1850s Photography

In his latest show, Benjamin Heller invites us to enter a poetic space of echo and convergence. As a photographer, sculptor, and performer, movement is key in this body of work, that is punctuated by self portraits selected from the series "The Long Walk: Analog Narratives". This series features pieces collected over an extended period of time spent traveling. It is a window to the interior landscapes he seeks to find reflected in the world, to contain a sense of this intimate vastness. All of the images can be viewed as variations on a self-portrait. The places of intimacy and sense of vastness contained in the photographs can convey a sense of transport that enhances the viewer's visual experience. The "echoes" we find in the show reside in multiplicities of human and physical forms, rolling natural curves, and animals in flight; all intended to provide a resonance with the contours of earth, water, and wind. The result is an array of images captivating in themselves, but also given new meaning in the context of Robin Rice's skillful curatorial arrangement. Her intuitive placement creates a graphic narrative for the viewer to follow and decipher, encouraged by the convergence of the poetic titles of the works. Traces of poetry, sculpture, the lines of the body, lived experience are also evoked in Heller's photographs, in movement and action. He also finds inspiration in photographer Duane Michals' framing of expressive narratives, and in Sally Mann's felt sense of powerful physical presence. Photographer Miranda Penn Turin, in reviewing the exhibition, said "I can almost hear a soundtrack, and it's the sound of wind". The invitational image is entitled "Fall," a graceful figure, suspended in a glowing arc, light streaming upwards, eyes closed in rapture. This light sits in contrast to the infinite shadow of the black background, conjuring a certain atmosphere. Heller believes that it is shadows that allow the viewer to reside in the experience – this image does just that. These imagined environments speak to our converging lives and the echoed moments we experience, embodying for each viewer, just what Benjamin Heller connects with while photographing. Another view of self portraiture at the front sign in desk, is an image reading, "and the soul wanted to move," between the keys of a typewriter. This show is a mirror of a desire to move. The black & white images capture simultaneously this movement and stillness, asking us to pause between the natural forces that rise and fall. Heller employs multiple-exposure and a fixed 4x5...

A magical evening, shot in the early autumn at Flying Point Beach in Southampton NY. Printed on archival fine art paper, mounted on dibond aluminum with a float mount backing. Avai...

The Pirelli Calendar, known and trade-marked as "The Cal", is an annual trade calendar which has been published by the UK subsidiary of the Italian tyre manufacturing company Pirelli...

July 17, 1954: Argentinian racer Juan Manuel Fangio (1911 - 1995) chalks up a win for the Mercedes team at the French Grand Prix in Reims. Original Publication: Picture Post - 7209 -...

David Yarrow SPACE FOR GIANTS, 2020 Fuji Archival DP II Matt photograph 61.8 x 76.2 cm - sheet 70.4 x 84.7 cm - Framed with 3mm ArtGlass Lifetime Museum Acrylic edition 216 of 599 p...

‘ Lisa ' By Ian Sanderson, Silver Gelatin print, Fiber based Photography : 1989 A beautiful silver gelatin fibre based print produced in the darkroom directly from the negative. The ...

A 1920s Detroit-based company baseball team gathered for this photo. The Sewell Cushion Wheel Company’s players wear uniform shirts bearing the timeless term “All Cush,” (frankly, wo...

English Soldiers in Tientsin is a b/w photographic print on polished paper, taken on July 31, 1939 by World Photos (England). Stamp and stereotype in ...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘Sacha and Pearl ‘ who was captured on f...

'Awakening' Archival photographic triptych. Unique Master Edition of 1. Unframed. _________________ Morning light illuminates the layered landscape of Yosemite National Park, Half D...

Monk of Kita Kamakura, 1950 by Shigeichi Nagano is a black and white photograph from an extensive documentary photography series of Japan that Nagano shot on assignment. The image is...

SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & **INSURANCE** Mushroom ~ 4FU, 1931 Silver Gelatin Print Edward Weston Print signed: Cole Weston Image size: 9 1/2 × 7 1/2 in; 24.1 × ...