Laminate Photography

"Echoes 5" Photography 40" x 40" inch Edition 3/20 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist This artwork printed on a hi...

"Emulsion 8" Photography 40'x40' inch Edition of 10 by Giuliano Bekor Printed on fujiflex mounted on aluminum laminated and framed with a costume floater frame. EMULSION series O...

"M&M MMDH" Photography 40" x 62" inch Edition 1/8 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Title: M&M MMDH Year: 2022 Pri...

"BWM-S2" Photography 23" x 49" inch Edition 1/4 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Series: Buccellati Wise Monkey ...

"Echoes No.07" Abstract Photography 40" x 40" in Edition of 20 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Printed on fujifl...

"Emulsion 13" (FRAMED) Photography 40" x 40" in Edition of 20 by Giuliano Bekor Title: Emulsion EM13 Year: 2018 Print size: 40" x 40" Inch Artwork finished size: 42" x 42" Inch Ed...

"JM Basquiat-GB1" Photography (FRAMED) 50" x 40" inch Ed. of 8 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Title: Basquiat s...

"BWM-F1" Photography 23" x 49" inch Edition 1/4 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Series: Buccellati Wise Monkey ...

"JM Basquiat-GB5" Photography (FRAMED) 66" x 48" inch Ed. 2/8 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Title: Basquiat se...

"Women of the IDF" Large Exhibition color Photograph 30 x 40 inches, mounted on masonite and laminated. Edition of 4 + 2 artists proof. minor dings and bumps to edges Born in Tehran, Iran, Ashkan Sahihi moved with his family to West Germany at the age of seven. Although he began taking photographs as a teenager, Sahihi traces the beginning of his professional trajectory to New York in 1987, a thriving “pop culture metropolis” where he could do the kind of photography work that he wanted to do, exploring the underbelly of the society around him. Taking assignments from German publications such as the Süddeutsche Zeitung Magazine, Der Spiegel, Dummy and GEO, he photographed subjects like prisoners on death row, players in the hip-hop scene, and the downtown art scene of New York. Neither black nor white, an insider among outsiders, he found himself able to navigate spaces and dynamics that others might have had difficulty entering. He considered this both a privilege and an obligation – to visit these places and tell these stories. His success led to commissions from American publications as well, including the New York Times Magazine, the New Yorker, Rolling Stone, and Vogue. Put off by the limitations of photojournalism (the expectation that he would illustrate the writer’s perspective rather than author a narrative of his own), Sahihi began to embark on independent, highly compact conceptual series. His main goal in these series has been to drive forward public discourse on topics he believes have not provoked enough or the right kind of discussion: drugs, gender in the media, women in the military, etc. His portraits draw on a familiar visual language – often seated subjects before a neutral backdrop – but push the viewer to feel and think about entirely new things. Although he constantly challenges the comfort level of both the viewer and the subject, Sahihi never removes himself from the line of fire; all of his work requires the artist to immerse himself in uncomfortable situations and challenge his own emotional fortitude. Photographic Series In the “Face Series”, latex-gloved hands manipulate the subjects’ features, stretching, pushing, squeezing, pinching at the whim of external direction – from the artist? The customer? The public? The “Hypnosis Series” comprises 8 portraits of hypnotized subjects each experiencing a single emotion, e.g. helplessness, withholding/anger, or regret. In a society that rewards the suppression of such naked emotion, the purity of these depictions is arresting. In 2006, Sahihi photographed himself in the homes and with the families of six ex-girlfriends and one ex-wife, imposing himself more or less awkwardly on the constellations that emerged after he had exited their lives (“Exes Series”). For Sahihi’s most well-known work, the “Drug Series,” he convinced 11 non–drug users to consume a particular drug, then took their portraits over the course of their trips. The series was born out of Sahihi’s frustration with the hypocrisy of the political conversation about drugs in the United States. “By attempting to present an objective image of drug use, the artist addresses the cultural politics that allow our society to simultaneously glamorize the ‘drug look’ in fashion magazines and the entertainment industry and meanwhile turn a blind eye to the complicated, and vast, problem of drug abuse.” Sahihi has exhibited this series at MoMA PS1 New York in 2001, in Dresden in 2008, and alongside his installation “100 Million in Ready Cash." Sahihi’s dense explorations through small photographic series include “Women of the IDF," portraits of female Israeli soldiers...

"JM Basquiat-GB3" Photography (FRAMED) 48" x 48" inch Ed. 1/8 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Title: Basquiat se...

"TIME TA25" Photography 72" x 48" inch Edition 2/4 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Title: Time TA25 Year: 2018 Print size: 72" x 48" Inches Artwork finished size: 73" x 49" Inches Limited edition 2 of 4 Artist proof: 2 Medium: The artwork is printed on the highest resolution museum-quality polished aluminum with a high-gloss finish. Infusing dyes directly into specially coated aluminum sheets The waterproof scratch-resistant surface hygienic and durable medium. Comes in a custom gallery-style floater frame in a semi-gloss silver-face finish. Comes with a heavy-duty wooden liner float mount hanger. This artwork comes with two customizable time zone clocks...

