Framed Abstract Photography

Artwork sold in perfect condition - Off-Print # 1 (Donaustauf 1973) from the portfolio Step by Step (Coffret Prestige # 1) This is a Minimalist framing & presentation of the artwork ...

Artwork sold in perfect condition - Off-Print # 1 from the portfolio Roma (Coffret Prestige # 4) This image was captured on film (1977) The selected negative was printed on Baryta ...

#00136 Euthamia graminifolia, Unique photogram, gum bichromate, framed This image is a unique photogram and is printed using Rives BFK, gouache, gum arabic, kitakata and ink. Pri...

#00129 Scuttelaria galericulata, Unique photogram, gum bichromate, framed This image is a unique photogram and is printed using Rives BFK, gouache, gum arabic, kitakata and ink. ...

Concrete Scaffolding 02 is a limited-edition photograph by contemporary artist Bruno Fontana. This photograph is a screen printing with gold ink on concrete stoneware. Dimensions are...

Streets of Kowloon Gold, part of Richard Heeps series photographing on the streets of Hong Kong in Kowloon in 2016 this stunning abstract piece is so striking in a room. The whole 20...

"Old Room, New Room" - Minimalist Interior Photograph Minimalist photograph of a red wall with a tile floor by Shirley McWilliams (American, 20th ...

This unique multistep technique is a combination of a painting and a photograph or monotype. Cyanotypes are a kind of alternative photographic process from the 1800s. The chemicals are different from those used in black and white photography. The light-sensitive chemicals can be used to print blue and white photographs from a large negative or a person can capture the silhouette of solid objects rather like an x-ray in blue and white. In her Delft Garden series, artist Christine So first drew the outline of a plant in pencil and then painted it in a dark room —not paint– but with the cyanotype light-sensitive emulsion. When the painting had dried, she arranged plants on top of the painted silhouette in a pattern that would leave gaps like lace, carefully moved the entire bundle outside while still covered and then exposed the pattern multiple times at different angles to the sun, to achieve various shades of blue and white. The heavy cotton watercolor paper then needed to be thoroughly rinsed in order to stop the darkening process. The silhouette here is of the Giant California Tree...

Artwork sold in perfect condition - Off-Print # 2 (Lisbon 1982) from the portfolio Rivages (Coffret Prestige # 2) This image was captured on film (1982) The selected negative was pr...

Captain Nelson (29 Palms, CA) - 2007 37x49x3.5cm, Edition 1/5. Artist Inventory No 4033.01. Analog C-Print, Hand-printed by the artist, mounted on a wooden box with matte UV-Prot...

A naked woman floats in space illuminated with shimmering stars and saturated swirling gasses of solar systems. Similar to the geometric eroticism of Picasso, with color fields and b...

Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vinyl record and analo...

“Surprise” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterpieces by Picasso, Dali or Gustav Klimt. In fact REFLECTIONS are straight photographic capturing of the water’s surface from below, with a submerged underwater camera. The photographs freeze natural momentary reflections in water surface - the unique kaleidoscopic fragmentations of human body into nearly unrecognizable forms. It is these bold accents of color, mesmerizing textures, dramatic lines, and distinctive distortions that make Sher’s works unique highly advisable masterpieces. The strength and patience of the feminine form resound in the echoing smile of Alex Sher’s disciplined model in his underwater photograph “Surprise”. The female body becomes almost unrecognizable as the nude colors of the skin, the vivacious reds of the garments, and the tranquil blues of the water morph and fuse into one another. Hearkening back to the surrealist paintings of masters...

This is the first print (#1) in a limited edition of 10 signed, titled, and numbered photographs titled "The Sight," by artist Tokie Rome-Taylor. The photograph itself measures 24" x...

Turro Tram Depot, Italian street photograph from Richard Heeps series A Short History of Milan. Richard Heeps series A Short History of Milan began as a special project for the 2018...

“Spark” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterpiec...

