In emphasizing emotion and imagination, romantic art shifted away from the restraint of classicism and neoclassicism that had dominated art in Europe since the Renaissance. Romanticism achieved its greatest popularity in art, literature, music and philosophy between 1780 and 1830, although its expression of individual experiences ranging from awe to passion informed culture in the decades after.
Landscape painting was especially popular during the romantic period, as were nature studies of wild animals and fantasies of exotic lands. Romanticism varied across Europe as it reacted to the rise of industrialization, a more personal relationship with faith that was distanced from the church and the rationalist thinking of the Enlightenment.
British painters such as John Constable and J.M.W. Turner responded dramatically to the light and atmosphere of the natural world, while William Blake conveyed humanity’s connection to the divine in his visionary art. In Germany, the late-18th-century Sturm und Drang, or Storm and Drive, movement, with its probing of the unconscious, inspired a sense of mystery in work by romantic artists such as Caspar David Friedrich and Philipp Otto Runge. In France, where the French Revolution had turned tradition upside down, Théodore Géricault and Eugène Delacroix used lush brushwork to paint monumental canvases with tumultuous scenes of nature and history.
The romantic movement and its subject matter were a significant influence on the Pre-Raphaelites, Symbolists and the American painters of the Hudson River School, as well as on other cultural movements in the 19th and 20th centuries that saw artists build on this perspective in which art was guided by emotion rather than reason.
Find a collection of romantic paintings, sculptures, prints and multiples and more art on 1stDibs.
A Flickering
Located in Los Angeles, CA
A Flickering Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, ba...
Photogravure
Homage
Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist. The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Photogravure
Grace
Located in Los Angeles, CA
Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...
Photogravure
Braided
Located in Los Angeles, CA
Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...
Photogravure
By Two
Located in Los Angeles, CA
Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...
Photogravure
And There I Find Myself Waiting
Located in Los Angeles, CA
Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...
Photogravure
Twilight
Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Photogravure
Waiting for Tomorrow
Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Photogravure
Through Leaves
Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Photogravure
Offered
Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Photogravure
Mannequin
Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Photogravure
Maiden
Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Photogravure
Lola's World
Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist. The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Photogravure
$1,167Sale Price|43% Off
Blue grey hand coloured photograph of male model as Daphne with flowers, framed
Located in London, GB
Hand-coloured portrait of nymph Daphne, immobilised in marble, as she is transformed into a laurel tree. Birthed in Greek Mythology, Daphne is associated with bodies of freshwater and is an unwilling object of the god Apollo...
Watercolor, Archival Pigment, Photographic Film, Photographic Paper, Color
Romantic Street Musician Playing the Saxophone in Golden Light and Orange
Located in Miami, FL
Golden orange light caresses a street musician as he serenades the public. We can not actually hear his music but the way the picture has been crafted in beautiful tones of orange a...
Archival Ink, Archival Paper, Archival Pigment
$1,800
H 10 in W 12 in
Harbour Island, Bahamas, Estate Edition, Mid-Century Modern Photograph
By Slim Aarons
Located in Los Angeles, CA
This early 1970s photograph, captured by society photographer Slim Aarons, features the Harbour Island in the Bahamas. This is an estate-stamped and hand-numbered edition of 150 wit...
Lambda
$19,500
H 60 in W 60 in D 2 in
"MT1" Photography (FRAMED) 60" x 60" inch Edition 3/10 by Giuliano Bekor
Located in Culver City, CA
"MT1" Photography (FRAMED) 60" x 60" inch Edition 3/10 by Giuliano Bekor Print size 60x60 Inches Artwork finished size 62x62 Inches Limited edition 3 of 10 Artist proof 2 Signed and numbered by the artist. Comes with COA issues by the artist. Medium: This artwork printed on the highest resolution exhibition Giclee Baryta museum grade paper. Mounted on half inch Dibond. Coated with a fine art premier...
