Framed Abstract Photography

ALESSANDRO PUCCINELLI MARE series Nazare, Portugal, Waves, Seascape Photography, 2019 Seascape - From the Mare series - Mounted and Framed 27 x 40 inches Edition of 10 40 x 60 inch...

ALESSANDRO PUCCINELLI MARE series Seascape - From the Mare series - Mounted and Framed Aviailable sizes: 27 x 40 inches Edition of 10 40 x 60 inches Edition of 5 47 x 71 inches Ed...

ALESSANDRO PUCCINELLI MARE series Seascape - From the Mare series - Mounted and Framed Aviailable sizes: 27 x 40 inches Edition of 10 40 x 60 inches Edition of 5 47 x 71 inches Ed...

ALESSANDRO PUCCINELLI MARE series Seascape - From the Mare series - Mounted and Framed Aviailable sizes: 27 x 40 inches Edition of 10 40 x 60 inches Edition of 5 47 x 71 inches Ed...

This is a new series available exclusively through gallery. This series is largely influenced by the abstract expressionist field paintings of the 40’s and 50’s with a nod to Gerhar...

Gerhard Richter (German, b. 1932) Zaun, 2010 Medium: Colour photograph, mounted on white cardboard, in artist’s frame Print dimensions: 15 x 20 cm Frame dimensions: 23.5 x 28.5 cm Ed...

LB07 Photography 60" x 40" inch Edition of 4 by Giuliano Bekor Print size 40x60 Inches Artwork finished size 42x62 Inches Limited edition 1 of 4 Artist proof 2 Medium: This artwo...

These limited edition photographs are Mandalas made from pieces of Candy or ice cream or toys or gems or fruit. The Mandala is 20x20 with a white frame in a 24x24 framed size. It i...

"Tin Roof in Winter (White Thatch)" is an original fine art photography print by James Auer. The artist signed and titled the piece on the mat below the photograph. This photograph d...

"Cliche Verre - Circle Study" is a black and white unique gelatin silver print, (chemical print on fiber-based paper), in white frame without glass. The glassless frame brings the viewer closer to the texture of the work. Betsy Kenyon...

"The Womb" Photography 24" x 24" inch Edition 1/7 by Lauren Chin Comes in glass frame Lauren Chin, a photographer and creative director based in Los Angeles focuses her visual com...

Stellify / TWO / cerise glaze is a metallic Lambda photographic print, optionally mounted to Plexiglass, laser cut to shape, and fitted with a hidden subframe, ready to install. Wor...

JUNE MELODY, 2017 Printed on museum glass, hand finished with White Gold and Silver leaf 61 x 61 cm (including frame), 45 x 45 cm (glass size) Edition of 5 (Each individually hand gi...

Black and white unique gelatin silver print, (chemical print on fiber-based paper), in black frame. Betsy Kenyon’s work is a merging of different process...

Named "Pépite 3", this semi-abstract photography artwork by artist Olivier Muhlhoff is presented via a print laminated on a 3-mm-Dibond pa...

Named "Pépite 2", this semi-abstract photography artwork by artist Olivier Muhlhoff is presented via a print laminated on a 3-mm-Dibond pa...

"Obscure Beauty" Photography 24" x 18" inch Edition 1/7 by Lauren Chin Comes in glass frame Lauren Chin, a photographer and creative director based in Los Angeles focuses her visu...

"LB19" (FRAMED) Abstract Photography 68" x 48" in Edition of 4 by Giuliano Bekor 68" x 48" inch Printed on Metal Mounted on Dibond TRANSCENDENCE series If the human body contains...

"Removal of Self #100" (FRAMED) Nude Photography Edition 2/3 by Ben Cope Photo on deconstructed paper 20” x 55” inch Comes in white frame and plexiglass Ben Cope is a Georgia na...

"Echoes No.07" Abstract Photography 40" x 40" in Edition of 20 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Printed on fujifl...

Original Edward Weston! Framed in black. Initialed in pencil on lower right of dry mounted photograph. Dated 1940 in pencil. Excellent Condition.

A striking photographic study of a baby Cycad, aka King Sago Palm. Often called ”living fossils”, Cycads have changed very little in the last 200 million yea...

This work of art is called 2-Lux. It's a photography art print of a chandelier on a black background and it's a unique piece.

