Chicken Photography

Down To Earth Duchess circa 1990 by Christopher Simon Sykes Deborah Cavendish, nee Mitford, the Duchess of Devonshire, feeds the chickens at Chatsworth House, Derbyshire, 1990 Thi...

Bird and Hibiscus Cibachrome print, 1980 Signed and dated by the artist in pencil lower right (see photo) Deaccessed from the Reader's Digest Association Collection (#18717) with label (see photo) Purchased from Lieberman & Saul Gallery, between 1986 and 1993 when the name oif the gallery changed to Julie Saul Projects Very small edition Provenance: Lieberman & Saul Gallery, New Yokr, NY (until 1985) (label verso) Reader's Digest Association (label) Condition: Excellent Image size: 9-7/8 x 9-7/8" (25 x 25 cm.) Frame size: 20-1/2 x 16-1/2" Suzanne Camp Crosby Posted by FMoPA Apr 7, 2021 FMoPA In Focus 0 Suzanne Camp Crosby, Gasparilla Ship, 2004 In December of 2020 beloved Tampa photographer and educator Suzanne Camp Crosby died. She had taught generations of students at the Hillsborough Community College where she had been a professor of photography for 38 years. Camp Crosby had the prestigious honor of being the 2004 City of Tampa Photo Laureate and the exhibition resulting from that body of work, Suzanne Camp Crosby: 2004 Photo Laureate City of Tampa Public Art – Big Picture Project, was presented at the Tampa Museum of Art that same year. Other awards include a Southeast Artist Fellowship from the National Endowment for the Arts and Southeastern Center for Contemporary Art in 1978-79. Suzanne Camp Crosby, Paper Flowers, c. 1990 The Florida Museum of Photographic Arts (FMoPA) has gratefully accepted the task of helping to place the photographic archives of this beloved artist. This collection includes more than 725 photographs spanning her career of over 40 years. A broad selection of this work will be brought into the collection of FMoPA, with an exhibition to follow in the summer of 2022. Other institutions in the area are also considering simultaneous showings. University of Tampa student Alyssa R. Miller has signed on to help with the documenting and digitizing of this body of work. This will help make it possible to distribute photographs to other institutions, with limited works to be sold to help finance the efforts. Examples of her photography are already currently held in the collections of FMoPA, the Tampa Museum of Art (TMA), Los Angeles County Museum of Art, and the New Orleans Museum of Art, among many others. Three wonderful examples of her talent are currently on view at the TMA’s exhibition Her World in Focus: Women Photographers from the Permanent Collection, on view until June 27, 2021. Suzanne Camp Crosby, Doris Day at Clothesline, 1980 Camp Crosby’s solo exhibitions include Suzanne Camp Crosby: Kid City, 2009 at FMoPA, and multiple exhibitions at the HCC Galleries, where she eventually became the Program Manager for the Visual Art and Dance departments in addition to her teaching and exhibitions. She also taught and received her MFA at the University of South Florida in Tampa. Additional schools where she was an instructor include the University of Central Florida in Orlando, FL, and the St. Petersburg College, Clearwater campus. Camp Crosby specialized in creating thematically directed photographs, created by adding unexpected objects or people to mostly everyday scenes. Her artwork is often playful and witty. Early work included tender black and white compositions often using her children or friends to create evocative scenes. Later photographs brought in color and experimentation. Examples include the juxtaposition of life-sized 2-D paper doll cut-outs of 1950s movie stars to real-life mundane household settings, as well as a wide selection of other artificial items placed into real-life settings. As a visual storyteller, she continued to explore and experiment with ideas and themes throughout her lengthy career. Courtesy The FLORIDA MUSEUM of PHOTOGRAPHIC ARTS Suzanne’s artwork is in many permanent collections, including the Tampa Museum of Art, the USF Museum of Contemporary Art, the Orlando Museum of Art, the Polk Museum of Art, the Florida Museum of Photographic Arts, the Leepa-Rattner Museum of Art, the New Orleans Museum of Art, the Los Angeles County Museum of Art, Walt Disney World Corporation, Tropicana Corporate Collection, City Bank, Tampa Electric Company, Shriner’s Hospital, Tampa General Hospital, Hillsborough Community College, City of Tampa Public Art, City of Orlando Public Art, and the von Liebig Art Center. From ARTFORUM JULIE SAUL (1954–2022) Julie Saul, who through her long-running eponymous New York gallery did much to elevate contemporary photography within the art world, died February 4 in Tampa after a battle with a rare form of leukemia. Saul was known for her willingness to show an eclectic range of works in media ranging from painting to sculpture to video to ceramics by an equally diverse range of artists, but it was her eye for both traditional and avant-garde contemporary photography that cemented her reputation and that of her gallery, which she first established in 1986 in SoHo, then a frontier for the arts. Saul was born in Tampa on New Year’s Eve in 1954 to a father who was head of a sewn-products company and a housewife mother, a native New Yorker and volunteer docent whom Saul would later credit with introducing her to the arts. “Tampa had no museums, but she would take us to museums in New York,” she told the Tampa Bay Timesin 2003. “We had a house that wasn't filled with great art, but there were great reproductions and great art books.” In 1979, Saul moved to New York, obtaining her master’s degree from New York University’s Institute of Fine Arts in 1982. Four years later, with partner Nancy Lieberman, she opened Lieberman Saul Gallery at 155 Spring Street in SoHo, showing contemporary photography at a time when not many others were. “One thing that drew me to photography from the very beginning—and it still holds—is that photography is an affordable medium. Almost anybody can afford to collect photographs,” she told the Association of International Photography Art Dealers (AIPAD) in 2010. “Fundamentally, photography is a medium and what makes work great is the idea behind it and how well it’s executed.” Among the photographers whose work Saul championed are Nikolay Bakharev, Morton Bartlett, Eugene Bellocq, Andrew Bush, Sally Gall, Luigi Ghirri, Andrea Grützner, Sarah Anne Johnson, Adam Magyar, and Arne Svenson...

