Rag Paper Photography

His series "Room" or "My carnival" evokes the fantasy of the mistress, fetishist eroticism, 5 to 7, free fantasy. Eric produces erotic art without ever biting into porn-chic always b...

His series "Room" or "My carnival" evokes the fantasy of the mistress, fetishist eroticism, 5 to 7, free fantasy. Eric produces erotic art without ever biting into porn-chic always b...

His series "Room" or "My carnival" evokes the fantasy of the mistress, fetishist eroticism, 5 to 7, free fantasy. Eric produces erotic art without ever biting into porn-chic always b...

This is an exclusive limited edition black and white giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This series of black and white photographs captures the ...

The contemporary work on paper is both art and photography, highlighting color fields. 16 x 16in photography and oil pastels on paper Tell Me a Story II, 2025 by Roberta Fineberg (R...

His series "Room" or "My carnival" evokes the fantasy of the mistress, fetishist eroticism, 5 to 7, free fantasy. Eric produces erotic art without ever biting into porn-chic always being more obsessed with aesthetics than with simulacrum. If he worships more than one of these predecessors who poured into more outrage, it is freely that he suggests to the imagination to imagine without capturing the fantasy of the viewer. The choice had been made of very high quality prints: cotton fiber base baryta paper without chlorine and high grammage (310 gr / m²), pigment inks. They carry on the back an authentication label signed by Eric Ceccarini The enhancement of this limited edition of 100 copies is ensured by the use of a unique high-quality box to keep the 12 fine art prints This is edition #6/100 Eric is a Belgian artist born in 1965. He gained a Degree in Photography from INFAC, Brussels in 1987. Since then he has been a fashion photographer working with many of the top houses. Elle, Marie-Claire, L'Oréal, Levi's, Coca Cola, Virgin, Saab, Delvaux, Lowe Lintas and Ogilvy are some of his clients. Among other distinctions, his photography for the Saab cabrio 9-3 campaign was awarded the Silver Lion at the Cannes International Advertising Festival. Eric is set apart from many of his colleagues by his way of shunning technical artifice and working in natural light. This results in soft, velvety, almost painterly images. Nowadays in his artistic works, he captures women's essence and soul, transcending mere physical representation. Eric's "AMNIOS" series of soul portraits- the model appear in suspended animation, as if they were about to born, and full of hidden secrets. This represents a new conceptual departure for Eric, who began as a fashion photographer, moving on to classic artistic nudes, now showing us the nude in the ethereal form. These forms are certainly beautiful, yet a membrane, whose function is unclear, separates them from us: is it to hide, or protect? In person, these works are monumental in scale, adding to their sense of restrained power. In the "NUDES" series, Eric uses only natural light, just as a traditional painter would do in their study. Using slow exposure speeds which allow the lens more time to capture each model's unique character, he reveals a sense of the sublime feminine, which borders on abstraction. Eric's nudes are the same, yet different. They are all beautiful, yet their differences and unique qualities are magnified. "NUDES" is a series that celebrates the human form. For "PAINTERS", Eric collaborates with a different painter for each photograph. More than 100 of them have been invited throughout Europe and the other continents. The artist paints the model in their own style, while Eric searches for attitudes, then he photographs the result. In this way, the Painters series represents a fusion of two artistic visions - something that's not always easy to achieve, yet this series epitomizes a sense of cohesion and dynamic ynchronicity. His work has been exhibited in Belgium, United Kingdom, France, Switzerland, The US , China, Singapore, The Netherlands, Germany, Spain… Current galleries where Eric is permanently resident: USA —— New-York city Galerie L’Atelier / Fremin Gallery Greenwich, Connecticut Galerie L’Atelier / Emmanuelle G Gallery...

"Sunlit Dive" Nude Photography 42" x 30" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Com...

