Framed Abstract Photography

Edition 15, framed Chromaluxe Original 1972 Porsche 911 Targa A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside. Nick’s work with radiograph...

Aerial Views, Tulip Fields 14 is a limited-edition photograph by German contemporary artist Bernhard Lang. This photograph is a limited edition of 10 copies, it is sold framed with...

Edition 15, framed Chromaluxe Rat Pack grey. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside. Nick’s work with radiographic imaging equipm...

Edition 15, framed Chromaluxe A bartender is waiting for you. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside. Nick’s work with radiograph...

This black and white abstract photograph is unique. Betsy Kenyon works in a darkroom with light and shapes. There is no negative, making each artwork one ...

Edition 15, framed Chromalux In this image we can see a Land Rover Defender Series 3 from 1972. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like i...

"Gibson SG – Buckle Rash" Dye sublimation on aluminium, flush mounted 37.5 x 30 inches / 95 x 76 cm Gibson SG – Buckle Rash is part of Scott McDermott’s acclaimed Backline series, a...

Baltic Ice, Kakumaee 004 is a limited-edition photograph by German contemporary artist Bernhard Lang. This photograph is a limited edition of 8 copies, it is sold framed. Dimension...

Edition 15, Lenticular This image shows the guitarist Slash of the famous Rock band Guns 'n Roses. A man with x-ray vision, NICK VEASEY creates art that shows what it is really lik...

Marie Craig’s “Rising 3” is a 10 x 13 inch color photograph, a part of the artist’s “Natural Consequences” series. Rich blues dominate this photo, which is surrounded by a white matt...

This wall-hanging artwork titled "Familiar Marks, Unfamiliar Places Number 11" is an original artwork by Kelly Knaga made of photography, digital print, an...

Limited Edition of 7 Framed size 49 x 69 cm All works are Archival Pigment prints, floating in an all black wooden frame behind museums glass.  More sizes on request. Sara Punt's wo...

"Bent Sound" - An ethereal underwater fine art photograph that captures the intersection of music and movement through a portrait of singer Njomza Vitia. This submerged portrait tran...

Edition 15 Framed Chromaluxe In this image we can see Superman x-rayed. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside. Nick’s work with r...

By toning cyanotypes, using chemicals that turn the deep blue images to yellow, Craig's photographs fade and begin to disappear. Craig is curious about what happens when she stops the process at various stages, and when she lets the images ‘evaporate’ completely. Nothing lasts forever. Blue Gum trees, native to Australia, have survived for millennia by adapting and thriving in a climate where wildfires are common. Now invasive in many parts of the world, this 'gasoline tree' is a dangerous fire hazard, especially in the face of climate change, which is expected to make wildfires more common. White mat, framed behind glass in white wood frame, 14 x 17 inches Marie Craig’s photography considers objects that were once imbued with life but have since been abandoned. Juncture, Craig’s latest series, alludes to a turning point, the moment where a choice made profoundly alters the trajectory of what follows, whether evident at the time or not. She uses cyanotype, because in this early photographic process choice and chance factor equally into the outcome of each piece. Craig’s layered photographs...

N°14, Illusions is a limited-edition photograph by contemporary artist Matthieu Venot. This photograph is a limited edition of 10 copies, it is sold framed with a white shadow box...

Alyson Belcher's Final Season is a photographic meditation on the fragility and quiet resilience of life, shaped by personal experiences of loss and the witnessing of loved ones in d...

Edition 15, Lenticular In this image Michael Jackson is doing the moonwalk and is x-rayed. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Flow' Flow II by C...

"My artwork is always in progress. There is not a goal. There is not a category for my work. It is all about enjoying the process of every moment. On a blank sheet of washi calli...

In a delicate smear of faded blues intermingled with the curves and lines of the pale colors of the skin, Alex Sher’s “Brushstroke” uncovers his phenomenal ability to capture the tr...

"Prisms" is the most recent body of work by French artist Denis Darzacq. In this work, vibrant colored shapes have been combined in ways that jubilantly evoke the same vital energy, ...

