Machinery Photography

Archival pigment ink print, produced in a limited edition of 9 // Gallery ID: 11985 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

'God Speed Good Year', captured in the iconic home of speed, Bonneville Salt Flats. The bold graphic 'God Speed Good Year' contrasts in size against the vast...

Rebecca Skinner’s “Thread” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 18 x 12 inch black and white photo with...

Richard Kagan, born in Philadelphia, followed a circuitous path to become a photographer. Beginning with street photography using a meterless Asahi Pentax as a student at Temple Univ...

Walker Evans Class A Steam Locomotive: The Second Set of Drivers, 1958 Inscribed "For Calvert from Walker" lower right Gelatin silver print 10 x 10 1/2 inches Provenance The artist ...

Automobili I by Frank Schott 27 x 40 inches / 69cm x 102cm edition of 25 signed 48 x 72inches / 122cm x 183cm edition of 7 signed archival quality fine art pigment print limited a...

Lord Fauntleroy Cali 180722-277 Pigment Print Year: 2018 Visible Size: 13 x 13 inches Framed: 20.5 x 20.5 inches Signed: On Label Edition: 7 COA provided *White frame with standard ...

This bold graphic piece fantastically captures the iconic Italian Olivetti Typewriter. This artwork is a limited edition of 25, lustre photographi...

Tom Thumb Special, captured in the iconic home of speed, Bonneville Salt Flats. The powerful, this iconic Ford Coupe Land Speed Racing Car, sits in the foreground of the powerful exp...

An original silver gelatin black and white photography postcard by Albert Monier, Paris. Notre Dame Cathedral, circa 1950. Features: This original silver gelatin print photography po...

Tom Thumb Special, captured in the iconic home of speed, Bonneville Salt Flats. The powerful, this iconic Ford Coupe Land Speed Racing Car, sits in the foreg...

Automobili I by Frank Schott a series of Industrial Style still life photographs (Ferrari) - details at iconic Italian race car performance garage 48 x 72inches / 122cm x 183cm edi...

From a limited edition of 5 archival photographs Signed and numbered by artist Aaron Knight. Image: 36×24 inches/91×61 cm Art-ID: HSC_2949 Aaron Knight is an American visual ...

The grille of a Triumph TR4A at a car showroom in Oxted, Surrey, August 1965. (Photo Bert Hardy) A beautiful HUGE Oversize Limited Edition (ed size 3...

'Homestead I', is the first in a sequence of abandoned buildings in the Californian High Desert, Wonder Valley The three part series is part of Richard Heeps' larger series 'Dream in...

This incredibly rare, early silver gelatin print mounted to "shirt" board was likely printed in the 1940s. The Virginia Adams Collection stamp with her inventory number in pencil on ...

Urban Wallpapers 9 is a limited-edition photograph by contemporary artist Bruno Fontana. This photograph is sold unframed as a print only. It is available in 2 dimensions: *80 cm × ...

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later by Cole Weston.

Richard Heeps photographed Bletchley Park in partnership with Hertfordshire University and Bletchley Park Trust, to document Alan Turing’s historic past at Bletchley. He was privileg...

Edition of 25 Signed, titled, dated, print date, and numbered. Paper size: 11 x 14 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 in., Edition of...

No Edition Signed in ink on print margin by Jesse Alexander Gelatin silver print, 11 x 14 in. Jesse Alexander is considered one of the greatest race car photographers in history. Hi...

Price includes framing. Robin Rice Gallery from New York and Bridgehampton comes to Beacon, NY. This year, as part of the Beacon Open Studios 10th Anniversary event, Robin Rice Gallery is proud to present a group show of gallery artists curated especially for the new gallery space, Gallery II at 82 Mason Circle at the Lofts at Beacon. The gallery at the Beacon Lofts is located on the 12-acre property of a 19th century textile mill, just along the banks of Fishkill Creek. Drawing on the industrial design of the live/work lofts themselves, the space makes use of reclaimed brick...

24"x30" edition of 5 photograph available unframed Phillip Buehler has been photographing abandoned places around the world since he rowed to the (then abandoned) Ellis Island in 1974. Many, like Greystone Park Hospital, have since been demolished; some, like Ellis Island and the High Line, have been restored, and some, like the S.S. United States and the New York State Pavilion, are now in jeopardy. Photographs from the (now demolished) Greystone Park Hospital are featured in this exhibition and in the book “Wardy Forty” which he wrote in 2013 about the last days of Woody Guthrie...

Urban Wallpapers 6 is a limited-edition photograph by contemporary artist Bruno Fontana. This photograph is sold unframed as a print only. It is available in 2 dimensions: *80 cm × ...

Overpass by Christian Stoll 48 x 72 inches (122 x 183cm) signed edition of 7 27 x 40 inches (68 x 102cm) signed edition of 25 archival fine art pigment print signed + numbered by ...

large scale photograph of iconic classic motorcycle Chopper (2003) 48 x 85 inches (122 x 216cm) signed edition of 7 22.5 x 40 inches (57 x 102cm) signed edition of 25 archiva...