His series "Room" or "My carnival" evokes the fantasy of the mistress, fetishist eroticism, 5 to 7, free fantasy. Eric produces erotic art without ever biting into porn-chic always being more obsessed with aesthetics than with simulacrum. If he worships more than one of these predecessors who poured into more outrage, it is freely that he suggests to the imagination to imagine without capturing the fantasy of the viewer. The choice had been made of very high quality prints: cotton fiber base baryta paper without chlorine and high grammage (310 gr / m²), pigment inks. They carry on the back an authentication label signed by Eric Ceccarini The enhancement of this limited edition of 100 copies is ensured by the use of a unique high-quality box to keep the prints Eric is a Belgian artist born in 1965. He gained a Degree in Photography from INFAC, Brussels in 1987. Since then he has been a fashion photographer working with many of the top houses. Elle, Marie-Claire, L'Oréal, Levi's, Coca Cola, Virgin, Saab, Delvaux, Lowe Lintas and Ogilvy are some of his clients. Among other distinctions, his photography for the Saab cabrio 9-3 campaign was awarded the Silver Lion at the Cannes International Advertising Festival. Eric is set apart from many of his colleagues by his way of shunning technical artifice and working in natural light. This results in soft, velvety, almost painterly images. Nowadays in his artistic works, he captures women's essence and soul, transcending mere physical representation. Eric's "AMNIOS" series of soul portraits- the model appear in suspended animation, as if they were about to born, and full of hidden secrets. This represents a new conceptual departure for Eric, who began as a fashion photographer, moving on to classic artistic nudes, now showing us the nude in the ethereal form. These forms are certainly beautiful, yet a membrane, whose function is unclear, separates them from us: is it to hide, or protect? In person, these works are monumental in scale, adding to their sense of restrained power. In the "NUDES" series, Eric uses only natural light, just as a traditional painter would do in their study. Using slow exposure speeds which allow the lens more time to capture each model's unique character, he reveals a sense of the sublime feminine, which borders on abstraction. Eric's nudes are the same, yet different. They are all beautiful, yet their differences and unique qualities are magnified. "NUDES" is a series that celebrates the human form. For "PAINTERS", Eric collaborates with a different painter for each photograph. More than 100 of them have been invited throughout Europe and the other continents. The artist paints the model in their own style, while Eric searches for attitudes, then he photographs the result. In this way, the Painters series represents a fusion of two artistic visions - something that's not always easy to achieve, yet this series epitomizes a sense of cohesion and dynamic ynchronicity. His work has been exhibited in Belgium, United Kingdom, France, Switzerland, The US , China, Singapore, The Netherlands, Germany, Spain… Current galleries where Eric is permanently resident: USA —— New-York city Galerie L’Atelier / Fremin Gallery Greenwich, Connecticut Galerie L’Atelier / Emmanuelle G...

His series "Room" or "My carnival" evokes the fantasy of the mistress, fetishist eroticism, 5 to 7, free fantasy. Eric produces erotic art without ever biting into porn-chic always being more obsessed with aesthetics than with simulacrum. If he worships more than one of these predecessors who poured into more outrage, it is freely that he suggests to the imagination to imagine without capturing the fantasy of the viewer. The choice had been made of very high quality prints: cotton fiber base baryta paper without chlorine and high grammage (310 gr / m²), pigment inks. They carry on the back an authentication label signed by Eric Ceccarini The enhancement of this limited edition of 100 copies is ensured by the use of a unique high-quality box to keep the 12 fine art prints This is edition #1/100 Eric is a Belgian artist born in 1965. He gained a Degree in Photography from INFAC, Brussels in 1987. Since then he has been a fashion photographer working with many of the top houses. Elle, Marie-Claire, L'Oréal, Levi's, Coca Cola, Virgin, Saab, Delvaux, Lowe Lintas and Ogilvy are some of his clients. Among other distinctions, his photography for the Saab cabrio 9-3 campaign was awarded the Silver Lion at the Cannes International Advertising Festival. Eric is set apart from many of his colleagues by his way of shunning technical artifice and working in natural light. This results in soft, velvety, almost painterly images. Nowadays in his artistic works, he captures women's essence and soul, transcending mere physical representation. Eric's "AMNIOS" series of soul portraits- the model appear in suspended animation, as if they were about to born, and full of hidden secrets. This represents a new conceptual departure for Eric, who began as a fashion photographer, moving on to classic artistic nudes...

