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Medium: Rag Paper
Alice Zilberberg - Balanced Black Swan, Photography 2022
Located in Greenwich, CT
In this series, Zilberberg creates animal montages as an expression of self-therapy. As an urbanite, functioning day-to-day in a fast-paced, built environment can be emotionally uns...
Category

2010s Contemporary Rag Paper Landscape Photography

Materials

Photographic Paper, Rag Paper, ABS, Color, Digital

Wetterhorn, Bern
Located in Berlin, DE
Wetterhorn, Bern 2020 Edition on 2 Pigment print on Canson photographic rag 310g, mounted on dibond in smoked oak wood frame with museum glass. Framed: 68 x 76 x 3 cm Other edition in 3 sizes, 3-2-1 + AP To get a fresh look at natures beauty in a modern era, Zak van Biljon went beyond the visible spectrum to capture these vivid images. The technique, developed for military surveillance and crop surveys, captures near-infrared light: wavelengths of electromagnetic radiation that fall between what we see as red and the longer wavelengths used for thermal imaging. The pigment in plant leaves, chlorophyll, strongly absorbs visible light which they use as a source of energy in the process of photosynthesis. The cell structure of the leaves, on the other hand, strongly reflects near-infrared light. A strong absorption at these wavelengths would only result in overheating the plant and possibly damaging the tissues. The human eye is unable to perceive infrared light but it is exactly this reflected energy, which reacts with infrared-sensitive material to create electric pinks and vibrant reds. The idea of landscapes is not landscape by itself. Nothing exists by itself but only through perception. Our perception, however, is subject to both individual watching and classifying what we see. The classification is strongly subdued to the imagery with which we are confronted every day. The famous Windows computer desktop image “Bliss” and others of this kind have become a kind of nature of which we believe that is is “true” nature. Pictures of natures are not about falsifying nature itself but are reflecting our perception of nature. What kind of image do we have? On social media channels user are sharing zillions of filtered photos of nature...
Category

2010s Naturalistic Rag Paper Landscape Photography

Materials

Rag Paper, Pigment

Sustenjoch
Located in Berlin, DE
Sustenjoch 2020 Edition of 2. Pigment print on Canson photographic rag 310g, mounted on dibond in smoked oak wood frame with museum glass. Framed: 68 x 76 x 3 cm Other Edition in 3 sizes, 3-2-1 + AP To get a fresh look at natures beauty in a modern era, Zak van Biljon went beyond the visible spectrum to capture these vivid images. The technique, developed for military surveillance and crop surveys, captures near-infrared light: wavelengths of electromagnetic radiation that fall between what we see as red and the longer wavelengths used for thermal imaging. The pigment in plant leaves, chlorophyll, strongly absorbs visible light which they use as a source of energy in the process of photosynthesis. The cell structure of the leaves, on the other hand, strongly reflects near-infrared light. A strong absorption at these wavelengths would only result in overheating the plant and possibly damaging the tissues. The human eye is unable to perceive infrared light but it is exactly this reflected energy, which reacts with infrared-sensitive material to create electric pinks and vibrant reds. The idea of landscapes is not landscape by itself. Nothing exists by itself but only through perception. Our perception, however, is subject to both individual watching and classifying what we see. The classification is strongly subdued to the imagery with which we are confronted every day. The famous Windows computer desktop image “Bliss” and others of this kind have become a kind of nature of which we believe that is “true” nature. Pictures of natures are not about falsifying nature itself but are reflecting our perception of nature. What kind of image do we have? On social media channels user are sharing zillions of filtered photos of...
Category

2010s Naturalistic Rag Paper Landscape Photography

Materials

Pigment, Rag Paper

Les Fleurs
Located in Berlin, DE
Les Fleurs, 2020 Edition 1 AP. Pigment print on Canson photographic rag 310g, mounted on dibond in grey oak wood frame with museum glass. Framed: 144.6 x 1...
Category

