Unframed Photography

This is a contemporary black and white photograph of Wild Mustangs 24x 36 Edition of 12. Signed by artist. Printed on archival paper using only archival ink. Framing available. Inq...

A large scale photograph of lush emerald green nature biotope, a highly detailed observation of the natural beauty of Northern California's coastal redwood...

Underwater black and white (sepia) photograph of a young woman in tule scarf - with distorted reflection of her body in the water surface. Original gallery quality archival pigment ...

Coming from an earlier interest in portraits and street photography, my Nudes in Water are less about eroticism and more about body as the human vessel for our multi-faceted but brie...

'Equestrian Entrance' Slim Aarons Limited Edition Estate Stamped Print 1957 Madame de la Haye-Jousselin on her horse at the gates to her chateau in Normandy. Slim Aarons Chromogeni...

Tennis In The Bahamas 1957 by Slim Aarons Slim Aarons Limited Estate Edition Two women stand talking to a man on the edge of a tennis court in the Bahamas, circa 1957. Behind the ...

'White Bloom' London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. The photograph is signed front and back ...

'Four Dahlias’ photographed in London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnemüh...

Yeshiva Students, New York City, 1954 by Leonard Freed is a black-and-white photograph of three young Jewish Youth, studying at a yeshiva. This is a gelatin silver lifetime print, 16...

David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...

American photographer Julius Shulman’s images of Californian architecture have burned themselves into the retina of the 20th century. A book on modern architecture without Shulman is inconceivable. Some of his architectural photographs, like the iconic shots of Frank Lloyd Wright’s or Pierre Koenig’s remarkable structures, have been published countless times. The brilliance of buildings like those by Charles Eames, as well as those of his close friend, Richard Neutra, was first brought to light by Shulman’s photography. The clarity of his work demanded that architectural photography had to be considered as an independent art form. Each Shulman image unites perception and understanding for the buildings and their place in the landscape. The precise compositions reveal not just the architectural ideas behind a building’s surface, but also the visions and hopes of an entire age. A sense of humanity is always present in his work, even when the human figure is absent from the actual photographs. Today, a great many of the buildings documented by Shulman have disappeared or been crudely converted, but the thirst...

Damage control - 2020 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signature label with certificate. Artist inventory PL2020-946. Not mount...

Grip - 2020 50x50cm, Edition of 7 plus 2 Artist Proofs, Archival C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2020-839. Not mounted. ...

New World Order by BATIK Satirical pop art artwork featuring Vladimir Putin, VP J.D. Vance, Donald Trump and Elon Musk in WW2 war rooms. BATIK is a London based fine artist and im...

Miles ALDRIDGE (*1964, Great Britain) Dinner Party #1, 2009 Chromogenic print Image 152.5 x 114 cm (60 x 44 7/8 in.) Sheet 164.5 x 126 cm (64 3/4 x 49 5/8 in.) Edition of 6, plus 2 ...

Springtime (Suburbia) - 2004 50x60cm, Edition of 10, Archival C-Print based on the Polaroid, Signed on verso with Certificate, Artist inventory number: 18251. Not mounted. Thi...

An underwater black and white nude photograph of a young woman in the pool. The photograph was taken with black backdrop. Original gallery quality archival pigment print on archival...

