Post-Modern Photography
to
10
144
7
27
33
91
68
8
33
44
23
10
57
Overall Height
to
Overall Width
to
45,948
16,300
3,354
2,772
1,228
537
470
273
186
133
130
63
42
24
93
38
37
34
26
26
24
18
17
15
14
14
14
14
14
10
10
9
8
7
87
80
2
19
24
19
8
24
20
10
8
7
60
48
42
42
41
Style: Post-Modern
Untitled (Empty Storefront)
Located in Dallas, TX
Jim Dine and Lee Friedlander
From the Portfolio: Photographs and Etchings Lee Friedlander & Jim Dine, published by Petersberg Press 1969
Signed and numbered (Edition of 20/75).
Paper...
Category
1960s Post-Modern Photography
Materials
Etching, Silver Gelatin
Original Photography by Cyrille Druart
Located in Collonge Bellerive, Geneve, CH
Black and white original photography by Cyrille Druart.
Signed and Numbered
Edition: II/V
Dimensions: 120 x 90 cm
Cyrille Druart is a French photograph and architect, a book about ...
Category
2010s Post-Modern Photography
Poe's Daughter
Located in Wiscasset, ME
Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...
Category
2010s Post-Modern Photography
Materials
Archival Pigment
Without Title (New York)
Located in Kansas City, MO
Titel: Without Title (New York)
Medium: Photograph
Year: 1974/2014
Publisher: Griffelkunst Hamburg
Size: 7.4 × 10.7 on 11.5 × 15.4 inches
After a photographer training at the photo ...
Category
1970s Post-Modern Photography
Materials
Photographic Paper
We're Really Happy, from Suburbia series
By Bill Owens
Located in Dallas, TX
"We're really happy. Our kids are healthy, we eat good food, and we have a really nice home."
Gelatin silver print, 11 x 14 in.
Signed, print date, misc. notation in pencil on vers...
Category
1970s Post-Modern Photography
Materials
Silver Gelatin
Man, Stick White Stripe
By Ralph Gibson
Located in Dallas, TX
Edition 15/25
Gelatin silver print
16 x 20 in.
Signed and dated in pencil on print verso by Ralph Gibson
Category
1970s Post-Modern Photography
Materials
Silver Gelatin
We don't have to conform, from Suburbia
By Bill Owens
Located in Dallas, TX
Edition of 10
Signed on print verso by Bill Owens
Paper size: 16 x 19 1/2 in. Image size: 15 1/2 x 18 3/4 in.
Series: Suburbia
Bill Owens was born and raised in California. After v...
Category
1970s Post-Modern Photography
Materials
C Print
1972 (Nude)
Located in Dallas, TX
Edition of 35
Signed, titled, dated and numbered.
Paper size: 20 x 16 in., Image size: 15 x 15 in.
Keith Carter is an American photographer who is known for his dreamlike black and ...
Category
20th Century Post-Modern Photography
Materials
Silver Gelatin
San Francisco China Town Lanterns Street Photography by Mitchell Funk
Located in Miami, FL
China Town Lanterns
Signature: Signed , dated lower right and numbered verso 4 /15, Unframed, on Hahnemühle paper. Other sizes available.
San Francisco
Category
2010s Post-Modern Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment
Rembrandt's Daughter
Located in Wiscasset, ME
Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...
Category
21st Century and Contemporary Post-Modern Photography
Materials
Archival Pigment
Bluebonnets, Spicewood Springs, Texas
By Jim Bones
Located in Dallas, TX
Edition of 30
Signed, titled, dated, and numbered
Artist Copyright Stamp
Texas Wildflower Portfolio 1979
Category
20th Century Post-Modern Photography
Materials
Dye Transfer
Turkey Girl
Located in Wiscasset, ME
Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...
Category
21st Century and Contemporary Post-Modern Photography
Materials
Archival Pigment
La Divina Proporción, Franco Maria Ricci, Museo Nacional de San Carlos
Located in New York, NY
La Divina Proporción en la obra de Franco Maria Ricci, Museo Nacional de San Carlos. México, 2014.
