Lucie Jirku Art

Interior design paintings. The artwork was done with acrylic, watercolor and white felt pen on black watercolor paper 360g. The works are 11,5 by 16,5 inches in size, framed (black) ...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

A meadow in Tuscany on a summer's evening at my friend's house, near Sestina. The heat of the day has left a balmy warmth and the low sun is casting long deep shadows across the wild...

The painting from the "Echo of Harmony" series, titled "I Can Do Anything". This work is my artistic statement on inner strength and emotional balance. Using acrylic on canvas, I ca...

"Yellow/Green" 2004. Oil/Acrylic on Canvas. Signed lower right Image: 34.5" x 47". Framed: 49" x 37". Rigoberto Mena Santana (Cuban, born 1961) was born in Artemisia, Havana in 1961, where he currently lives and works. He attended the Instituto Politecnico de Diseno Industrial, La Habana, and continued his studies at San Alejandro Fine Art Academy, Havana. He traveled extensively throughout Europe to study the great masters. Mena has had Solo Exhibitions in China, Germany, Netherlands, Mexico, Cuba, Spain, France, and Holland, and in the U.S. in Miami, Massachusetts, Washington, D.C, and California. Following the inauguration of his exhibition “Hablando en Lenguas”. In 2011, Rigoberto’s work was chosen to be a part of the permanent collection of the National Museum of Fine Art in Havana, Cuba. Through the eyes of an abstract expressionist, he draws inspiration from his home’s urban landscapes and the spirit of the people and the city. The start of the Cuban Abstract movement was through a group called Los Once or The eleven. Though Mena was not an original member the influence by this new outlet began to spread ideals that put his own practice into fashion. Rigoberto is considered an important painter of his generation. He is one of the few artists in Cuba who has to have a private art gallery. Mena's private gallery at the Plaza de Armas is adjacent to the neighboring government art gallery. His work has been exhibited in Mexico, Belgium, Germany, France, Spain, and Holland. Contemporaneous with the controversial, "La Generacion de los 80s" - The 80s Generation of Contemporary Cuban Art also referred to as New Cuban Art. This new Cuban plastic arts movement, with an expression of conceptual and non specific conscience manifestation, addressed many burning issues of the time and unveiled what these artists felt was the true reality of Cuba. It was more than a moment of artistic inspiration; it was a reflection of critical self-awareness and the new social role of art - the fundamental essence of the movement. They included Rubén Torres Llorca, Jose Bedia Valdes, Ricardo Rodriguez Brey, Juan Francisco Elso, Rogelio López Marín (Gory), Gustavo Pérez Monzón, José Manuel Fors, Leandro Soto Ortiz, Israel León, Tomás Sánchez and Carlos Alfonzo. In the second half of the decade, other artistic groups were formed, including 4 x 4, Grupo Hexágono, Arte Calle, Grupo Provisional, the duet René Francisco Rodríguez and Eduardo Ponjuán González and ABTV. Grupo Puré, another new wave of young artists, graduates of the Instituto Superior de Arte (ISA) included Ana Albertina Delgado Álvarez, Adriano Buergo, Ciro Quintana, Ermi Taño and Lázaro Saavedra, all greatly influenced by the German Kitsch art movement. Additionally, a large number of talented creators excelled independently, such as Florencio Gelabert (sculptor), Arturo Cuenca Sigarreta, Rigoberto Mena, Humberto Castro, Gustavo Acosta, Kcho, Antonio Eligio Fernandez (Tonel), Adriano Buergo, Flavio Garciandía, Tania Bruguera, Juan Francisco Elso, Carlos Rodríguez Cárdenas, Quisqueya Henríquez, Glexis Novoa, José Toirac, Carlos García, Heriberto Mora, Segundo Planes and Pedro Vizcaíno, among others. Select Personal Exhibitions 2015 RBK 4200 ,La Cabaña,fortress. Bienal de La Habana, 2014 The shape without shape. Visual Arts Development Center, Bayamo, Cuba 2013 Allegro Ma Non Troppo. Lloyd’s Register, Havana. 2012 Spirit. Dennis Rosenthal Gallery, Chicago, U.S.A. 2011 Speaking in languages. Fine Arts National Museum, Havana. 2010 The places of time (with Alan Kleinmann). Orígenes Gallery, Havana’s Great Theater. 2009 The writing and the limit. 23 y 12 Gallery, Havana. 2007 The pleasure of absorb yourself. RAC Gallery, Veracruzan University, Xalapa, México. 2006 Coexistence. Public space, during the Ninth Havana’s Biennale. 2005 Ball change. La Casona Gallery, Havana, Cuba Das Unbestimmbare Selbst. Refugium Gallery, Berlin. 2004 From the nothing to the infinite. La Casona Gallery, Havana, Cuba 2003 The visual poetry of life. Refugium Gallery, Berlin. Rigoberto Mena. Recent Work. Habana Gallery, México DF. Recent graphic work (with Jo Ann Rothschild). Graphic workshop, Havana. Rigoberto Mena. Recent Work, Boston Art Institute, Lesley Boston University, 2001 Two plus one doesn’t make three (with Julio Girona and Angel Rivero), L Gallery, 2000 Cuba I, Space 12 Gallery, Boston, Massachusetts, United States. Three abstract painters (with Jo Ann Rothschild and Julia Valdes...