CHRIS BUCK Born 1964, Toronto, Canada Lives and works in New York, NY ​ Eminem 1999 Ed 10 Artist Statement: For any serious photographer their best portraits are ultimately also self-portraits. The discomfort, oddness and frustration in my photographs are the evidence of my uneasiness. As I've grown more mature and more comfortable in my skin I've been able to recognize the struggle and vulnerability in my sitters, bringing my work to a point of collaboration with them. Where once I sought conflict with the subjects now we work to build something strange and wonderful together. ​ Solo Exhibitions 2017 Uneasy, Krause Gallery, New York, NY 2014 Turn of the Century Portraiture, Galerie Youn, Montreal, QC 2013 Presence: The Invisible Portrait, Foley Gallery, New York, NY 2002 The Sound of Music: New portraits of Contemporary Musicians, Other Music, New York 1998 FanClub, Saba Gallery, New York, NY ​ Group Exhibitions 2016 Winning the White House: From Press Prints to Selfies, curated by Susan Carlson and Claartje van Dijk for the International Center of Photography, New York, NY; exhibited at the Southampton Arts Center, Southhampton, NY 2013 Rebels, curated by Carl Saytor, Photoville Brooklyn. 2012 Traces of Myth. Curated by Brenda Massie, Hagedorn Foundation Gallery, Atlanta, GA 2009 Wild Things: Photography for Animal Lovers. Curated by Greg Garry, Stricola Gallery, New York, NY Michael Jackson Doesn’t Quit: An exhibition featuring works related to the entertainer and social phenomenon, Michael Jackson. Curated by Mike Ruiz and Ben Aqua, The Future Gallery, Berlin, Germany 2003 How Human: Group photography exhibition related to DNA, International Center of Photography, New York, NY 1995 Limbo: Collaborative show with Alex & Leja Kress, Limbo, New York, NY 1990 Stretch Camera: Group photography exhibition featuring images made exclusively with the Kodak disposable panoramic camera, The Palmerston, Toronto, Canada ​ Public Collections The International Center of Photography, New York, NY ​ Books 2016 UNEASY: Chris Buck Portraits 1986-2016, Norman Stuart Publishing, New York, NY 2012 PRESENCE: The Invisible Portrait, monograph, Kehrer Verlag, Heidelberg, Germany 2010 New York Portrait of a City, various artists, Taschen, New York, NY 2005 CBGB & OMFUG: Thirty Years from the Home of Underground Rock, various artists, Abrams, New York 2004 The World’s Top Photographers: Portraits, various artists, Rotovision SA, Hove, U.K. 2002 Hip Hop Immortals, various artists, Immortal Brands, New York, NY 1992 Shooting Stars, various artists, Stewart, Tabori & Chang, New York, NY Angry Women, various artists, RE/Search, San Francisco, CA ​ Awards 2016 American Photography Images of the Year (Paul Giamatti) 2015 American Photography Images of the Year (Lena Dunham) 2014 American Photography Images of the Year (Nick Offerman, Vice Office, President Barack Obama) 2013 Lürzer’s Archive 200 Best Ad Photographers 2014/ 2015 (President Barack Obama) Communication Arts Photography Annual Best of 2012 (President Barack Obama) 2012 American Photography Images of the Year (Michele Bachmann, Presence Jack Nicklaus, Presence Michael Stipe) Lürzer’s Archive 200 Best Ad Photographers 2012/ 2013 (George H. W. & Barbara Bush, Steve Coogan, Diesel elephant ad) 2011 American Photography Images of the Year (David Byrne) Photo District News Photo Annual Awards in Editorial (Ayaan Hirsi Ali) Photo District News Photo Annual Awards in Corp/ Design (MS Office for Macs) Communication Arts Photography Annual Best of 2011 (Trey Parker & Matt Stone) 2010 American Photography Images of the Year (Harold Ramis) Photo District News Photo Annual Awards in Editorial (Jay Leno) Photo District News Photo Annual Awards in Advertising (Old Spice) Photo District News Photo Annual Awards in Web Design (Chrisbuck) Communication Arts Photography Annual Best of 2010 (Jeb Bush) 2008 Photo District News Photo Annual Award in Editorial (Vice Boys) Photo District News Photo Annual Award in Personal Work (Isn’t Bill Gates, Isn’t Justin Timberlake) American Photography Images of the Year (Vice Boys, Isn’t Bill Gates, Isn’t Justin Timberlake) 2007 Annual Arnold Newman Portrait Prize (first recipient) Photo District News Photo Annual Award in Personal Work (Imagination, Common Sense) Photo District News Photo Annual Awards in Editorial (Donald Trump) 2006 22nd Annual PDN/Nikon Self-Promotion Award (Group Promo with JR) Photo District News Photo Annual Award in Editorial (Steve Martin, Jerry Stiller, Steve Carell, Rivers Cuomo, David Cronenberg) American Photography Images of the Year (Philip Lorca diCorcia) Photo District News Photo Annual Award in Personal Work 2005 Communication Arts Photography Annual Best of 2005 (Wes Anderson) Photo District News Photo Annual Award in Editorial (Wes Anderson) Photo District News Photo Annual Awards in Advertising (Moviefone) 2004 Communication Arts Photography Annual Best of 2004 (Ryan Adams) Photo District News Photo Annual Award in Editorial (Genesis P-Orridge) American Photography Images of the Year (Ryan Adams, Dave Matthews, Spike Lee) 2003 HOW Self-Promotion Award (Phobias/ Obsessed promo) SPD (Society of Publication Designers) Award (Kato Kaelin) Communication Arts Photography Annual Best of 2003 (Grady Turner/ Museum of Sex) Photo District News Photo Annual Award in Editorial (Phobias) Photo District News Photo Annual Awards in Advertising (Citibank dog) American Photography Images of the Year (Alberto Guerreo/ stomach reduction, Suburban Stoners story) 2002 18th Annual PDN/Nikon Self-Promotion Award (A Nice Pair/ HP promo) Communication Arts Photography Annual Best of 2002 (Spiritualized) American Photography Images of the Year (David Rakoff & Amy Sedaris) SPD (Society of Publication Designers) Award (Korey Stringer, John Lee, Jim Carrey) Art Directors’ Club of New York Photography Merit Award (Ike Turner) 2001 American Photography Images of the Year (James Caan, Bjork, Gillian Anderson, Ryan Adams, Joe/ Singles Dance, Jacqueline & Chaplin, Dr. Edwin Zinman) 2001 (continued) Photo District News Photo Annual Award in Editorial (Gillian Anderson) National Magazine Award (Canada) (Miguel Arteta) Communication Arts Photography Annual Best of 2001 (Shokrian Brothers) 2000 Communication Arts Photography Annual Best of 2000 (Salman Rushdie) Applied Arts Award in Photography (Salman Rushdie) 1999 American Photography Images of the Year (Richard Leacock, Missy Elliott, Elliott Smith...