Myriad / copper base is a metallic Lambda photographic print, optionally mounted to Plexiglass, laser cut to shape, and fitted with a hidden subframe, ready to install. Work can be supplied unmounted and ready to frame if you’d prefer. The work is individually signed and numbered verso, with both a unique catalogue raisonné number and the edition number for guaranteed authenticity. From an edition of 12 Image size ⋅ 80cm H x 80cm W . Myriad is a study based on a number of ideas for processing digitally drawn sculptural forms, that I was keen to explore further for my Generator show. The drawing progresses from a circular core to a square form at its outer edges, literally squaring the circle. The whole form becoming redolent of a 12” record, perhaps a white label, or similar unbranded sleeve often used for limited releases and remix EPs, a format which of course comprises a circular vinyl disc...

Mika Rottenberg Hand, 2008 C-print 27 x 20 inches (image and sheet) 28 x 21 inches (frame) Unsigned

Anyone who has stopped to engage with an oil spill will be familiar with the rainbow colours and the myriad of shapes that appear to the keen observer. The iridescence and depth is a...

This is a new series of photography of land art depicting Earth and its land forms taken from the air. This series of aerial photography captures Earth's beauty taken in remote lands...

Ed. 7/15 Dye infused aluminum photograph Series: Portholes, abstract realism Jami Goldman is an American fine art photographer, with over 30 years experience behind the lens. She ...

"Emulsion 12" (FRAMED) Photography 40" x 40" inch Edition 2/20 by Giuliano Bekor Title: Emulsion EM12 Year: 2018 Print size: 40" x 40" Inch Artwork finished size: 42" x 42" Inch E...

Alessandro Puccinelli In Between #14, 2018 In Between series Seascape 20 x 40 inches Edition of 10 Archival Pigment Print 30 x 60 inches Edition of 5 Archival Pigment Print 35.5 x...

Alessandro Puccinelli In Between #26, 2018 In Between series Seascape 20 x 40 inches Edition of 10 Archival Pigment Print 30 x 60 inches Edition of 5 Archival Pigment Print 35.5 x...

"LB17" Photography (FRAMED) 49" x 24" inch Edition of 4 by Giuliano Bekor Top: 8 acrylic circles of 12 inch diameter each, mounted on 1/4 Inch non-refl...

"Emulsion 13" (FRAMED) Photography 40" x 40" in Edition of 20 by Giuliano Bekor Title: Emulsion EM13 Year: 2018 Print size: 40" x 40" Inch Artwork finished size: 42" x 42" Inch Ed...

This piece reflects the magical beauty of Mount Edgecumbe Country Park in Cornwall, where Katy Brown lives and paints. In particular, it is about the Englis...

Early fascinations with photography and science have inspired Don Dudenbostel throughout his extensive career. As a young student interested in Science, Dudenbostel was always trying...

Early fascinations with photography and science have inspired Don Dudenbostel throughout his extensive career. As a young student interested in Science, Dudenbostel was always trying...

Early fascinations with photography and science have inspired Don Dudenbostel throughout his extensive career. As a young student interested in Science...

It's really majestic piece. It's grand in size and its got a very beautiful and impressive contrast in shades. This piece is something very special... two Luminograms in one work of...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #03 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

Orlando Azevedo Cosmica #4, 4 Elements, Earth, 2012 Dye Sublimation on Aluminum, Framed 40 x 40 inches Edition of 7

ATO>MIC #15, 2020 Unique Gelatin Silver Print/ Luminogram and Photogram technique, Hand Printed on tea infused fibre based paper, Custom Framed: museum mount-board with antireflective UV protective art glass in dark brown lacquered hardwood frame, /hand made in UK/ 18 x 23 cm 40.5 x 36 cm (Framed) Unique Series: ATO>MIC Signed and dated in pencil on verso Provided with the Certificate of Authenticity Instead of using carving...

This is a new series of photography of land art depicting Earth and its land forms taken from the air. This series of aerial photography captures Earth's beauty taken in remote lands...

This is a new series of photography of land art depicting Earth and its land forms taken from the air. This series of aerial photography captures Earth's beauty taken in remote lands...

This is a new series of land art depicting Earth and its land forms from the air. From afar, in the air, the land, sea looks abstractized, like a painting, but upon closer scrutiny, ...

