Men Photography

Bodice of a Man and Man in Tunic, Diptych From The Blanco - Black and White Series Overall size: 36 in H x 48 in W. Individual size: 36 in H x 24 in W. Edition of 10 Unframed For t...

Apertura and Apertura II, Diptych by Ricky Cohete From the Bailarín Series Overall size: 30 in H x 40 in W. Individual size: 30 in H x 20 in W. Edition of 13 Unframed Expansion an...

The root of these unique photographic works by the artist Celso Castro occurred when the artist returned from Italy to live back in Colombia in 1987. Castro wanted to produce from t...

Guy with Beatbox by Michael Ormerod is available as a 24" x 34" print on Hahnemuhle paper from a limited edition of 10 prints. Featured in the 2024 posthumous solo exhibition, 'Mic...

A much sought after photograph Le Petit Parisien, 1952 by French photographer Willy Ronis is a black and white image, a gelatin silver print, measuring 30 x 23,5 cm 12 x 9in. The w...

'Monte Carlo' Friends board a riva boat in Monte Carlo, Monaco, 1975. 40 x 30" inches / 101 x 76 cm paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons ...

The root of these unique photographic works by the artist Celso Castro occurred when the artist returned from Italy to live back in Colombia in 1987. Castro wanted to produce from t...

Black and white film still of Grace Kelly and Cary Grant posed in car for the film “To Catch a Thief”, circa 1955. To Catch a Thief is a 1955 American romantic thriller film directe...

Black and white candid capture of model Twiggy getting into a car with a man holding an umbrella overhead. Twiggy, is an English model, actress, and singer. She was a British cultur...

Vintage Travel Elegance circa 1925 by H Armstrong Roberts Archive Passengers Awaiting Boarding Beside Classic Propeller Aircraft circa 1925 Giant supersize silver gelatine print ...

Muhammad Ali, 1963 Cassius Clay during a training session at White City, London, before his fight with British Heavyweight Champion Henry Cooper, 29 May 1963 Fine art giclée print....

Taken from the world’s largest photographic archive, (Hulton Archive and Getty Images), the Getty Images Gallery collection features an extraordinary time capsule of the last century...

This photograph from 1972 captures a stylish, vibrant scene featuring two people on a small airplane. A young woman, wearing a pink floral dress and sunglasses, lounges gracefully on...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Taken from the world’s largest photographic archive, (Hulton Archive and Getty Images), the Getty Images Gallery collection features an extraordinary time capsule of the last century...

One of Terry O’Neill’s best known images Singer and actor Frank Sinatra, with his minders and his stand in (who is wearing an identical outfit to him) arriving at Miami beach while f...

Black and white portrait of Steve McQueen washing his Porsche at home with his son. Steve McQueen was an American actor. His antihero persona, emphasized during the height of the co...

NASA Apollo 11, Buzz Aldrin's Boot - Foot Print, 1969 is a vintage color photo on Kodak paper. This is an 8" x 8" vintage C-print with the "A Kodak Paper" watermark on verso (photo b...

Male Nude (29 Palms,CA) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #293 Not mounted. Stefanie S...

"Grain by Grain" is a poetic exploration of identity and transformation, captured in Ugne’s signature monochromatic style. This evocative photograph contemplates the interplay betwee...

Friends dressed in white board a riva boat in Monte Carlo, Monaco, 1975. In this classic Slim Aarons scene of 1970's glamour, a chic white vintage fashion and turquoise upholstery a...

Artist: Man Ray (American born, 1890 - 1976) Title: MRS ROWELL Date Of Negative: 1930 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 1934 1st Ed...

Iconic and rare limited edition print direct from the negative, signed lower right hand margin and stamped with photographers own blind stamp. This is Number 3/25. Paper size 25 x 17...

The most famous photograph in Jazz? Entirely possible, and considered as such by jazz and photography fans and scholars alike. Shot for Esquire Magazine in August 1958 , it was Art Kane’s first major assignment as a photographer. Kane pitched the idea of a huge group portrait to be shot on location in Harlem. No one knew, with the early call hour of 10:00 am whether anyone would show up, but they did. 58 legendary giants of jazz including Lester Young...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Diane Arbus, Electa Editrice Portfolios, 1979. Published by Unite...

