Ink Photography

The real street art in New York City is literally the lines painted on the street pavement. Street Photographer Mitchell Funk expands the boundaries of the popular art term by captu...

Dinosaur , Signed and dated on lower right, numbered on verso, Edition 2 of 15, Printed later. Unframed , Other sizes available Printed on Hahnemühle Fine Art paper

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

22" x 17" edition of 7 + 2 AP $1,400 unframed 36" x 24" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

Washington Square / From the series of Lights of New York / Photograph Creator: Hatice Besun Creation year: 2022 Dimension: 40 x 50" External Dimension( with white border) : Height...

On the edge of nothingness / n6 / Photograph Creator: Hatice Besun Creation year: 2024 Dimension: 40 x 60” External Dimension( with white border) Height:40.8 in.( 103.63 cm) Width:6...

China Town / From the series of Lights of New York / Photograph Creator: Hatice Besun Creation year: 2021 Dimension: 48 x 32" External Dimension( with white border) Height: 48.8 in...

Dance in Color / From the series of I had a Dream / Photograph Creator: Hatice Besun Creation year: 2017 Dimension: 39 x 39” External Dimension( with white border) : Height: 40.6. i...

A bright red 1970s Porsche is photographed and fills the composition's foreground. It's bright red color functions more like a color field painting. This is a trail-blazing image. ...

This image from the imagination of Mitchell Funk was the cover photograph for Popular Photography Magazine, May 1978, It is signed and dated on lower right, numbered on verso, 2/1...

Hundreds of Red Roses, Pink Roses, and Yellow Roses in stacked blocks flank a 19th Century nude marble statue of a nude young girl. In a sense, the...

The classic view of Miami Beach's Ocean Drive with reflections is captured by veteran Color Photographer Mithcell Funk. The image overflows with soft bleeding colors that melt into...

The reality is that this is an eye-witness account of a male peacock displaying for the attention of a female peahen. It turns out that humans are equally...

Food Cart On Rainy Night Bryant Park. The work is signed, dated, and numbered 4/15 in the lower right recto corner, with other sizes available. It is unframed and printed later. Pri...

New York's Art Deco grandeur is on full display everywhere in the Chrysler Building lobby. Decorative fair even exists in the metal wall frames. In this close-up photograph of one o...

As it soars above smaller buildings, The Chrysler Building spire resolutely points to the heavens. The flat white sky emphasizes the spire's silhouette, allowing it to dominate the ...

Edition: Open Edition Size: 45 × 30 cm each (polyptych) Medium: Archival pigment print on Hahnemühle Photo Rag 308 g cotton paper In Tribute to Mira, the artist transforms the geome...

Wherever You Look, You See The Chrysler Building: Lower East Side. Beyond a 19th-century vermilion brick facade and standing proud and tall in a hazy New York City sky, we see The Ch...

Street Photographer Mithcell Funk captures the Chrysler Building as it stands between two neighbors. Compositional exactitude adds to the overall visual appeal of Funk's formal compo...

Questions about the nature and boundaries of reality are contextualized in this dreamy image of a woman strolling in a fantasy forest that breathes high-pitched color. Pioneering pho...

Diptych No. 57812 / No. 57813 (Abstract Photography) Photography / Archival pigment print — Unframed. Artwork exclusive to IdeelArt. Available on request - 2 weeks turnaround. So...

No. 57851 (Abstract Photography) Photography / Archival pigment print — Unframed. Artwork exclusive to IdeelArt. Available on request - 2 weeks turnaround. The photographic artwor...

(a) (h) Mohan Lal Mazumder Untitled Archival Print on Hahnemuhles Photo Rag Bright White, Museum Quality Paper 310 GSM ; 36 x 24 inches ; 2009 (b) (c) Mohan Lal Mazumder Untitled Ar...

(a) Mohan Lal Mazumder Untitled Archival Print on Hahnemuhles Photo Rag Bright White, Museum Quality Paper 310 GSM ; 36 x 24 inches ; 2009 (b) Mohan Lal Mazumder Untitled Archival P...

(a) (b) (c) (d) Mohan Lal Mazumder Untitled Archival Print on Hahnemuhles Photo Rag Bright White, Museum Quality Paper 310 GSM ; 36 x 24 inches ; 2009 & 2010

(a) (b) (c) Mohan Lal Mazumder Untitled Archival Print on Hahnemuhles Photo Rag Bright White, Museum Quality Paper 310 GSM ; 16 x 14 inches ; 2009 (d) (e) (f) Mohan Lal Mazumder Unt...

Mohan Lal Mazumder Landscape Photography Archival Photo Paper 36 x 24 inches 310 gsm (each)

Top Left Mohan Lal Mazumder Landscape Photography Archival Photo Paper 16 x 14 inches 310 gsm (each) (2 pcs) Bottom Right Mohan Lal Mazumder Landscape Photography Archival Photo Pa...

Top Row Mohan Lal Mazumder Landscape Photography Archival Photo Paper 11 x 11 inches ; 2006 & 2008 310 gsm (each) Middle Row Mohan Lal Mazumder Archiva...

