1970s Photography

Slim Aarons Limited Estate Edition Dining Al Fresco On Capri Italian artist and actress Domiziana Giordano, Italian author Francesca Sanvitale (1928 - 2011), Dino Trappetti and Umbe...

Led Zeppelin sitting downstage at the Forum in 1972 Archival pigment print on 100% cotton paper with a satin baryta finish. It is from a limited edition series Published by FATHOM ...

For several years in the 1970s Leonard Freed worked alongside members of the New York police department, documenting the gritty reality of life on the beat...

Speedboat Landing A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel in Porto Ercole, Italy, August 1973. Gorgeous print ...

Harbour Island in the Bahamas, 1970 Harbour Island, 1970 Chromogenic Lambda Print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. ...

David Bowie Aladdin Sane Eyes Open 40 x 40 inches / 101 x 101 cm paper size Archival Pigment Print Hand signed by David Bowie Edition 23/25 Duffy Archive stamp to margin Taken b...

Andreas Feininger (1906-1999). From "Portfolio of Shells" , 1970 Gelatin Silver print, measuring 9.5 x 12 inches; 16 x 20 inches matted; 17 x 21 inches framed. Signed and numbered lower margins directly on matting. Excellent condition. Provenance: KMart Corporate Collection. Biography Feininger was born in Paris, France, the eldest son of Julia Berg, a German Jew...

Kristine DeBell is a  vintage photo, realized b Helmut Newton in the 1970s. The artwork represent fashion model and actress in 1970s. 

Kristine DeBell is a  vintage photo, realized by Helmut Newton in the 1970s. The artwork represent fashion model and actress in 1970s. 

This exquisite heliogravure after Diane Arbus (1923–1971), titled Child with a Toy Hand Grenade in Central Park, N.Y.C., originates from the 1979 folio Diane Arbus, Electa Editrice P...

Kristine DeBell is a  vintage photo, realized by Helmut Newton in the 1970s. The artwork represent fashion model and actress in 1970s. 

Andreas Feininger (1906-1999). From "Portfolio of Shells" , 1970 Gelatin Silver print, measuring 9.5 x 12 inches; 16 x 20 inches matted; 17 x 21 inches framed. Signed and numbered lower margins directly on matting. Excellent condition. Provenance: KMart Corporate Collection. Biography Feininger was born in Paris, France, the eldest son of Julia Berg, a German Jew...

Annie Leibovitz - Patti Smith - New Orleans - 1978 (Original), 1978 Cibachrome photograph (this is the original - not the later commemorative reprint) Please note: There was a later ...

Dancer/Choreographer Lar Lubovitch, 1971. This is an 8 x 10" vintage silver gelatin photograph that was published by a newspaper or magazine which they u...

This late 1970s portrait photograph, captured by society photographer Slim Aarons, features sunbathers by a swimming pool at the Hotel Punta Tragara on the island of Capri, Italy, Au...

Signed and dated on the front of the mount. Currently framed in custom white wood. See photograph of the piece on the wall.

BERT STERN – "MARILYN MONROE (NAVY/LIGHT BLUE)" Photo Silkscreen ⚜ Hand Signed ⚜ Numbered ⚜ Framed A HIGHLY COLLECTIBLE WORK FROM THE MARILYN MONROE SERIES This original 1973 photo ...

Francesca Woodman, Providence, Rhode Island (1976) photographed by George Lange. 11 x 14" archival pigment print 17 x 21 x 2" frame with UV plexgia...

'George Hamilton' American actor George Hamilton holidays in Saint-Tropez, on the French Riviera, August 1977. Paper Size 24x20 inches / 60 x 50 cm Estate Stamped Collection E...

Golfing Pals (1977) - Limited Edition Estate Stamped Print (Photo By Slim Aarons) At the 16th hole on Pebble Beach golf course, singer and film star Bi...

Nan Goldin Bea with a whip at The Other Side 1973 Gelatin silver print 14 x 11 inches; 36 x 28 cm Edition of 100 Signed, titled, dated, and numbered in graphite (lower right verso) ...