“Spark” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterpieces by Picasso, Dali or Gustav Klimt. In fact REFLECTIONS are straight photographic capturing of the water’s surface from below, with a submerged underwater camera. The photographs freeze natural momentary reflections in water surface - the unique kaleidoscopic fragmentations of human body into nearly unrecognizable forms. It is these bold accents of color, mesmerizing textures, dramatic lines, and distinctive distortions that make Sher’s works unique highly advisable masterpieces. Alex Sher’s underwater photograph “Spark” ignites the water in a boiling fiery scene. The pale tones of the skin contrast sharply against the velvety reflections of red that consume the water. What in reality would be understood as a nude photograph depicting a woman's body, breasts, and limbs, in Sher’s work transforms into a surreal spark of colors and bubbles. Original print on aluminum plate with black wooden backing. Limited edition of 12. The artwork is furnished with certificate of authenticity, signed by artist with artist's name, edition number, edition limit, and other details. The artwork needs no framing; it is being hung by a hidden frame on the back. Additional framing is available upon request. The photograph has been exhibited at: 2024 Roth & Taylor Gallery (Los Angeles, US) 2023 LA Art Show (Los Angeles, US) 2023 Beverly Hills Art Show (Beverly Hills, US) 2023 Roth & Taylor Gallery (Los Angeles, US) 2022 Spectrum (Miami, US) 2022 Beverly Hills Art Show (Beverly Hills, US) 2022 Art...

A passionate furious energy radiates in the ripples of red that overtake the reflection. Intense motion, stirring the water into an explosion of bubbles we encounter “The Trouble...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

This listing is for a framed cyanotype photograph on mulberry paper in a simple white frame behind museum glass. The framed size measures 32.5 by 41.5 inches framed. Unique/not of an...

“Surprise” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterpieces by Picasso, Dali or Gustav Klimt. In fact REFLECTIONS are straight photographic capturing of the water’s surface from below, with a submerged underwater camera. The photographs freeze natural momentary reflections in water surface - the unique kaleidoscopic fragmentations of human body into nearly unrecognizable forms. It is these bold accents of color, mesmerizing textures, dramatic lines, and distinctive distortions that make Sher’s works unique highly advisable masterpieces. The strength and patience of the feminine form resound in the echoing smile of Alex Sher’s disciplined model in his underwater photograph “Surprise”. The female body becomes almost unrecognizable as the nude colors of the skin, the vivacious reds of the garments, and the tranquil blues of the water morph and fuse into one another. Hearkening back to the surrealist paintings of masters...

From the dark, she rises. An eerie turquoise glow intermingles with the colors from the nude body of a woman, at least a part of a woman. Her breasts and arms breach the reflection’s...

“Anesthesia” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as ...

Listing includes framing with UV plexi, free shipping in the US, and 14-day return policy. Corinne Vionnet Jerusalem from the series "Photo Opportunities" 15 x 20 inch archival pig...

' Istan Petal ' Oversize Archival Pigment print Framed in white A Bougenvillia petal floats on the surface of a swimming pool. (photo Stuart Möller) Archival Pigment Print sign...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Alyson Belcher's Ice Portals series of black and white photographs depict an unusually cold Northwestern winter. These photographs are records of the unique ice formations that the ...

Alyson Belcher's Ice Portals series of black and white photographs depict an unusually cold Northwestern winter. These photographs are records of the unique ice formations that the ...

"Fat Tuesday - 2" Is a beautiful original edited photography print, done on archival photo canvas. Created in 2016, this piece features a landscape shot of a willow tree resting abov...

Radiating with mythic sexuality, the mermaid’s topless body becomes fluid, her multiplying naked breasts and her scaly tail swirling into the hips of a real woman form a Möbius Strip...

