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Orientation: Vertical
Mid-Century Shapes IV, White and Blue Abstract Floating Shapes, Unique Cyanotype
Mid-Century Shapes IV, White and Blue Abstract Floating Shapes, Unique Cyanotype

Mid-Century Shapes IV, White and Blue Abstract Floating Shapes, Unique Cyanotype

By Kind of Cyan

Located in Barcelona, ES

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Category

2010s Bauhaus Abstract Prints

Materials

Photographic Film, Emulsion, Watercolor, Photographic Paper, Monotype, P...

Mid-Century Shapes, White and Blue Abstract Shapes, Handmade Cyanotype Monotype
Mid-Century Shapes, White and Blue Abstract Shapes, Handmade Cyanotype Monotype

Mid-Century Shapes, White and Blue Abstract Shapes, Handmade Cyanotype Monotype

By Kind of Cyan

Located in Barcelona, ES

This unique monotype cyanotype, rendered in rich blue tones, draws inspiration from mid-century modern shapes to explore themes of balance and duality. Abstract forms echo harmony an...

Category

2010s Post-Modern Abstract Prints

Materials

Paper, Watercolor, Lithograph, Monotype

H2O IV - Homage to David Hockney
H2O IV - Homage to David Hockney

H2O IV - Homage to David Hockney

By Erik Pawassar

Located in San Francisco, CA

large format photograph of sun reflections on pool water surface, mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to the iconic ...

Category

21st Century and Contemporary Contemporary Abstract Photography

Materials

Archival Paper, Photographic Paper, Archival Ink, Giclée

Grid. No 6 (Contemporary Framed Gestural Lattice Motif Painting in Neutral tone)
Grid. No 6 (Contemporary Framed Gestural Lattice Motif Painting in Neutral tone)

Grid. No 6 (Contemporary Framed Gestural Lattice Motif Painting in Neutral tone)

By Birgit Blyth

Located in Hudson, NY

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Category

Early 2000s Abstract Abstract Photography

Materials

Photographic Paper, Monoprint

Folds in Time #108 - abstract metallic foil monochromatic reflections in light
Folds in Time #108 - abstract metallic foil monochromatic reflections in light

Folds in Time #108 - abstract metallic foil monochromatic reflections in light

By Mona Kuhn

Located in San Francisco, CA

From Mona Kuhn's abstract series Folds in Time (2026), a series of monochromatic studies capturing the tactile interplay of light and shadow on reflective materials. The interplay o...

Category

21st Century and Contemporary Contemporary Color Photography

Materials

Photographic Film, Photographic Paper, Giclée

Columbine: The Mystery of Five Doves - Botanical White Violet Blue Flowers, 2017
Columbine: The Mystery of Five Doves - Botanical White Violet Blue Flowers, 2017

Columbine: The Mystery of Five Doves - Botanical White Violet Blue Flowers, 2017

By Lisa A. Frank

Located in Kent, CT

In this contemporary botanical photograph, flowers, butterflies, and doves are layered and combined in an abstracted composition. Shades of violet and blue stand out brightly against...

Category

2010s Contemporary Abstract Photography

Materials

Archival Paper, Digital Pigment

Seascape IV (Homage to Mark Rothko) - large format abstract ocean photograph
Seascape IV (Homage to Mark Rothko) - large format abstract ocean photograph

Seascape IV (Homage to Mark Rothko) - large format abstract ocean photograph

By Frank Schott

Located in San Francisco, CA

From a series of large scale abstract photographs of muted color monochromatic water surface color clouds and horizon SEASCAPE IV by Frank Schott an homage to Mark Rothko 60" x 48" / 152cm x 122cm signed edition of 7 75 x 58 inches / 190cm x 147cm signed edition of 7 archival quality fine art pigment print limited art edition published by Edition EKTAlux...

Category

21st Century and Contemporary Contemporary Abstract Photography

Materials

Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée

Michael Jackson

Michael Jackson

By Nick Veasey

Located in München, BY

Edition 15, Lenticular In this image Michael Jackson is doing the moonwalk and is x-rayed. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside...

Category

2010s Contemporary Abstract Photography

Materials

Lenticular

Marilyn Minter, Prism, 2009
Marilyn Minter, Prism, 2009

Marilyn Minter, Prism, 2009

By Marilyn Minter

Located in Fairfield, CT

This exquisite chromogenic print by Marilyn Minter (b. 1948), titled Prism, exemplifies the artist’s radical expansion of photo-real imagery into a realm of heightened sensuality, su...

Category

Early 2000s Pop Art Figurative Photography

Materials

C Print

'Yellow is the Dawning of May' Large scale photograph flowers blue green pastel
'Yellow is the Dawning of May' Large scale photograph flowers blue green pastel

'Yellow is the Dawning of May' Large scale photograph flowers blue green pastel

By Sophia Milligan

Located in Penzance, GB

'Yellow is the Dawning of May' Limited edition (1 of 25) archival photograph, hand signed and numbered. Unframed _________________ Illuminated among painted pools of early summer lig...

Category

2010s Contemporary Color Photography

Materials

Archival Ink, Archival Paper, Digital, Giclée, Archival Pigment, Digital...

Seen, Photography, Limited Edition

Seen, Photography, Limited Edition

By Sara Punt

Located in München, BY

Limited Edition of 7 Framed size 49 x 69 cm All works are Archival Pigment prints, floating in an all black wooden frame behind museums glass.  More sizes on request. Sara Punt's wo...