Spectators in silhouette viewing an immense display of vintage camera flash accessories. By Kristy Sparrow, an American, Paris-based photographer. Signed and numbered by the artist. Presented in a black wood frame. Image, 20"H x 30"W. Kristy Sparow has had a lifelong love affair with photography. After many years developing her career in Los Angeles, she made the move to Paris in 2009 where she has been consistently working at the top of her trade in fashion, music, and entertainment, with images regularly seen in major media around the world. She has worked the runway for most major designer brands, including the CBS live Victoria’s Secret Fashion Show, and on behalf of the Arab Fashion Council, she was the solo photographer at the end of Saudi Arabia’s first-ever 2018 fashion show in Riyadh. Chanel, Estée Lauder, Justin Timberlake and The Leonardo DiCaprio Foundation are among those on her client list. Kristy has received many Best Of acknowledgements for her work, and feels fortunate for the opportunities to travel and to be a part of many memorable moments—including a weekend in Switzerland photographing...

King's Best, ‘Neck’, 2001 by John Reardon Edition of 7 Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass This piece is part of : (after) Whist...

Der Foto-Künstler, Roger Reist, reflektiert die Welt um uns herum und in seinen Bildern auf zauberhafte Weise: "Die gesellschaftlichen Muster zu erkennen, diese anhand von meinen Bil...

Cloud Study I - 21st Century Contemporary Photographic Print Framed Cloud Study I, like many of Pia’s works, evokes quiet contemplation – in this instance, through a cloud study. Fo...

By toning cyanotypes, using chemicals that turn the deep blue images to yellow, Craig's photographs fade and begin to disappear. Craig is curious about what happens when she stops the process at various stages, and when she lets the images ‘evaporate’ completely. Nothing lasts forever. Ferns are some of the oldest plants on earth. Ferns embody resilience. Many forms have come and gone since they first appeared on the planet; 10,000 species exist today, in tropical, temperate and arctic regions. White mat, framed behind glass in white wood frame, 14 x 17 inches Marie Craig’s photography considers objects that were once imbued with life but have since been abandoned. Juncture, Craig’s latest series, alludes to a turning point, the moment where a choice made profoundly alters the trajectory of what follows, whether evident at the time or not. She uses cyanotype, because in this early photographic process choice and chance factor equally into the outcome of each piece. Craig’s layered photographs...

By toning cyanotypes, using chemicals that turn the deep blue images to yellow, Craig's photographs fade and begin to disappear. Craig is curious about what happens when she stops the process at various stages, and when she lets the images ‘evaporate’ completely. Nothing lasts forever. The Wollemi Pine, thought to be extinct, was known only from 200-million-year-old fossils until 1994, when the 100 ft trees were discovered living happily in the impenetrable forests of New South Wales. The personification of longevity and adaptability, this beautiful tree is critically endangered. White mat, framed behind glass in white wood frame, 14 x 17 inches Marie Craig’s photography considers objects that were once imbued with life but have since been abandoned. Juncture, Craig’s latest series, alludes to a turning point, the moment where a choice made profoundly alters the trajectory of what follows, whether evident at the time or not. She uses cyanotype, because in this early photographic process choice and chance factor equally into the outcome of each piece. Craig’s layered photographs...

Der Foto-Künstler, Roger Reist, reflektiert die Welt um uns herum und in seinen Bildern auf zauberhafte Weise: "Die gesellschaftlichen Muster zu erkennen, diese anhand von meinen Bil...

Marie Craig's "Newnes Oven 3" is an original deep blue photograph of an old coal oven obscured by leaves. This piece was created using cyanotype, an early photographic process which ...

Early fascinations with photography and science have inspired Don Dudenbostel throughout his extensive career. As a young student interested in Science, Dudenbostel was always trying...

Original Edward Weston! Framed in black. Initialed in pencil on lower right of dry mounted photograph. Dated 1940 in pencil. Excellent Condition.

"Two Faces" is a black & white framed silver gelatin print (photograph) of a man and woman in an embrace from artist Jenny Lynn's "Little Rituals" series. I...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #03 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

A bloomy view - Polaroid Photographic Print Framed by Pia Clodi The blue tones within her work should not be interpreted as coldness, as her works are full of fleeting moments withi...