C-print
100 x 100 cm Edition of 5
120 x 120 cm Edition of...
Category
21st Century and Contemporary Post-Modern Photography
Materials
C Print
Patty Smith - Live
By Bob Gruen
Located in New York, NY
Bob Gruen
Patti Smith Live - Schaefer Music Festival, Central Park, NYC, 1976
gelatin silver print
20 x 24 inches
Bob Gruen is one of the most well known and respected photographers...
Category
1970s Post-Modern Photography
Materials
Silver Gelatin
Bleed
By Jakub Dolejš
Located in Montreal, Quebec
Jakub Dolejš
Text by James D. Campbell
That a photographer’s guile can make for a heady and instructive aesthetic experience is proved by the remarkable work of Jakub Dolejš. H...
Category
21st Century and Contemporary Post-Modern Photography
Materials
C Print
Desnudo
By Carlos Jurado
Located in Dallas, TX
Signed, titled, and dated.
Category
1970s Post-Modern Photography
Materials
Silver Gelatin
Dressing Room, La Villa Blanc, Albuquerque
Located in Dallas, TX
Dressing room, La Villa Blanc, Albuquerque, 1971
Gelatin silver print, 19 3/4 x 15 7/8 in.
Signed, titled, dated and numbered by Jeffrey Silverthorne
Edition of 12, Printed 2008
Jef...
Category
1970s Post-Modern Photography
Materials
Silver Gelatin
Prickly Poppy, Thistle and Field Grass, Central Texas
By Jim Bones
Located in Dallas, TX
Edition of 30
Signed, titled, dated and numbered
Artist Copyright Stamp
Texas Wildflowers Portfolio 1979
Category
20th Century Post-Modern Photography
Materials
Dye Transfer
Muhammad Ali (Sitting on Bench)
Located in Dallas, TX
Edition of 25
Signed and numbered in black ink on print margin by Al Satterwhite
Paper size: 16 x 20 in.
AVAILABLE SIZES:
11 x 14 in., Edition of 25
16 x 20 in., Edition of 25
24 x ...
Category
20th Century Post-Modern Photography
Materials
Archival Pigment
We really enjoy getting together, from Suburbia
By Bill Owens
Located in Dallas, TX
"We really enjoy getting together with our friends to drink and dance. It's a wild party and we're having a great time." from series, Suburbia
Edition of 15
Signed, dated and number...
Category
1970s Post-Modern Photography
Materials
Silver Gelatin
Pastiche
By Henri Venne
Located in Montreal, Quebec
My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...
Category
21st Century and Contemporary Post-Modern Photography
Materials
Plexiglass, Photographic Paper
Donald Curry, Boxer
Located in New York, NY
Donald Curry Boxer, 1989
Archival pigment print
image size: 48 x 48 inches
Signed and numbered edition of 10
William Coupon is an American photographer, born in New York City, ...
Category
1980s Post-Modern Photography
Materials
Archival Pigment
Muhammad Ali, Fifth Street Gym, Miami by Al Satterwhite, 1971, Photography
Located in Dallas, TX
Muhammad Ali, Fifth Street Gym, Miami by Al Satterwhite is a 20 x 16 inch archival pigment print. This photograph features Muhammad Ali leaning against gym equipment with his arms ra...