Category

2010s Contemporary Black and White Photography

Materials

Archival Pigment

Abstraction 18
Abstraction 18

Abstraction 18

By Igor Vitomirov

Located in New York, NY

ABOUT THIS ARTIST: Igor Vitomirov has over 15 years experience of working in photography. He loves nature and people and expressing their interactions with different emotions. Igor's...

Category

2010s Color Photography

Materials

Photographic Paper

Tones. From The Lavori in Corso series
Tones. From The Lavori in Corso series

Tones. From The Lavori in Corso series

By Eduardo Rezende

Located in Miami Beach, FL

Eduardo Rezende’s 2024 series Lavori in Corso revisits one of the artist’s most enduring themes: the urban and architectural landscape — this time focused on construction sites, scaf...

Category

2010s Abstract Color Photography

Materials

Canvas, Archival Pigment

Michael Jackson Smooth Criminal 2024

Michael Jackson Smooth Criminal 2024

By Nick Veasey

Located in München, BY

Edition 15, framed Chromaluxe Michael Jackson doing his smooth criminal dance move. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside. Nick...

Category

2010s Contemporary Abstract Photography

Materials

Archival Pigment

Cloud Study VII - large scale photograph of dramatic cloudscapes in summer sky
Cloud Study VII - large scale photograph of dramatic cloudscapes in summer sky

Cloud Study VII - large scale photograph of dramatic cloudscapes in summer sky

By Frank Schott

Located in San Francisco, CA

Large scale original art photography from a series of dramatic cloud atlas and abstract sky scapes observations above the Pacific Ocean Cloud Study VII by Frank Schott 75 x 58 inc...

Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Third Eye, Photography, Limited Edition

Third Eye, Photography, Limited Edition

By Sara Punt

Located in München, BY

Limited Edition of 7 Framed size 49 x 69 cm All works are Archival Pigment prints, floating in an all black wooden frame behind museums glass.  More sizes on request. Sara Punt's wo...

Category

2010s Contemporary Black and White Photography

Materials

Archival Pigment

The Bog Renaturated 016 by Bernhard Lang - Aerial view photography, blue colour
The Bog Renaturated 016 by Bernhard Lang - Aerial view photography, blue colour

The Bog Renaturated 016 by Bernhard Lang - Aerial view photography, blue colour

By Bernhard Lang

Located in Paris, FR

The Bog Renaturated 016 is a limited-edition photograph by contemporary artist Bernhard Lang. It is an archival pigment print on Hahnemüle Fine Art Paper. This photograph is sold u...

Category

2010s Contemporary Landscape Photography

Materials

Mixed Media, Archival Pigment

The Bog Renaturated 011 by Bernhard Lang - Aerial view photography, blue color
The Bog Renaturated 011 by Bernhard Lang - Aerial view photography, blue color

The Bog Renaturated 011 by Bernhard Lang - Aerial view photography, blue color

By Bernhard Lang

Located in Paris, FR

The Bog Renaturated 011 is a limited-edition photograph by contemporary artist Bernhard Lang. It is an archival pigment print on Hahnemüle Fine Art Paper. This photograph is sold u...

Category

2010s Contemporary Landscape Photography

Materials

Mixed Media, Archival Pigment

A Surrealist Cyanotype on Cotton Sateen, "Moons, Birds, Rocks"

A Surrealist Cyanotype on Cotton Sateen, "Moons, Birds, Rocks"

Located in San Diego, CA

This one-of-a-kind piece by San Diego-based artist Annalise Neil is a Cyanotype on Cotton Sateen, titled "Moons, Birds, Rocks." It is 22 x 10 x 1 ″.

Category

2010s Surrealist Abstract Photography

Materials

Photographic Paper

Mirror 1
Mirror 1

Mirror 1

By Igor Vitomirov

Located in New York, NY

ABOUT THIS ARTIST: Igor Vitomirov has over 15 years experience of working in photography. He loves nature and people and expressing their interactions with different emotions. Igor's...

Category

2010s Color Photography

Materials

Photographic Paper

Architectural Gelatin SIlver Print Vellum Photograph Mark Citret Vintage Photo
Architectural Gelatin SIlver Print Vellum Photograph Mark Citret Vintage Photo

Architectural Gelatin SIlver Print Vellum Photograph Mark Citret Vintage Photo

By Mark Citret

Located in Surfside, FL

Mark Citret, American, b. 1949. "Third Story Arches", Fort Point, 1998 Silver gelatin print hand signed and editioned 1/45 in pencil along lower edge. Published: "Along the Way" Mark...

Category

1990s American Modern Black and White Photography

Materials

Vellum, Silver Gelatin

The Bog Renaturated 013 by Bernhard Lang - Aerial view photography, blue colour
The Bog Renaturated 013 by Bernhard Lang - Aerial view photography, blue colour

The Bog Renaturated 013 by Bernhard Lang - Aerial view photography, blue colour

By Bernhard Lang

Located in Paris, FR

The Bog Renaturated 013 is a limited-edition photograph by contemporary artist Bernhard Lang. It is an archival pigment print on Hahnemüle Fine Art Paper. This photograph is sold u...

Category

2010s Contemporary Landscape Photography

Materials

Mixed Media, Archival Pigment