George Tice was born in 1938 in Newark, NJ, the state in which his ancestors had lived for generations earlier. He joined a camera club when he was fourteen, and is largely a self ta...

Samuel Field's still life of an Olivetti Typewriter, is given depth in the orthochromatic process he has used. Isolated in monochrome you appreciate the details of this vintage utili...

The artist's photographs capture the transformation of everyday life into another reality. Images that explore what the future will be like. Industrial, eccentric and progressive, Ca...

I am still waiting (2011)
 from the series Monuments 50 x 65 cm, Edition of 1/10 plus 2 Artist Proofs. Digital Photography printed on Canson Barita 310gr (not mounted) Signed on back...

Blue Bird by Erik Pawassar 48 x 65 inches (122 x 165cm) edition of 7 signed 30 x 40 inches (76 x 102cm) edition of 25 signed archival fine art pigment print signed & numbered...

Rendering Memories II (The Girl Behind the White Picket Fence) - 2013 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and certificate. Artist Inventory #13388. Not mounted. Offered is a piece from the movie: The Girl Behind the White Picket Fence. Written and directed by Stefanie Schneider A tale told with blemished and expired Polaroid film about the hopes and dreams of a newly orphaned girl after losing her parents who lived in the Californian desert in an old travel trailer. -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice-over monologue - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girl's journal. (Palms Springs life magazine / Caroline Ryder) Stefanie Schneider By Caroline Ryder Travel up a bumpy dirt road in Morongo Valley, the trail strewn with rocks, and you’ll come upon a gigantic 1950s trailer in pristine condition, ringed by a white picket fence, with cottontail rabbits hopping among neat little rose bushes that bloom in spite of the broiling desert heat. Inside the trailer are period accents—a vintage radio, vintage fridge, little crocheted doilies, and dusty gilt-framed photographs. It’s a surreal home-sweet-home, an Americana fantasy as imagined by German artist and experimental filmmaker Stefanie Schneider whose work is so inspired by the desert landscape, she made it her home in 2005. “There’s a completely different light here than in Germany, a beautiful light,” says Schneider, whose property in Morongo is dotted with vintage trailers. They surround her midcentury home and serve as sets for her photoshoots or as guest lodgings for her friends from Hollywood and Berlin. “But what I really love about the desert is the desolation,” she continues. “The sense of hope for something that might or might not come. It’s easy to see our dreams projected in the desert.” Famed for shooting trailer park chic fine art photographs exclusively on vintage Polaroid film, Schneider recently completed her most ambitious project to date—a feature film made entirely of Polaroid stills (4000 images in total), the story set around her magnificent 1950s trailer. The film, called “The Girl Behind The White Picket Fence” tells the story of a broken-hearted girl who lives in the trailer. Her name is Heather, and she is played by model Heather Megan Christie, girlfriend of actor Joaquin Phoenix, and former partner of Red Hot Chili Peppers singer Anthony Kiedis, with whom she has a son. Heather stars opposite Kyle Larson (who plays ‘Hank’), a real-life gypsy fisherman who catches crab in Alaska when he’s not surfing in Southern California. Neither of the two had ever acted before, and never in the history of movie-making has a director shot a film entirely on Polaroid film. “There was great difficulty shooting a film this way,” says Schneider, who, with her long straight hair, wide innocent eyes, and thick-framed glasses, conjures an art-house Gretel. “If I had used a regular camera I would have had 36 exposures per minute, much faster and easier than using the old Polaroid camera which takes a long time to shoot one frame. Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.” Individually, the Polaroid photographs that comprise 29 PALMS, CA stand alone, but together and in sequence, filmed with super 8 and 16mm film stock and overlaid with poetic voice-over monologues, they create a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick. Gus Van Sant, and pages torn from a lonely girl’s journal. The idea to shoot a movie in this way came about in 2004 when Schneider was working with leading German director Mark Forster (Monster’s Ball, Finding Neverland, Quantum of Solace) on his film Stay. She had met Forster at director Wim Wender’s birthday party in Hollywood. A few years later, Forster asked Schneider to shoot Polaroids of scenes from Stay as he filmed; he used those photographs for dream and memory sequences in the movie. For the first time, Schneider saw her Polaroids strung together in sequence, moving with rhythm like a flipbook, in the context of a story. When Forster urged her to consider making a feature film using that technique, the seed of 29 PALMS, CA was sown. She mentioned the idea to her good friend German actor Udo Kier, who also gave the idea a big thumbs up, and agreed to play the part of a mysterious shaman in the film. Thanks to her strong reputation in the art world and her Hollywood connections, getting talented people on board was the easy part (for a while, Charlotte Gainsbourg was pegged to play the starring role, although she pulled out two weeks before shooting commenced because she was pregnant and not fit to travel to the desert.) The hard part was finding the perfect trailer—and bringing it to the desert. “This trailer almost killed us,” says Schneider’s partner Lance Waterman, who lives and works with Schneider in Morongo Valley. After finding it on eBay, the couple drove to Utah to pick it up, the plan being to tow it all the way back to the high desert themselves. Bad idea. “We were driving down a hill with this enormous trailer behind us when we realized that if we wanted to stop, there would be no way to do so without the trailer crushing us,” says Waterman. Adds Schneider: “Lance was even giving me instructions on how to jump out of the truck if we needed to.” Thankfully the road leveled and as soon as they were able to slow down and pull over, they called a professional towing company, which transported the trailer the remaining distance to Morongo Valley. Filming took place in Spring 2011 and 2012. Schneider recently submitted the film to major film festivals in Europe and the US, and it will be broadcast in 2013 by leading German television channel, Arte. While Schneider may come from a long tradition of photographers-turned-filmmakers—Stanley Kubrick started out as a photographer, as did Ken Russell (Tommy, Women in Love) and Larry Clark, who was a controversial fine art photographer before directing smash hit Kids—she does not see her future in Hollywood, directing blockbusters. Not necessarily. “I don’t think I want to make more films,” she says. “The actors were saying they would love to work with me again, and were asking if I would like to make other movies. But being on movie sets is far too stressful, and at least with this, I was in complete power of what was going on creatively. That said, if this gets a lot of acclaims…we can always think again. One should never say never.” Film features original soundtrack with songs by Adam Weiss, Daisy McCrackin, Billy Harvey, Sophie Huber, Zoe Bicat, Max Sharam, Cheyenne Randall...

