Piste Paintings

Signed lower left "Muriel Backman" for Muriel Durgin Backman and dated 1955. An elegant, Cubist-derived, mid-century view of the old Fisherman's Wha...

L'hymne du Roi David (King David's Dream) Oil on wood by Marc Chagall c late 70's Comes with Numbered and Verified Certificate of Authenticity from Comite C...

Gary John's pop-street artworks have a whimsical, yet exciting and bold quality inspired by classic cartoon and comic book characters. Blending pop sensibilities with a roughened fau...

Wonderful impasto Bay Area Figurative Movement painting with bell tower (possibly Berkeley Campanile?) and abstracted figures on path and ...

Edward Avedisian ( 1936-2007 ) Gouache or oil on paper, 3 guys around a car, hand signed in paint lower left, Measures 30"x 22.5" Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell Gallery in New York City. Edward Avedisian was known for his brightly colored, boldly composed canvases that combined Minimalism's rigor, Pop art exuberance and the saturated tones of Color Field painting. Roberta Smith of the NYT writes of Avedesian: "Edward Avedisian helped establish the hotly colored, but emotionally cool, abstract painting that succeeded Abstract Expressionism in the early 1960s. This young luminary harnessed elements of minimalism, pop, and color field painting to create prominent works of epic proportions that energized the New York art scene of the time." In 1996 Avedisian showed his paintings from the 1960s at the Mitchell Algus Gallery, then in SoHo. His last show, dominated by recent landscapes, was in 2003 at the Algus gallery, now in Chelsea. Selected Exhibitions: Op Art: The Responsive Eye, at the Museum of Modern Art, Whitney Museum’s Young America 1965 Expo 67, held in Montreal, Canada. Six Painters (along with Darby Bannard, Dan Christensen, Ron Davis...

Signed lower right "Muriel Backman" for Muriel Durgin Backman (American, 1902-1996) and titled verso "The Cool Gray City". An elegant mid-century view of the San Francisco skyline a...

Original Painting of a Vineyard in the Wine-Growing Region of Bordeaux, France, by leading British Contemporary Landscape Artist, Angela Wakefield. During 2012, Angela embarked upon ...

Beautiful mid-century Abstract Expressionist color field painting. Oil on canvas, 16 x 20 inches; 16.5 x 20.5 inches in simple vintage wood strip frame original to the piece. Signed ...

Signed lower left "M. Backman" for Muriel Durgin Backman. Titled verso "Union Lumber Co., Fort Bragg- Mendocino, Ca" and painted circa 1955. A moody, mid-c...

Gestural, abstract expressionist oil painting on canvas in earth tones of blue and green, with accents of burgundy and pale yellow "May 29", Painted by Hudson Valley based artist, James O'Shea in 2021 Oil on canvas, 26 x 26 inches unframed, raw canvas sides Wire backing, ready to hang Signed verso James O’Shea’s deeply pigmented abstractions are grounded in the landscape. Taking his cues from the bare winter months in the Northeast when the horizon is stripped of its foliage, he suggests that “So much of life’s structure reveals itself when it goes into hibernation”. The architecture in O’Shea’s compositions takes form with expressive gestures using...

*Frame is included, we will work with you to match the best type of the material and method and suit your interior deco colour scheme; design for you, frame it for you. -We offer you...

Wonderful mid-century abstract figurative by North Carolina artist Charles Chapin (American, 20th Century), 1964. signed and dated lower right (Chapin 8/64). Condition: Excellent. Image size: 38"H x 28"W. Presented in painted slat rustic frame. Framed size:: 39"H x 30"W x 1". Charles Chapin received his BA from North Carolina and was associated with the Chapel Hill...