"JM Basquiat-GB4" Photography (FRAMED) 50" x 40" inch Ed. 1/8 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Title: Basquiat se...

"Emulsion 12" (FRAMED) Photography 40" x 40" inch Edition 2/20 by Giuliano Bekor Title: Emulsion EM12 Year: 2018 Print size: 40" x 40" Inch Artwork finished size: 42" x 42" Inch E...

"Emulsion 10" (FRAMED) Photography 48" x 72" inch Edition 1/6 by Giuliano Bekor Print size 48x72 Inches Artwork finished size 48.5x72.5 Inches Limited edition 1 of 6 Artist proof 2...

"Emulsion 6" (FRAMED) Photography 40" x 40" inch Edition 3/20 by Giuliano Bekor Size: 40" x 40" inch Size framed: 42" x 42" inch This artwork printed on a highest resolution fine ...

"Echoes No.02" Photography 40" x 40" inch Edition of 20 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist This artwork printed on...

This poster features a photograph, taken by Richard Hamilton, of Marcel Duchamp signing “The Oculist Witnesses” 1967 glass. The poster is an offs...

"A VIEW OF THE ALHAMBRA AND SIERRA NEVADA", GRANADA, SPAIN ARTIST UNKNOWN laminate 8-1/4 x 22-1/4 inches (20.5 x 56 cm.) framed: 13 x 27 inches (32.5 x 68.3 cm.) PROVENANCE Private ...

"Echoes No.02" Photography 40" x 40" inch Edition of 20 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Printed on fujiflex mou...

"THE PAITIO DE LOS LEONES", THE ALHAMBRA IN GRANADA, SPAIN ARTIST UNKNOWN laminate 8-1/4 x 22-1/4 inches (20.5 x 56 cm.) framed: 13 x 27 inches (32.5 x 68.3 cm.) PROVENANCE Private ...

"Echoes No.11" Photography 40" x 40" inch Edition of 20 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Printed on fujiflex mou...

"Echoes No.14" Photography 40" x 40" inch Edition of 20 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Printed on fujiflex mou...

Natalie Christensen, Deep Blue Blue archival pigment print on Italian cotton rag mounted to dibond, satin UV laminate 31.5 x 21.5" 2018 1/10

Cody works almost entirely with infrared film, using a range of different cameras, from a 4x5, a 6x17 panoramic, to a pinhole. The analog captures are then scanned and output as blac...

"LB34" Photography 72" x 48" inch Edition of 4 by Giuliano Bekor 2018 Printed on fujiflex mounted on aluminum + Laminate Custom Gallery Floater Frame TRANSCENDENCE series If the ...

Uta Barth 'Untitled (2005.A),' 2005 Laminated color photograph 20 x 30 inches (sheet) 20.25 x 30.33 x 1.5 inches (frame) Edition 12 of 20 Signed on label on f...

Cody works almost entirely with infrared film, using a range of different cameras, from a 4x5, a 6x17 panoramic, to a pinhole. The analog captures are then scanned and output as blac...

"LB10" (FRAMED) Original photography Limited Edition 2/4 by Giuliano Bekor Print size 40x56 Inches Artwork finished size 42x58 Inches Limited edition ...

Cody works almost entirely with infrared film, using a range of different cameras, from a 4x5, a 6x17 panoramic, to a pinhole. The analog captures are then scanned and output as blac...

In expressing his narrative of “The Western Abandon” Cody concentrates his focus on abandoned farms, crumbling homes, neglected churches, aging cemeteries, forgotten cars and other o...

Cody works almost entirely with infrared film, using a range of different cameras, from a 4x5, a 6x17 panoramic, to a pinhole. The analog captures are then scanned and output as blac...

In expressing his narrative of “The Western Abandon” Cody concentrates his focus on abandoned farms, crumbling homes, neglected churches, aging cemeteries, forgotten cars and other o...

In expressing his narrative of “The Western Abandon” Cody concentrates his focus on abandoned farms, crumbling homes, neglected churches, aging cemeteries, forgotten cars and other o...

Cody works almost entirely with infrared film, using a range of different cameras, from a 4x5, a 6x17 panoramic, to a pinhole. The analog captures are then scanned and output as blac...

Cody works almost entirely with infrared film, using a range of different cameras, from a 4x5, a 6x17 panoramic, to a pinhole. The analog captures are then scanned and output as blac...

Cody works almost entirely with infrared film, using a range of different cameras, from a 4x5, a 6x17 panoramic, to a pinhole. The analog captures are then scanned and output as blac...

Cécile Plaisance Banana Leaf, 2021 37.2 x 24.8 inches, Edition of 8 + 2AP 47.25 x 31.5 inches, Edition of 8 + 2AP 59 x 39.4 inches, Edition of 8 + 2AP This...

Limited edition Lambda Chromogenic Print mounted on Dibond (an aluminum substrate) with UV Acrylic. Available in three sizes: 24 x 36 inches (61 cm x 94 cm) Edition size: 12 40 ...