Shuli Sadé, Israeli (b. 1952) Pipe Bending (1995) Hand painted silver gelatin photo print Hand signed in pencil lower right, numbered 1/10 Framed: 23.25 X 29.25 sight, 15 x 19 inches Provenance: Estate of Gideon Gartner Shuli Sade (Shuli Sadeh Goshen) is an Israeli Postwar & Contemporary artist born in Israel in 1952. Shuli Sadé studied at the Bezalel Academy of Art, Jerusalem and the School of Visual Arts. Her work, which uses urban movement as a central theme, explores technology and its potential to impact still, moving, and two- and three-dimensional images. Sadé has lectured at the University of Pennsylvania School of Architecture, Parsons The New School for Design, and Barnard College. Her Sadé's cross-disciplinary artwork blends theory and practice with a focus on memory, space, and urbanism. Her work creates maps of urban memory, reflecting the DNA of a city. She mixes mediums including photography, video, augmented reality, site-specific installations, sculpture, and drawing. Her recent exhibitions include Upstream Downstream, a site-specific augmented reality installation, Riverside Park, NYC, part of Re: Growth, public art exhibition (2021), Fluid Formations, Gensler DC, (2019), Wild_Heterotopias, AR installation at the HighLineNine Galleries, and the High Line, (2019), Solid Red, Galeria Ethra, Mexico City, (2018) Day Dreams, AR installation at Montefiore Medical Center, the Bronx, NY (2017) and group shows including Timing is Everything, Mead Art Museum collection (2018), Making Time, AR installation Index Art Center, Newark, NJ (2019), Anniversario, Datasets, Galeria Ethra, Mexico City (2019) Israeli Modernism in the 1970s from the Collection, Haifa Museum of Art (2016). She had collaborated with Neural scientists at the Neurobiology of Cognition Laboratory, Center for Neural Science, New York University, and with architects and designers across the US. Sadé creates large-scale site-specific murals in the Corporate environment. She is an Israeli contemporary woman artist. Her recent artworks are permanently installed in Manhattan, Philadelphia, Boston, North Carolina., Miami, Mexico City, Jersey City, and more. Sadé received the Pollock Krasner Foundation Grant, (2014), the National Endowment for the Arts Fellowship (1991), New York Foundation for the Arts Emergency Grant (2001), Lower Manhattan Cultural Council Fund, NY- Israel Cultural Cooperation Commission Grant, AICF study grant, NY Art Development Committee grants. Her work is in private and public collections. Shuli Sade is a NY artist and architectural photographer. Sade studio photographed Renzo Piano renovations at the Morgan library, Norman Foster Hearst tower, Weiss Manfredi Nexus at Barnard College, Shiseido at Grey Art Gallery by Marble Fairbanks, Sade works on international commissions, Published in Metropolis magazine, Architectural Digest, Eating Architecture, MIT, Avroko Design, Regan books and others. She lives in NYC and works at her studio at Mana Contemporary, NJ. Her work is represented by Galleria Ethra in Mexico City. Select Exhibitions 2012 Reconfiguring Memory, (permanent installation), Center for Neural Science, New York University 2012 Conference of the Birds, CYNTHIA-REEVES Projects at Mana Contemporary, New Jersey 2011 Conceptualizing the Body Gaze, Masquerade, and Spectacle 2011 ENCODE/ DECODE: Work in Progress, The City of Herzliya Art Gallery, Herzliya, Israel 2009 H20 Film on Water, Brattleboro Museum, Bratleboro, NH 2009 Meeting/Place Cabri Gallery of Israeli Art, Kibbutz Cabri: Yigal Ozeri, Alex Kremer, Ofer Lellouche, Lea Nikel, Moshe Kupferman, Ori Reisman, Jan Rauchwerger, David Reeb, Shuli Sadeh, Yehiel Shemi, Marik Lechner, 2006 Illuminated Disjunction, Hungarian Cultural Center, New York, NY 2005 The Silence of the Sea, The National Maritime Museum, Haifa, Israel 2003 Sacred Drawings, Tibetan Healing International Conference, Washington DC 2003 Blueprints Reconfiguring Space, Art in General Gallery, New York, NY 2000 Light and its Opposite, Lemberger Museum of Photography, Tel-Hai, Galilee, Israel 2000 Bassam Abu Shakra Gallery, Um -El-Fahem, Israel 1999 Mythic Arrangements, Ehrenkrantz Eckstut & Kuhn Architects, Los Angeles, CA 1999 Women photographers reflecting women, Talli's Fine Arts Gallery, New York, NY 1999 Neil Folberg Vision Gallery, Jerusalem, Israel 1996 Fragments of Anxiety, Columbia University, Avery Hall, School of Architecture, New York, NY 1995 Agni Vidya- the Fire of Knowledge, City of Venice Biennale, Isola Certosa, Italy 1994 Imprint, A.I.R. Gallery, New York, NY 1993 Sculptors of the Next Century, Socrates Park, Long Island City, NY 1990 Galleria Principal, Altos de Chavon, Dominican Republic 1981 Feminine Objects, Tzavta Jerusalem P.V.V, Israel 1980 Biennale of Contemporary Art, Tel Hai 80, Israel 1980 Borders, Israel Museum of Contemporary Art, Jerusalem, Israel Igael Tumarkin, Shuli Sadeh, Michal Naaman, Yair Garbuz, Gad Ullman...