Persephone Oil on canvas, 1952 Signed lower left (see photo) Titled reverse "Persephone" Signed "V. 52" Exhibited: Columbus Gallery of the Arts label "71/30 Bt. 2", see label Condition: two very small flakes of missing paint Canvas size: 20 1/8 x 16" Frame size: 20 7/8 x 16 3/4" Provenance: Estate of the artist Dehn Heirs An important painting by the artist. Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn (1922-2005) Virginia Dehn was an American painter and printmaker whose lyrical abstractions drew inspiration from nature, archaeology, ancient civilizations, and the spiritual dimensions of landscape. Born Virginia Engleman in Nevada, Missouri, on October 26, 1922, she studied at Stephens College, the Traphagen School of Design, and the Art Students League in New York. In the 1940s she met the distinguished lithographer and watercolorist Adolf Dehn, whom she married in 1947. Although initially known in connection with her husband's artistic circle, she developed an independent career that spanned more than five decades. Her mature work transformed natural forms, gardens, pottery, geological formations, and symbols from ancient cultures into richly textured, semi-abstract compositions characterized by luminous color and contemplative imagery. Her major series included Gardens and Galaxies, Ancient Landscapes, Earth Memory, The Egyptian Series, The Oriental Series, and The Gold Series. Dehn exhibited widely throughout the United States and was represented during her career by galleries including the Susan Teller Gallery in New York, Harmon-Meek Gallery in Naples, Florida, Cline LewAllen Contemporary Gallery in Santa Fe, New Mexico, and Thomas French Fine Art in Ohio. Her work was featured in numerous solo and group exhibitions and earned recognition for its synthesis of modern abstraction with enduring themes drawn from history and the natural world. Works by Virginia Dehn are held in a number of public collections, including the New Mexico Museum of Art, the Butler Institute of American Art, the Portland Art Museum, the Museum of Fine Arts, Springfield (Massachusetts), the University of California, Berkeley, the Minnesota Historical Society, and the New York State Library. These institutional holdings reflect the broad geographic reach of her career and the continuing appreciation of her contribution to twentieth-century American art. Virginia Dehn died in Santa Fe, New Mexico, on July 28, 2005. Today her paintings, drawings, and prints are represented in museum collections and private collections throughout the United States, and her work remains associated with a distinctive vision that united abstraction, memory, and the enduring forms of the natural world. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...

This painting is part of the collection titled Contemplation and Introspection. In this series I am exploring the profound relationship between nature and the human experience. The c...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

"Earth Tone II" 2026, 42" H x 28" W (framed - unframed, it measures 40.5" x 26.5") Abstract, vertical orientation abstract painting consisting of acrylics and part of the new "Earth...

ONLY PINK - An expressive burst of delicate pink flowers creates a composition full of movement and energy. A blend of acrylic and oil pastel is used to build up rich textures and lo...

Ricky Hunt’s mixed media minimalist paintings are influenced by his tumultuous past that led to a paradigm shift in his creative practice. His works evoke the many layers of his life...

Gesso, charcoal, sumi-ink, acrylic on panel Tomo Sakurai is a Japanese artist born in 1987 who lives & works in Tokyo, Japan. She had an awakening of her talent in pencil drawing as...