Der Foto-Künstler, Roger Reist, reflektiert die Welt um uns herum und in seinen Bildern auf zauberhafte Weise: "Die gesellschaftlichen Muster zu erkennen, diese anhand von meinen Bil...

Edition 15, framed Chromaluxe Surfer driving Land Rover, hanging wetsuit in the back & Dog. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like insid...

Not one to shy away from human representation, Pia Clodi’s more portraiture-like works continually offer the sitter an air of anonymity, and as such the viewer has the opportunity t...

Marie Craig's "Sign City Galore" is an original deep blue photograph of an old buildings obscured by leaves. This piece was created using cyanotype, an early photographic process whi...

"Rothko on the Savannah: 14-3" Is a beautiful original edited photography print, done on archival photo canvas. Daniel J. Kaufman (b. New York City, May 4th, 1949) Childhood in Grea...

Series: ORGANIC LANDSCAPE AERIAL All available sizes and editions: 40" x 30" editions of 10 60" x 45" editions of 5 80" x 60" editions of 3 Archival Pigment Print on Fine Art Baryt...

Vinnytsia a tiny Ukrainian town hit by Russian missiles on July 14 2022. There were no military installations neither industrial objects. Putin’s regime was targeting civilians as a...

Der Foto-Künstler, Roger Reist, reflektiert die Welt um uns herum und in seinen Bildern auf zauberhafte Weise: "Die gesellschaftlichen Muster zu erkennen, diese anhand von meinen Bil...

Immerse yourself in the captivating world of Topher Straus, where a single image explodes into a mesmerizing dreamscape. "Beachtree" is a testament to Straus' innovative spirit and his ability to push the boundaries of traditional landscape art...

Edition 15, framed Chromaluxe Michael Jackson doing his smooth criminal dance move. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside. Nick...

Alyson Belcher's Final Season is a photographic meditation on the fragility and quiet resilience of life, shaped by personal experiences of loss and the witnessing of loved ones in d...

Edition 15, framed matt Chromaluxe Signed on a label and certificate Surfer driving Land Rover with a dog in the back. A man with x-ray vision, NICK VEASEY creates art that shows w...

Edition 15, framed Chromaluxe The famous Chanel No. 5 perfum. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside. Nick’s work with radiograph...

“Bordeaux” reveals a gorgeous and haunting purple transformation of a naked body arms, breast, and legs into an amorphous shape, encapsulating the face of the woman. Pouring into the...

Edition 15, framed Chromaluxe A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside. Nick’s work with radiographic imaging equipment takes the x...

Alyson Belcher's Final Season is a photographic meditation on the fragility and quiet resilience of life, shaped by personal experiences of loss and the witnessing of loved ones in d...

"Rothko Series 3:ND2-2-2" Is a beautiful original edited photography print, done on archival photo canvas. Daniel J. Kaufman (b. New York City, May 4th, 1949) Childhood in Great Nec...

After a career of more than 30 years in the research of textures (20 years as a textile stylist and 10 years as interior design architect), Didier Engels has shifted towards photogra...

After a career of more than 30 years in the research of textures (20 years as a textile stylist and 10 years as interior design architect), Didier Engels has shifted towards photogra...

After a career of more than 30 years in the research of textures (20 years as a textile stylist and 10 years as interior design architect), Didier Engels has shifted towards photogra...

These photographs are printed on archival pigment paper and encased in resin. They are part of a diptych, and are placed in a white float frame, placed two inches apart. They are a ...

"My artwork is always in progress. There is not a goal. There is not a category for my work. It is all about enjoying the process of every moment. On a blank sheet of washi calli...

Eden. 2004, photography, ice/sun/water, 44x29 cm

Artwork sold in perfect condition - Off-Print # 2 (Florence 1976) from the portfolio Statuary (Coffret Prestige # 7) This is a Minimalist framing & presentation of the artwork : The ...

Is a project that debates through the photographic image, the importance that humans have assigned to ourselves, and proposes a reconciliation with the reality of our own insignifica...