Category
1970s Post-Modern Photography
Materials
Archival Pigment
Cedar Sage, Barton Creek, Texas
By Jim Bones
Located in Dallas, TX
Edition of 30
Signed, titled, dated and numbered
Artist Copyright Stamp
Texas Wildflower Portfolio 1979
Category
20th Century Post-Modern Photography
Materials
Dye Transfer
Lace Cactus and Yellow Sand, Austin, Texas
By Jim Bones
Located in Dallas, TX
Edition of 30
Signed, titled, dated and numbered
Artist Copyright Stamp
Texas Wildflower Portfolio 1979
Category
20th Century Post-Modern Photography
Materials
Dye Transfer
Purple Loco, Yellow Paper Daisy, White Dematis, Davis, Mountains, Texas
By Jim Bones
Located in Dallas, TX
Edition of 30
Signed, titled, dated and numbered
Artist Copyright Stamp
Texas Wildflowers Portfolio 1979
Category
20th Century Post-Modern Photography
Materials
Dye Transfer
Smoke and Mirrors
By Jakub Dolejš
Located in Montreal, Quebec
That a photographer’s guile can make for a heady and instructive aesthetic experience is proved by the remarkable work of Jakub Dolejš. His ongoing practice of deception now encompasses some of the formal language of late Modernism, and his palette is almost hallucinatory in its clarity.
Dolejš carries forwards his project of tracking his and our relationship with artworks by invoking Modernist tropes and the monochrome, and delights in undermining our commonplace assumptions about just what it is that we are seeing. His deliberate puncturing of his viewers’ assumptive contexts lends his work subversive underpinnings and a dangerous perceptual edge. It is as though he was asking us to look at his photographs through an anamorphic polyprism – and the prism shows us the splintering of our own reflections staring right back at us in a very predatory way. The level of subterfuge here is at a very high level.
As adept a painter as he is a photographer, Dolejš has achieved an enviable reputation for performing some masterful and edifying pirouettes – everything from photographing a painted set to recreate Johann Zoffany’s The Tribuna of the Uffizi (a painting of the northeast section of the Tribuna room in the Uffizi in Florence, Italy, 1772-1778) to recontextualizing Hogarth’s Marriage...
Category
21st Century and Contemporary Post-Modern Photography
Materials
C Print
Untitled (street corner)
Located in Dallas, TX
Jim Dine and Lee Friedlander
From the Portfolio: Photographs and Etchings Lee Friedlander & Jim Dine, published by Petersberg Press 1969
Signed and numbered (Edition of 20/75).
Paper...
Category
1960s Post-Modern Photography
Materials
Etching, Silver Gelatin
Division
By Jakub Dolejš
Located in Montreal, Quebec
Jakub Dolejš
Text by James D. Campbell
That a photographer’s guile can make for a heady and instructive aesthetic experience is proved by the remarkable work of Jakub Dolejš. His ongoing practice of deception now encompasses some of the formal language of late Modernism, and his palette is almost hallucinatory in its clarity.
Dolejš carries forwards his project of tracking his and our relationship with artworks by invoking Modernist tropes and the monochrome, and delights in undermining our commonplace assumptions about just what it is that we are seeing. His deliberate puncturing of his viewers’ assumptive contexts lends his work subversive underpinnings and a dangerous perceptual edge. It is as though he was asking us to look at his photographs through an anamorphic polyprism – and the prism shows us the splintering of our own reflections staring right back at us in a very predatory way. The level of subterfuge here is at a very high level.
As adept a painter as he is a photographer, Dolejš has achieved an enviable reputation for performing some masterful and edifying pirouettes – everything from photographing a painted set to recreate Johann Zoffany’s The Tribuna of the Uffizi (a painting of the northeast section of the Tribuna room in the Uffizi in Florence, Italy, 1772-1778) to recontextualizing Hogarth’s Marriage...
Category
21st Century and Contemporary Post-Modern Photography
Materials
C Print
Cover Flow
By Jakub Dolejš
Located in Montreal, Quebec
Jakub Dolejš
Text by James D. Campbell
That a photographer’s guile can make for a heady and instructive aesthetic experience is proved by the remarkable work of Jakub Dolejš. His ongoing practice of deception now encompasses some of the formal language of late Modernism, and his palette is almost hallucinatory in its clarity.