"Desert Wind" Photography 40" x 40" inch Ed. 1/12 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) 2019 ABOUT Rob Woodcox Rob Woodcox is a fine art and fashion p...

Boy with Calf, 1996 by Jean-Michell Voge, is a contemporary color print 19" x 13" of a nomadic tribal child from the Surma tribe, painted from head to toe, posing with a calf with mu...

Hurricane (Bombay Beach) - 2019 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signed on the back and with certificate. Artist ...

An underwater photograph of a young naked woman in a pool. Original gallery quality archival pigment print signed by the author. Limited edition of 24 Paper size: 24"x18" Image ...

"The VHS" by pop Artist Destro. We all remember those iconic nights at the video store. Pop artist DESTRO once again encapsulates one of our favorite past times in a fine art con...

Painter Helen Frankenthaler and sculptor David Smith in Frankenthaler's studio in New York City, 1957 is a gelatin silver print, 20” x 16”, signed and stamped by the Glinn estate. Th...

Karen Christy by Pompeo Posar is a lot of two photographic prints on single coated paper. Photographs published on Playboy 12-1971 and realized by magazine's official Photographer Pompeo Posar(1921-2004) Handwritten notes on back. Dim: cm 25 x 21 Excellent conditions Different nude portraits of Playmate Karen Christy realized with a vouyeristic point of view by master of erotic photography

Behind Glass - Signed limited edition archival pigment print - Edition of 5 Brighton UK, 1997 This image was captured on film. The negative was scan...

image size: 12 x 9 inches William Wegman is a renowned photographer famous for his unique and artistic photographs of Weimaraner puppies. His approach to is far from conventional, ...

Sunbathers At Eden Roc 1969 by Slim Aarons Slim Aarons Limited Estate Edition Sunbathers at the Hotel du Cap Eden-Roc, Antibes, France, August 1969. unframed c type print printe...

Famed fashion illustrator Antonio Lopez with Jerry Hall by Norman Parkinson, taken in Jamaica on a shoot for Vogue, May 1975 issue. NORMAN PARKINSON POSTHUMOUS LIMITED EDITION PRINT...

Paper size: 17 x 22 in., Image size: 18 x 12.8 in. Signed, titled, and dated in pencil on print verso. Michael O’Brien is an American photographer noted for his compelling portraits of famous figures such as Willie Nelson, Larry McMurtry, George Strait...

1 Stefanie Schneider Mini 'Male Nude' - 1999 - signed in front, not mounted. 1 Digital Color Photographs based on a Polaroid. Polaroid sized open Editions 1999-2016 10.7 x 8.8cm...

Handmade silver gelatin print. The fibre-based photograph is tea-toned, stamped, signed and numbered in pencil on sheet verso. Size 15 x 22 cm (5.9" x 8.6"), edition of 25. About th...

Almost Paradise (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 894. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Renée's Dream - The Boys (Days of Heaven). Part of the 29 Palms, CA project. - 2006, 20x24cm, Edition of 10, plus 2 Artist Proofs, archival C-Print, based on the Polaroid. Signatu...

Acto Dos, by Ricky Cohete From the series "Acto Uno" Archival Pigment print Small size: 30 in H x 20 in W. Edition of 13 + 1AP Unframed 2020 Black and White Photograph All prices a...

Craig y Don Pool, looking across the bay of Llandudno, Wales in the United Kingdom. Blue symmetry guides your eyes out to sea in this photograph by Richard Heeps. This artwork is a limited edition of 25 gloss photographic print from negative, accompanied by a signed and numbered certificate of authenticity. We recommend the print is professionally framed. This artwork is available in other sizes and it pairs well with Richard Heeps artworks in our 1stdibs store. "Richard Heeps' seductive, highly saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for his subject matter - be it cool descriptive interiors, still life or landscape. His distinctive style pushes the limits of photography." He is a film-based photographer, using a range of vintage analogue cameras. He considers himself to have three studios, the external studio of whichever location he may be shooting, his darkroom where I make my master prints and his home studio where he does the postproduction where the artworks are mounted framed and finished. He aims to make accessible artwork without compromising on quality and making everything in house he is in control of each step to achieve that. Although he was brought up in East Anglia (England), he was heavily influenced by America. he visited American bases, kept magazine cuttings and followed drag racing. The speed, lifestyle and technicolour is reflected in his imagery. 'American' colour is a major aspect in his work, it drives his equipment and material choices. At age ten he began participating in art shows and became comfortable with showing his work and the praise and criticism which is part of an artists development. In his early paintings Manhattan was reoccurring theme, fascinated with New York. Throughout his professional career he has been lucky enough to exhibit in Museums and Public Galleries since the 1980's. Since 2008 his gallery Bleach Box...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...