Slim Aarons Limited Estate Edition Dining Al Fresco On Capri Italian artist and actress Domiziana Giordano, Italian author Francesca Sanvitale (1928 - 2011), Dino Trappetti and Umbe...

Sunday Morning by Alain Le Garsmeur Two Churchgoers walk through the streets of Harlem, New York City, USA, April 1978. Paper size 20 x 24 inches / 50 x 60 cm Printed in 2022 - prod...

French actress Brigitte Bardot on the set of "The Ballad of Frenchie King" in Almeria, Spain, 1971 Co signed by Brigitte Bardot and Terry O'Neill 40 x 60 inches Edition Size: 50 +...

Edouard Boubat 1923-1999 Mother and Child, Madras, 1971/Printed later Signed in ink on recto; signed, titled and dated in pencil on verso Gelatin Silver Print Mat 20 x 16 inches; Pap...

'Keep Your Cool' Slim Aarons Limited Estate Edition Carmen Alvarez enjoying a game of backgammon with Frank 'Brandy' Brandstetter in a swimming pool at Acapulco, 1978. Fashionable Alvarez wearing a white bikini and 'Brandy' sporting a sun hat are seated in the swimming pool playing backgammon in the heat of the Mexican sun. Typically 'Slim Poolside...

Discover the quintessence of French Riviera charm in Slim Aarons' iconic photograph, 'Saint-Tropez Boucherie,' on Rue des Commercants, Saint-Tropez, 1971. This image is a beautiful intersection of fashion, culture, and everyday life in the sun-drenched streets of Saint-Tropez in August 1971. This photograph features a casual yet captivating scene: two women and a young girl, all dressed in vibrant, vintage early '70s attire in shades of mint green, lemon yellow, and pink, enjoying a leisurely conversation outside a classic red French boucherie or butcher shop. A chic gold and white bicycle, representative of the laid-back Mediterranean lifestyle, is parked unassumingly on the sidewalk. Adding depth to the scene, the shop's proprietor, clad in a purple shirt, can be spotted through the window, lending an authentic touch to the photograph. An enchanting Moroccan-style zellige tile...

'Pool At Las Hadas' Guests round the pool at Las Hadas, Manzanillo, Mexico, 1974. 40 x 60" inches / 102 x 152 cm paper size Estate Stamped Collection Edition to 150 Photo by S...

Jack Mitchell, American Photographer (1925-2013). Joe Dallesandro, ca. 1973. 11 x 14 inches; 12 x 15 inches framed. Period print from artist's studio. The image was intended for ...

Captivated Audience by Arthur Steel SURREY 1979 All prints are hand signed limited editions, no further prints are produced once sold. paper size - 16 x 12" / 41 x 31 cm signed a...

Il Pellicano Beach 1973 - Slim Aarons Estate Stamped A jetty juts out from the rocky shoreline at the Hotel Il Pellicano in Porto Ercole, Tuscany, August 1973. 40 x 60" inches / 10...

A policewoman plays with local kids in Harlem, New York City, USA, 1978 1978/2023 Estate stamp in black ink, verso Archival pigment print 6 x 6 inches, sheet 3.75 x 5.5 inches, im...

Lifetime prints are the last remaining prints available, signed by Terry O’Neill and obtained from the Terry O’Neill Archive in London. Signed limited edition, silver gelatin print ...

This exquisite heliogravure after Diane Arbus (1923–1971), titled A Young Brooklyn Family Going for a Sunday Outing, N.Y.C., originates from the 1979 folio Diane Arbus, Electa Editri...

Guests by the pool at the Hotel du Cap Eden-Roc, Antibes, France, August 1976. Eden-Roc Pool 1976 C-Print Estate signature stamped and hand numbered edition of 150 with certificate ...

Coming Ashore A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel in Porto Ercole, Italy. Aug...

**This artwork is on exhibition and if purchased will be available to ship after June 15, 2025 The incomparable Dolly Parton doing what she does best, performing. In this vintage si...