2010s Naturalistic Rag Paper Landscape Photography

Materials

Rag Paper, Pigment

Bar stools, 2010
Located in ATLANTA, GA
I am a choreographer and photographer, born in Germany. I received my art education at the Palucca University of Dance in Dresden. In 2001 I moved to the USA were I transformed my ey...
Category

21st Century and Contemporary Modern Rag Paper Landscape Photography

Materials

Mixed Media, Rag Paper, Archival Pigment

Waiters, 2010
Located in ATLANTA, GA
I am a choreographer and photographer, born in Germany. I received my art education at the Palucca University of Dance in Dresden. In 2001 I moved to the USA were I transformed my ey...
Category

21st Century and Contemporary Modern Rag Paper Landscape Photography

Materials

Mixed Media, Rag Paper, Archival Pigment

Landing, 2010
Located in ATLANTA, GA
I am a choreographer and photographer, born in Germany. I received my art education at the Palucca University of Dance in Dresden. In 2001 I moved to the USA were I transformed my ey...
Category

21st Century and Contemporary Modern Rag Paper Landscape Photography

Materials

Mixed Media, Rag Paper, Archival Pigment

Railing, 2010
Located in ATLANTA, GA
I am a choreographer and photographer, born in Germany. I received my art education at the Palucca University of Dance in Dresden. In 2001 I moved to the USA were I transformed my ey...
Category

21st Century and Contemporary Modern Rag Paper Landscape Photography

Materials

Mixed Media, Rag Paper, Archival Pigment

Goddess, 2010
Located in ATLANTA, GA
I am a choreographer and photographer, born in Germany. I received my art education at the Palucca University of Dance in Dresden. In 2001 I moved to the USA were I transformed my ey...
Category

21st Century and Contemporary Modern Rag Paper Landscape Photography

Materials

Mixed Media, Rag Paper, Archival Pigment

Playa del Carmen, 2010
Located in ATLANTA, GA
I am a choreographer and photographer, born in Germany. I received my art education at the Palucca University of Dance in Dresden. In 2001 I moved to the USA were I transformed my ey...
Category

21st Century and Contemporary Modern Rag Paper Landscape Photography

Materials

Mixed Media, Rag Paper, Archival Pigment

Water Reflections, 2010
Located in ATLANTA, GA
I am a choreographer and photographer, born in Germany. I received my art education at the Palucca University of Dance in Dresden. In 2001 I moved to the USA were I transformed my ey...
Category

21st Century and Contemporary Modern Rag Paper Landscape Photography

Materials

Mixed Media, Rag Paper, Archival Pigment

Twin Greek Temples (Night), After Dark in Central Park in New York City
Located in New york, NY
A contemporary black-and-white photograph by Roberta Fineberg who captures the San Remo building and New York City skyline after dark from the urban oasis Central Park. Focusing on the beaux-arts building towers or twin Greek temples...
Category

2010s Contemporary Rag Paper Landscape Photography

Materials

Archival Ink, Archival Paper, Rag Paper, Digital, Archival Pigment, Digi...

Thomas Ruff - TRIPE 09 21st Century Modern Photography Temple Myanmar Design
Located in Madrid, Madrid
Thomas Ruff - TRIPE 09 - Amerapoora. My-au-dyk Kyoung. Date of creation: 2018 Medium: Inkjet on Rag Photographique Paper Edition: 50 Size: 40 x 50 cm Condition: In mint conditions, b...
Category

2010s Modern Rag Paper Landscape Photography

Materials

Rag Paper, Inkjet

Juilliard Building, Tribeca, Contemporary Urban Photography of New York City
Located in New york, NY
Juilliard Building, New York, 2023 by Roberta Fineberg is an 18” x 24" archival pigment print (on baryta paper) in an edition of 5. Signed, dated, and titled by the artist on front a...
Category

2010s Contemporary Rag Paper Landscape Photography

Materials

Archival Paper, Archival Ink, Rag Paper, Digital, Digital Pigment, Archi...

