Triangle Paintings

Maggy Clarysse (1931-2011) oil on board , unframed 10.5 x 8.75 inches signed front condition: excellent provenance: all the paintings we have by this artist have come from the artist...

Ora is a unique acrylic on canvas painting by contemporary artist Ramon Enrich, dimensions are 40 × 30 cm (15.7 × 11.8 in). The artwork is signed, sold unframed and comes with a cer...

Mosaic Drawing by Josine Vignon (French 1922-2022) signed pastel/watercolor on artist paper, unframed painting: 13 x 20 inches good condition provenance: from the artists estate, Fr...

Original painting on canvas. Hand signed and dated on front; signed, titled and dated on verso by Britto. There is also a signed and dated dedication on verso by Britto. Canvas siz...

One of 100 copies. JERZY DMITRUK (born in 1960) He studied at the Academy of Fine Arts at the Faculty of Paintings and Graphics. Dmitruk graduated in 1986 from the atelier of profess...

Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and at the age of fourteen he was awarded a grant to enter art school which he accepted. From 1947 to 1950 he studied at Luton School of Art, Bedfordshire, and St. Albans School of Art, Hertfordshire. House's contemporaries included Richard Smith and John Plumb with whom he remained close. During the early fifties, after finishing art school, House began work as assistant to the ecclesiastical sculptor Theodore Kern. He also spent time at an advertising studio where he honed his burgeoning skills in typography and graphic design. In 1952 House was offered the position of designer for Imperial Chemical Industries Plastics Division where he stayed until 1959. This was followed by two years spent as graphic designer for the Kynoch Press in London. In 1961 House set out on his own as a self-employed designer and typographer. Initially this was supplemented by part-time teaching at art schools in and around London but by 1964 House was able to devote himself entirely to his design work which freed up valuable time to concentrate on his own artistic output in the studio. In the late fifties, informed by the new art emerging from America and that of his contemporaries in England, House began to create large-scale abstract works which he was invited to show in 1959 at Dennis Bowen's legendary New Vision Centre in Marble Arch. House was an active participant in the vibrant London art scene of the sixties, regularly attending lectures, exhibitions and discussions. In 1960 he exhibited in 'Situation' the key abstract exhibition of the decade held at the RBA Galleries. Other participating artists included Robyn Denny, Bernard and Harold Cohen, Gillian Ayres, John Hoyland, Richard Smith and William Turnbull among others. These artists, united by a common admiration for American Abstract Expressionism, were frustrated by the lack of exposure given to large-scale abstract works in commercial galleries so they organised their own exhibition. The name was derived from the participants' idea that an abstract painting that occupied the whole field of vision would involve the spectator in an 'event' or 'situation'. This exhibition was followed by 'New London Situation' in 1961 and a nationwide touring Arts Council presentation in recognition of the significance of the two earlier shows. In 1961 House began producing his first prints at the Kelpra Studio, run by Chris and Rose Prater, where he made the earliest fine art screenprint ever to be produced in Britain. Artists such as Paolozzi and Hamilton followed in his footsteps and together they started a printmaking revolution in Britain. They cemented the medium of the screenprint in the world of fine art as opposed to the commercial sphere and secured the reputation of Kelpra in the process. Later, together with Cliff White, House set up the White Ink (Ltd.) print studio in London, where he produced etchings and wood engravings on a series of magnificent antique printing presses...

Pintura acrilica en bastidor de madera sobre soporte de lamichapa de madera MDF. Se suministra con los cantos acabados lista para ser colgada. Lleva una capa de barniz para evitar ...

Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and at the age of fourteen he was awarded a grant to enter art school which he accepted. From 1947 to 1950 he studied at Luton School of Art, Bedfordshire, and St. Albans School of Art, Hertfordshire. House's contemporaries included Richard Smith and John Plumb with whom he remained close. During the early fifties, after finishing art school, House began work as assistant to the ecclesiastical sculptor Theodore Kern. He also spent time at an advertising studio where he honed his burgeoning skills in typography and graphic design. In 1952 House was offered the position of designer for Imperial Chemical Industries Plastics Division where he stayed until 1959. This was followed by two years spent as graphic designer for the Kynoch Press in London. In 1961 House set out on his own as a self-employed designer and typographer. Initially this was supplemented by part-time teaching at art schools in and around London but by 1964 House was able to devote himself entirely to his design work which freed up valuable time to concentrate on his own artistic output in the studio. In the late fifties, informed by the new art emerging from America and that of his contemporaries in England, House began to create large-scale abstract works which he was invited to show in 1959 at Dennis Bowen's legendary New Vision Centre in Marble Arch. House was an active participant in the vibrant London art scene of the sixties, regularly attending lectures, exhibitions and discussions. In 1960 he exhibited in 'Situation' the key abstract exhibition of the decade held at the RBA Galleries. Other participating artists included Robyn Denny, Bernard and Harold Cohen, Gillian Ayres, John Hoyland, Richard Smith and William Turnbull among others. These artists, united by a common admiration for American Abstract Expressionism, were frustrated by the lack of exposure given to large-scale abstract works in commercial galleries so they organised their own exhibition. The name was derived from the participants' idea that an abstract painting that occupied the whole field of vision would involve the spectator in an 'event' or 'situation'. This exhibition was followed by 'New London Situation' in 1961 and a nationwide touring Arts Council presentation in recognition of the significance of the two earlier shows. In 1961 House began producing his first prints at the Kelpra Studio, run by Chris and Rose Prater, where he made the earliest fine art screenprint ever to be produced in Britain. Artists such as Paolozzi and Hamilton followed in his footsteps and together they started a printmaking revolution in Britain. They cemented the medium of the screenprint in the world of fine art as opposed to the commercial sphere and secured the reputation of Kelpra in the process. Later, together with Cliff White, House set up the White Ink (Ltd.) print studio in London, where he produced etchings and wood engravings on a series of magnificent antique printing presses...

My paintings are fueled by my love of abstraction. The practice of making them involves experimenting with many schools of art and diverse art movements from the early 1900s to the present. My work has been described as minimal, concrete, reductive, geometric, hard-edged and non-objective. For the most part, I do not adhere to a "recognizable style" and instead depend on my intuition and shift back and forth within different parameters. Sometimes I work in pairs but have also worked in series as in my Concrete Paintings. I favor flat blocks of color, straight lines, hard edges, the grid, patterns, color juxtaposition, geometry, and patterns. The work is distilled and austere. I work with a mixture of acrylic paint, matte medium, and gesso on canvas, paper or wood, giving my work a matte flat finish similar to gouache paint and creates the great depth of color that I prefer. I finish the work with a coat of matte varnish. I studied under some great masters such as Elizabeth Murray, Keith Sonnier, Raphael Ferrer, Lucio Pozzi, and Nachume Miller. Artists that have influenced my work are Imi Knoebel, David Novros...

Original abstract painting of medium format "Triangles 7" was created with soft colours on standard edge canvas. Ideal for your living room, dining room, bedroom or hotel room, offic...

Original abstract painting of medium format "Triangles 8" was created with soft colours on standard edge canvas. Ideal for your living room, dining room, bedroom or hotel room, offic...

PORFID-4 is a unique acrylic on canvas painting by contemporary artist Ramon Enrich, dimensions are 50.5 x 40 cm (19.9 × 15.7 in). The artwork is signed, sold unframed and comes wit...

Inner Phases oil and metal leaf on stretched linen This painting is from my "Portraits of Gold" series and is painted on a custom golden triangle shaped canvas that I calculated...

For the exhibition Panorama of the Anthropocene, Oli Sorenson presents an array of works created in a hybrid style that evokes the square layout of Instagram, the pixelated landscape...

In Nelson’s Odalisque on the Dark Side of the Moon he transports the reclining figure from Jean-Auguste-Dominque Ingres’ 1814 Neoclassical painti...

The paintings of Aleix Font (Sabadell, Spain, 1984) function as a narrative between the collective and the individual world, exploring space and its interac...