Kristine DeBell is a  vintage photo, realized by Helmut Newton in the 1970s. The artwork represent fashion model and actress in 1970s. 

1973 Chromogenic print in colours on photographic paper Image 23.9 x 17.8 cm Sheet 26.9 x 20.8 cm From the Series Twenty Photographic Pictures by David Hockney Signed with initials a...

Freddie Mercury Freddie Mercury and Queen rock band on stage London 1976 Photo by Martyn Goddard Printed 2024. Signed limited edition photograph; edition of 25 in this size. 20×...

Women playing backgammon while sunbathing at the Habitation Leclerc pool, January 1975 Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure, a history of glamour that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. Recent articles credit his work with inspiring the casually flawless style of top Instagram influencers, full of sunshine and escapism. Reference: "Dive in: how Slim Aarons art directed the poolside summer. French brand Maje are the latest label to take inspiration from Slim Aarons’ pictures of the jetset on holiday." Slim Aarons Backgammon by the pool...

Andy Warhol Nicola (Nicky) Weymouth, ca. 1976 Acetate positive, acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance from the representative of Chromacomp Unique Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass: Measurements: Frame: 18 x 15.5 x 1.5 inches Acetate: 11 x 8 inches This is the original, unique photographic acetate positive taken by Andy Warhol as the basis for his portrait of Nicky Weymouth, that came from Andy Warhol's studio, The Factory to his printer. It was acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. It is accompanied by a Letter of Provenance from the representative of Chromacomp. This is one of the images used by Andy Warhol to create his iconic portrait of the socialite Nicola Samuel Weymouth, also called Nicky Weymouth, Nicky Waymouth, Nicky Lane Weymouth or Nicky Samuel. Weymouth (nee Samuel) was a British socialite, who went on to briefly marry the jewelry designer Kenneth Lane, whom she met through Warhol. This acetate positive is unique, and was sent to Chromacomp because Warhol was considering making a silkscreen out of this portrait. As Bob Colacello, former Editor in Chief of Interview magazine (and right hand man to Andy Warhol), explained, "many hands were involved in the rather mechanical silkscreening process... but only Andy in all the years I knew him, worked on the acetates." An acetate is a photographic negative or positive transferred to a transparency, allowing an image to be magnified and projected onto a screen. As only Andy worked on the acetates, it was the last original step prior to the screenprinting of an image, and the most important element in Warhol's creative process for silkscreening. Warhol realized the value of his unique original acetates like this one, and is known to have traded the acetates for valuable services. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp, a fine art printing studio in NYC, and was acquired directly from the Lowell's private collection. During the 1970s and 80s, Chromacomp was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Famed printer Alexander Heinrici worked for Eunice & Jackson Lowell at Chromacomp and brought Andy Warhol in as an account. Shortly after, Warhol or his workers brought in several boxes of photographs, paper and/or acetates and asked Jackson Lowell to use his equipment to enlarge certain images or portions of images. Warhol made comments and or changes and asked the Lowells to print some editions; others were printed elsewhere. Chromacomp Inc. ended up printing Warhol's Mick Jagger Suite and the Ladies & Gentlemen Suite, as well as other works, based on the box of photographic acetates that Warhol brought to them. The Lowell's allowed the printer to be named as Alexander Heinrici rather than Chromacomp, since Heinrici was the one who brought the account in. Other images were never printed by Chromacomp- they were simply being considered by Warhol. Warhol left the remaining acetates with Eunice and Jackson Lowell. After the Lowells closed the shop, the photographs were packed away where they remained for nearly a quarter of a century. This work is exactly as it was delivered from the factory. Unevenly cut by Warhol himself. This work is accompanied by a signed letter of provenance from the representative of Chromacomp, Andy Warhol's printer for many of his works in the 1970s. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee labels...

This mid-1970s landscape photograph, captured by society photographer Slim Aarons, features friends boarding a riva boat in Monte Carlo, Monaco, This is an estate stamped and hand n...