Thomas Ruff - TRIPE 12 - 21st Century, Modern Photography Temple Myanmar Design
Located in Madrid, Madrid
Thomas Ruff - TRIPE 12 - Seeringham. Munduppum inside Gateway. Date of creation: 2018 Medium: Inkjet giclée on Rag Photographique Paper Edition: 50 + 5 A.P. Size: 40 x 50 cm Conditio...
Category

2010s Modern Rag Paper Landscape Photography

Materials

Rag Paper, Inkjet

5th Avenue by Christophe Jacrot - Contemporary photography, New-York city, night
Located in Paris, FR
5th Avenue is a limited-edition photograph by French contemporary artist Christophe Jacrot. This photograph is sold unframed as a print only. It is available in 2 dimensions: *70 ×...
Category

2010s Contemporary Rag Paper Landscape Photography

Materials

Rag Paper, Inkjet

"Untitled 3" (Mustang) Photography Edition 3/7 by Larsen Sotelo
Located in Culver City, CA
"Untitled 3" (Mustang) Photography Edition 3/7 by Larsen Sotelo From the Mustang series Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish 32” X 24” inch ...
Category

21st Century and Contemporary Contemporary Rag Paper Landscape Photography

Materials

Archival Ink, Rag Paper, Giclée

Storm by Christophe Jacrot - Landscape photography, architecture, Scotland
Located in Paris, FR
Storm is a limited-edition photograph by French contemporary artist Christophe Jacrot. This photograph is sold unframed as a print only. It is available in 2 dimensions: *60 cm × 9...
Category

2010s Contemporary Rag Paper Landscape Photography

Materials

Rag Paper, C Print

The Sunny Spell by Christophe Jacrot - Urban photography, New York city
Located in Paris, FR
The Sunny Spell is a limited-edition photograph by contemporary artist Christophe Jacrot. This photograph is sold unframed as a print only. It is available in 2 dimensions: *105 c...
Category

2010s Contemporary Rag Paper Landscape Photography

Materials

Rag Paper, Inkjet

Shil, Schwyz
Located in Berlin, DE
Shil, Schwyz 2017 Edition 1/1, AP Pigment print on Canson photographic rag 310g, mounted on dibond in smoked oak wood frame with museum glass. Framed: 144 x 144 x 4 cm Edition in 3 sizes, 3-2-1 + AP To get a fresh look at natures beauty in a modern era, Zak van Biljon went beyond the visible spectrum to capture these vivid images. The technique, developed for military surveillance and crop surveys, captures near-infrared light: wavelengths of electromagnetic radiation that fall between what we see as red and the longer wavelengths used for thermal imaging. The pigment in plant leaves, chlorophyll, strongly absorbs visible light which they use as a source of energy in the process of photosynthesis. The cell structure of the leaves, on the other hand, strongly reflects near-infrared light. A strong absorption at these wavelengths would only result in overheating the plant and possibly damaging the tissues. The human eye is unable to perceive infrared light but it is exactly this reflected energy, which reacts with infrared-sensitive material to create electric pinks and vibrant reds. The idea of landscapes is not landscape by itself. Nothing exists by itself but only through perception. Our perception, however, is subject to both individual watching and classifying what we see. The classification is strongly subdued to the imagery with which we are confronted every day. The famous Windows computer desktop image “Bliss” and others of this kind have become a kind of nature of which we believe that is is “true” nature. Pictures of natures are not about falsifying nature itself but are reflecting our perception of nature. What kind of image do we have? On social media channels user are sharing zillions of filtered photos of nature...
Category