Dolejš carries forwards his project of tracking his and our relationship with artworks by invoking Modernist tropes and the monochrome, and delights in undermining our commonplace assumptions about just what it is that we are seeing. His deliberate puncturing of his viewers’ assumptive contexts lends his work subversive underpinnings and a dangerous perceptual edge. It is as though he was asking us to look at his photographs through an anamorphic polyprism – and the prism shows us the splintering of our own reflections staring right back at us in a very predatory way. The level of subterfuge here is at a very high level.
As adept a painter as he is a photographer, Dolejš has achieved an enviable reputation for performing some masterful and edifying pirouettes – everything from photographing a painted set to recreate Johann Zoffany’s The Tribuna of the Uffizi (a painting of the northeast section of the Tribuna room in the Uffizi in Florence, Italy, 1772-1778) to recontextualizing Hogarth’s Marriage...
Category
21st Century and Contemporary Post-Modern Photography
Materials
Photographic Paper
Doll Mouth (rose)
Located in Montreal, Quebec
Using photography and drawing, Diana Thorneycroft often explores the darker side of supposedly innocent or benign objects like dolls, toys and cartoon characters. Past series include...
Category
21st Century and Contemporary Post-Modern Photography
Materials
Photographic Paper
Clouded View
By Henri Venne
Located in Montreal, Quebec
My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...
Category
21st Century and Contemporary Post-Modern Photography
Materials
Plexiglass, Photographic Paper
Reflection
By Jakub Dolejš
Located in Montreal, Quebec
Jakub Dolejš
Text by James D. Campbell
That a photographer’s guile can make for a heady and instructive aesthetic experience is proved by the remarkable work of Jakub Dolejš. His ongoing practice of deception now encompasses some of the formal language of late Modernism, and his palette is almost hallucinatory in its clarity.
Dolejš carries forwards his project of tracking his and our relationship with artworks by invoking Modernist tropes and the monochrome, and delights in undermining our commonplace assumptions about just what it is that we are seeing. His deliberate puncturing of his viewers’ assumptive contexts lends his work subversive underpinnings and a dangerous perceptual edge. It is as though he was asking us to look at his photographs through an anamorphic polyprism – and the prism shows us the splintering of our own reflections staring right back at us in a very predatory way. The level of subterfuge here is at a very high level.
As adept a painter as he is a photographer, Dolejš has achieved an enviable reputation for performing some masterful and edifying pirouettes – everything from photographing a painted set to recreate Johann Zoffany’s The Tribuna of the Uffizi (a painting of the northeast section of the Tribuna room in the Uffizi in Florence, Italy, 1772-1778) to recontextualizing Hogarth’s Marriage...
Category
21st Century and Contemporary Post-Modern Photography
Materials
C Print
Enclosure
By Jakub Dolejš
Located in Montreal, Quebec
That a photographer’s guile can make for a heady and instructive aesthetic experience is proved by the remarkable work of Jakub Dolejš. His ongoing practice of deception now encompasses some of the formal language of late Modernism, and his palette is almost hallucinatory in its clarity.
Dolejš carries forwards his project of tracking his and our relationship with artworks by invoking Modernist tropes and the monochrome, and delights in undermining our commonplace assumptions about just what it is that we are seeing. His deliberate puncturing of his viewers’ assumptive contexts lends his work subversive underpinnings and a dangerous perceptual edge. It is as though he was asking us to look at his photographs through an anamorphic polyprism – and the prism shows us the splintering of our own reflections staring right back at us in a very predatory way. The level of subterfuge here is at a very high level.
As adept a painter as he is a photographer, Dolejš has achieved an enviable reputation for performing some masterful and edifying pirouettes – everything from photographing a painted set to recreate Johann Zoffany’s The Tribuna of the Uffizi (a painting of the northeast section of the Tribuna room in the Uffizi in Florence, Italy, 1772-1778) to recontextualizing Hogarth’s Marriage...
Category
21st Century and Contemporary Post-Modern Photography
Materials
C Print
Barda del Panteon, Nuevo Leon
Located in Dallas, TX
Signed, titled, and dated in pencil on print verso by Mariana Yampolsky
Gelatin silver print
13 1/4 x 18 in.