There is a something about being a child on the beach where the sheer exuberance of running into the waves transcends the normal social barriers, and the shared exhilarance allows fo...

“Private Pool” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of mas...

Abstract digital print on black/white photo paper 25.5 x 21.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass Pairs well with Ref: LU2272395053 These energetic prints are digital copies of original handmade monoprints by photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by painting with the photographic chemicals directly onto black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

This is an archival pigment print on 3 layers of silk organza with sumi ink and mineral pigments. In 2019, Valley House Gallery presented our first exhibition of work by Chaco Terad...

“Salsa” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterpiec...

“Private Pool” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of mas...

Underwater nude photograph of a young woman with broken umbrella. The photograph has been edited into a minimalistic abstract image, a photomosaic of terracotta pink shapes. Origina...

"The work explores the ephemeral nature of moments in time. The basic elements of light, water, mist, smoke and fire are combined to create mysterious ...

This textured collaged work features two great blue herons in blue, purple and orange colors. The white frame measures 35 by 45 inches. Jennifer McKinnon Richman is an Atlanta-based...

Set of three bright photographs by Peggy Corpeny (American, b. 1958). Each piece is signed "P. Corpeny" in the lower right corner and has a sticker for "Heart Bow Press" on verso. Pr...

Though abstract, Kelton’s works are representative, often simulating seascapes or other-worldly environments. At the same time, they are evocative of other medias such as watercolors...

Thomas Demand Cuttings 2014 Set of six pigment prints Each image: 14 3/8 x 19 3/8 inches; 37 x 49 cm Each sheet: 20 5/8 x 26 inches; 52 x 66 cm Each frame: 22 1/2 x 26 3/4 inches; 5...

This listing is for a framed cyanotype photograph on mulberry paper in a simple white frame behind museum glass. The framed size measures 25.5 by 31.5 inches framed. Unique/not of an...

This listing is for a framed cyanotype photograph on mulberry paper in a simple white frame behind museum glass. The framed size measures 25.5 by 31.5 inches framed. Unique/not of an...