Human and Animal Locomotion. Plate 769. American eagle; flying. 14 x 20 inch original vintage collotype print from 1887 Image size 6 5/8 x 17 1/4 inches Muybridge copyright imprint ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Photograph is lambda c-printed on acryl glass. Edition 8 plus 2 AP's. Other versions f.i. behind dibond on request; everything is possible. Artwork comes with an international certif...

Covid Vanitas: The Pandemic Still Lifes On the first day of quarantine I began photographing the people-less quiet of a home and studio in isolation. The still lifes are a visual j...

Photographed on Richard's journey in India, a pilgrimage from Kerala in the South, to his Grandfather's birthplace Meerut in the North. This beautiful picture was perfectly captures ...

Listening (Chicks and Chicks and sometimes Cocks) - 2017 - 20x20cm, Edition of 10. Digital C-Print, based on a Polaroid. Artist inventory 20248. Signature label and Certificate. No...

All photographs are platinum/palladium prints. These metals are hand coated on 100% rag cotton water color paper with natural deckled edges and contact printed. Since platinum, like ...

Covid Vanitas: The Pandemic Still Lifes On the first day of quarantine I began photographing the people-less quiet of a home and studio in isolation. The still lifes are a visual j...

Lullaby (The Girl behind the White Picket Fence) - 2013 - 48x58cm, Edition of 10, digital C-Print, based on a Polaroid, Certificate and Signature label, artist Inventory # 15585. Not mounted. Stefanie Schneider's THE GIRL BEHIND THE WHITE PICKET FENCE