(a) (b) & (c) Mohan Lal Mazumder Untitled Archival Print on Hahnemuhles Photo Rag Bright White, Museum Quality Paper 310 GSM ; 20 x 30 inches ; 2009 (each)

(a) (b) & (c) Mohan Lal Mazumder Untitled Archival Print on Hahnemuhles Photo Rag Bright White, Museum Quality Paper 310 GSM ; 20 x 30 inches ; 2009 (each)

(a) (b) & (c) Mohan Lal Mazumder Untitled Archival Print on Hahnemuhles Photo Rag Bright White, Museum Quality Paper 310 GSM ; 11 x 11 inches (d) (i) (f) & (g) Mohan Lal Mazumder Un...

Mohan Lal Mazumder Landscape, Archival Print on Paper 7 x 7 inches, 2009 (without frame) Landscape, Archival Print on Paper 7 x 7 inches, 2009 (without frame) Landscape, Archival P...

"Wherever You Look, You See The Chrysler Building: Dumbo" is an exemplary work and part of a new epic exhibition, Mitchell Funk Photographs The Chrysler Building for 50 Years. The Ch...

What appears today as a vintage 1980s Manhattan Skyline was, in its time, the most awe-inspiring of all urban vistas. Photographer Mitchell Funk captured its grandeur in 1985 as a n...

AS FAR AS A VISTA, is part of a series of works that consider the decorative and escapist role of the landscape in the home. When seeking beauty in the world to distract us, delight ...

Cerulean Blue Sky with cumulus clouds and reflections in the water evokes an ethereal view of man on boat at sunset in East Hampton NY. Shipping should be around $125. This archival ...

In Fidel Santos' work, Saint Peter Chanel, a sense of pure exuberance is captured through the depiction of the sculptural remnant of the head of the saint, The first martyr of the So...

Birds Eye View Of New York City. The work is signed, dated, and numbered 4/15 in the lower right recto corner, with other sizes available. It is unframed and printed later. Printed ...

Mohan L. Mazumder - Untitled - 14 x 16 inches (unframed size) Archival Print on Hahnemuhles Photo Rag Bright White, museum quality paper - 310 gsm Edition of 4 + 1 AP This work is t...

Mohan L. Mazumder 'Waterfalls' 30 x 20 in (unframed size) Mohan's works are original shots and DONOT undergo any photoshop process. Mohan has captured the leaves and the water fro...

Mohan L. Mazumder - Untitled - 14 x 16 inches (unframed size) Archival Print on Hahnemuhles Photo Rag Bright White, museum quality paper - 310 gsm Edition of 4 + 1 AP This work is th...

Mohan L. Mazumder - Untitled - 30 x 20 inches (unframed size) Archival Print on Hahnemuhles Photo Rag Bright White, museum quality paper - 310 gsm Edition of 4 + 1 AP This work is th...

Mohan L. Mazumder - Untitled - 20 x 30 inches (unframed size) Archival Print on Hahnemuhles Photo Rag Bright White, museum quality paper - 310 gsm Edition of 4 + 1 AP This work is th...

Mohan L. Mazumder - Untitled - 14 x 16 inches (unframed size) Archival Print on Hahnemuhles Photo Rag Bright White, museum quality paper - 310 gsm Edition of 4 + 1 AP This work is t...

Mitchell Funk is a pioneer of acutely dramatic, weird Sci-Fi landscapes defined by unnatural, bold colors set against surrealist vistas. Many of these landscapes were widely publish...

While walking past an antique store in New York's Lower East Side, Photographer Mitchell Funk was struck by a fleeting burst of divine light striking a gold crucifix of Jesus Christ....

"Nihon Noir arose from my fascination with Tokyo and my desire to translate the feeling that struck me on my first visit, that somehow you have been transported to a parallel future ...

Mohan L. Mazumder - Untitled - 24 x 36 inches (unframed size) Archival Print on Hahnemuhles Photo Rag Bright White museum quality paper - 310 gsm Edition of 4 + 1 AP. This work is t...

Mohan L. Mazumder - Untitled - 11 x 11 inches (unframed size). Archival Print on Hahnemuhles Photo Rag Bright White museum quality paper - 310 gsm Edition of 4 + 1 AP Style : Mohan ...

Mohan L. Mazumder - Untitled - 16 x 24 inches (unframed size). Archival Print on Hahnemuhles Photo Rag Bright White museum quality paper - 310 gsm Edition of 4 + 1 AP Style : Mohan ...

Mohan L. Mazumder - Untitled - 24 x 36 inches (unframed size) Archival Print on Hahnemuhles Photo Rag Bright White museum quality paper - 310 gsm Edition of 4 + 1 AP. This work is t...

Mohan L. Mazumder - Untitled - 24 x 36 inches (unframed size) Archival Print on Hahnemuhles Photo Rag Bright White museum quality paper - 310 gsm Edition of 4 + 1 AP. This work is t...

Mohan L. Mazumder - Untitled - 24 x 36 inches (unframed size). Archival Print on Hahnemuhles Photo Rag Bright White museum quality paper - 310 gsm Edition of 4 + 1 AP Style : Mohan ...

Mohan L. Mazumder - Untitled - 12 x 16 inches (unframed size). Archival Print on Hahnemuhles Photo Rag Bright White museum quality paper - 310 gsm Edition of 4 + 1 AP Style : Mohan ...

Mohan L. Mazumder - Untitled - 12 x 16 inches (unframed size). Archival Print on Hahnemuhles Photo Rag Bright White museum quality paper - 310 gsm Edition of 4 + 1 AP Style : Mohan ...