Square Photography

Peanut and Jill (Chicks and Chicks and sometimes Cocks) - 2017 Edition of 10, 20x20cm, Archival C-Print, based on a Polaroid Artist inventory 20056. Signature label and Certifica...

No Title (No 44) Ballet Photography 36x36 in Ed 4/28 by Yevgeniy Repiashenko Photography Year photo was taken: 2019 This picture is a part of Spirit series. Magic dance movement....

Somewhere With Rabbits, limited edition, archival pigment ink print, signed Maggie Taylor creates what she calls “dreamlike worlds inhabited by everyday objects.” To make her intricate compositions, Taylor collages a variety of images using digital technology. She begins with small pastel...

This early 1950s portrait photograph, captured by society photographer Slim Aarons, features Marilyn Monroe (1926 - 1962), wearing a red negligee trimmed with black lace, sorts out h...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vinyl record and analo...

Richard Heeps series A Short History of Milan began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has become popular with art buye...

"With a snowcapped crest like that, it’s no mystery where Denali got her name. Originally a Native American term meaning “the high one,” the word eventually became the name of the ta...

Archival pigment print Signed and numbered, verso 12 x 12 inches (Edition of 10) 25 x 25 inches (Edition of 10) This artwork is offered by ClampArt, located in New York City. Plea...

Black and white fine art landscape photography Gerald Berghammer. Archival Pigment Ink Print, Edition 1/7, signed, numbered, dated. Aluminum frame, matt black, natural white archiva...

No title (No 92) Ballet Photography 45"x45" in Ed of 18 by Yevgeniy Repiashenko No title (No 92) Photography Edition of 18 45 x 45 inch Year photo was taken: 2022 This picture i...

Double B Side, a blue artwork in the Heidler & Heeps B Side Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this b...

Archival pigment print Signed, titled, and dated, recto 32 x 32 inches (Edition of 20) 21 x 21 inches (Edition of 30) This artwork is offered by ClampArt, located in New York City...

Alexandre Manuel’s work captures landscapes at the delicate intersection of absence and presence, where nature unfolds with quiet drama. Through refined long-exposure techniques, eac...

Original Sound, a neon green artwork in the Heidler & Heeps B Side Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make...

Photographed in 1987 in John Rylands Library, Manchester and was part of Richard Heeps iconic series 'Ordinary Places', which was his first colour collection. The exhibition was show...

'Time Zero Flowers', 2017 Edition 1/7 plus 2 Artist Proof Based on a Polaroid, digital C-Print, not mounted. Signed on the back and with certificate. Artist inventory PL2017-188 Kir...

Daisy's Kitchen, photograph from Richard Heeps 'Ordinary Places' Series. Capturing Britain on the brink of change. It was Richard's first colour series and it achieved much success w...

Three skiing waiters on a ski slope, with the man in the foreground carrying a bird on a tray, the second man carring a wine in an ice bucket and the third carrying a menu, Stowe, Ve...

Swiss Alps, 1964: This landscape photograph, captured by society photographer Slim Aarons, features holiday-makers taking in the sunset on a white snowy mountain top in Verbier, Swit...

Gelatin silver print (Edition of 6) Signed, dated, and numbered, verso 15 x 15 inches, image This photograph is offered by ClampArt, located in New York City. Price includes framing.

Killer Joe Piro 1964 by Slim Aarons Slim Aarons Limited Estate Edition American dance instructor ‘Killer’ Joe Piro (1921 – 1989) dances past the park in New York, July 1964 unfra...

Part of Richard Heeps 'Ordinary Places' Series, it captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at th...

Part of Richard Heeps 'Ordinary Places' Series, it captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at th...

Selenium-toned gelatin silver print Signed, titled, dated, and numbered in pencil, verso Also blindstamped with artist's name and edition number, recto 8 x 8 inches, image size (Ed...

Boy Baron 1957 by Slim Aarons Slim Aarons Limited Estate Edition The youngest peer in England, seven year old Thomas Alexander Fermor-Hesketh, 3rd Baron and 10th Baronet Hesketh, ...

This black-and-white photograph, taken in Brighton in 1952, depicts a street photographer labeled "Official Beach Photographer," standing confidently with his vintage camera on a tri...

ABOUT THIS ARTIST: Niall Staines is a digital artist based in Ireland. His work is graphic, vibrant and visually arresting. Nature is a consistent theme in his work, often turning se...