2010s Naturalistic Rag Paper Landscape Photography

Materials

Rag Paper, Pigment

Meteora, Greece
Located in Berlin, DE
Meteora, Greece 2018 Edition 1/5. Pigment print on Canson photographic rag 310g, mounted on dibond in smoked oak wood frame with museum glass. Framed: 35 x 39 x 3 cm To get a fresh look at natures beauty in a modern era, Zak van Biljon went beyond the visible spectrum to capture these vivid images. The technique, developed for military surveillance and crop surveys, captures near-infrared light: wavelengths of electromagnetic radiation that fall between what we see as red and the longer wavelengths used for thermal imaging. The pigment in plant leaves, chlorophyll, strongly absorbs visible light which they use as a source of energy in the process of photosynthesis. The cell structure of the leaves, on the other hand, strongly reflects near-infrared light. A strong absorption at these wavelengths would only result in overheating the plant and possibly damaging the tissues. The human eye is unable to perceive infrared light but it is exactly this reflected energy, which reacts with infrared-sensitive material to create electric pinks and vibrant reds. The idea of landscapes is not landscape by itself. Nothing exists by itself but only through perception. Our perception, however, is subject to both individual watching and classifying what we see. The classification is strongly subdued to the imagery with which we are confronted every day. The famous Windows computer desktop image “Bliss” and others of this kind have become a kind of nature of which we believe that is is “true” nature. Pictures of natures are not about falsifying nature itself but are reflecting our perception of nature. What kind of image do we have? On social media channels user are sharing zillions of filtered photos of nature...
Category

2010s Naturalistic Rag Paper Landscape Photography

Materials

Rag Paper, Pigment

Val Roseg, Grisons
Located in Berlin, DE
Val Roseg, Grisons 2019 Edition of 2. Pigment print on Canson photographic rag 310g, mounted on dibond in smoked oak wood frame with museum glass. Framed: 68 x 93 x 3 cm Editions in 3 sizes, 3-2-1 + AP To get a fresh look at natures beauty in a modern era, Zak van Biljon went beyond the visible spectrum to capture these vivid images. The technique, developed for military surveillance and crop surveys, captures near-infrared light: wavelengths of electromagnetic radiation that fall between what we see as red and the longer wavelengths used for thermal imaging. The pigment in plant leaves, chlorophyll, strongly absorbs visible light which they use as a source of energy in the process of photosynthesis. The cell structure of the leaves, on the other hand, strongly reflects near-infrared light. A strong absorption at these wavelengths would only result in overheating the plant and possibly damaging the tissues. The human eye is unable to perceive infrared light but it is exactly this reflected energy, which reacts with infrared-sensitive material to create electric pinks and vibrant reds. The idea of landscapes is not landscape by itself. Nothing exists by itself but only through perception. Our perception, however, is subject to both individual watching and classifying what we see. The classification is strongly subdued to the imagery with which we are confronted every day. The famous Windows computer desktop image “Bliss” and others of this kind have become a kind of nature of which we believe that it is “true” nature. Pictures of natures are not about falsifying nature itself but are reflecting our perception of nature. What kind of image do we have? On social media channels user are sharing zillions of filtered photos of nature...
Category

2010s Naturalistic Rag Paper Landscape Photography

Materials

Color, Alkyd, Rag Paper, Pigment

Kalakwa 1, Khomas Region
Located in Berlin, DE
Kalakwa 1, Khomas Region, 2018 Edition of 2 Pigment print on Canson photographic rag 310g, mounted on dibond in smoked oak wood frame with museum glass. Framed: 68 x 93 x 3 cm Other editions in 3 sizes, 3-2-1 + AP To get a fresh look at natures beauty in a modern era, Zak van Biljon went beyond the visible spectrum to capture these vivid images. The technique, developed for military surveillance and crop surveys, captures near-infrared light: wavelengths of electromagnetic radiation that fall between what we see as red and the longer wavelengths used for thermal imaging. The pigment in plant leaves, chlorophyll, strongly absorbs visible light which they use as a source of energy in the process of photosynthesis. The cell structure of the leaves, on the other hand, strongly reflects near-infrared light. A strong absorption at these wavelengths would only result in overheating the plant and possibly damaging the tissues. The human eye is unable to perceive infrared light but it is exactly this reflected energy, which reacts with infrared-sensitive material to create electric pinks and vibrant reds. The idea of landscapes is not landscape by itself. Nothing exists by itself but only through perception. Our perception, however, is subject to both individual watching and classifying what we see. The classification is strongly subdued to the imagery with which we are confronted every day. The famous Windows computer desktop image “Bliss” and others of this kind have become a kind of nature of which we believe that is is “true” nature. Pictures of natures are not about falsifying nature itself but are reflecting our perception of nature. What kind of image do we have? On social media channels user are sharing zillions of filtered photos of nature...
Category