"Modernismo 49" Photography 40"x40" inch Edition of 20 by Giuliano Bekor Archival pigment print mounted on dibond. Custom frame comes with non-reflective museum plexiglass MODERNISSIMO series Modernismo was conceived between 2012 and 2014 as a series of pure photography, marrying elements of the historical pop art movement and raw, undulating forms of the human body. Patterns become the focal point as lines of the body become the canvas. Rooted in high fash- ion, Modernismo celebrates optical illusion coupled with vibrant color, within a unique and malleable interpretation. Bekor focused on creating a series of intrigue and minimalism, working with classical elements of black and white photography and playing on the vulnerabilities of his subject matter. Images composed of unique lighting, contrasting colors, and bare skin evoke drama and sensuality within the series. ABOUT THE ARTIST Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art. Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists. With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work. Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style. For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens. His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered. If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous. The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak. EXHIBITION HIGHLIGHTS Giuliano Bekor’s most recent fine art photography solo shows include: 2019 - March Lips The cool HeArt...

Lino / venetian is a metallic Lambda photographic print, optionally mounted to Plexiglass, laser cut to shape, and fitted with a hidden subframe, ready to install. Work can be suppl...

"Modernismo M2" Abstract Photography 40" x 80" inch Ed. 2/10 by Giuliano Bekor Print size 40x80 Inches trim bleed Artwork finished size 42x82 Inches Limited edition 2 of 10 Artis...

"LB18" (FRAMED) Abstract Photography 60" x 40" in Edition of 4 by Giuliano Bekor 2018 This artwork printed on a highest resolution archival fine art Kodak metallic pearl paper, pri...

"LB28" (FRAMED) Photography 40" x 54" in Edition of 2/4 by Giuliano Bekor Print size 54x40 Inches trim bleed Artwork finished size 55x41 Inches Limited edition 2 of 4 Artist proof...

The Kitchen Drawer Simply an overwhelming source of detritus... 'Detritus' series was born from the twin frustrations of lockdown halting all planned projects, yet litter still somehow being dropped in abundance on my street. With no idea of the final output, or indeed the hygiene implications, I started to collect, scan, and record what I found. When I realised these colourful misshapen objects could be turned into something beautiful, the frustrations left me and I began looking for other sources of Detritus. These collages gave me purpose during the pandemic and allowed me to grow something beautiful from a place of frustration. My aim is to simply give viewers of the work a fleeting moment of calm. Unable to shoot anything, I’ve been making collections of things I find on the ground and scanning them to create composite images of otherwise ignored or discarded objects." - George McLeod...

THE FLOW OF LIGHT UNDERWATER 2019 Being fascinated with light and water led me to explore how light travels in the sea - often caught on the backs of fish as they dart and swerve int...

"I went there one evening and just by chance there was a low tide. I took a batch of photos and once I developed them at home I saw a certain light and a certain type of picture that...

Original mixed media work by Canadian artist Brian Wood. This work comes in a contemporary frame presentation. Brian Wood is an artist working with multip...

ATO>MIC #9, 2020 Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Framed 23 x 18 cm print size 38 x 35.5 cm framed Unique Series: ATO>MIC Signed and dated in pencil on print's verso © Michael G Jackson...

"LB22" Abstract Photography (FRAMED) 48" x 48" inch Ed. of 4 by Giuliano Bekor Print size 48x48 Inches Artwork finished size 50x50 Inches Limited edition 1 of 4 Artist proof 1 Med...

Ola KOLEHMAINEN (*1964, Finland) Suprematism Nr. 102 Siena dark Red, 2020 Analogue film, ink print in Artist Frame Sheet 173 x 137 cm (68 1/8 x 53 7/8 in.) Edition of 6, plus 2 AP; Ed. no. 2/6 Framed print About Back to Square Black: In his new series 'Back to Square Black', Ola Kolehmainen examines both art history and his own personal timeline. The multi-layered nature of history is the connecting thread that runs through his latest works, which take their cue from The Black Square, the iconic 1915...

Ola KOLEHMAINEN (*1964, Finland) MVSEVM I (Nefertiti), 2020 Archival Ink-Jet matt prints Dibond mount in Artist Frames Overall dimensions 105 x 240 cm (41 3/8 x 94 1/2 in.) Sheet (Pa...

Didier Fournet is a contemporary "painter" thanks to photography: he chose pixels instead of brushes and reveals the beauty of the world by turning landscapes into vibrations. Self-...