 Stefanie Schneider’s taken her artwork to film. With over 10 years in the international art world to support her, ‘The Girl behind the White Picket Fence’ is Schneider’s first feature film. A dedicated Polaroid fan since the mid 1990’s who mastered the analog medium to it’s final dying breath. Since Polaroid stopped making the best film in the world, it’s been Schneider’s goal to buy as much as she could find. Knowing that there will never be another chance to fulfill her lifelong dream to make a movie, using her own original artwork style. Schneider scoured the Internet for Polaroid film. Trucks deliver boxes upon boxes of expired Polaroid film. Testing the randomly working film takes days, turning to years. Years of buying film, script writing, prop production, actor contracts, all done in little bits. Shooting film in California and compiling in Berlin, Germany, back and forth with each season. This film is the result of a dream that started with friends she loved such a long time ago. It’s dedicated to them. They know who they are. 
An artists world of movie stills, ‘The Girl Behind the White Picket Fence’ is a succession of Polaroid film stills. One after another, this film takes this to the limit and still delivers. Sometimes quickly, sometimes slowly, flowing with the rhythm of the music or in the energy the film portrays. The gaps keeps the viewer paying close attention but after a little time, you no longer notice. All photographs are real analog Polaroid film so this is a one off, never to be replicated, a complete window into an artists mind as she sees the world. Sunny, hot, in love, open spaces evoking freedom but also banishment. This project was that each actor would write their own story about love and Schneider would piece them together to make some sense of fate. Ultimately, this work is the vision of Stefanie Schneider. As with any dream, the finished result came about not as originally planned but it happened and will never happen again. This film is about old fashioned analog beauty, combining love, choices of life. It’s a film about searching, about truth and sometimes where that truth takes us. 
This film started out with a vision of grand collectiveness with all participants coming from Schneider’s time in Hollywood ranging from directors to actors, producers to agents and writers to weirdos. The American dream was alive and well in this motley group who fell in love with Schneider’s idea to capture a story about love on Polaroid film. Funding started with Schneider procuring film from all over the world, creating a interactive website for the artists to collaborate on together and collecting material for the script. Shooting locations were scouted and life size props built. Caroline Haertel from ‘micafilm’ based in Berlin Germany joined Schneider who then brought in Kirsten Niehaus from ‘Medienboard Berlin-Brandenburg’ and Barbara Haebe from Arte TV in Germany. Both of whom have been very supportive. 
The concept began to take shape. The realization of how to actually make the film became apparent with each tested Polaroid first taken, scanned, and then finally sequenced to about 4000 frames from over 5,000 actual Polaroid photographs. Each requiring about 30 minutes of work. 
The center of this story is the ‘Lonely Hearts Radio Station’ DJ, played by Steve Marshall who talks to the searching broken hearted in the southern Californian desert. A sad young girl calls in to better understand what is going on which results in an unexpected chain of events. Through dreams, memories and even mystics, Heather finds that you never know with whom, love finds you. There are signs if you only listen. If only, you’re aware. 
Main characters: Hans, the mystic played by the veteran actor Udo Kier. Heather’s a young girl who’s lost her parents played by Heather Megan Christie...

Sentience (Chicks and Chicks and sometimes Cocks) - 2016 50x50cm, Edition of 10, digital C-Print, based on an expired Polaroid. Artist inventory 19531. Not mounted. The 'Chicks a...

Juan Carlos Alom (Cuba, 1964) 'Esta obra no tiene título es sólo el silencio de mi veneración', 2004 photoengraving on paper 30 x 22.1 in. (76 x 56 cm...

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

All photographs are platinum/palladium prints. These metals are hand coated on 100% rag cotton water color paper with natural deckled edges and contact printed. Since platinum, like ...

Available Sizes: 37.5 x 30 in Edition of 15 50 x 40 in Edition of 10 60 x 48 in Edition of 5 Over 40,000 years ago, we began to depict animals in cave drawings. Throughout history, ...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by English artist Tim Platt titled ‘ Macaw #4 ‘ Limited edition of 3 Signed by Tim Platt lower right and numbered lower left, delivered with certificates of authenticity, unframed Green-Winged Macaws are monogamous and pair for life. They mate once in a lifetime, remaining and travelling together even out of the breeding season. Their beaks are powerful, allowing them to easily crack hard shelled nuts like the Brazil nut. The beak of the Green-Winged macaw can generate a pressure of 2000 pounds per square inch. Animal photography is about being ready for the split-second moment when it happens. This takes a certain amount of production. The studio set-up, the lighting and the camera settings can all be planned but the magic moment is seldom planned. It just happens naturally and you need to be prepared. Whether you capture it will depend on patience, concentration and reflex. This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid- and lignin-free, Museum quality for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Signed + numbered by artist with certificate of authenticity. Please note that prices increase as editions sell. Archival pigment print available sizes ( Image size , the white margin is not counted) : 106 x 69 cm / 41.5 x 27” - Edition of 10 152.4 cm x 101.63 cm / 60 x 39,76 in - Edition of 3 Tim Platt specialises in creating minimal stylised studio portraits of birds and animals, which he describes as beauty shots. A frozen moment in time allows us to observe the world in suspension and will often reveal a graphic beauty that might otherwise flash by in the blink of an eye and remain unnoticed. Whether observing the magnified eye of a bullfrog, or an eagle captured at several thousandths of a second in mid-flight, he is fascinated by the level of detail that can be revealed in a large format print. It is the stillness of a photograph that gives us time to pause and marvel at the myriad levels of detail in Nature’s grand design and allows us to reflect on the wonderful diversity of life on Earth. Styles: Color photography, 21st century, Archival pigment print, Animal, Portrait, Beauty, Fine Art , Parrot, Colourful, Red, animal photographer, animal photography, bird, bird photography...

All photographs are platinum/palladium prints. These metals are hand coated on 100% rag cotton water color paper with natural deckled edges and contact printed. Since platinum, like ...

All photographs are platinum/palladium prints. These metals are hand coated on 100% rag cotton water color paper with natural deckled edges and contact printed. Since platinum, like ...