This is a contemporary photograph of a Kodiak Bear. This was shot on Kodiak Island in 2019. 24x36 Unsigned print Archival pigment paper - Kodak Luster Archival Inks Signed and nu...

Gaia Diptych #127 by Jaume Llorens 24cm x 18cm Black-and-White print on Premio Kozo 180gsm White Paper by Awagami Factory Edition of 10 + 2 Artist's Proofs Crane Kalman Brighton ga...

Work comes with a Certificate of Provenance issued by Christie’s. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation num...

American silent film actress Phyllis Gordon (1889 - 1964) window-shopping in Earls Court, London with her four-year-old cheetah who was flown to Britain from Kenya. (Photo by B C Par...

Underwater black & white photograph of a young naked women. her face and classic breast are covered with sunbeams. Original gallery quality archival pigment print signed by the arti...

So Still (Sidewinder) - 2005 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. 20x20cm, Edit...

Nobuyoshi ARAKI (*1940, Japan) 67 Shooting Back #GDN224, 2007 RP Direct print 50.8 x 60 cm (20 x 23 5/8 in.) Print only – Nobuyoshi Araki Nobuyoshi Araki (Tokyo, 1940) is a Tokyo-ba...

Snow (Strange Love) - 2003 50x75.5cm, Edition of 5 plus 2 Artist Proofs. Archival C-Print, based on a 35mm film. Signature label and certificate. Not mounted. A piece of Stefan...

Equilibrium - 2020 48x60cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label and certificate. Artist inventory PL2020-948. Not...

Gold, 2019 20x20 cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2019 - 742. ...

Edition 10 Also available in 40 x 50 cm / 16 x 20 inch, Edition 25 Black and white portrait of famous singer and songwriter Michael Jackson. From personality portraits and adverti...

observation of a Mediterranean beach scene in Nice, France, on a hazy summer day Nizza by Frank Schott 48 x 75.5 inches (122 x 192cm) signed edition of 7 44 x 69 inches (122 x 17...

Boccia (Beachshoot) - 2005 70x135cm installed, including gaps - 8 pieces, 30x30cm each, almost sold out Edition of 100 plus 3 Artist Proofs. Available 100/100, AP 1/3, AP 3/3. Arc...

Green Chair (29 Palms, CA) - 1999 Edition of 10, 58x56cm, analog C-Print, hand-printed by the artist, printed on Fuji Crystal Archive Paper not mounted, based on the Polaroid Art...

"Although leopards are widespread across almost every habitat, they are one of the most elusive big cats making even split-second sightings a real thrill. I have lived in Kenya for several years and can count my moments shared with a leopard on a pair of hands. If you are lucky enough to see one, you may see only a flick of a tail or a blur of spots as they disappear into the dense bush. Interestingly, they are also the most adaptive of the big cats and are known to prowl the streets of cities during the late hours of the night. What I experienced was something out of a dream...

An insipid notion (The astonished world) is a collection of unreal experiences caused by the feeling of late and inexperienced love, and the inability to fully know the experience of...

The Wizard of Oz is a 1939 American musical fantasy film produced by Metro-Goldwyn-Mayer. Widely considered to be one of the greatest films in cinema history, it is the best-known and most commercially successful adaptation of L. Frank Baum's 1900 children's book, The Wonderful Wizard of Oz...

Fire Hydrant, Harlem, 1963 by Leonard Freed is a 19" x 13" limited edition photograph. The portrait is signed verso (back of photo) by the estate and Brig...

This is a contemporary black and white photograph of Wild Mustangs 24x 40 Edition of 12. Signed by artist. Printed on archival paper using only archival ink. Framing available. Inq...

Slim Aarons Poolside Pairs 1970 (printed later) C Print Estate signature stamped and numbered edition of 150 January 1970: The Kaufmann Desert House in Palm Springs, California, de...

A black and white photograph, Pabst Blue Ribbon sign, Chicago, Illinois, 1946, by Walker Evans is sheet size: 11.75" x 10.44" and image size: 9.25" x...