This early-1970s photograph, captured by society photographer Slim Aarons, features ladies by the pool at the Kaufmann Desert House in Palm Springs, California, January 1970. From ri...

This early 1970s photograph, captured by society photographer Slim Aarons, features former fashion model Helen Dzo Dzo Kaptur (in white lace), Nelda Linsk (in yellow), wife of art de...

Marc LACROIX (1927-2007) Dali in Toreador Costume, 1971 Original silver print photograph Signed in ink Numbered on 99 copies On silver print paper 57 x 47 cm (c. 22.4 x 18.5 inch) ...

Photo of Robert Plant striking one of his famous pose fronting Led Zeppelin at the Forum in 1973. About The Print: Archival pigment print on 100% cotton paper with a satin baryta fi...

CBGB, The Birthplace of Punk - captured by heralded New York underground photographer Fernando Natalici: Manhattan, c.1982 Archival Inkjet Print. Dimensions: 11 x 14 inches (full fr...

Where Art Thou Bernard Cohn Dot Painting By Arthur Steel Paper size: 24 x 19" / 61x48 cm Silver Gelatin Print 1970 (printed later) unframed hand signed limited edition of 50 n...

16 x 20" vintage silver gelatin photograph of artist Robert Rauschenberg at MOMA with 'Sor Aqua', photographed in 1977. It is signed by Jack Mitchell on the recto and in pencil on th...

Alice Cooper, Los Angeles, 1974, Printed Later Silver gelatin print estate stamped and numbered edition of 50 with certificate of authenticity Terry O'Neill, Alice Cooper with his...

Victor Arimondi (1942-2001). Portrait of male model Ingolf wearing Torben Hardernberg, ca. 1975. Period print measures 9 x 11 inches. Artist studio stamp on verso. Victor Arimondi ...

Victor Arimondi (1942-2001). Portrait, ca. 1975. Period print measures 9 x 12 inches. Artist studio stamp on verso. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

Edition of 50. The Rolling Stones is a striking portrait, on fibre paper, from iconic 20th Century photographer David Steen. Steen’s introduction to photog...

Kenn Duncan (1928-1986). Fashion editorial photo of male model Pat Anderson, ca. 1973. 11 x 14 inches; 12 x 15 inches framed. The print was used for publication in After Dark Magazine. From the estate of William Como, Editor in Chief, After Dark Magazine. Kenneth Duncan was born September 22, 1928, in New Jersey. He began his career as a skater and then a dancer. After breaking his foot and taking a six-week course on photography at a YMCA, he became a photographer. Duncan worked as a principal photographer for After Dark and Dance Magazine. His photographs also regularly appeared in Vogue, Harper's Bazaar, Life, Time, and Newsweek. In addition, he photographed a score of Broadway shows, including Hair, Applause, The Elephant Man, and Sophisticated Ladies and many dance and Broadway stars including Chita...

Barbados - Sarah Marson Williams Sarah Marson Williams enjoys a cocktail on the beach at the Hilton Hotel, Needhams Point, Barbados, April 1976....

Tyre Repairs by Arthur Steel SURREY 1975 All prints are hand signed limited editions, no further prints are produced once sold. paper size - 24 x 19" / 61 x 48 cm signed and nu...

Austrian GP John Watson's Penske PC4 Ford. Championship: Formula 1 1976 (Formula 1, 1976) Event: Austrian GP Date taken: Sunday, August 15, 1976 Location: Red Bull Ring...

Well Heeled by Arthur Steel WELL HEELED WESTMINSTER BRIDGE LONDON, 1973 “I’d just acquired a 19mm lens for my Leica flex SL9 and was keen to explore it’s ability to focus very close-up. Platform shoes were all the rage at the time and I took one of the girls from the office to Westminster Bridge and lay on the pavement to get this shot framing Queen Elizabeth Tower...

'Porto Ercole' Italy (Slim Aarons Estate Edition) A jetty juts out from the rocky shoreline at the Hotel Il Pellicano in Porto Ercole, Tuscany, August 1973. Beautiful greens of th...