Archival pigment print (Edition of 15) Signed in pencil, verso 9 x 9 inches, image From the series, "Allowed to Grow Old" This artwork is offered by ClampArt, located in New York C...

'Saint-Tropez Boucherie' 1971 Slim Aarons Limited Estate Edition A boucherie or butcher’s shop on Rue des Commercants in Saint-Tropez, on the French Riviera, August 1971. Produced...

Nick Vedros Chicken and Egg Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 12x11in Edition: 12 Signed, dated and numbered by hand on label Stamped COA pro...

One of the photographers at Mauritius Publishing based in Berlin was Karl Heinrich Lämmel. Born on 30 July 1910 in Riesa, Saxony, he has been missing since April 1945. In the thirtie...

Lullaby (Heather’s Dream) - 2013 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. 20x24cm, ...

Sentience (Chicks and Chicks and sometimes Cocks) - 2016 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. ...

'Saint-Tropez Boucherie' 1971 Slim Aarons Limited Estate Edition Print A boucherie or butcher's shop on Rue des Commercants in Saint-Tropez, on the French Riviera, August 1971. (Ph...

"Creation of Man" is part of international artist Natalie Lennard's series Birth Undisturbed. “The human species is no more unsuited to give birth than any other of the 5000 species of mammals on the planet. The birth-giving woman is the central agent in the ancient drama of bringing forth new life.” — Ina May Gaskin. Every year we celebrate a natural birth, a story that takes place in the most primitive surroundings. Mary, giving birth to the Son of God in a stable, that infamous image portrayed recurrently in our culture, familiar to even the non-religious. Yet how is it that beyond Julius Garibaldi’s 1891 painting...

As most of the time, this artwork is a combination of painting, photography and digital post processing. -Lambda c-print on acrylic glass ; with aluminium hanging system. Other...

From a long forgotten Dream (Chicks and Chicks and sometimes Cocks) - 2019 20x20cm, Edition of 10. Digital C-Print, based on a Polaroid. Artist inventory 21582. Signature label and ...

Sentience (Chicks and Chicks and sometimes Cocks) - 2016 20x20cm, Edition of 10, digital C-Print, based on an expired Polaroid. Artist inventory 19531. Not mounted. The 'Chicks a...

Please be aware that the US recently imposed an import duty on photographs printed in the last 20 years which may apply if you are purchasing and importing this to the US. Like his ...

Tom Chambers is an American born photographer who creates seamless and surreal photomontages. Chambers presents unspoken stories which illustrate fleeting moments in time and which ...

All photographs are platinum/palladium prints. These metals are hand coated on 100% rag cotton water color paper with natural deckled edges and contact printed. Since platinum, like ...

All photographs are platinum/palladium prints. These metals are hand coated on 100% rag cotton water color paper with natural deckled edges and contact printed. Since platinum, like ...

All photographs are platinum/palladium prints. These metals are hand coated on 100% rag cotton water color paper with natural deckled edges and contact printed. Since platinum, like ...

A lone rooster struts before the camera on a sparse landscape. The simplicity of this black and white photograph brings the rooster to life as he puffs his chest out showing us his masculinity. This photograph is unframed. Please contact the gallery for framing options. Kirill Polevoy Rooster, Colorado, 2021 archival pigment print 16h x 20w in 40.64h x 50.80w cm 1/30 KIP040 “Through a black and white lens, hidden stories of everyday objects become apparent. The juxtaposition of strong light and dark shadows transform and illuminate detail that would otherwise be dismissed. Diminutive elements become rich in meaning allowing compositions to effortlessly evolve. As I attempt to uncover the hidden truth of the world around me, I am inevitably mesmerized by it and I hope you will be too.” A self-taught photographer, Kirill Polevoy, first started making photographs with an old Russian film camera...

Old Days  - Rosters is a black and white vintage photo, realized in the early 20th century.  It belongs to a historical album including historical moments, royal families, and polit...

Old Days  - Historical Photo is a vintage black and white photograph realized in the Early 20th Century. Good conditions.

The Old Days  Photo - Fowls is a black and white vintage photo, realized in the early 20th century.  It belongs to a historical album including historical moments, royal families, a...

The Old Days  Photo - Animals is a black and white vintage photo, realized in the early 20th century.  It belongs to a historical album including historical moments, royal families,...

The Old Days  Photo - Hen  is a black and white vintage photo, realized in the early 20th century.  It belongs to a historical album including historical moments, royal families, an...

