Archival Tape Photography

In his latest show, Benjamin Heller invites us to enter a poetic space of echo and convergence. As a photographer, sculptor, and performer, movement is key in this body of work, that is punctuated by self portraits selected from the series "The Long Walk: Analog Narratives". This series features pieces collected over an extended period of time spent traveling. It is a window to the interior landscapes he seeks to find reflected in the world, to contain a sense of this intimate vastness. All of the images can be viewed as variations on a self-portrait. The places of intimacy and sense of vastness contained in the photographs can convey a sense of transport that enhances the viewer's visual experience. The "echoes" we find in the show reside in multiplicities of human and physical forms, rolling natural curves, and animals in flight; all intended to provide a resonance with the contours of earth, water, and wind. The result is an array of images captivating in themselves, but also given new meaning in the context of Robin Rice's skillful curatorial arrangement. Her intuitive placement creates a graphic narrative for the viewer to follow and decipher, encouraged by the convergence of the poetic titles of the works. Traces of poetry, sculpture, the lines of the body, lived experience are also evoked in Heller's photographs, in movement and action. He also finds inspiration in photographer Duane Michals' framing of expressive narratives, and in Sally Mann's felt sense of powerful physical presence. Photographer Miranda Penn Turin, in reviewing the exhibition, said "I can almost hear a soundtrack, and it's the sound of wind". The invitational image is entitled "Fall," a graceful figure, suspended in a glowing arc, light streaming upwards, eyes closed in rapture. This light sits in contrast to the infinite shadow of the black background, conjuring a certain atmosphere. Heller believes that it is shadows that allow the viewer to reside in the experience – this image does just that. These imagined environments speak to our converging lives and the echoed moments we experience, embodying for each viewer, just what Benjamin Heller connects with while photographing. Another view of self portraiture at the front sign in desk, is an image reading, "and the soul wanted to move," between the keys of a typewriter. This show is a mirror of a desire to move. The black & white images capture simultaneously this movement and stillness, asking us to pause between the natural forces that rise and fall. Heller employs multiple-exposure and a fixed 4x5...

"Kissing Eden" Photography 40" x 32" in Ed. 1/3 by Aaron Mcpolin Signed and numbered by the artist. Comes with COA issued by the artist Medium: Archival Giclee Print Not framed....

Edition 2 of 3, 2APs Large Size: 24 x 36 inches STATEMENT: e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the h...

"SF DRIVE 0045" Landscape Photography 44" x 36" Edition of 12 by Ben Cope Signed and numbered by the artist. Comes with COA issued by the artist. Unframed - ships rolled in a tube ...

"Thorned Heart" Nude Photography 24" x 32" inch Edition 1/7 by Aaron Mcpolin Medium: Archival Giclee Print Signed and numbered by the artist. Comes with COA issued by the artist. A...

Untitled (Nr. 1072) Photography 36" x 44" Edition of 12 by Ben Cope Signed and numbered by the artist. Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-year photographic journey through Baja, Mexico. Ben Cope and Rowan Daly began their travels in 2014, working their way through the towns of la Salinas, Baja Mar, and Cantamar, down through Ensanada and la Bufadora. This series of photographs depicts the pair’s adventures and explorations. Off the Grid documents the textures, people, and places visited during this incredible journey...

'Youth and the Wise' ('Mono No Aware' Series) 24 x 36" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ Woven together into richly textured, poetic photographic artworks is the acknowledgement that in all things there is balance: In the sensual interplay of light and shadow; in virial life and peaceful dormancy; in the enduring and the effervescent. Using intricate layering of double exposure photographic techniques, Sophia expresses the moments of chaos and harmony; and of the fleeting magic and serene stillness within...

"Midnight Petals, Soft Wounds" Photography 40" x 30" in Ed. 1/3 by Aaron Mcpolin Medium: Archival Giclee Print Signed and numbered by the artist. Comes with COA issued by the artist...

"Cradle the Sun" Nude Photography 24" x 32" inch Edition 1/7 by Aaron Mcpolin Medium: Archival Giclee Print Signed and numbered by the artist. Comes with COA issued by the artist. ...

Views of Ghetto in Rome is a lot of two photographic prints on gelatin bromide hard paper. Information about pictures are printed on the front: "307. ROMA- Avanzi del Portico di Otta...

"Untitled (Nr. 7584)" Nude Photography 36" x 44" Edition of 12 by Rowan Daly Unframed - ships rolled in a tube Signed and numbered by the artist Comes with COA issued by the artist...

Pons Aemilius - Disappeared Rome is a gelatin silver - bromide print, realized between 1920 and 1930 from a older negative. The original image dates back to no later than 1887. Excellent conditions cm 19.5 x 25.5 The descriptive caption is printed on the lower margin: "N° 751 Roma. Ponte di Ferro con isola Tiberina". The logo "EPC" of the photographic agency is print on the image. The horizontal and strong body of the bridge runs the entire longer of the picture, perfectly framing the profile of the Tiber island...