Crafts Photography

This stylish artwork, 'Gloves & Handbag' taken at the glamorous retro event Goodwood Revival, perfectly captures feminine sophistication with a vintage vibe. This artwork featured in...

Rebecca Skinner’s “Crowded” was photographed at an abandoned china factory and is part of a series documenting the loss of industry in America. The 30 x 20 inch color photo with sati...

The Robin Rice Gallery is pleased to present Flowers, a photographic exhibition by Leonardo Pucci. Flowers is Pucci’s second solo exhibition at the Robin Rice Gallery. Paralleling hi...

Still life with a Wooden Hanger, Antwerp, 2011 by Michael James O’Brien Printed on Hahnemuhle fine art photo rag paper Image size: 36 in. H x 24 in. W E...

Covid Vanitas: The Pandemic Still Lifes On the first day of quarantine I began photographing the people-less quiet of a home and studio in isolation. The still lifes are a visual j...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Contemporary still life photograph of domestic objects and gardening tools by David Halliday "Garden Chair", ed. 1 of 7, archival pigment print 29.75 x 20 inches unframed, 34 x 24.5...

Nautical color still life photograph of colorful fishing bobbers on a white background archival pigment print, edition of 10 20 x 20 inch paper size with 16 inch diameter image size ...

[lives & works – Philadelphia, PA ::: b. 1954] Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...

archival pigment print, edition of 10 white washed wood frame, 33 x 41 inches framed still life photography, formalism, formalist photography, red black white, modern still life,...

Mooncake I, 2020 by Shine Huang Archival pigment print on Hahnemuhle fine art paper. Image size: 20 in. H x 20 in. W Edition 1/6 Signed on verso in ink....

Rebecca Skinner’s “Stacked” was photographed at an abandoned china factory and is part of a series documenting the loss of industry in America. Green ferns grow out of a spilled pile...

ABOUT THIS ARTIST: In rich, cinematic reds and browns, vivid yellows, and muted neutral shades, Adrian Samson’s photographs seduce viewers into a radiant, chromatic universe. With a ...

The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...

This stylish artwork, 'Gloves & Handbag' taken at the glamorous retro event Goodwood Revival, perfectly captures feminine sophistication with a vintage vibe. This artwork featured in...

Counting Sheep, limited edition photograph, archival photograph, signed Holding Arabesque is an inward reflection that investigates our relationship with food and nostalgia and how...

The subject is the conflation of woman and home. In the previous “Anonymous Women: Draped” photographic series, a lone woman is hidden in a vignette within the drapery, where she per...

The work I am exhibiting at Art on Paper is in some way a tribute to my mother, who celebrated life on every occasion; she celebrated in a big way even the most insignificant moments...

Six pinhole camera Chromogenic prints (Each unique) Signed and dated, verso 24 x 20 inches, each 24 x 120 inches, overall $10,000.00 + $1500.00 mounting/framing This artwork is offe...

Bird in Hand by Patty Carroll presents a chaotic scene. A woman sits in a neutral toned room, surrounded by colorful birds. Botanical patterned curtains...

Printed plate number, Curtis's title, date, copyright, and photogravures by John Andrews and Son on recto. Known for his remarkable documentation of Native Americans in the early tw...

Wallflowers #1 is part of a series I made in my studio to combine very different materials into an apealing whole. The structure of the vase, the whimsical shape of the branches and...

Gaby Herbstein uses photography as a means to raise awareness. Her art projects reflect her concern for the wellbeing of the universe and the preservation of nature and the planet. S...

Tiger Morse in Green, India, 1962. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnem...

Tiger Morse in Green, India, 1962. Image size is 32" x 48" (for 36" x 52" paper size). All Mark Shaw prints are made to order in limited editions on Hahnem...

Tiger Morse in Green, India, 1962. Image size is 40" x 59" (for 44" x 63" paper size). All Mark Shaw prints are made to order in limited editions on Hahnem...

Tiger Morse in Green, India, 1962. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnem...

Tiger Morse in Green, India, 1962. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hah...

Ruth Ossai Akatakpa and Ozor masquerade. Ovoko-Nsukka, Nigeria, 2019 Archival pigment print 26 1/2 x 40 inches (67.3 x 101.6 cm) Edition 1/5, 2

This work is offered by CLAMP in New York City.

Archival pigment print, mounted, UV laminated, frame upholstered by the artist Edition of 5 + 2 AP Alia Ali ( عاليه علي ) is a Yemeni-Bosnian-US multi-media artist. A child of migrant linguists, Ali has traveled to sixty-seven countries, lived in and between seven, and grown up among five languages. Her migrations have led her to process the world through interactive experiences and the belief that the damage of translation and interpretation of written language has dis-served particular communities, resulting in the threat of their exclusion, rather than a means of understanding. As an artist who exists on the borders of identifying as West Asian, Eastern European, a United States citizen, queer, culturally Muslim yet spiritually independent, her work explores cultural binaries, challenges culturally sanctioned oppression, and confronts conflicted notions of gender, politics, media, and citizenship. Working between photography, video, and installation, Ali’s work addresses the politicization of the body, histories of colonization, imperialism, sexism, and racism through projects that take pattern and textile as their primary motif. Textile, in particular, has been a constant in Ali’s practice. Her strong belief that textile is significant to all of us, reminds us that we are born into it, we sleep in it, we eat on it, we define ourselves by it, we shield ourselves with it, and eventually, we die in it. While it unites us, it also divides us physically and symbolically. Her work broadens into immersive installations utilizing light, pattern, and textile to move past language and offer an expansive, experiential understanding of self, culture, and nation. Alia Ali’s work has been featured in the Financial Times, Le Monde, Vogue Arabia...