An artist's proof (a/p) of a spiral staircase in Rome by Roberta Fineberg (RF) that captures a cylindrical stairwell in the Eternal City. For her Cities series, RF travels often to E...

In 1986 African-American musician Dee Dee Bridgewater left the United States and moved to Paris, France where she lived for the next fifteen years with her family, two daughters and ...

Commonly referred to as the Snow Moon because of snowfall typical in February, the bright orb illuminated the night sky in New York City. The Snow Moon was the second full moon of 20...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

His series "Room" or "My carnival" evokes the fantasy of the mistress, fetishist eroticism, 5 to 7, free fantasy. Eric produces erotic art without ever biting into porn-chic always being more obsessed with aesthetics than with simulacrum. If he worships more than one of these predecessors who poured into more outrage, it is freely that he suggests to the imagination to imagine without capturing the fantasy of the viewer. The choice had been made of very high quality prints: cotton fiber base baryta paper without chlorine and high grammage (310 gr / m²), pigment inks. They carry on the back an authentication label signed by Eric Ceccarini The enhancement of this limited edition of 100 copies is ensured by the use of a unique high-quality box to keep the 12 fine art prints This is edition #1/100 Eric is a Belgian artist born in 1965. He gained a Degree in Photography from INFAC, Brussels in 1987. Since then he has been a fashion photographer working with many of the top houses. Elle, Marie-Claire, L'Oréal, Levi's, Coca Cola, Virgin, Saab, Delvaux, Lowe Lintas and Ogilvy are some of his clients. Among other distinctions, his photography for the Saab cabrio 9-3 campaign was awarded the Silver Lion at the Cannes International Advertising Festival. Eric is set apart from many of his colleagues by his way of shunning technical artifice and working in natural light. This results in soft, velvety, almost painterly images. Nowadays in his artistic works, he captures women's essence and soul, transcending mere physical representation. Eric's "AMNIOS" series of soul portraits- the model appear in suspended animation, as if they were about to born, and full of hidden secrets. This represents a new conceptual departure for Eric, who began as a fashion photographer, moving on to classic artistic nudes...

This long narrow monotype was made by carefully arranging hundreds of individual blades of fresh-cut native Californian wild grass. The species of tall marsh grass is called Gray Rus...

Towering monterey pines lean into the blue mist of the valley beyond.These iconic Monterey Pines are in the woods across the bay from San Francisco. A larger framed edition of this ...

New as of Jan. 1, 2025. This is a brand-new addition to the artist's ever-growing series of foggy woods in northern California near San Francisco. These tall eucalyptus trees are the...

Richard Corman Keith Haring 1 - NYC, 1985 (hand signed twice), 2022 Photographic print on Hahnemühle Photo Rag Ultrasmooth paper mounted on Dibond aluminum board. (Hand signed and nu...

House On The Marsh by James Sparshatt pictures a lonely cabin seen through late summer grasses on a marshland. The black-and-white photograph captures a tranquil rural scene, where...

This is an exclusive handprinted limited edition cyanotype. "Pacific Ocean Currents (Blue Border)" is a handmade cyanotype print of rough water texture resembling Pacific Ocean swell...

"Gymnosomata" Nude Photography 30" x 45" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 15: 24" x 36" inch Edition of 7:...

These are two 24 x 18-inch hand-printed photographs using the 170-year-old cyanotype process. They are actually negatives (a reversal of the dark and light tones) of the original pho...

Beaucoup de jours, 2025 by Roberta Fineberg (RF) is a 20" x 20” contemporary mixed-media work, photography and oil on canvas. The work is signed, titled, and dated by RF (on verso). ...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