Category
20th Century Post-Modern Photography
Materials
Silver Gelatin
Untitled (firemen and chair)
Located in Dallas, TX
Jim Dine and Lee Friedlander
From the Portfolio: Photographs and Etchings Lee Friedlander & Jim Dine, published by Petersberg Press 1969
Signed and numbered (Edition of 20/75)
Paper ...
Category
1960s Post-Modern Photography
Materials
Silver Gelatin
Savage
By Jakub Dolejš
Located in Montreal, Quebec
That a photographer’s guile can make for a heady and instructive aesthetic experience is proved by the remarkable work of Jakub Dolejš. His ongoing practice of deception now encompasses some of the formal language of late Modernism...
Category
21st Century and Contemporary Post-Modern Photography
Materials
C Print
Believer
By Jakub Dolejš
Located in Montreal, Quebec
Jakub Dolejš
Text by James D. Campbell
That a photographer’s guile can make for a heady and instructive aesthetic experience is proved by the remarkable work of Jakub Dolejš. His ongoing practice of deception now encompasses some of the formal language of late Modernism, and his palette is almost hallucinatory in its clarity.
Dolejš carries forwards his project of tracking his and our relationship with artworks by invoking Modernist tropes and the monochrome, and delights in undermining our commonplace assumptions about just what it is that we are seeing. His deliberate puncturing of his viewers’ assumptive contexts lends his work subversive underpinnings and a dangerous perceptual edge. It is as though he was asking us to look at his photographs through an anamorphic polyprism – and the prism shows us the splintering of our own reflections staring right back at us in a very predatory way. The level of subterfuge here is at a very high level.
As adept a painter as he is a photographer, Dolejš has achieved an enviable reputation for performing some masterful and edifying pirouettes – everything from photographing a painted set to recreate Johann Zoffany’s The Tribuna of the Uffizi (a painting of the northeast section of the Tribuna room in the Uffizi in Florence, Italy, 1772-1778) to recontextualizing Hogarth’s Marriage...
Category
21st Century and Contemporary Post-Modern Photography
Materials
C Print
Extension
By Jakub Dolejš
Located in Montreal, Quebec
That a photographer’s guile can make for a heady and instructive aesthetic experience is proved by the remarkable work of Jakub Dolejš. His ongoing practice of deception now encompa...
Category
21st Century and Contemporary Post-Modern Photography
Materials
C Print
Still Life (dyptich)
By Jakub Dolejš
Located in Montreal, Quebec
That a photographer’s guile can make for a heady and instructive aesthetic experience is proved by the remarkable work of Jakub Dolejš. His ongoing practice of deception now encompasses some of the formal language of late Modernism...
Category
21st Century and Contemporary Post-Modern Photography
Materials
C Print
John Lennon - New York City
By Bob Gruen
Located in New York, NY
Bob Gruen (born 1945) is an American photographer known for his rock 'n' roll photographs, he is an author and has appeared in films.
Gruen was born in New York City. He began photo...
Category
1970s Post-Modern Photography
Materials
Silver Gelatin
John Lennon - New York City
By Bob Gruen
Located in New York, NY
Bob Gruen (born 1945) is an American photographer known for his rock 'n' roll photographs, he is an author and has appeared in films.
Gruen was born in New York City. He began photographing rock stars with Bob Dylan and served as John Lennon's personal photographer during his time in New York City. Gruen is best known for his photograph of Lennon wearing a New York City T-shirt. Other notable celebrities and rock bands photographed by Gruen include the New York Dolls...
Category
1970s Post-Modern Photography
Materials
Silver Gelatin
Atmospheres 1
Located in Kansas City, MO
Angie Jennings
Title : Atmospheres 1
Materials : Dye Sub on Metal
Date : 2020
Dimensions : 40x.5x40
Description : Image is a circular print 40" in diameter.
