Ink Photography

Empire in B&W / From the series of Lights of New York / Photograph Creator: Hatice Besun Creation year: 2021 Dimension: 24 x 36” External Dimension( with white border) : Height: 25...

Abstract park beach in snow Central Park. The work is signed, dated, and numbered 4/15 in the lower right recto corner, with other sizes available. It is unframed and printed later....

Snowstorm in Central Park with skyscrapers in background. The work is signed, dated, and numbered 4/15 in the lower right recto corner, with other sizes available. It is unframed an...

"Nihon Noir arose from my fascination with Tokyo and my desire to translate the feeling that struck me on my first visit, that somehow you have been transported to a parallel future ...

Gina Parr Chando Limited Edition Photographic Print of 10 Image Size: 54.9 x 36.6 cm This is one work Sold Unframed Chando – 2 of 10 Limited Edition Photograph by Gina Parr from a S...

“Has Found Out Thy Bed” (FRAMED) Photography 20x30 inch Ed. of 5 by Brian Ziff “Has Found Out Thy Bed” (2016) Signed and numbered by the artist Comes with COA signed by the artist G...

An endless road is pictured in a timeless landscape. As the road winds through the vast expanse of the American West, the grandeur of the surrounding landscape minimizes a solitary c...

René Peña (Rene de Jesus Pena Gonzalez) is a self-taught photographer born in Havana, Cuba in 1957. His photography is characterized by stark contrasts, between black and white, subj...

René Peña (Rene de Jesus Pena Gonzalez) is a self-taught photographer born in Havana, Cuba in 1957. His photography is characterized by stark contrasts, between black and white, subj...

René Peña (Rene de Jesus Pena Gonzalez) is a self-taught photographer born in Havana, Cuba in 1957. His photography is characterized by stark contrasts, between black and white, subj...

"Proxima" Photography 45" x 30" inch Edition 1/7 by Larsen Sotelo Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Signed and numbered by the artist. Co...

René Peña (Rene de Jesus Pena Gonzalez) is a self-taught photographer born in Havana, Cuba in 1957. His photography is characterized by stark contrasts, between black and white, subj...

"Barbed Wire" The Frequency, Giclee Print, Abstract Photography, Limited Ed. Creator: Hatice Besun Creation year: 2018 Dimension: 16 x 24” External Dimension( with white border) : H...

"The Lips" Figurative Photography 24" x 24" Edition of 15 by Larsen Sotelo Not framed. Ships in tube Signed and numbered by the artist. Comes with COA issued by the artist. Giclee ...

Elevation 30" X 42" Ed. of 10, Unframed we can frame it in a white wood shadow box. The frame price is 400$. A resolutely minimalist and suggestive approach to get to the essential....

For life 28.1" X 40" Ed. of 10, Unframed We can frame it in a white wood shadow box. The frame price is 400$ as white lacquered Shadow box with UV Acrylic. A resolutely minimalist a...

It's a moody moment of monochromatic minimalism. Iconic San Francisco is depicted with utter simplicity. The Golden Gate bridge is stripped of color and form and is reduced to a f...

SHAPED BY THE WIND 30" X 42" Ed. of 10, Unframed we can frame it in a white wood shadow box. The frame price is 400$. Available in size 42 x 60" Framed Ed. of 10. $6,800 A resolu...

Tumult II 30" X 42" Ed. of 10, Unframed $3,600 Framing options range from $400 to $800 Also available in 40*60" A resolutely minimalist and suggestive approach to get to the essen...

A perfect day with penetrating light and a deep cobalt-blue sky was the ideal context for Mitchell Funk to photograph the punchy primary colors of a mid-century Las Vegas hotel sign....

Empire in B&W / From the series of Lights of New York / Photograph Creator: Hatice Besun Creation year: 2021 Dimension: 40 x 60” External Dimension( with white border) Height:40...

Vintage photo Of boy in playground. The work is signed, dated, and numbered 4/15 in the lower right recto corner, with other sizes available. It is unframed and printed later. Print...

For over 50 years, Mitchell Funk has been renowned for creating images with hyper-lighting and compositional exactitude. The present image, "Wherever You Look, You See The Chrysler B...

24k gold, archival ink and kozo paper Image size: 11.5 x 9.13 in. Frame size: 15.38 x 12.38 in. Signature label with name, title, print type, series, edition number, date and copyrig...

This old Brooklyn street, bathed in dramatic light, is a product of Photographer Mitchell Funk's distinctive photographic vision. From 1969 to the present, it has been characterized ...

An original archival inkjet print on dibond by American female contemporary artist Gigi Gatewood. This stunning work comes in a simple metal floater frame and is one of only three p...

An original archival inkjet print on dibond by American female contemporary artist Gigi Gatewood. This stunning work comes in a simple metal floater frame and is one of only three p...

Still Searching For The Title / No Title 2 / Photograph Creator: Hatice Besun Creation year: 2022 Dimension: 19 x 13 External Dimension( with white border) Height:19.8 inch Width:13...

Red and white gas station signs and parking signs form an abstract pattern in an early example of color photography from 50 years ago in 1972. Signed ...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

22" x 17" edition of 7 + 2 AP $1,400 unframed 36" x 24" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

The neon signs of Fremont Street's casinos are more than just documented by photographer Mitchell Funk. They are carefully composed as if it were a studio still life with each elemen...