ABOUT THIS ARTIST: In rich, cinematic reds and browns, vivid yellows, and muted neutral shades, Adrian Samson’s photographs seduce viewers into a radiant, chromatic universe. With a ...

Mixed Media on wood. Resin finish optional. Homage to Marilyn Monroe. About the Artist: Seek One has been featured in Forbes, Maxim, Haute Luxury among others. He shows at g...

If I could fly (Chicks and Chicks and sometimes Cocks) - 2017 50x50cm, Edition of 10. Digital C-Print, based on a Polaroid. Artist inventory 20058. Signature label and Certificate. ...

Black and white fine art long exposure waterscape - landscape photography. Rocky Coast of Porto Venere, Cinque Terre, Italy. Archival pigment ink print as part of a limited edition o...

Richard Heeps' Dream in Colour Series beautifully captures 1950's chic, it has a nostalgic vibe, stylish colours and a pop of kitsch. This artwork is a limited edition of 25, gloss ...

Black and White Fine Art Landscape Photography. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed ...

'Smoker's reflect' 2019, 20x20cm, Edition 1/7 plus 2 Artist Proofs Digital C-Print, based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL219-...

Jean-Michel Basquiat 1987 (printed later) Archival pigment print 48 x 48 inches Signed and numbered edition of 40 William Coupon is an American photographer, born in New York City, ...

Richard Heeps’ seductive, highly saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for his subject matter – be it cool, descriptive interio...

"Inside" Black & White Photography 24 x 24 in Ed. of 28 by Yevgeniy Repiashenko Inside Photography Year photo was taken: 2016 This picture is a part of Fine Art series. Photo...

Black and white fine art minimalist cityscape - landscape photography. Notre Dame Cathedral the soul and the heart of Paris. Archival pigment ink print, edition of 9. Signed, titled,...

"Clifford’s winding feather patterns reminded me of a geometric maze. I imagined myself walking through it for days, twisting and turning down various paths, until finally reaching t...

"Kotton is as soft as a swab and reminded me of a panda’s face and charm. Born a true mama’s boy, this gentle lamb clung to his mother’s side months after being born but has slowly c...

Please bear in mind that all prints are produced to order. Lead times are expected between 5-15 days. This is an 80cm x 80cm Digital print on 100cm x 100cm Cotton Paper. This sized...

Galleria Vittorio Emanuele, 1960 Chromogenic Lambda Print Estate edition of 150 View looking down the Galleria Vittorio Emanuele II in Milan, Italy, 1960. Opened in 1890, the covere...

Total edition of 7 Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. “Sailboats and Swans” is a series of portraits of prisoners in Russia ...

Elizabeth Matthews, descendant of H M Flagler co-founder of Palm Beach, sits in her great-grandfather’s favourite chair in front of the family mansion now the Flagler Museum, Palm Be...

Mauricio Velez's photographs seeks to refine the viewer's sensitivity and perception of art and the human body, elevating these elements to an aesthetic realm that can inspire, distu...

Available sizes: 32" x 32", Edition of 15 40" x 40", Edition of 10 48" x 48", Edition of 5 Over 40,000 years ago, we began to depict animals in cave drawings. Throughout history, ma...

Destination love in Las Vegas. – Cawston’s eye for colour, structure and the beauty of the mundane finds a world-in-waiting as he journeys across the American West. “The greatest par...

Madame Jean Serpieri sits in the ballroom of the Tour La Reine near Athens, wearing a gown which belonged to the wife of Otto, the first king of modern Greece...

"Butterfly Monarch #4" Print on Canvas 40x40 in Ed. of 75 by Mick Fleetwood Digital print on canvas Not framed Mick Fleetwood, the legendary drummer and founding member of Fleetwo...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features Spanish artist Salvador Dali enjoys a cup of coffee on the terrace of the Ritz Hotel, Madri...