2010s Naturalistic Rag Paper Landscape Photography

Materials

Rag Paper, Pigment

Bredarsdorp, Western Cape
Located in Berlin, DE
Bredarsdorp, Western Cape, 2019 Pigment print on Canson photographic rag 310g, mounted on dibond in a smoked oak wood frame with museum glass Edition of 2 Framed: 68 x 76 x 3 cm Oth...
Category

2010s Naturalistic Rag Paper Landscape Photography

Materials

Pigment, Rag Paper

Rothko
Located in Berlin, DE
Rothko 2020 Edition 1, AP. Pigment print on Canson photographic rag 310g, mounted on dibond in grey oak wood frame with museum glass. Framed: 144.6 x 128 x 7 cm Other editions in 3 ...
Category

2010s Naturalistic Rag Paper Landscape Photography

Materials

Rag Paper, Pigment

Furka 1. Uri
Located in Berlin, DE
Furka 1, Uri, 2021 Edition of 3 Pigment print on Canson photographic rag 310g, mounted on dibond in smoked oak wood frame with museum glass. Framed: 53 x 53 x 3 cm Other editions i...
Category

2010s Naturalistic Rag Paper Landscape Photography

Materials

Pigment, Rag Paper

Dammagletscher Uri
Located in Berlin, DE
Dammagletscher Uri 2020 Edition 1, AP. Pigment print on Canson photographic rag 310g, mounted on dibond in smoked oak wood frame with museum glass. Framed: 144 x 128 x 7 cm. Other ...
Category

2010s Naturalistic Rag Paper Landscape Photography

Materials

Rag Paper, Pigment

Pink Castle by Christophe Jacrot - landscape photography, architecture, Scotland
Located in Paris, FR
Pink Castle is a limited-edition photograph by French contemporary artist Christophe Jacrot. This photograph is part of the series ‘Wet Scotland’, in thi...
Category

2010s Contemporary Rag Paper Landscape Photography

Materials

Rag Paper, C Print

"There is No Planet B" Photographic print
By Marcin Owczarek
Located in Denver, CO
Introducing "There is No Planet B" by Marcin Owczarek, a thought-provoking and manipulated photographic work by the Belgian-based artist. This piece is created on Fine Art Hahnemühle...
Category

2010s Rag Paper Landscape Photography

Materials

Rag Paper

Pink Morning (New York in White) by Christophe Jacrot - urban photography, snow
Located in Paris, FR
This work represents a beautiful view of New York's rooftops under the snow and pink-tinted sky. It is a celebration of love, tenderness and passion between two beings. It could ther...
Category

2010s Contemporary Rag Paper Landscape Photography

Materials

C Print, Rag Paper

Waiting for Brasil by James Sparshatt. Archival Print with Wooden Frame
Located in Coltishall, GB
The Atlantic Ocean stretching out from Dingle. In Irish folklore Brasil was believed to be a phantom island lost in mists that appeared once every seven years but could never be reac...
Category

21st Century and Contemporary Contemporary Rag Paper Landscape Photography

Materials

Wood, Rag Paper

Dawn Over Bagan by James Sparshatt. Archival Print on Rag Paper, 2011
Located in Coltishall, GB
Just after sunrise the mists disburse to reveal a panorama of pagodas stretching across the Bagan valley in Burma. Drifting slowly in the almost imperceptible breeze a flotilla of h...
Category

21st Century and Contemporary Contemporary Rag Paper Landscape Photography

Materials

Rag Paper

Aodh’s Domain by James Sparshatt. Archival Print on Rag Paper, 2011
Located in Coltishall, GB
Aodh is a god of the underworld and prince of the Daoine Sidhe in Irish mythology. The crashing waves in this cave made its legend as a gateway to the realm of the Gods entirely u...
Category

