Machinery Photography

Lord Fauntleroy Cali 180722-277 Pigment Print Year: 2018 Visible Size: 13 x 13 inches Framed: 20.5 x 20.5 inches Signed: On Label Edition: 7 COA provided *White frame with standard ...

Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited ed...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

Captured in the iconic home of speed, Bonneville Salt Flats, the powerful iconic Ford Coupe Land Speed Racing Car sits in the foreground of the powerful expansive landscape. This ar...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

George Tice was born in 1938 in Newark, NJ, the state in which his ancestors had lived for generations earlier. He joined a camera club when he was fourteen, and is largely a self ta...

large scale photograph of iconic classic motorcycle Chopper (2003) 48 x 85 inches (122 x 216cm) signed edition of 7 22.5 x 40 inches (57 x 102cm) signed edition of 25 archiva...

This is a photograph of a Swiss made Pilatus PC-12 airplane. There are other images in this series as well. A self-taught photographer, Phelps has won numerous awards for his photog...

XX Centuries (2011)
 55 x 66 cm, Edition of 2/5. Photography printed in Canson Baryta Prestige 340gr (not mounted) Signed on back with Certificate. About myself I was born and rai...

Are you my Angel (2011)
 from the series Monuments 50 x 65 cm, Edition of 1/10 plus 2 Artist Proofs. Digital Photography printed on Canson Barita 310gr (not mou...

The muted colours of yesteryear on show at an old forecourt in the South of France – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfort...

Peter (2011)
 80 x 109 cm, Edition 1/3 plus 2 Artist Proofs. Photography printed on Canson Barita 310gr. (not mounted) Signed on back with Certificate. About myself I was born and...

Tom Thumb Special, captured in the iconic home of speed, Bonneville Salt Flats. The powerful, this iconic Ford Coupe Land Speed Racing Car, sits in the foreg...

Overpass by Christian Stoll 27 x 40 inches (68 x 102cm) edition of 25 signed 48 x 72 inches (122 x 183cm) edition of 7 signed archival fine art pigment print signed + numbered by ...

'God Speed Good Year', captured in the iconic home of speed, Bonneville Salt Flats. The bold graphic 'God Speed Good Year' contrasts in size against the vast...

'God Speed Good Year', captured in the iconic home of speed, Bonneville Salt Flats. The bold graphic 'God Speed Good Year' contrasts in size against the vast...

Brighton 27 - Platinum Palladium print over silver on vellum paper Edition 1 of 8 , plus 2 AP ( Small size ) An old Harley Davidson motorcycle in front of a gas station garage ...

A moment in time In 2021, a gallery from Brussels contacted us. There, a photographic collection had been kept in tin boxes for decades, consisting of 6x6 glass slides in color. Th...

Artwork # 1 on 5 sold in limited edition in perfect condition This photo was made in 1956, the negative was digitized during the artist's lifetime and the technical parameters (fram...

I am still waiting (2011)
 from the series Monuments 50 x 65 cm, Edition of 1/10 plus 2 Artist Proofs. Digital Photography printed on Canson Barita 310gr (not mounted) Signed on back...

Gas Station at Night (Stranger than Paradise), 2006 Edition 1/5, 2 pieces 58x120cm installed, 58x56cm each. 2 Analog C-Prints, hand-printed by...

Austrian GP John Watson's Penske PC4 Ford. Championship: Formula 1 1976 (Formula 1, 1976) Event: Austrian GP Date taken: Sunday, August 15, 1976 Location: Red Bull Ring...

Richard Kagan, born in Philadelphia, followed a circuitous path to become a photographer. Beginning with street photography using a meterless Asahi Pentax as a student at Temple Univ...

Richard Kagan, born in Philadelphia, followed a circuitous path to become a photographer. Beginning with street photography using a meterless Asahi Pentax as a student at Temple Univ...

The same year, the iconic science fiction movie Close Encounters of the Third Kind was released, visionary still photographer Mitchell Funk shot this SciFi-like image. It's of an un...

20"x60" c-print photograph, limited edition of 10 signed upon reverse, depicting a yellow locomotive from the Union Pacific railroad, taken in Wendover, UT You can see the This is...

Blue Bird by Erik Pawassar 48 x 65 inches (122 x 165cm) edition of 7 signed 30 x 40 inches (76 x 102cm) edition of 25 signed archival fine art pigment print signed & numbered by ...

RINKO KAWAUCHI (*1972, Japan) Untitled, from the series 'Utatane' 2001 C–type print Sheet 101,6 x 101,6 cm (40 x 40 in.) Edition of 6; Ed. no. 4/6 This photograph belongs to the se...

Titled and dated with artists reference number and stamped on the back of the mount and signed by Cole Weston. This piece was loaned to Art in Embassies...

Brighton 27 - Platinum palladium on vellum with silver leafs Signed and numbered edition of 8 plus 2 AP with certificate of authenticity, unframed. The rarity of this type of p...

No Edition Signed in ink on print margin by Jesse Alexander Gelatin silver print, 11 x 14 in. Jesse Alexander is considered one of the greatest race car photographers in history. Hi...

from a series of Industrial Style still life photographs captured at a high performance race car performance garage 32 x 40 inches / 81cm x 102cm signed edition of 25 archival qual...