Angie has been doing photographic work for over 30 years. Her images can depict stories in a single image or a series of images. Her main focus is street documentary and portrait photography. Currently she has been exploring the abstract with the Avant-garde artists of the 40s as her inspiration. She has exhibited extensively with in Kansas City but also around the US and China.
Photography, Contemporary art, photographers, women photographers...
Category
2010s Post-Modern Photography
Materials
Metal
Further Away
Located in Kansas City, MO
Angie Jennings
“Further Away", 2010
Archival Pigment Print
Year: 2019
Dimensions: 23" x 34" inches
Unframed
“Shanghai Blue” is a chapter in Angie Jennings’ series “Modern Streets of an Ancient Empire...
Category
2010s Post-Modern Photography
Materials
Archival Pigment, Archival Paper
Victoria Falls #96, Zimbabwe, 2014
Located in Santa Monica, CA
Jay Mark Johnson
Victoria Falls #96
Zimbabwe, 2014
Durst Lambda print, film, aluminum
40” X 288” Triptych (40” x 96” each)
$75,000 ($28,500 each)
Category
2010s Post-Modern Photography
Materials
Lambda, Paper
Mel Fillini #2
Located in New York, NY
Vintage gelatin silver print
George Platt Lynes studio stamp in black ink, verso
Literature:
Crump, James. George Platt Lynes: Photographs from the Kinsey Institute. 1st ed., New York City, Bullfinch Press, 1993, pp. 65-67 [three other examples]
This artwork is offered by ClampArt, located in New York City.
George Platt Lynes (1907-1955) was a renowned American fashion and commercial photographer who enjoyed the prime of his career during the 1930s and 1940s. Although he was very sought after by major fashion publications for his beautiful images and stunning compositions, his real passion was the male...
Category
1950s Post-Modern Photography
Materials
Silver Gelatin
Mel Fillini #1
Located in New York, NY
Vintage gelatin silver print
George Platt Lynes studio stamp in black ink, verso
Literature:
Crump, James. George Platt Lynes: Photographs from the Kinsey Institute. 1st ed., New York City, Bullfinch Press, 1993, pp. 65-67 [three other examples]
This artwork is offered by ClampArt, located in New York City.
George Platt Lynes (1907-1955) was a renowned American fashion and commercial photographer who enjoyed the prime of his career during the 1930s and 1940s. Although he was very sought after by major fashion publications for his beautiful images and stunning compositions, his real passion was the male...
Category
1950s Post-Modern Photography
Materials
Silver Gelatin
Monday, Tuesday, Wednesday, Thursday from Suburbia series
By Bill Owens
Located in Dallas, TX
Artist Proof
Signed and numbered in pencil with artist copyright stamp in black ink on print verso.
Series: Suburbia
Bill Owens was born and raised in California. After volunteering...
Category
1970s Post-Modern Photography
Materials
Silver Gelatin
Elva, Huejotziongo, Puebla
Located in Dallas, TX
Signed and titled in pencil on print verso.
Category
1960s Post-Modern Photography
Materials
Silver Gelatin
John Lennon - New York City
By Bob Gruen
Located in New York, NY
Bob Gruen (born 1945) is an American photographer known for his rock 'n' roll photographs, he is an author and has appeared in films.
Gruen was born in New York City. He began pho...
Category
1970s Post-Modern Photography
Materials
Silver Gelatin
Gisele
Located in New York, NY
Gisele, 1999
Category
1990s Post-Modern Photography
Post-modern photography for sale on 1stDibs.
Find a wide variety of authentic Post-Modern photography available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add photography created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, green and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Massimo Listri, Al Satterwhite, Jakub Dolejš, and Jay Mark Johnson. Frequently made by artists working with Paper, and Photographic Paper and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Modern photography, so small editions measuring 0.5 inches across are also available. Prices for photography made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $450 and tops out at $75,000, while the average work sells for $3,500.