Joanna Mrozowska Born in 1976 in Warsaw. Studied in the Department of Painting in the Academy of Fine Arts in Warsaw; she graduated with a Master’s degree in painting, with the cycle...

'Billiards', oil on canvas, unframed and 30 x 48 inches. Terry Thompson looks for beauty in the often overlooked, painting in a photorealistic style various "Pop" culture products th...

This particular painting is a play on the form of the Canadian flag, the military history of Canada, the journey implied by the use of the tent, and of course, the primary symbolism of the pyramid. In true Pachter form, he manages to challenge and evoke all these ideas with riveting simplicity. One of Canada’s leading contemporary artists, Charles Pachter is a painter, printmaker, sculptor, designer, historian, and lecturer. His work is pursued by significant private and public collections. Born in Toronto, he studied art history at the University of Toronto, French literature at the Sorbonne, and painting and graphics at the Cranbrook Academy of Art in Michigan. His work has been exhibited at the Art Gallery of Ontario, the Royal Ontario Museum, and the McMichael Gallery. He is represented in public and private collections throughout Canada, and internationally. He has held solo exhibitions in France, Germany, Japan, the UK, and India. Pachter worked at Expo 67 in Montreal supervising the installation of 60 contemporary sculptures from around the world. He taught printmaking at the University of Calgary in 1969-70. He spearheaded Toronto’s Queen Street West revival in the 1970s and 80s by restoring 20 old buildings into facilities for arts usage. He is an Officer of the Order of Canada, a Chevalier of France’s Order of Arts and Letters, a member of the Order of Ontario, and holds honorary doctorates from Brock University, OCAD University, and the University of Toronto where he is a Senior Fellow at Massey College. He is a recipient of the Queen’s Golden and Diamond Jubilee medals. His images of the queen, moose, and maple leaf flag are icons of Canadian contemporary art. McClelland & Stewart publications include an illustrated book on his life and work, and The Journals of Susanna Moodie, his celebrated collaboration with poet Margaret Atwood. His murals of Hockey Knights in Canada can be seen in Toronto’s College Subway Station. Mr. Pachter lives and works in downtown Toronto in an award-winning studio designed by Canadian architect Stephen Teeple. His work is on permanent display in his adjoining Moose Factory Gallery. From 2004-2014 in summer he painted in The ICE HOUSE...

Encaustic on panel, framed in a simple white float frame, this painting is part of the “Spectrum Paintingsâ€

An original acrylic on paper by American artist Richard Huntington from the artists current exhibition at The Corridors Gallery at Hotel Henry. Richard Huntington is a writer, printmaker, and painter who lives in Buffalo, N.Y. and San Miguel de Allende, Guanajuato, Mexico. Born in Albany, N.Y., Huntington received a BFA from Syracuse University in 1959 and an MFA in 1963 from the University at Buffalo, where he studied under Seymour Drumlevitch. He taught studio and art history courses at Bradley University in Peoria, Ill.; lived and worked in New York City, where he showed at the Fulton Street Gallery and other venues; was an art critic for the Buffalo Courier...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

This uniquely shaped canvas is centered on one of Mark Kostabi’s favorite subjects, pool. In this surrealist oil painting, the artist has depicted a couple embracing as they both lean over a pool table...

Budd Hopkin's Mahler's Castle paintings exemplified a shift away from his holistic single image paintings of 1971 and 1972 to a new hieraticism. Both Mon­drian and Newman, for instan...

Figurative acrylic on paper painting by young professional European artist Waleria Matelska. Artwork is minimalist and composed with synthesized shapes. Painting is vibrant- main col...

Teepees can be art. Just look! :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: Si...

Timothy Mulligan's "Reaching to the Sky" masterfully reimagines the Palm Desert Visitors Center in his signature abstraction style. The artwork highlights the building's striking tri...

"Me and you walking on the brick path" is a glowing oil painting surrealistic seascape with mother (artist) & daughter walking down a brick path on water receding into the distance i...