Rendering Memories II (The Girl Behind the White Picket Fence) - 2013 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and certificate. Artist Inventory #13388. Not mounted. Offered is a piece from the movie: The Girl Behind the White Picket Fence. Written and directed by Stefanie Schneider A tale told with blemished and expired Polaroid film about the hopes and dreams of a newly orphaned girl after losing her parents who lived in the Californian desert in an old travel trailer. -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice-over monologue - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girl's journal. (Palms Springs life magazine / Caroline Ryder) Stefanie Schneider By Caroline Ryder Travel up a bumpy dirt road in Morongo Valley, the trail strewn with rocks, and you’ll come upon a gigantic 1950s trailer in pristine condition, ringed by a white picket fence, with cottontail rabbits hopping among neat little rose bushes that bloom in spite of the broiling desert heat. Inside the trailer are period accents—a vintage radio, vintage fridge, little crocheted doilies, and dusty gilt-framed photographs. It’s a surreal home-sweet-home, an Americana fantasy as imagined by German artist and experimental filmmaker Stefanie Schneider whose work is so inspired by the desert landscape, she made it her home in 2005. “There’s a completely different light here than in Germany, a beautiful light,” says Schneider, whose property in Morongo is dotted with vintage trailers. They surround her midcentury home and serve as sets for her photoshoots or as guest lodgings for her friends from Hollywood and Berlin. “But what I really love about the desert is the desolation,” she continues. “The sense of hope for something that might or might not come. It’s easy to see our dreams projected in the desert.” Famed for shooting trailer park chic fine art photographs exclusively on vintage Polaroid film, Schneider recently completed her most ambitious project to date—a feature film made entirely of Polaroid stills (4000 images in total), the story set around her magnificent 1950s trailer. The film, called “The Girl Behind The White Picket Fence” tells the story of a broken-hearted girl who lives in the trailer. Her name is Heather, and she is played by model Heather Megan Christie, girlfriend of actor Joaquin Phoenix, and former partner of Red Hot Chili Peppers singer Anthony Kiedis, with whom she has a son. Heather stars opposite Kyle Larson (who plays ‘Hank’), a real-life gypsy fisherman who catches crab in Alaska when he’s not surfing in Southern California. Neither of the two had ever acted before, and never in the history of movie-making has a director shot a film entirely on Polaroid film. “There was great difficulty shooting a film this way,” says Schneider, who, with her long straight hair, wide innocent eyes, and thick-framed glasses, conjures an art-house Gretel. “If I had used a regular camera I would have had 36 exposures per minute, much faster and easier than using the old Polaroid camera which takes a long time to shoot one frame. Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.” Individually, the Polaroid photographs that comprise 29 PALMS, CA stand alone, but together and in sequence, filmed with super 8 and 16mm film stock and overlaid with poetic voice-over monologues, they create a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick. Gus Van Sant, and pages torn from a lonely girl’s journal. The idea to shoot a movie in this way came about in 2004 when Schneider was working with leading German director Mark Forster (Monster’s Ball, Finding Neverland, Quantum of Solace) on his film Stay. She had met Forster at director Wim Wender’s birthday party in Hollywood. A few years later, Forster asked Schneider to shoot Polaroids of scenes from Stay as he filmed; he used those photographs for dream and memory sequences in the movie. For the first time, Schneider saw her Polaroids strung together in sequence, moving with rhythm like a flipbook, in the context of a story. When Forster urged her to consider making a feature film using that technique, the seed of 29 PALMS, CA was sown. She mentioned the idea to her good friend German actor Udo Kier, who also gave the idea a big thumbs up, and agreed to play the part of a mysterious shaman in the film. Thanks to her strong reputation in the art world and her Hollywood connections, getting talented people on board was the easy part (for a while, Charlotte Gainsbourg was pegged to play the starring role, although she pulled out two weeks before shooting commenced because she was pregnant and not fit to travel to the desert.) The hard part was finding the perfect trailer—and bringing it to the desert. “This trailer almost killed us,” says Schneider’s partner Lance Waterman, who lives and works with Schneider in Morongo Valley. After finding it on eBay, the couple drove to Utah to pick it up, the plan being to tow it all the way back to the high desert themselves. Bad idea. “We were driving down a hill with this enormous trailer behind us when we realized that if we wanted to stop, there would be no way to do so without the trailer crushing us,” says Waterman. Adds Schneider: “Lance was even giving me instructions on how to jump out of the truck if we needed to.” Thankfully the road leveled and as soon as they were able to slow down and pull over, they called a professional towing company, which transported the trailer the remaining distance to Morongo Valley. Filming took place in Spring 2011 and 2012. Schneider recently submitted the film to major film festivals in Europe and the US, and it will be broadcast in 2013 by leading German television channel, Arte. While Schneider may come from a long tradition of photographers-turned-filmmakers—Stanley Kubrick started out as a photographer, as did Ken Russell (Tommy, Women in Love) and Larry Clark, who was a controversial fine art photographer before directing smash hit Kids—she does not see her future in Hollywood, directing blockbusters. Not necessarily. “I don’t think I want to make more films,” she says. “The actors were saying they would love to work with me again, and were asking if I would like to make other movies. But being on movie sets is far too stressful, and at least with this, I was in complete power of what was going on creatively. That said, if this gets a lot of acclaims…we can always think again. One should never say never.” Film features original soundtrack with songs by Adam Weiss, Daisy McCrackin, Billy Harvey, Sophie Huber, Zoe Bicat, Max Sharam, Cheyenne Randall...

