Engraving Landscape Photography

An India sunrise over the foothills of the Himalayas. The lush landscape tickled by the sun, adorned by Tibetan Prayer Flags. This artwork is a l...

An urban landscape where manmade structure meets nature, evoking a sense of quiet introspection... Silent and steadfast, the weathered bridge stands against time, blending with natur...

These are the foggy woods in the hills of Oakland, across the bay from San Francisco. Shortly after sunrise. The paths are crowded with towering eucalyptus, bay laurel and madrone tr...

Towering monterey pines lean into the blue mist of the valley beyond.These iconic Monterey Pines are in the woods across the bay from San Francisco. A larger framed edition of this ...

This silver gelatin contact print is signed and dated in pencil on the front of the mount with the title, date and numbering in pencil on the back of the mount. Print #30.

This early contact print is signed in pencil on the front of the mount with the artist's stamp on the back of the mount. One of Morley Baer’s greatest seascapes, this image was taken...

"Baltimore 67" Landscape Photography 40" x 60" in Edition 1/3 by Larsen Sotelo Not framed. Ships in a tube Signed and numbered by the artist. Comes with COA issued by the artist. A...

These are the foggy woods in the hills of Oakland, across the bay from San Francisco. Shortly after sunrise. The paths are crowded with towering eucalyptus, bay laurel and madrone tr...

This silver gelatin print is signed in pencil on the front of the mount with BMFA 11 stamp, title and date in ink on the back of the mount. An inventory number in pencil on the back ...

"Although looking like the mid-west, this horse is grazing in front of an industrial spoil tip." - David George A solitary horse stands against a vast, barren backdrop, embodying loneliness and introspection... This minimalistic scene capturing the endless spoil tip horizon with a lone horse grazing quietly... Print info:Photogravure; Charbonnel Ink on Archival Somerset Satin Paper Photogravure; 14.85 x 21 cm (image size) on 28.5 x 37.5 cm / 11.22 x 14.76 inches paper From Edition of 5 only Signed and numbered "When all the words are put to one side I hope the project will instigate a new curiosity for the people who live and work around the River Tees and rekindle a pride in this remarkable asset that has served them so well over hundreds, even thousands, of years." - David George David George's interest in British landscape began under the tutelage of John Blakemore at Derby University and continues to be a major part of his practice, now mainly concerned with ideas of classical and romantic visual semantics in the contemporary British landscape. His work looks at the decline of traditional industries, incorporating his interest in 19th century European landscape painting. David George (b.1957, Cheltenham and brought up in County Durham) lives and works in east London and in 2009 he co- founded the Uncertain States project which championed contemporary thinking and practice in UK photography...

This silver gelatin print is signed and dated in pencil on the front of the mount, and again on the back of the mount. Printed in 1961 for inclusion in "Fifteen Photographs" (edition...

Juan Manuel Fangio (1955) - Silver Gelatin Fibre Print (Photo by Evening Standard/Getty Images) Argentinian racing driver Juan Manuel Fangio in a...