Jeff Nachtigall is a Canadian Postwar & Contemporary artist who was born in 1970. Numerous key galleries and museums such as Mayberry Fine Art, Winnipe...

I am influenced by architecture, patterns, graphic design and anything with a minimalist aesthetic. Having gestated and remixed many abstract styles, my intention is to force a new d...

(Insolent Grammar Series) Original Framed Painting: Acrylic & Metallic Acrylic on Deep Gallery Wrapped Canvas. This Piece comes Completely Framed with a Satin Black Contemporary S...

I thought of these as paintings as “windows that look into a color-filled world that swirls, floats, sways, and breathes with constant motion. They reflect the way I observe the qu...

I am influenced by architecture, patterns, graphic design, and anything with a minimalist aesthetic. Having gestated and remixed many abstract styles, my intention is to force a new ...

Original oil painting on canvas. Figurative art. This is 4 times 80 x 80 cm. The sides are always spotless white. This provides a good view of any environment and this makes it pos...

Pintura acrilica en bastidor de madera sobre soporte de tela. Se suministra con los cantos acabados listo para ser colgado. Lleva una capa de barniz para evitar el polvo y la humed...

Pintura acrilica en bastidor de madera sobre soporte de tela. Se suministra con los cantos acabados listo para ser colgado. Lleva una capa de barniz para evitar el polvo y la humed...

Pintura acrilica en bastidor de madera sobre soporte de tela. Se suministra con los cantos acabados listo para ser colgado. Lleva una capa de barniz para evitar el polvo y la humed...

Modernist / Minimalist Painting - Collage / Construction MATERIALS: Mercury Acrylic Paint on 1/16th Inch Shaped Archival Plexiglas Collage on Canvas - Archival mount to Gessoed Birc...

Rémi Delaplace talks about the relationship to the other. The practice of dance nourishes the though of Rémi Delaplace: gravity, levitation, the body are all topics that cross his...

Figurative piece with a fun, simple narrative. The beauty of the piece lies in its simplicity. On 3/4 canvas.

I made these paintings in response to a prediction for a change in the colour of the sky and oceans as a consequence of man-made climate change. This idea described by Peter Ward in his book Under a Pale Green Sky is based on his study of the great mass extinction events of the past. For many of these extinction events the earth’s chemistry changed the sky to green and the oceans purple. My personal memories are often tied to colour – my first recollection is of an orange cup...

Figurative piece with a fun, simple narrative. The beauty of the piece lies in its simplicity. On 3/4 canvas.

Heejung Cho is a mixed media artist born in Seoul, Korea, who currently lives and works in Brooklyn, NY. She received her BFA in sculpture from Seoul National University and an MFA ...

Heejung Cho is a mixed media artist born in Seoul, Korea, who currently lives and works in Brooklyn, NY. She received her BFA in sculpture from Seoul National University and an MFA ...

Triangle with 18 inch sides Greta Van Campen is known for her geometric hard-edged graphic approach to representation. She has traveled across the United States sourcing inspiration from the landscapes, small towns, and cities. Now, with a young family, she gets most of her inspiration close to home. Scenic ocean views and paintings of flowers from her gardens make up the bulk of her new work. She paints in her home studio, beginning each piece with a photograph she has taken. She uses the photo as a reference while drawing from memories of her experiences, sometimes also working from sketches done on location. The image is translated into a painting by first setting large compositional elements and then finding shapes and masking off areas with tape, mixing the desired color of paint, and continuing to tape and paint until the desired amount of detail is reached. This distilled and stylized approach imbues her traditional subject matter with a freshness and modernity. As Van Campen explains, she “figure(s) out how to recreate a version of the natural, atmospheric place by turning it into a more geometric, color and balance-driven scene that is hopefully appealing, interesting, and authentic.” Van Campen was born in and resides in Maine. She received her BFA from Bowdoin College, ME. She is represented by Octavia Art Gallery, LA & TX, and Dowling Walsh Gallery...

Mose Tolliver AKA Mose T Untitled Ble Watermelon wood, paint, soda tab approx: 7.5 x 15.5" date unknown signed