This work features a photographic portrait of Helen Frankenthaler, taken by renowned musician and photographer Jim Arkatov, founder of the Los Angeles Chamber Orchester, and author of the 1998 book "The Creative Personality". The photograph is hand signed and dated '92 by Jim Arkatov. Framed alongside the photograph is a typed letter, hand signed in marker with a personal annotation ("Thanks again!!") by Helen Frankenthaler, thanking Mr. Arkatov for sending her glossy prints of his photograph and stating that she looks forward to seeing his book. Arkatov's original signed portrait, along with Frankenthaler's original signed letter, are elegantly framed in a museum quality wood frame under UV plexiglass. There is also a die-cut window in the back of the frame to reveal Arkatov's signature on the back of his photograph. Measurements: Framed 14.25 inches (vertical) by 19.75 inches (horizontal) by 1.75 inches (depth) Photographic portrait of Helen Frankenthaler: 9.25 inches (vertical) by 7.25 inches (horizontal) Letter from Frankenthaler to Arkatov: 7 inches (vertical) by 6.25 inches (horizontal) This collection was acquired from the Estate of Jim Arkatov. Below is an excerpt from his 2019 obituary in the Los Angeles Times: "...His was an immigrant’s story, a child from Russia who landed in San Francisco, befriended violinist Isaac Stern — whose fame was still to come — took up the cello and decided to pour his life into making music. James Arkatov found work with the Pittsburgh Symphony Orchestra and then with the philharmonic in San Francisco before coming to L.A. as a Hollywood studio musician who worked on movie soundtracks and backed up Ella Fitzgerald on some of her more memorable recordings, such as “Ella Fitzgerald Sings the George and Ira Gershwin Song Books.” Amazed at the dazzling talent around him in Hollywood, he came up with a simple but lasting idea — form their own orchestra. The Los Angeles Chamber Orchestra made its debut on an April evening in 1968, as hundreds squeezed into the newly built Mark Taper Forum. Arkatov played cello as usual as the ensemble drifted through the works of Mozart, Vivaldi, Haydn and other legends of the classics who’d written music specially for smaller orchestras. Arkatov, who lived long enough to see the orchestra celebrate its 50th anniversary, died Saturday at his home in Los Angeles. He was 98. “The orchestra represented a contextualized part of L.A. that had simply never been captured,” said his son, Alan Arkatov, the chair of the education and technology program at USC’s Rossier School of Education. “L.A. simply didn’t have this type of ensemble.” Arkatov was born in Odessa, Russia, on July 17, 1920, and moved around Europe before sailing with his family to San Francisco, where his father opened a photo studio. One of his early childhood friends was Stern, who would become an international star who performed on the world’s biggest stages. Arkatov, who began playing the cello when he was 9, formed a string quartet with Stern when they were teens. After stints as a cellist in San Francisco, Pittsburgh and Indianapolis, Arkatov became a member of the NBC Orchestra, the studio musicians who supplied the soundtracks for the movies that kept Hollywood humming. Pulling from the talent of Hollywood like an NFL team on draft day, he cobbled together a roster capable of handling the delicate and nuanced music written for chamber orchestras. In contrast to the L.A. Phil, which filled the stage with 100 or so musicians, the chamber orchestra was but half that size. The idea was to create a group that would play works written expressly for such an orchestra, many of them from the Baroque era. “The ensemble was never meant to compete with the Philharmonic,” Arkatov’s son said...." Helen Frankenthaler Biography: Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

"Two Palms" Black & White Nude Photography 60" x 40" in Ed. 1/3 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin fin...

Born and raised in London, British photographer Nathalie Gordon shoots with an unusual but fantastic hyper realistic style. Her work is packed with high sheen and edge, yet she is ab...

Blue Lotus, 2003 is a contemporary color photograph by Japanese artist Tadayuki Naito. Naito created a series on the blue lotus, a flower of peace and hope. The artist’s desire was t...

"Brooke (Blue Waves)" Photography 30" x 22" inch Edition 2/7 by Larsen Sotelo NOT FRAMED - ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin fin...

"Presentation of Sensuality" Nude Photography 60x40 in Ed. 1/3 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 24: 27" x 18" inch Edition...

"Two Palms" Black & White Photography 36" x 24" in Edition 1/15 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin fin...

"Not from Hollywood" Nude Photography 36" x 24" in Edition 1/15 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin fin...

A contemporary color photograph by Roberta Fineberg is a nod to photo secessionist Edward Steichen. The subject for the artist's night photography is a Central Park West building (th...

This is an exclusive handprinted limited edition cyanotype. "Greek Beach Bliss" is a cyanotype of a woman's feet in the fresh water of a sandy beach shore...