21st Century and Contemporary Contemporary Rag Paper Landscape Photography

Materials

Rag Paper

American Trails by James Sparshatt. Large Archival Print on Rag Paper, 2013
Located in Coltishall, GB
June Lake on the Eastern Escarpment of the Californian Sierra Maestre range. Hours before sunrise the frozen lake was buffeted by winds. The ice cracked and ...
Category

21st Century and Contemporary Contemporary Rag Paper Landscape Photography

Materials

Rag Paper

Sands of The Himalaya by James Sparshatt. Archival Print on Rag Paper, 2014
Located in Coltishall, GB
The Nubra Valley is part of the Tibetan plateau. It is an arid landscape surrounded by awesome peaks, a high altitude desert inhabited by a few small Ladakhi communities and their ...
Category

21st Century and Contemporary Contemporary Rag Paper Landscape Photography

Materials

Rag Paper

Dawn Over Bagan by James Sparshatt. Archival Print with Wooden Frame, 2011
Located in Coltishall, GB
Just after sunrise the mists disburse to reveal a panorama of pagodas stretching across the Bagan valley in Burma. Drifting slowly in the almost imperceptible breeze a flotilla of h...
Category

21st Century and Contemporary Contemporary Rag Paper Landscape Photography

Materials

Rag Paper, Wood

James Sparshatt Stormy Waters Large Archival Print with Wooden Frame, 2011
Located in Coltishall, GB
Rolling waves crashing against the breakwater in St Monan’s calmed by a long exposure after dark. James Sparshatt’s black and white landscapes have an ethereal beauty. They are mom...
Category

21st Century and Contemporary Contemporary Rag Paper Landscape Photography

Materials

Wood, Rag Paper

James Sparshatt Mists O’er The Loch Large Archival Print with Wooden Frame, 2009
Located in Coltishall, GB
A frozen morning in the highlands of Scotland and the sun battles to emerge from the mists. James Sparshatt’s black and white landscapes have an ethereal beauty. They are moments w...
Category

21st Century and Contemporary Contemporary Rag Paper Landscape Photography

Materials

Wood, Rag Paper

James Sparshatt Aodh’s Domain Large Archival Print with Wooden Frame, 2011
Located in Coltishall, GB
Aodh is a god of the underworld and prince of the Daoine Sidhe in Irish mythology. The crashing waves in this cave made its legend as a gateway to the realm of the Gods entirely u...
Category

21st Century and Contemporary Contemporary Rag Paper Landscape Photography

Materials

Rag Paper, Wood

American Trails by James Sparshatt. Archival Print with Wooden Frame, 2013
Located in Coltishall, GB
June Lake on the Eastern Escarpment of the Californian Sierra Maestre range. Hours before sunrise the frozen lake was buffeted by winds. The ice cracked and ...
Category

21st Century and Contemporary Contemporary Rag Paper Landscape Photography

Materials

Wood, Rag Paper

Sands of The Himalaya by James Sparshatt. Archival Print with Wooden Frame
Located in Coltishall, GB
The Nubra Valley is part of the Tibetan plateau. It is an arid landscape surrounded by awesome peaks, a high altitude desert inhabited by a few small Ladakhi communities and their ...
Category

21st Century and Contemporary Contemporary Rag Paper Landscape Photography

Materials

Rag Paper, Wood

The Flock and The Fisherman by James Sparshatt. Archival Print on Rag Paper
Located in Coltishall, GB
A fisherman late one balmy afternoon at Gore Point. The sun was setting, a gentle breeze lifting the sand and a flock of sea birds swooped and dived in the sky above… James Sparshatt’s black and white landscapes from his Norfolk home emphasize the beauty of the big skies...
Category

21st Century and Contemporary Contemporary Rag Paper Landscape Photography

Materials

Rag Paper

The Flock and The Fisherman by James Sparshatt. Framed Archival Print, 2017
Located in Coltishall, GB
A fisherman late one balmy afternoon at Gore Point. The sun was setting, a gentle breeze lifting the sand and a flock of sea birds swooped and dived in the sky above… James Sparshatt’s black and white landscapes from his Norfolk home emphasize the beauty of the big skies...
Category

