough boldness enters along with dominating colors of earth and sand. Modernists like de Servin were interested in exploring what they considered primitive artmaking styles. The adoption of a native manner and native themes is in keeping with Modernist tenets, as is the use of nontraditional materials. De Servin's portraits of peasants, large-eyed and simply rendered, recall children's drawings. The rough burlap ground contrasts with the playful imagery and delicate range of color. The figures, all children or child-like adults, are all curves and simple shapes arranged harmoniously. De Servin's cubism is free from grotesquerie as it celebrates the simplicity of its subjects. De Servin worked with the social-realist Jose Orozco on several large mural commissions in Guadalajara, including one at the Legislative Palace. While their styles were dissimilar, both made use of Mexican imagery to glorify the common people. A sought-after muralist in his own right, de Servin brought the rich colors and endearing characters of his panels to his larger-scale work. For 15 years, de Servin taught summer art classes at the University of Arizona. His career was marked by many one-man shows, both in North America and Europe. In recent years, his striking style has attracted increased notice from critics and the public. His style is a unique conglomerate of tradition, history, legends, heroes, old customs and folklore. It is a self-standing style, recognizable, cheerful, whimsical and a happy creation. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard...

"Es Posible sin Alas". Symbolic paint. Folk Art Landscape with figures by spanish artist Raquel Fariñas. Acrylic mixed media/ wood panel, 48 x 55 x 4 cm. In inches: 18.9" x 21.65" x...

"En Oriente" (In the East). Symbolic paint. Folk Art Landscape by spanish artist Raquel Fariñas. Acrylic mixed media/ wood panel, 62 x 50 x 4 cm. In inches: 24.41" x 19.69" x 1.57" ...

Magdalena Nałęcz (b. 1970) She graduated from the Academy of Fine Arts in Cracow in 1995. She received numerous scholarships and prizes: in 1997 the scholarship of the city of Cracow...

"Dia dos Mortos" Acrylic and Marker on Canvas Year: 2023 Size: 39.37 x 31.49 x 1.18 inches Signed and titled by hang COA provided *On Stretcher Frame Ready to hang This painting is...

Humming Along III, Oil on Panel, 16 x 12 Inches, is one of a series of paintings, watercolors, mosaics and prints by Lisa Houck, a very established artist from Boston with a large fo...

This drawing is one in a series of botanical line drawings depicting the seasonal flowers of English gardens and the countryside. ADDITIONAL INFORMATION: Colour Pencil on Paper Sold...

This contemporary still-life depicts a vibrant and juicy scallop on blue and white Mediterranean tiles. This box canvas is part of my MINI Tiles series, and is ready to be hung unfra...

Fred Wessel's "West Hartford Canna" is a stunning egg tempera painting on gold leaf. Created in 2022, this piece features a beautiful single stem of an orange Canna Hybrida lily, among its large leaves and stem. Painted underneath is a Victorian stone...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Gob...

A lush bouquet of pastel-hued flowers bursts from its vase, cascading gracefully over the edges in a stunning display of natural beauty. Delicate petals in soft pinks, blues, and cre...

Louis Recchia's "Yesterday Today" is an original, handmade mixed media painting using acrylic paint and collaging on plexiglass. Louis Recchia has been producing contemporary art in...

Continental School impressionist oil on paper of a bouquet of Delphinium, Daisies and Gerbera Daisies by an unknown artist, c.1969. Illegibly signed lowe...

Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red and butterflies in blues, yellows, black and white. This work was executed by Dufy as a fabric design. Dimensions: Framed: 17"x27" Unframed: 10"x20" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...

"Los Recolectores" (The Gatherers). Symbolic paint. Folk Art Landscape with figures by spanish artist Raquel Fariñas. Acrylic mixed media/ wood panel, 47 x 38 x 3 cm. In inches: 18....

- Original Impasto painting: Each brush stroke is visible on the canvas, giving the artwork a dynamic and expressive quality that is hard to replicate with other techniques. - Exp...

Fred Wessel's "Red Trillium" is a stunning egg tempera painting on gold leaf with garnet cabochons. Created in 2024, this piece features a fully bloomed flower of Trillium Erectum, a...

Artist: Slonem, Hunt Title: Red Madison Date: 2023 Medium: Oil on Canvas Unframed Dimensions: 30" x 36" Framed Dimensions: 32" x 38" Signature: Signed Edition: Unique

JERRY BERNECHE Untitled (Cats & Dogs No. 1) Colored pencil, gouache, and pastel on paper 30 x 22 inches

A Flurry of Wild Flora [2023] original Acrylics Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:60 cm x W:60 cm x D:2cm Sold Unframed Please...

This vibrant painting captures the striking beauty and elegant forms of Flamingo flowers. Sweeping brushstrokes and vivid colors bring these flowers to life, highlighting their styli...

Philip Verhoeven Mesdames et Messieurs (circus, 1920s, 1930s, performance) Acrylic and Marker on Canvas Year: 2024 Size: 15.75 x 15.75 inches Signed and titled by hand COA provided ...

A fine mid Century floral still life showing an earthenware vase filled with delicate purple aster. The painting is unsigned and presented in a simple mid Century frame. There is a s...

In the East, chrysanthemums are more than flowers—they are symbols of prosperity, abundance, and the graceful stretch of time. Their grand, radiant blooms seem carved not for gardens...

QUAINT INTERIOR Size: 60 x 51 cm (including frame) Oil on canvas A charming and intimate interior composition dated 1998 and painted in a naïve style, executed in oil onto canvas. ...

French painter (dated 1919) - Still life with vase of roses. 117 x 90 cm. Antique oil painting on canvas, without frame. - Work signed and dated bottom right: “P. Daudenarde 1919”...

Artist: Jean-Pierre Dubord, French (1949 - ) Title: Les Fleurs du Jardin Medium: Oil on Canvas, signed and titled verso Size: 13 in. x 16 in. (33.02 cm x 40.64 cm) Frame Size: 15.5 x...