Wild Texas Longhorns Colored Photography Longhorn Fine Art Prints ABOUT THIS PIECE: This series was captured on a local Texas ranch, where the land stretches wide and the longhorns...

This is an exclusive handprinted limited edition cyanotype. "Caribbean Sandy Shore" is a cyanotype of a shoreline on a Caribbean beach. It is a beautif...

Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s, but the artist altered the ratio...

This is a hand-printed photograph using the 170-year-old cyanotype process. This is a negative (reversal of the dark and light tones) of the original photograph of a branch of a magn...

"Melanie" Black & White Photography 35" x 25" in Edition 1/15 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finis...

Texas Longhorn Wall Art ABOUT THIS PIECE: This series was captured on a local Texas ranch, where the land stretches wide and the longhorns stand as living symbols of endurance, her...

Lace curtains, Morocco, 1980 by Jean-Michel (JM) Voge, is a contemporary color photograph, an archival pigment print on handmade Awagami Japanese paper. ...

'Bloom Cluster' London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. The photograph is signed front and bac...

Nomad Princesses, 1996 by Jean-Michel (JM) Voge, is a contemporary color photograph 19" x 13" of two bare-breasted women with painted faces, enlarged ears, and tribal jewelry from th...

"Darling" Black & White Photography 27" x 18" in Ed. of 24 by Larsen Sotelo Not framed. Ships in tube. Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish C...

"Secret Menu" Nude Photography 40" x 60" in Edition 1/3 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 15: 24" x 36" inch Edition of 7:...

These are the silhouettes of the native Californian Matilija Poppy also known as giant tree poppies and Coulter's Poppy. They grow over 4 feet tall and appear each year in summer. ...

This is an original, hand-printed contact photograph using the antique cyanotype process. These Monterey pine trees obscured by fog and wildflowers are in the woods across the bay fr...

“Foreign Bodies” Photography 24" x 24" inch Edition of 24 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag From "Rite of Spring" series In this melancholy se...

This is an exclusive handprinted limited edition cyanotype. "Mediterranean Blue Sea Waves" is a handmade cyanotype print of the subtle tidal flow moving in on the Mediterranean Sea. ...

These are two separate 11 x 8.5 inch (45 x 60 cm) original hand-printed original cyanotype photographs sold together. Cyanotypes are an antique photographic process dating back to t...

"Fluidity Nr 7" Photography 40" x 30" inch Edition of 10 by Lika Brutyan Original photography by Lika Brutyan from the ""Fluidity" series Archival pig...

These graceful leaning Monterey pines can be found all up and down the coast of northern California from San Francisco to Carmel and beyond. They become top-heavy as they grow and their lower branches are knocked off in the wind, causing them to lean more and more each year. These are the misty woods in the hills of Oakland, across the bay from San Francisco, shortly after sunrise. The California coastal redwood...

These iconic Monterey pines can be found all up and down the coast of northern California from San Francisco to Carmel and beyond. These are the woods in the hills of Oakland, across...

Although this looks like a screen print or woodcut, it is actually a form of 19th-century photography, a cyanotype. This pale blue-gray is a very difficult color to achieve with the ...

Born and raised in London, British photographer Nathalie Gordon shoots with an unusual but fantastic hyper realistic style. Her work is packed with hig...

"An Ending a Beginning" Photography 24.5" x 17.5" in Ed. 1/24 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 25: 24.5 x 17.5" inch Editi...

"Dark Cloudy Shapes" is a blue tones stunning handmade monotype that features an intricate interplay of mid-century modern shapes, all rendered in shades of blue. These shapes are ex...

This is an exclusive handprinted limited edition cyanotype. "Bright Sunrise Bay " is a handmade cyanotype print of Mediterranean shiny waves. Details: + Title: Bright Sunrise Bay +...

Breathing In the Spirit of Shohaku Soga, 2003 by Eikoh Hosoe is a contemporary color photograph of Kazuo Ohno, a Butoh dancer. Hosoe's theatrical image is hand-signed on recto (front...

"Presentation of Sensuality" Nude Photography 45x30 in Ed. 1/7 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 24: 27" x 18" inch Edition...