Stripper Performers, Atlanta, 1996 by Leonard Freed is an 11" x 14" vintage print, stamped on verso (back of photo) with Freed's copyright stamp and...

Kate #6, 2002 by American photographer Leonard Freed is a 10” x 8” signed black and white photograph, stamped "vintage" by the Freed estate on verso (back of photo). For the series K...

Kate #7, 2002 by American photographer Leonard Freed is an 8" x 10" hand printed, signed by the photographer black and white photograph, stamped "vintage" by the Freed estate on vers...

Candid capture of Boxing legend Muhammad Ali smiling with Malcolm X at an event. In 1962, Ali met Malcolm X, who soon became his spiritual and political mentor. Ali first met Malcol...

Portrait, ca. 1975. Period print measuring 8.75 x 11.25 inches. Unframed. Studio stamp on verso. Mounting and framing services available. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

Shot on film a 14" x 11" a black-and-white contemporary gelatin silver print of a female nude with symmetrical proportions that suggest Greek sculptures. A feminine and statuesque su...

Signed limited edition print of Willie Nelson by Pulitzer Prize winning photographer, Jay Dickman, taken on the road in 1978 Signed limited edition prints, printed on Epson Heavywei...

St. Peter's Square, Rome, Italy, 1958 by Leonard Freed is a black and white documentary photograph of two figures (priests) on a snowy afternoon dressed in black in contrast to the f...

This black-and-white photograph offers a glimpse of the University of California, Berkeley, campus during the 1960s. The iconic Sather Tower, also known as the Campanile, stands prou...

Unique Silver Gelatin print from circa 1977 by Andy Warhol. Andy Warhol carried a camera with him obsessively. Similarly to his tape recorder, he used this technology not only as an...

With a socially critical eye and Berlin humor, the prints by Heinrich Zille (1858 - 1929) capture the milieu of the "little people" around 1900. The fact that the famous artist was a...

Museum quality fine art print of David Bowie smoking a cigarette in the Scary Monsters Clown costume from the official Duffy Archive. Taken from the original negatives, these offici...

Black and white photograph by Bruce of Los Angeles of a nude male model, Jim Manning, reclining on a flat surface, gazing towards the camera with a confident yet relaxed expression. ...

"Couple At Party" by Thurston Hopkins A debutante at a 'Coming-Out Ball' for British actress Anna Massey in Highgate, north London. Picture Post - 7881 - A Deb Among the Stags - pub...

'Hotel Du Cap-Eden-Roc' by Slim Aarons ESTATE EDITION - numbered and emboss stamped on front. (edition size 150 only) Waterskiing from the Hotel Du Cap-Eden-Roc in Cap d'Antibes, ...

The first encounter I had with the abyss, was arriving to a place that does not exist, a point suspended in time where I am without being. An unreal world expands in front of me, eve...

Museum quality fine art print of David Bowie smoking a cigarette in the Scary Monsters Clown costume from the official Duffy Archive. Taken from the original negatives, these offici...

Part of Richard Heeps 'Man's Ruin' Series, this was shot in Bakersfield, California two years after, he photographed Wendy Resting, they make a great pair. This artwork is a limited...

His series "Room" or "My carnival" evokes the fantasy of the mistress, fetishist eroticism, 5 to 7, free fantasy. Eric produces erotic art without ever biting into porn-chic always being more obsessed with aesthetics than with simulacrum. If he worships more than one of these predecessors who poured into more outrage, it is freely that he suggests to the imagination to imagine without capturing the fantasy of the viewer. The choice had been made of very high quality prints: cotton fiber base baryta paper without chlorine and high grammage (310 gr / m²), pigment inks. They carry on the back an authentication label signed by Eric Ceccarini The enhancement of this limited edition of 100 copies is ensured by the use of a unique high-quality box to keep the 12 fine art prints This is edition #1/100 Eric is a Belgian artist born in 1965. He gained a Degree in Photography from INFAC, Brussels in 1987. Since then he has been a fashion photographer working with many of the top houses. Elle, Marie-Claire, L'Oréal, Levi's, Coca Cola, Virgin, Saab, Delvaux, Lowe Lintas and Ogilvy are some of his clients. Among other distinctions, his photography for the Saab cabrio 9-3 campaign was awarded the Silver Lion at the Cannes International Advertising Festival. Eric is set apart from many of his colleagues by his way of shunning technical artifice and working in natural light. This results in soft, velvety, almost painterly images. Nowadays in his artistic works, he captures women's essence and soul, transcending mere physical representation. Eric's "AMNIOS" series of soul portraits- the model appear in suspended animation, as if they were about to born, and full of hidden secrets. This represents a new conceptual departure for Eric, who began as a fashion photographer, moving on to classic artistic nudes...