21st Century and Contemporary Contemporary Rag Paper Landscape Photography

Materials

Rag Paper

Serenity At Dawn by James Sparshatt. Framed Archival Print
Located in Coltishall, GB
A frozen morning on the Bure River – a glass-like reflection of the over-arching trees James Sparshatt’s black and white landscapes from his Norfolk home emphasize the beauty of the big skies...
Category

21st Century and Contemporary Contemporary Rag Paper Landscape Photography

Materials

Rag Paper

The Skelligs by Moonlight by James Sparshatt. 34 x 24" Framed Archival Print
Located in Coltishall, GB
The Skellig Islands are off the coast of Kerry in Ireland. Once the home of reclusive monks they have gained notoriety recently as a retreat for Luke Skywalker… Lit by moon light reflected off the Atlantic Ocean swell they portray a calm at odds with the often stormy seas that batter them.. James Sparshatt’s black and white landscapes have an ethereal beauty. They are moments when the natural form of topography is given magic by the transient touch of the elements. The work is also available as a smaller archival giclee print and as a collectors edition Palladium Platinum print. Archival print on 300gsm Hahnemuhle rag Edition of 15 Dark wood frame with UV clarity glass Framed size 96cm x 72cm (38″ x 28.5″) Signed by the artist Certificate of Authenticity from the gallery Country: County Kerry...
Category

21st Century and Contemporary Contemporary Rag Paper Landscape Photography

Materials

Glass, Wood, Rag Paper

Storm Over The Altiplano by James Sparshatt. 34" x 24" Archival Print
Located in Coltishall, GB
Lake Sillustani sits at over 4000m above sea level in the high altiplano of Peru. Overlooking the lake on a raised plateau a series of tall Incan Funerary towers dominate the lansdca...
Category

21st Century and Contemporary Contemporary Rag Paper Landscape Photography

Materials

Rag Paper

The Skelligs by Moonlight by James Sparshatt. 34" x 24" archival print
Located in Coltishall, GB
The Skellig Islands are off the coast of Kerry in Ireland. Once the home of reclusive monks they have gained notoriety recently as a retreat for Luke Skywalker… Lit by moon light reflected off the Atlantic Ocean swell they portray a calm at odds with the often stormy seas that batter them.. James Sparshatt’s black and white landscapes have an ethereal beauty. They are moments when the natural form of topography is given magic by the transient touch of the elements. The work is also available as a smaller archival giclee print and as a collectors edition Palladium Platinum print. Archival print on 300gsm Hahnemuhle rag Edition of 15 Paper size 85cm x 60cm (34″ x 24″) Image size 75cm x 50cm (29″ x 19″) Signed by the artist Certificate of Authenticity from the gallery Country: County Kerry...
Category

21st Century and Contemporary Contemporary Rag Paper Landscape Photography

Materials

Rag Paper

Hangzhou, Zheijiang, China
Located in New York, NY
Lois Conner Hangzhou, Zheijiang, China, 1998 Pigment ink on Hahnemühle cotton paper 17 x 35 1/2 inches (sheet) 29 3/8 x 45 3/4 inches (frame) AP 3 Signed
Category

Late 20th Century Contemporary Rag Paper Landscape Photography

Materials

Rag Paper

Bayou Dreaming by James Sparshatt. 34” x 24” Archival print. Wooden frame
Located in Coltishall, GB
Just after dawn on the Henderson swamp in Louisiana, with only alligators and storks for company, the hanging moss and primeval cypress trees in calm magnificence. James Sparshatt’s...
Category

21st Century and Contemporary Contemporary Rag Paper Landscape Photography

Materials

Rag Paper, Archival Paper

Bagan by Moonlight by James Sparshatt. 34” x 24” Archival print on Rag paper
Located in Coltishall, GB
The light of the moon creates an otherworldly ethereal world, a stillness and calm across the spiritual landscaper of the Bagan valley in Burma. J...
Category

