Ink Photography

Archival inkjet print on Hahnemühle fine art matte paper Edition size: 11 Paper size: 16 x 20 inches Sold Matted with 3" white mat Also, available in 11" x 14&q...

Archival inkjet print on Hahnemühle fine art matte paper, matted and framed Edition size: 11 Paper size: 8 x 11 inches Frame size: 15 x 18 inches Also, available in 11"...

"Glass Eyes" Photography 35" x 25" in Edition 1/15 by Larsen Sotelo Not framed. Ships in a tube Signed and numbered by the artist. Comes with COA issued by the artist. Available si...

“Bait and Tackle 1” (FRAMED) Photography 24 x 36 in Edition of 1/7 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag Signed and numbered by the artist Comes with...

“Unified Front” (FRAMED) Photography 24" x 36" inch Edition of 7 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag Signed and numbered by the artist Comes with C...

A perfect day with penetrating light and a deep cobalt-blue sky was the ideal context for Mitchell Funk to photograph the punchy primary colors of a mid-century Las Vegas hotel sign....

“No Focus, No Object” M1 Creator: Hatice Besun Creation year: 2021 Dimension: 32 x 32" External Dimension( with white border) : 32.8 x 32.8” Condition: New Certified In Edition of...

“What a Drag” Photography 24" x 36" inch Edition 1/7 by Brian Ziff Signed and numbered by the artist Comes with COA issued by the artist Giclee (Archival Ink) Print on Canson Plati...

Brian Ziff “O, Rose” (FRAMED) Photography 40" x 40"in Edition of 5 by Brian Ziff “O, Rose” (2016) Limited edition of 5 produced using Giclee (Archival Ink) Print on Canson Platine F...

Empire in B&W / From the series of Lights of New York / Photograph Creator: Hatice Besun Creation year: 2021 Dimension: 24 x 36” External Dimension( with white border) : Height: 25...

“Flow” The Frequency, Giclee Print, Abstract Photography, Limited Edition Creator: Hatice Besun Creation year: 2016 Dimension: 20 x 20” External Dimension( with white border) : Heig...

"Proxima" Photography 45" x 30" inch Edition 1/7 by Larsen Sotelo Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Signed and numbered by the artist. Co...

Empire in Blue / from the series of Lights of New York / Photograph Creator: Hatice Besun Creation year: 2021 Certificated Dimension: 36 x 24" External Dimension( with white border...

32x32in ed.7 Unframed Photograph Leslie Spak was born in Lima, Peru in 1976. Her visual repertoire is characterized by the construction of images ...

32x32in ed.7 Unframed Photograph Leslie Spak was born in Lima, Peru in 1976. Her visual repertoire is characterized by the construction of images ...

“Thou Art Sick” Photography 30" x 20" inch Edition 2/5 by Brian Ziff Signed and numbered by the artist Comes with COA signed by the artist Giclee (Archival Ink) Print on Canson Pla...

Street Photographer Mitchell Funk captures the vitality and energy of New York City's classic Art Deco skyscraper, The Chrysler Building. It glows in pink, magenta, and crimson on ...

An unexpected view of the streets of San Francisco at night is captured by Street Photographer Mitchell Funk. From the inside of a taxi cab, we view the driver in profile as he tur...

René Peña (Rene de Jesus Pena Gonzalez) is a self-taught photographer born in Havana, Cuba in 1957. His photography is characterized by stark contrasts, between black and white, subj...

ARTIST STATEMENT Sometimes I feel like the world has lost the capacity for admiration, to experience the incredible, to revel in astonishment. Life is filled with grace, motion, col...

“Istanbul” The Frequency, Giclee Print, Abstract Photography, Limited Edition Creator: Hatice Besun Creation year: 2016 Dimension: 16 x 24” External Dimension( with white border) : ...

Ola KOLEHMAINEN (*1964, Finland) Reliquary with Holy Spirit Dove c.1300, 2019 Archive Ink Jet Print in Artist Frame 63 x 55 cm (24 3/4 x 21 5/8 in.) Editio...

"An Ending a Beginning" Photography 35" x 25" in Edition of 15 by Larsen Sotelo Not framed. Ships in a tube Signed and numbered by the artist. Comes with COA issued by the artist. ...

“Nectar” Surreal Photography 24" x 24" inch Edition of 24 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag Signed and numbered by the artist Comes with COA signed by the artist From "Unbearable Lightness...

This grab shot depicts street photography of a sexy girl and a clown statue. It's characterized by a surreal tension between the two subjects - one facing the viewer and one walking ...