from a series of Industrial Style still life photographs captured at a high performance race car performance garage 32 x 40 inches / 81cm x 102cm signed edition of 25 archival qual...

Hard Sun (Bombay Beach, CA) - 2022 20x20cm. Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist Inv. #PL...

Automobili III by Frank Schott, from a series of environmental still life photographs at a high performance race car body shop 48 x 72inches / 122cm x 183cm signed edition of 7 27 ...

Gas Station at Night I (Stranger than Paradise) - 1999 37x36cm, Edition of 30, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #391. Not...

'God Speed Good Year', captured in the iconic home of speed, Bonneville Salt Flats. The bold graphic 'God Speed Good Year' contrasts in size against the vast...

California Sports Car Club Air Show (1965) - Silver Gelatin Fibre Print (Photo by W.R.C. Shedenhelm/The Enthusiast Network via Getty Images/Getty Images) UN...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

Selfie, Florence Italy. 2022 I love old photo booths. The real photo booths. Photo booths that take real photos that have to ...

Belly Tank Lakester 'Raspberry Rocket', captured in the iconic home of speed, Bonneville Salt Flats, Richard's bold graphic car contrasts in size against the vast landscape in the ba...

Beach Comber by Erik Pawassar 27 x 40 inches (69 x 102cm) signed edition of 25 48 x 71 inches (122 x 180cm) signed edition of 7 archival fine art pigment print signed & numbered ...

Gas Station at Night (Stranger than Paradise), 2006 Edition 1/5, 2 pieces 58x120cm installed, 58x56cm each. 2 Analog C-Prints, hand-printed by...

Automobili III by Frank Schott 27 x 40 inches / 69cm x 102cm edition of 25 signed 48 x 72 inches / 122cm x 183cm edition of 7 signed archival quality fine art pigment print limite...

Wind Power (California Badlands) - 2021 24x34cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 4595. Not mounte...

Turbine by Christian Stoll 48 x 57 inches (122 x 145cm) signed edition of 7 34 x 40 inches (86 x 102cm) signed edition of 25 archival fine art pigment print signed + numbered...

Overpass by Christian Stoll 27 x 40 inches (68 x 102cm) edition of 25 signed 48 x 72 inches (122 x 183cm) edition of 7 signed archival fine art pigment print signed + numbered by ...

ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...

From the series, 'A Different Light' a book commissioned by Thurrock Arts Generate, part of a regional initiative funded by Arts Council England, East Richard Heeps provides an alter...

XX Centuries (2011)
 55 x 66 cm, Edition of 2/5. Photography printed in Canson Baryta Prestige 340gr (not mounted) Signed on back with Certificate. About myself I was born and rai...

Rebecca Skinner’s “Wheel” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 12 x 18 inch black and white photo with ...

"Mauretania" by Topical Press Agency The Cunard superliner Mauretania being refitted in the dry dock at Southampton. Unframed Paper Size: 60"x 40'' (inches) Printed 2022 Silver Ge...

Mauretania - Silver Gelatin Fibre Print (Photo by Topical Press Agency/Getty Images) The Cunard superliner Mauretania being refitted in the dry dock at Southampton. Additional I...

Edition of 40 Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly inf...

Artwork sold in perfect condition During the 15 years during which he gave himself to photography, Fabrizio La Torre traveled to Italy, Europe, North America and Asia. From everywhe...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...

Fine Art Print, photographed in the US., Limited edition.

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...

Nick Vedros DC III Plane Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 8.5x12in Edition: 15 Signed, dated and numbered by hand on label Stamped COA provi...