The Old Days  Photo - Fowls is a black and white vintage photo, realized in the early 20th century.  It belongs to a historical album including historical moments, royal families, a...

" Macaw #4 ” - Signed limited edition archival pigment print - Edition of 10 Green-Winged Macaws are monogamous and pair for life. They mate once in a lifetime, remaining and travelling together even out of the breeding season. Their beaks are powerful, allowing them to easily crack hard shelled nuts like the Brazil nut. The beak of the Green-Winged macaw can generate a pressure of 2000 pounds per square inch. Animal photography is about being ready for the split-second moment when it happens. This takes a certain amount of production. The studio set-up, the lighting and the camera settings can all be planned but the magic moment is seldom planned. It just happens naturally and you need to be prepared. Whether you capture it will depend on patience, concentration and reflex. This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid- and lignin-free, Museum quality for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Signed + numbered by artist with certificate of authenticity. Please note that prices increase as editions sell. Archival pigment print available sizes : 106 x 69 cm / 41.5 x 27” - Edition of 10 152.4 cm x 101.63 cm / 60 x 39,76 in - Edition of 3 Tim Platt specialises in creating minimal stylised studio portraits of birds and animals, which he describes as beauty shots. A frozen moment in time allows us to observe the world in suspension and will often reveal a graphic beauty that might otherwise flash by in the blink of an eye and remain unnoticed. Whether observing the magnified eye of a bullfrog, or an eagle captured at several thousandths of a second in mid-flight, he is fascinated by the level of detail that can be revealed in a large format print. It is the stillness of a photograph that gives us time to pause and marvel at the myriad levels of detail in Nature’s grand design and allows us to reflect on the wonderful diversity of life on Earth. Styles: Color photography, 21st century, Archival pigment print, Animal, Portrait, Beauty, Fine Art , Parrot, Colourful, Red, Black, animal photographer, animal photography, bird, bird photography...

Human and Animal Locomotion. Plate 750. Sloth; walking suspended on a horizontal pole. 14 x 20 inch original vintage collotype print from 1887 Image size7 3/4 x 13 3/4 inches Muybrid...

Slim Aarons Saint-Tropez Boucherie 1971. (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity A boucherie or butcher's shop on Rue d...

Boy in Mid-Flight by Steve McCurry is listed as a 20 x 24-inch digital c-print, available in an edition of 90. This photograph is printed on FujiFlex Crystal Archive Supergloss Paper...

Clever Fox, Prague Archival inkjet print on Hahnemühle fine art matte paper. 16 x 20 inches Edition size: 11 Exact dimensions of paper size may vary. Please inquire for additiona...

AP/1 Signed, titled, dated and numbered on print verso.

Edition of 15 Signed and numbered Platinum Palladium prints. Series: Terrestrials While integrating photography and his passion for gardening, David Johndrow discovered within his o...

Humorous subject matter. Face mounted Plexi. Aluminum Braced. Archival Print. ABOUT THE ARTIST Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.” “I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.” Martin Scorsese. Phil’s work is represented in MOMA, The Museum of the Moving Image, and The George Eastman Museum of Photography. His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the Who...

A young girl in a dreamy blue dress takes her red chicken out for a walk. Signed, dated, numbered lower right, recto 4/15, unframed, other sizes available, printed later Printed on H...

Inscribed with Muybridge's letterpress credit, series title, plate number and date Stamped on reverse with Museum of Edinburgh 'Science and Art' stamp Collotype print 18 x 23 1/2 inc...

Signed and labeled on recto. Vintage platinum print Image 4.5 x 5.75", Mount 5 x 7.25", Mat 16 x 20"

Posthumous state stamp on label signed by trustee with edition number accompanying print Digital C-print Image: 11-3/4" x 17", Paper" 17-1/2" x 21-1/2", Matted: 20" x 24 Edition of 50

Signed in ink on recto; Signed, titled and dated in pencil on verso Gelatin silver print Image: 10 3/4" x 14 7/8", Paper 12 x 16 inches, Matted 16" x 20"

Roger BALLEN (*1950, America/South Africa) Lured, 2016 Archival pigment print 43 x 61 cm (16 7/8 x 24 in.) Edition of 9, plus 2 AP; Ed. no. 2/9 Print only – Roger the Rat Surreal, ...

Chicken Party, limited edition archival pigment photograph, signed and numbered Storytelling comes naturally for photographer Keith Carter whose East Texas roots have greatly influ...

Gustavo Ten Hoever was born in Uruguay and he attended photography school in Montevideo before moving to New York City. He now divides his time between Paris and New York. During a...