This is an archival pigment print depicting an abstracted still life printed on Hahnemuhle Photo Rag 308 gsm by artist Paul Cava. It is from the "Table Top" series, which is one of t...

"Seagull" Simple Series, Giclee Print, Minimalism, Photograph, Limited Edition Creation year: 2016 Dimension: 12 x 12" External Dimension( with white border) : Height: 12.8 in. Widt...

“Street” The Frequency, Giclee Print, Abstract Photography, Limited Edition Creator: Hatice Besun Creation year: 2019 Dimension: 20 x 30” External Dimension( with white border) : He...

Wave 2 - Signed limited edition archival pigment print, Edition of 5 Breaking wave on the Spanish coast This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag...

“Earrings” The Frequency, Giclee Print, Abstract Photography, Limited Edition Creator: Hatice Besun Creation year: 2016 Dimension: 24 x 16" External Dimension( with white border) : ...

While walking past an antique store in New York's Lower East Side, Photographer Mitchell Funk was struck by a fleeting burst of divine light striking a gold crucifix of Jesus Christ....

Diver - Signed limited edition archival pigment print, 2002 - Edition of 5 Provenance : Ian Sanderson’s Estate Powerful photo of a man diving, in profile. This is an Archival ...

"The Lips" Figurative Photography 24" x 24" Edition of 15 by Larsen Sotelo Not framed. Ships in tube Signed and numbered by the artist. Comes with COA issued by the artist. Giclee ...

A photograph on fine art Baryta paper mounted to Dibond and floated in a black wood frame with a UV 70 Glass. A limited edition of 10 in total plus artist proofs. About the Artist:...

For over 50 years, Mitchell Funk has been renowned for creating images with hyper-lighting and compositional exactitude. The present image, "Wherever You Look, You See The Chrysler B...

For life 28.1" X 40" Ed. of 10, Unframed We can frame it in a white wood shadow box. The frame price is 400$ as white lacquered Shadow box with UV Acrylic. A resolutely minimalist a...

On the edge of nothingness / n°15 / Photograph Creator: Hatice Besun Creation year: 2024 Dimension: 24 x 36" 24 x 36” - External Dimension( with white border) : Height: 25.6 in.( 65....

Moody image of a man looking out while the photographer looks in. The picture is organized in a composition of alternating floating faces and floating signs. This work also represen...

Majesty 41 x 59" Ed. of 10, Framed. A resolutely minimalist and suggestive approach to get to the essential. Not trying to show a subject for what it is, but for what it expresses. This is my way of telling stories, of translating my sensibility”. J-M. Lenoir A passion for nature from an early age led Lenoir to photography as a means to capture magical moments of nature and wildlife. Starting with wildlife and wide spaces, he developed his own vision of photography. Landscape photography is an eternal quest for atmosphere where the light and the quest of beauty are key references, his aesthetic landmark. His photographic intention relies on his magnetic attraction for wide spaces combined with his quest of beautiful lights. A way that inspires him and his instinct of freedom. In photography, he is looking for simple pictures, which go straight to the subject core, with very few things in the frame. Lenoir follows a suggestive approach: he does not try to show a subject as it is, but to share what it expresses. It is his way of telling stories and conveying his sensibility, like his recent work “Evanescence”. Combining his passion for pictures with rugged landscapes, he organizes and guides photo tours with Photographes du Monde agency for seven years. From north of Europe (Scotland, Norway, Finland) to South america (Chile and Bolivia),his photographic world leads him into areas of wilderness from where he draws his main source of inspiration. Lenoir is an ambassador for Fujifilm cameras...

On the edge of nothingness / n1 / Photograph Creator: Hatice Besun Creation year: 2024 Dimension: 24 x 36” - External Dimension( with white border) : Height: 25.6 in.( 65.02 cm) Wid...

Mondrian came to New York City in the 1940s, and the city's real-world grid-like street design inspired him to create his famous Broadway Boogie-Woogie series, composed of primary co...