Kate Moss vinyl record art by Mert and Marcus (Mert Alas and Marcus Piggott) Off-set print on vinyl record. Measures: 12 inches in diameter. Excellent condition. Published by Visionaire Fashion, 2007. A very cool frame piece. About Mert & Marcus, as they are known in the industry, have worked for W, American Vogue, Pop, Numero and Arena Homme, among many other titles. Their commercial clients include Louis Vuitton , Gucci, Pucci, Versace, Missoni, Giorgio Armani , Roberto Cavalli, Fendi, Kenzo, MAC and Miu Miu. Their aesthetic is highly polished, colour-saturated and hyperreal. The photographers were both born in 1971, Alas in Turkey and Piggott in Wales. The pair met in 1994 in England. At the time Piggott was a photographer’s assistant and Alas was a fashion model, and the two quickly built a rapport and decided to work together. Their joint abilities were clear from the beginning. The first photos the duo submitted to Dazed & Confused made the cover. Related categories Fashion Photography. Supermodels. Mario Testino. Mario Sorrenti...

"Rise" Photography Edition 2/28 32" x 32" inch by Yevgeniy Repiashenko "Rise" Photography Edition of 28 Year photo was taken: 2017 This picture is a part of Spirit series. The pic...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 22. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Primo Tempo 4 is a 30cm x 30cm digital print on 50cm x 50cm cotton paper in a limited edition of 9 + 2 Artist Proofs. A moody and mysterious depiction of grass huts in the countrys...

Patty deGrandpre’s “Broken Television 323” is a stunning abstract unique inkjet digital print. Horizontal panels of layered soft hued sepia border the top and bottom of a contrasting...

Dinner Jazz 1949 - Slim Aarons Estate Stamped 1949: American Jazz trumpeter and singer Louis Armstrong (1898 – 1971) enjoys a plate of spaghetti in Rome. (Photo by Slim Aarons) 20 ...

Dimitris Kritsas, a fashionable young couturier, poses among the gleaming white Doric columns of the temple to Poseidon at Sounion, Greece, 1967. Posing with him, four models show off colorful dresses of red, salmon, turquoise, and pastel yellow. This iconic photo depicts a scene of vintage glamour set against a classic Greek blue sky. Slim Aarons Dmitris Kritsas at the Temple to Poseidon, Sounion, Greece Estate Edition of 150 1967, Printed Later 48 x 48 inches $4500 40 x 40 inches $3950 30 x 30 inches $3350 20 x 20 inches $2500 Complimentary dealer shipping to your framer, worldwide. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Site Details: The Temple of Poseidon is an ancient Greek temple on Cape Sounion, Greece, dedicated to the god Poseidon. There is evidence of the establishment of sanctuaries on the cape from as early as the 11th century B.C. Sounion’s most prominent temples, the Temple of Athena and the Temple of Poseidon, are however not believed to have been built until about 700 B.C., and their kouroi (freestanding Greek statues of young men) date from about one hundred years later. The material and size of the offerings at the Temple of Poseidon indicate that it was likely frequented by members of the elite and the aristocratic class Approximately 13 kilometers south of Thorikos in the southern most region of Attica, the deme of Sounion is most well known for its sanctuaries of Poseidon and Athena. Its placement at the foot of Attica allowed it to function as a border deme as it could easily been seen by ships nearing Attica. The temple of Poseidon at Sounion was constructed from 444 to 440 BC. This was during the ascendancy of the Athenian statesman Pericles, who also rebuilt the Parthenon in Athens. The temple of Poseidon was built on the ruins of a temple dating from the Archaic period, about which the Greek geographer Strabo noted: "Geraistos [in Euboia] . . . is conveniently situated for those who are sailing across from Asia to Attica since it is near Sounion. It has a sanctuary (hieron) of Poseidon, the most notable of those in that part of the world, and also a noteworthy settlement. The main temple we see today is mainly made out of marble with an intricate taenia (the fancy borders on the ceiling). The marble is an Agrileza marble. The marble used on the Temple of Poseidon at Sounion came from the marble quarries, a place where marble is removed from the earth, in the Agrileza mines. This type of marble was 'coarsed grained' meaning that it had a rougher texture than smooth, shiny marble. As indicated by literary and archaeological evidence, the "leveled summit" on the coast of Cape Sounion was likely a cult site from as early as the end of the eighth century BC. Two cult centers dedicated to Athena and Poseidon respectively are believed to have been established by 700 BC. Subject: The name of Greek fashion designer...

Norman Parkinson 'Audrey Hepburn, Vogue' 1952 Silver gelatin print 36 x 36 inches Estate stamped and numbered on verso “The camera can be the most deadly weapon since the assassi...

"Memoria de Cancion" is a uniquely hand-painted photographic piece of a beach and surf scene. It is resin coated and does not require framing. ALBERTO SANCHEZ Born 1971, Spain Albe...