On the edge of nothingness / n°7 / Photograph Creator: Hatice Besun Creation year: 2024 Dimension: 28 x 50 / External Dimension( with white border) : Height: 28.8 in. Width : 50.7 ...

Dancing waters emanate from a New York City fountain to fill the sky with thousands of circles of light. Bystanders mingle in the mist as Street Photographer Mitchell Funk captures ...

24k gold, archival ink and kozo paper Image size: 11.5 x 9.25 in. Frame size: 15.38 x 12.38 in. Signature label with name, title, print type, series, edition number, date and copyrig...

Sunburst of light Through the window of Grand Central Station. The work is signed, dated, and numbered 3/15 in the lower right recto corner, with other sizes available. It is unfram...

The history of street photography has been characterized by a loose snapshot style where the central purpose was to capture random moments as they unfold in time. Little emphasis was...

Dance in Color / From the series of I had a Dream / Photograph Creator: Hatice Besun Creation year: 2017 Dimension: 39 x 39” External Dimension( with white border) : Height: 40.6. i...

Colorful art deco architecture in South Beach district of Miami Beach. The work is signed, dated, and numbered 3/15 in the lower right recto corner, with other sizes available. It is...

Graffiti street color wall in New York City. The work is signed, dated, and numbered 3/15 in the lower right recto corner, with other sizes available. It is unframed and printed late...

On the edge of nothingness / n6 / Photograph Creator: Hatice Besun Creation year: 2024 Dimension: 40 x 60” External Dimension( with white border) Height:40.8 in.( 103.63 cm) Width:6...

Tomorrow / Portraits of Hidden Wounds / Photograph Creator: Hatice Besun Creation year: 2023 Certificated Condition: New Dimension: 40 x 60” External Dimension: Height:40.8 .( 103.6...

An abstract view of the classic Las Vegas Neon signs on Fremont Street at sunset. Bold reds, pinks, and blues work with the dramatic Nevada sunset. Th...

Bright and bold colors define one of San Francisco's most beloved architectural gems. The Painted Ladies of Alamo Square are transformed into a color field painting. Mithcell Funk's...

A colorful street scene in San Francisco's Tenderloin is captured as a hip young girl walks in front of a hyper-colored convenience store window. Photographer Mitchell Funk has app...

Photography. Water Pistol Lt Ed 2/20. About the Artist: Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.” “I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.” Martin Scorsese. Phil’s work is represented in MOMA, The Museum of the Moving Image, and The George Eastman Museum of Photography. His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the Who...

In 1971, Central Park was a hub for Vietnam War Protests. In this work, Mitchell Funk captures a packed protest scene with emphasis on the graphic nature of the banners and flags. Th...

Wherever You Look, You See The Chrysler Building, Hayden Planetarium The image is part of a new epic exhibition, Mitchell Funk Photographs The Chrysler Building for 50 Years. The wor...

An urban landscape where manmade structure meets nature, evoking a sense of quiet introspection... Silent and steadfast, the weathered bridge stands against time, blending with nature's embrace... This is a study in geometry, shadows, and time, this piece captures the quiet strength of a forgotten underpass. "David George has been exploring photographic representations of the contemporary British landscapes for forty years and has incorporated themes prevalent in nineteenth century painting practice and aesthetic, to aid this exploration. He has appropriated the sublime, melancholy, the romantic, the pastoral and the uncanny to create something that not only represents the contemporary landscape in a pictorial way, but also making work that can be still viewed as documenting the landscape." David George's interest in British landscape began under the tutelage of John Blakemore at Derby University and continues to be a major part of his practice, now mainly concerned with ideas of classical and romantic visual semantics in the contemporary British landscape. His work looks at the decline of traditional industries, incorporating his interest in 19th century European landscape painting. David George (b.1957, Cheltenham and brought up in County Durham) lives and works in east London and in 2009 he co- founded the Uncertain States project which championed contemporary thinking and practice in UK photography...

Quintessential South Beach's Ocean Drive image where neon lights of the street merge with nature's lights in the sky. The resulting image of moody magentas and radiant blues is an ...

AS FAR AS A VISTA, is part of a series of works that consider the decorative and escapist role of the landscape in the home. When seeking beauty in the world to distract us, delight ...

Crowded New York City subway train platform. The work is signed, dated, and numbered 4/15 in the lower right recto corner, with other sizes available. It is unframed and printed lat...

Diptych No. 57812 / No. 57813 (Abstract Photography) Photography / Archival pigment print — Unframed. Artwork exclusive to IdeelArt. Available on request - 2 weeks turnaround. So...

No. 57851 (Abstract Photography) Photography / Archival pigment print — Unframed. Artwork exclusive to IdeelArt. Available on request - 2 weeks turnaround. The photographic artwor...

Arguably, the Peacock is God's most beautiful creation. Photographer Robert Funk captured him strutting and displaying his dreamy iridescent plumage on...

(a) Mohan Lal Mazumder Untitled Archival Print on Hahnemuhles Photo Rag Bright White, Museum Quality Paper 310 GSM ; 36 x 24 inches ; 2009 (b) Mohan Lal Mazumder Untitled Archival P...