21st Century and Contemporary Contemporary Rag Paper Landscape Photography

Materials

Rag Paper

Bagan by Moonlight by James Sparshatt. 34” x 24” Archival print. Wooden frame.
Located in Coltishall, GB
The light of the moon creates an otherworldly ethereal world, a stillness and calm across the spiritual landscaper of the Bagan valley in Burma. J...
Category

21st Century and Contemporary Rag Paper Landscape Photography

Materials

Rag Paper

Bayou Dreaming by James Sparshatt. 36" x 24" Archival Print on Rag Paper, 2019
Located in Coltishall, GB
Just after dawn on the Henderson swamp in Louisiana, with only alligators and storks for company, the hanging moss and primeval cypress trees in calm magnificence. James Sparshatt’s...
Category

21st Century and Contemporary Rag Paper Landscape Photography

Materials

Rag Paper

Back Home (Wet Scotland) by Christophe Jacrot - landscape photography
Located in Paris, FR
Back Home (2021), by contemporary photographer Christophe Jacrot. From the series 'Wet Scotland'. Fine art print on Rag Photographique Infinity Canson 310...
Category

2010s Contemporary Rag Paper Landscape Photography

Materials

C Print, Rag Paper

L’Arc de Triomphe Wrapped by Christo, Paris, France, Color Landscape Photograph
Located in New york, NY
Jean-Michel’s L’Arc de Triomphe Wrapped, 2021 is a contemporary experimental color photograph of the Arc de Triomphe in Paris wrapped in fabric in Paris by Christo. The art duo Chr...
Category

2010s Contemporary Rag Paper Landscape Photography

Materials

Archival Ink, Archival Paper, Rag Paper, Digital, Archival Pigment, Digi...

Twin Greek Temples (Dusk), Night Photography in Central Park, New York City
Located in New york, NY
A contemporary color photograph by Roberta Fineberg is a nod to photo secessionist Edward Steichen. The subject for the artist's night photography is a Central Park West building (th...
Category

2010s Contemporary Rag Paper Landscape Photography

Materials

Archival Ink, Archival Paper, Rag Paper, Digital, Archival Pigment, Digi...

Storm Over The Altiplano by James Sparshatt, Large Framed Archival Print, 1997
Located in Coltishall, GB
Lake Sillustani sits at over 4000m above sea level in the high altiplano of Peru. Overlooking the lake on a raised plateau a series of tall Incan Funerary towers dominate the lansdca...
Category

20th Century Other Art Style Rag Paper Landscape Photography

Materials

Glass, Wood, Rag Paper

Roman God(dess) II, Rome, Italy, Large Contemporary Photograph of Antiquities
Located in New york, NY
In her Cities series by Roberta Fineberg, a contemporary photograph of a Greco-Roman statue in Ostia Antica, former Old Port of Rome, rendered in a Pictorialist style. The photographer RF captures the spirit of Ancient Rome for Roman God...
Category

2010s Contemporary Rag Paper Landscape Photography

Materials

Archival Ink, Archival Paper, Rag Paper, Digital, Archival Pigment, Digi...

Blue Lotus, Japan, Contemporary Color Japanese Photography, Signed by the Artist
By Tadayuki Naito
Located in New york, NY
Blue Lotus, 2003 is a contemporary color photograph by Japanese artist Tadayuki Naito. Naito created a series on the blue lotus, a flower of peace and hope. The artist’s desire was t...
Category

Early 2000s Contemporary Rag Paper Landscape Photography

Materials

Archival Ink, Archival Paper, Rag Paper, Digital, Archival Pigment, Digi...

Rag Paper landscape photography for sale on 1stDibs.

Find a wide variety of authentic Rag Paper landscape photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include James Sparshatt, Roberta Fineberg, Christophe Jacrot, and Thomas Ruff. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Rag Paper landscape photography, so small editions measuring 0.4 inches across are also available

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