Samuel Field's still life of an Olivetti Typewriter, is given depth in the orthochromatic process he has used. Isolated in monochrome you appreciate the details of this vintage utili...

Automobili III by Frank Schott, from a series of environmental still life photographs at a high performance race car body shop 48 x 72inches / 122cm x 183cm signed edition of 7 27 ...

large scale photograph of iconic classic motorcycle in glossy chrome finish Chopper (2003) 22.5 x 40 inches (57 x 102cm) signed edition of 25 48 x 85 inches (122 x 216cm) signe...

Gas station at Night I (Stranger than Paradise) - 2006 Edition 1/5, 48x46 each, 93x91cm installed with gaps. 4 analog C-Prints, hand-printed by the artist, based on the 4 Polaroid...

Hard Sun (Bombay Beach, CA) - 2022 20x20cm. Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist Inv. #PL...

Untitled (9/11) - 2001 Edition of 5, 38x37cm. Archival C-Print, on Archive Fuji Chrystal Paper, based on the Polaroid. Artist inventory number: 1539. Signature label and certifi...

Desert Center (Stranger than Paradise) - 2000 Edition of 10, 48x46cm. Archival Print, based on a Polaroid. Mounted on dibond with matte UV-Protection. Signature label and Certifi...

Automobili I by Frank Schott a series of Industrial Style still life photographs (Ferrari) - details at iconic Italian race car performance garage 48 x 72inches / 122cm x 183cm edi...

Tom Thumb Special, captured in the iconic home of speed, Bonneville Salt Flats. The powerful, this iconic Ford Coupe Land Speed Racing Car, sits in the foreground of the powerful exp...

Jim Jard '32 Roadster, photograph by Richard Heeps from his Bonneville series. Cars at the Bonneville speedway contrast with the unique landscape of the Salt Flats. This artwork is ...

Selfie, Florence Italy. 2022 I love old photo booths. The real photo booths. Photo booths that take real photos that have to ...

Urban Wallpapers 9 is a limited-edition photograph by contemporary artist Bruno Fontana. This photograph is sold unframed as a print only. It is available in 2 dimensions: *80 cm × ...

#40758, 1 September, Ariel color photograph, limited edition, signed. ATACAMA: Renewable Energy and Mining in the High Desert of Chile CHANGING PERSPECTIVES: Renewable Energy and the Shifting Human Landscape is a long-term aerial and ground-based photography project documenting global renewable energy development. Chile is the world's leading copper exporter and the second-largest lithium producer. We use Chilean copper...

'Homestead I', is the first in a sequence of abandoned buildings in the Californian High Desert, Wonder Valley The three part series is part of Richard Heeps' larger series 'Dream in...

Chowchilla #131, 2007 [From the series US Road Trip Diary] Edition of 7 - numbers 1/7-3/7, 20x44x0,5cm. Photo compilation based on 2 expired Polaroids, printed on Plexiglass Dias...

Automobili I by Frank Schott 27 x 40 inches / 69cm x 102cm edition of 25 signed 48 x 72inches / 122cm x 183cm edition of 7 signed archival quality fine art pigment print limited a...

Overpass by Christian Stoll 48 x 72 inches (122 x 183cm) signed edition of 7 27 x 40 inches (68 x 102cm) signed edition of 25 archival fine art pigment print signed + numbered by ...

Self Service - 2017, Edition of 7 plus 2 Artist Proofs. Archival C-print, based on an original Polaroid, not mounted. Signed on the back and with certi...

Turbine by Christian Stoll 48 x 57 inches (122 x 145cm) signed edition of 7 34 x 40 inches (86 x 102cm) signed edition of 25 archival fine art pigment print signed + numbered...

Beach Comber by Erik Pawassar 27 x 40 inches (69 x 102cm) signed edition of 25 48 x 71 inches (122 x 180cm) signed edition of 7 archival fine art pigment print signed & numbered ...

Mauretania - Silver Gelatin Fibre Print (Photo by Topical Press Agency/Getty Images) The Cunard superliner Mauretania being refitted in the dry dock at Southampton. Additional I...

Two Bonnerville Motorcycles, captured in the iconic home of speed, Bonneville Salt Flats. Set against the bold blue sky in Utah. This artwork is a limited edition of 25 gloss photog...

Come Home 2019, 20x24 cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2019 - 70...

Railway crash is a black and white vintage photo, realized in December 19th 1964. The photo depicts the collapse of a bridge near Rome and the railway travelling over the bridge. G...

From the series, 'A Different Light' a book commissioned by Thurrock Arts Generate, part of a regional initiative funded by Arts Council England, East Richard Heeps provides an alter...