Botman, Machiel (Dutch, b.1955). "Ijke, 1993" (Boy with Flower, Rainchild). Silver Print.Hand signed in pencil (beneath mat) Image: 8" x 13.25". Framed: 18.5" x 22.5". A key figure in contemporary Dutch photography, Machiel Botman is represented by the Gitterman Gallery in New York, Galerie VU in Paris and the Kahmann Gallery in Amsterdam. His books include Heartbeat (Volute, 1994), Rainchild (Schaden and Le Point du Jour, 2004) and One Tree (Nazraeli Press, 2011). His work is included in numerous institutional collections, including the Bibliotheque Nationale in Paris, the Tokyo Museum of Photography and the Frans Hals Museum in Haarlem. Machiel Botman was born in 1955 in Vogelenzang, The Netherlands. Self-taught, Botman has photographed since the age of 10. In the early 1980s he learned to print by assisting the master printer Philippe Salaün in Paris, who made prints for Willy Ronis, Izis, Robert Doisneau and others. He lives in Haarlem, the Netherlands. Select Group Exhibitions Gitterman Gallery Summer Exhibition Adam Bartos, Ferenc Berko, Machiel Botman Josef Breitenbach, Eugene Meatyard, Joseph Szabo, Edmund Teske etc. Gitterman Gallery Eclectic Bruno Barbey, Machiel Botman, Pierre Cordier, František Drtikol, Yasuhiro Ishimoto, Izis, Pierre Jahan, Helen Levitt, Tina Modotti, Josef Sudek, Roman Vishniac, Minor White, etc. Kahmann Gallery The Old Man & The Sea Nobuyoshi Araki, Machiel Botman, Henri Cartier-Bresson, André Kertész, Irving Klaw, etc. Kahmann Gallery FLAVOURS Eva Besnyö, Machiel Botman, Harry Callahan, Takeshi Shikama, Maura Sullivan, Albert Watson etc. European Photography - Reggio Emilia Mark Borthwick, Machiel Botman, Kevin Cummins, Francesco Jodice, Michael Kenna, Man Ray Alberta Pellacani, Alessandra Spranzi, Luigi Veronesi, Richard Wentworth, Alain Willaume etc. Kahmann Gallery, Imagine A collection of contemporary and vintage photographs Jehsong Baak, Eva Besnyö, Machiel Botman, Fons Brasser, etc. Museum Charlottenburg-Wilmersdorf L'Homme-paysage Dieter Appelt, Machiel Botman, William Kentridge, Javier Pérez, Giuseppe Penone, Jim Shaw Zabriskie Gallery, The Beach Machiel Botman, Esther Bubley, Harry Callahan, Joel Meyerowitz, Garry Winogrand etc. Kahmann Gallery, Dutch Nudes...

Luanne Rimel is an artist, curator, instructor, and currently the Director of Education Programs at Craft Alliance Art Center in St. Louis, Missouri. Her work is layered with histori...

PedalBoard Grid, Backline Series Dye sublimation on aluminium, flush mounted 36.5 x 40 inches / 93 x 102 cm Edition of 12 Scott McDermott’s PedalBoard Grid transforms the raw energy...

"Exploring new formats, techniques and ideas provides me with the foundations to all of my work. Since 2006 I had purposely avoided colour, and due to physical restrictions in the sm...

Edward Burtynsky (b. 1955) is one of Canada’s most acclaimed photographers. He is well-known for his captivating large-scale photographs documenting the ramifications of industrial ...

"Doubleend" is a black & white framed silver gelatin collage photograph in a surrealist style with images of nude, clock, clouds, and other abstract elements from artist Jenny Lynn's...

Small bleached found abstract photographic artwork by Jim Dingilian. Offered framed in plexiglass. Frame size: 5 x 6.25 inches Paper size: 3 3/8 x 4.75 inches Jim Dingilian makes ...

Edward Burtynsky (b. 1955) is one of Canada's most successful photographers. A noted filmmaker, entrepreneur, and environmental advocate, Burtynsky is known internationally for his i...

"Mixed Amps" Dye sublimation on aluminium, flush mounted 32 x 40 inches / 81 x 102 cm Mixed Amps from Scott McDermott’s Backline series transforms the familiar sight of stacked guit...

"Hong Kong Flora #8", 2024 Camille Levert's work is imbued with her life in Hong Kong. Having spent many years roaming the streets with her camera, the city and its iconic neon ligh...

Der Foto-Künstler, Roger Reist, reflektiert die Welt um uns herum und in seinen Bildern auf zauberhafte Weise: "Die gesellschaftlichen Muster zu erkennen, diese anhand von meinen Bil...

"Mystic Sunset" belies the title of sunset, which usually conjures images of the quiet settling of the day. This abstract explodes with action and flashing colors of white and yello...

Hand printed by the artist. Signed in pencil. Printed 1999 Framed in gun metal frame. Mint Condition

Ana Paes (A Guarda, 1982) makes us aware of the interstices that exist between one plane and another, shows us that this apparent continuity of the image-movement is, in fact, only a...