Plexiglass, Archival Pigment
$3,500
H 18 in W 21 in
"Beatles - Afternoon Rehearsal" Photography 18x21in Ed. of 25 by Howard Grafton
Located in Culver City, CA
"Beatles - Afternoon Rehearsal" Photography 18x21in Ed. of 25 by Howard Grafton Signed and numbered on the back by the publisher The Beatles on the E...
Metal
$2,250
H 24 in W 24 in D 0.1 in
“Nectar” Surreal Photography 24" x 24" inch Edition of 24 by Brian Ziff
By Brian Ziff
Located in Culver City, CA
“Nectar” Surreal Photography 24" x 24" inch Edition of 24 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag Signed and numbered by the artist Comes with COA signed by the artist From "Unbearable Lightness...
Archival Ink, Rag Paper, Giclée
Marilyn
By Seek One
Located in New York, NY
Mixed Media on wood. Resin finish optional. Homage to Marilyn Monroe. About the Artist: Seek One has been featured in Forbes, Maxim, Haute Luxury among others. He shows at g...
Mixed Media
$1,800
H 30 in W 24 in D 0.1 in
Sherlock #2 by Kevin Horan, 2012, Archival Pigment Print, Portrait Photography
By Kevin Horan
Located in Denton, TX
This portrait by Kevin Horan features a side profile of a white curly haired goat, from Horan's series Chattel. The photograph is signed, titled, dated and numbered by Kevin Horan, including the print date and copyright. The paper size is 30 x 24 inches, the image size is 25 1/2 x 20 inches. This photograph is an edition of 8. Sherlock #2 is also available in a smaller size, 13 x 17 inches for $900. Kevin Horan photographs goats in a very regal manner in his series, Chattel. A variety of domestic goats and sheep get their close-ups, allowing us to explore the detail of their beards, wattels, eyes, horns and hair. Horan's interest in exploring the exchange between people and animals lead to these dramatic, yet humorous portraits...
Archival Pigment
$6,000
H 31.5 in W 31.5 in D 0.04 in
A lonely and deserted Place (The Girl behind the White Picket Fence) - Polaroid
Located in Morongo Valley, CA
A lonely and deserted Place (The Girl behind the White Picket Fence) - 2013, 80x80cm, Edition 2/5. Analog C-Print, hand-printed by the artist on printed on Fuji Archive Paper, ba...
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Italian Actress Enrica Bonaccorti - Vintage Photo - 1980s
Located in Roma, IT
Vintage Photo. The Italian former actress, television and radio presenter, and lyricist Enrica Bonaccorti.
Photographic Paper
Ode to Batoni's Virgin of the Annunciation
Located in New Orleans, LA
16 x 13.75 inches - Edition 1 of 7 with 2 APs STATEMENT: e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the his...
Archival Pigment
$380
H 7.88 in W 7.88 in D 0.04 in
Reinventing oneself, III - Polaroid, Contemporary, Color, 21st Century
By Kirsten Thys van den Audenaerde
Located in Morongo Valley, CA
Reinventing oneself, III - 2019, 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory...
Photographic Paper, C Print, Color, Polaroid, Archival Paper
Ode to van Dyck's Grimaldi
Located in New Orleans, LA
16 x 9 inches - Edition 2 of 7 with 2 APs STATEMENT: e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the history...
Archival Pigment
Pino Zac - Vintage Photograph - Vintage Photograph - 1980s
Located in Roma, IT
Pino Zac - Vintage Photograph is an original photograph realized by an anonymous artist in the 1980s. Good conditions.
Photographic Paper
Sold
H 3.63 in W 3.13 in D 0.75 in
Ambrotype of a Gentleman in a Suit in Case, Civil War Period 1860s
Located in Milwaukee, WI
The present 19th-century photograph is a portrait of a gentleman wearing a suit. Ambrotypes such as this became popular in Europe and the United States following the widespread succe...
Photographic Film
Waiting in the Forest—Cheyenne
Located in New York, NY
"Waiting in the Forest—Cheyenne," 1910 Printed title, date, plate number, and letterpress credit (in the margin) Plate 218 Photogravure 22 x 18 inches (55.9 x 45.7 cm), sheet size 16...
Photogravure