Since its construction, Mitchell Funk has been chronicling the Twin Towers, of the World Trade Center. More specifically, he has been recording how light affects and transforms the two giant monoliths. Like us all, Mitchell was inspired by the formidable presence of the two buildings. Living in Brooklyn Heights with great views of lower Manhattan gave him a special advantage and opportunity to assemble some of the most iconic Twin Tower images ever taken. To Mitchell Funk, the Twin Towers, of the World Trade Center were the perfect synthesis of commerce and art. Most modern architecture is simply functional. Minoru Yamasaki's Twin Towers were in fact something quite radical. They were a steel and glass expression of Minimalism on the grandest scale in human history. Everything in the towers was stripped down to its essential quality with nothing extraneous added ….. except light. The way the buildings reflected light made them unique and inspired Mitchell to record them in color for 32 years. Although, the exterior was actually made of a very reflective blue/grey stainless steel the warm light of daybreak and sunset could change their color and transform them from buildings into and mystical monumental sculptures. With the help of the sun as a key player, Mitchell’s images of the Twin Towers progress from the mystical to the spiritual as they reflect the sun’s intense golden energy. Under these conditions, one could argue, that the Twin Tower housed the same type of divine energy as the adjacent churches. In the wake of the 9/11 tragedy, one could interpret Twin Tower sunset images differently. A sunset can be a symbol for the end of the day or simply The End. The 1969 image “Dead End” is a visual prognostication. The North Tower is under construction in the background and in the foreground, Mitchell has framed it between two street signs that read Dead End. In Mitchell’s Twin Tower photographs, he is not taking a tourist picture that says “here I am on the Brooklyn Heights Promenade...

Pioneering Street Photographer Mitchell Funk exploits an upward angle of the Twin Towers at the World Trade Center. At the convergence of the two towers, a full moon appears wedged...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

22" x 17" edition of 7 + 2 AP $1,400 unframed 36" x 24" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

22" x 17" edition of 7 + 2 AP $1,400 unframed 36" x 24" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

Washington Square / From the series of Lights of New York / Photograph Creator: Hatice Besun Creation year: 2022 Dimension: 40 x 50" External Dimension( with white border) : Height...

Blue worlds 32" X 45" Ed. of 10, Framed $3,600 42" X 60" Ed. of 10, Framed $7200 49x70" to 71 x 98 from $9,600 A resolutely minimalist and suggestive approach to get to the essential. Not trying to show a subject for what it is, but for what it expresses. This is my way of telling stories, of translating my sensibility”. J-M. Lenoir A passion for nature from an early age led Lenoir to photography as a means to capture magical moments of nature and wildlife. Starting with wildlife and wide spaces, he developed his own vision of photography. Landscape photography is an eternal quest for atmosphere where the light and the quest of beauty are key references, his aesthetic landmark. His photographic intention relies on his magnetic attraction for wide spaces combined with his quest of beautiful lights. A way that inspires him and his instinct of freedom. In photography, he is looking for simple pictures, which go straight to the subject core, with very few things in the frame. Lenoir follows a suggestive approach: he does not try to show a subject as it is, but to share what it expresses. It is his way of telling stories and conveying his sensibility, like his recent work “Evanescence”. Combining his passion for pictures with rugged landscapes, he organizes and guides photo tours with Photographes du Monde agency for seven years. From north of Europe (Scotland, Norway, Finland) to South america (Chile and Bolivia),his photographic world leads him into areas of wilderness from where he draws his main source of inspiration. Lenoir is an ambassador for Fujifilm cameras...

“Does Thy Life Destroy” (FRAMED) Photography 30 x 20 inch Ed. of 5 by Brian Ziff “Does Thy Life Destroy” (2016) Giclee (Archival Ink) Print on Canson Platine Fibre Rag 30” X 20” inc...

"Caroline (LED)" (FRAMED) Photography 40" x 30" in Edition of 3 by Larsen Sotelo Signed and numbered by the artist. Comes with COA issued by the artist. FRAMED Giclee (Archival Ink...

This grandiose work is a beautiful depiction of an 18th-century Italian grotto, a secret haven adorned with lush foliage and cascading waterfalls. The scene encapsulates the historic...

In Fidel Santos' work, Saint Peter Chanel, a sense of pure exuberance is captured through the depiction of the sculptural remnant of the head of the saint, The first martyr of the So...

Surreal Photography in the Sky - Mitchell Funk brings the compositional precision of studio photography to street photography. Unlike most street p...

Empire in B&W / From the series of Lights of New York / Photograph Creator: Hatice Besun Creation year: 2021 Dimension: 40 x 60” External Dimension( with white border) Height:40...

Steve Schlackman is a lawyer by profession and a photographer by choice. Fascinated by the magical world of photography since his youth, he honed this...

Tumult I 41" X 59" Ed. of 10 (Unframed size,, 43.5 x 59" framed) , Framed $6,800 ©Jean-Michel LENOIR - 2017 - Lofoten islands / Norway Available as follows in 71X102 CM / 28,1x40 ”...