Voyeurism for Playboy is a black and white photograph realized by Helmut Newton. Black and white photograph.  From the series "Voyeurism " realized by Newton for Playboy magazine. ...

Exquisite Oversize C print unframed. Stamped & certificate of authenticity provided. image keywords : Modgliani female nudes colour graphic com...

Black and white capture of Frank Sinatra and Peter Lawford in front of the Sand's Motel sign in Las Vegas, NV. This capture was taken as a promotion for the film "Ocean's Eleven". O...

Almost Paradise (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 894. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Taken from the world’s largest photographic archive, (Hulton Archive and Getty Images), the Getty Images Gallery collection features an extraordinary time capsule of the last century...

Astrid Kirchherr ( 20 May 1938 – 12 May 2020) was a German photographer and artist known for her association with the Beatles (along with her friends Klaus Voormann...

Breaking taboos and documenting and shaping society’s changing attitudes to sex and female empowerment have assured Helmut Newton’s position as one of the world’s most celebrated and distinguished photographers. He had fearless ability to celebrate humanity through controversial and innovative portraiture. Indeed author JG Ballard has argued that Newton was in fact nothing less than ‘the world’s greatest visual artist’. Newton's technical accomplishment is steadfast, with classically meticulous use of light: bold, clean and crisp, highlighting flawless skin that illuminates the frame. Shooting breathtaking photographs portraying generations of fashion, film and musical icons over 70 years, his work was the staple of Vogue, Harpers Bazar and Playboy. His images are instantly recognisable as much for his style as for the countenance of the sitter. Owning a distinct ability to compose the figure within a landscape, Newton's work invites you to examine the structure of the human form itself, its flesh, its bones, its joints, and question how it moves. ‘There’s a definite contrast’, Helmut Newton says, ‘between the figures and the location - I like that kind of California backyard look; clapboard houses, staircases outdoors. I get inspired, in America, by a certain kind of sleaziness.’ Newton's 'Cyberwomen' ride the boarder between empowerment and exploitation with unabashed sexuality; the thick, sticky scent of sensuality drips casually from the lines and curves of every subject. Yet his nudes lift the female body far from simple life studies or artist's muse, to hold an altogether more potent self presence. Brimming with rebellious attitude through scowling faces, dangerous situations or awkward stances, they are moody, dramatic and powerful. Commissioned exclusively by Eyestorm in 2000, the models in the series are all posed in everyday locations around Los Angeles. Born in Germany in 1920 to German and American parents, Newton fled to Singapore to escape the Jewish oppression in 1938 where he worked as a photographer before being interned by the British government to Australia. During World War II, Newton became a truck driver for the Australian army...

Mick Jagger of The Rolling Stones in a tub for his role in Performance. Performance is a 1970 British crime drama film directed by Donald Cammell and Nicolas Roeg, written by Cammel...

Listing is for an unframed print and includes free shipping to the continental US and 14-day return policy. Julian Wasser Eve Babitz and Marcel Duchamp pl...

Voyeurism for Playboy is a black and white photograph realized by Helmut Newton. Black and white photograph.  From the series "Voyeurism " realized by Newton for Playboy magazine.

'Nude Portrait' by Boyan Dimitrov beautiful 30x20" inches / 76 x 51 cm C-type print warm sepia toned. Nude female, reclining. Certificate of authenticity provided. EDGE PRINTS s...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Cecil Beaton, Electa Editrice Portfolios, 1981. Published and pri...

Harkness Ballet dancer nude portrait study, 1972. This is a vintage silver gelatin photograph made by hand by master photographer Jack Mitchell. Comes ...

Because - 2021 20x25cm, Archival C-Print, based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2022-2009. Not mounted. Kirsten Thys van den Audenae...