Wheel Photography

© Gerald Berghammer - Limited edition of 9. Archival fine art pigment print. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed with 4cm whit...

Part of Richard Heeps 'Man's Ruin' Series, this was shot in Bakersfield, California two years after, he photographed Wendy Resting, they make a great pair. This artwork is a limited...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for more information. ABOUT THIS PIECE: Let's not pretend that we don't enjoy 80's music. ABOUT THIS ARTIST: Floyd ...

Willie Nelson, taken in 1977 during a running race in Austin Texas. Taken by photographer, Scott Newton Scott Newton recalls, "Willie Running Race (For Stehlin Foundation Cancer Benefit-Run For Your Life) outside the Austin Opry House entrance on Academy Drive, Austin TX...

Black and white fine art landscape photography. Classic US car in a junkyard in California, USA. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artis...

1969: French singer, Francoise Hardy sitting on a motorbike. (Photo by Reg Lancaster/Express/Getty Images) As an authorized Getty Images Gallery partn...

This is a limited edition 16 x 20 inch print of Joan Didion by photographer Julian Wasser shot for her iconic interview with TIME in 1968. Listing includes free shipping to the continental US and a 14-day return policy. Please inquire for framing options or international shipments. We offer framing services through our New York location. Joan Didion by Julian Wasser Gelatin Silver Print Paper Size: 16 x 20 inches Image Size: 11.5 x 17.5 inches Edition 9 of 15 Signed and on the back by Julian Wasser and editioned on adhesive certificate History Behind the Photograph - Julian Wasser started his career in photography in the Washington DC bureau of the Associated Press where he met and accompanied the famous news photographer Weegee – who would become a lasting influence on him. In the mid-60s Wasser moved to Los Angeles as a contract photographer for TIME, LIFE, and FORTUNE magazines and becoming internationally known as the go to guy for getting candid but memorably composed photographs. (His iconic images of Jack Nicholson and Anjelica Huston; Marcel Duchamp and Eve Babitz...

Archival pigment print Signed and numbered, verso 16 x 20 inches (Edition of 7) 20 x 24 inches (Edition of 7) 30 x 40 inches (Edition of 7) This artwork is offered by ClampArt, l...

"The 2 buildings on either sides and the Manhattan Bridge framed the Empire State Building nicely, like a portal into NYC. Just like Ellis Island of the past, this is a portal into a...

'Saint-Tropez Boucherie' A boucherie or butcher's shop on Rue des Commercants in Saint-Tropez, on the French Riviera, August 1971. Gorgeous print measuring an extra large 40 x 30"...

Discover the quintessence of French Riviera charm in Slim Aarons' iconic photograph, 'Saint-Tropez Boucherie,' on Rue des Commercants, Saint-Tropez, 1971. This image is a beautiful intersection of fashion, culture, and everyday life in the sun-drenched streets of Saint-Tropez in August 1971. This photograph features a casual yet captivating scene: two women and a young girl, all dressed in vibrant, vintage early '70s attire in shades of mint green, lemon yellow, and pink, enjoying a leisurely conversation outside a classic red French boucherie or butcher shop. A chic gold and white bicycle, representative of the laid-back Mediterranean lifestyle, is parked unassumingly on the sidewalk. Adding depth to the scene, the shop's proprietor, clad in a purple shirt, can be spotted through the window, lending an authentic touch to the photograph. An enchanting Moroccan-style zellige tile...

American stage actress, author, columnist, horsewoman, fashion designer, and socialite, C. Z. Guest, ( aka Mrs. Winston F. C. Guest, 1920 - 2003) with her personalized Ford Model T t...

Car crash at Woodhead is a black and white vintage photo, realized in 1962. The photo depicts a car that falls into a ravine at Woodhead, Cheshire. Mr. John Henry Jones, Labour Memb...

'Woman on Road with Police on Bikes Behind' is a black and white photographic print on Hahnemuhle paper by Michael Ormerod in a limited edition of 10. Featured in the 2024 posthumou...

Taken from the world’s largest photographic archive, (Hulton Archive and Getty Images), the Getty Images Gallery collection features an extraordinary time capsule of the last century...

Stunning black and white image of Cher, posed barefoot, seated in a car doorway. Cher is an American singer, actress and television personality. Dubbed the "Goddess of Pop", she is ...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is p...

Captured in the iconic home of speed, Bonneville Salt Flats, the powerful iconic Ford Coupe Land Speed Racing Car sits in the foreground of the powerful expansive landscape. This ar...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Cotton Club Marquee In NY (1938) - Silver Gelatin Fibre Print (Photo by George Karger/Michael Ochs Archives/Getty Images Archive London England) Taxis ...

BRUCE OF L.A. - classic 1950s gelatin silver photograph of physique model JAMES PAPPA by celebrated 20th Century photographer BRUCE BELLAS also known as Bruce of Los Angeles. This is an original photograph from the beefcake "posing strap" era when nude photography was illegal. 'Bruce Los Angeles...

Sexy, fun photograph of woman climbing into a car. Face mounted on acrylic. About the artist: Photographer Greg Lotus' work can be found regularly...

Hotel De Paris In Monaco 1977 by Slim Aarons Slim Aarons Limited Estate Edition The entrance to the Hotel de Paris in Monte Carlo, Monaco, June 1977 unframed c type print printed...

Ted Williams Martin Luther King Motorcade, 1964 Silver gelatin print 16 x 20 inches Estate stamped and numbered edition with certificate of authenticity Dr. Martin Luther King waves to the crowds as he drives in a motorcade on the way to make a speech at the ‘Illinois Rally for Civil Rights’ at Soldier Field in Chicago, IL, US, June 21, 1964. Ted Williams (1925-2009) first heard jazz on the radio as a youngster in the 1930s in Wichita, Kansas. The sounds of Earl Hines, Duke Ellington and Cab...

Video Game Arcade, 1988 From a 6cm x 4.5cm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Artist Proofs Print size...

This stunning color action shot features American actor Steve McQueen. Often called "The King of Cool", whose "anti-hero" persona developed at the height of the counterculture of the...

Carlton Hotel, 1958 - White Hotel Architecture in Cannes on French Riviera by Slim Aarons 16" x 16" print on 16" x 20" paper. Limited Edition Estate Stamped Print. Edition of 150. P...

Open Car Door on Eldridge Street, 1987 From a 35mm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Artist Proofs Pr...

Last Bus In London by Bert Hardy Limited Edition silver gelatine print A couple saying goodbye on a bus in Shaftesbury Avenue in London, July 1953 . Original Publication: Picture Post - 6576 - Known Your Piccadilly - pub. 4th July 1953 (Photo by Bert Hardy/Picture Post/Hulton Archive/Getty Images Archive London England) Paper size 12x16 inches / 31 x 41 cm Produced utilising the original negative Numbered and stamped by the Getty Archive London Limited edition to 300 only Silver gelatine fibre based baryta paper print Certificate of authenticity included printed 2024 Ships securely from London. Other sizes and Framing available on request. Bert Hardy Bert Hardy Albert William Thomas Hardy (19 May 1913 – 3 July 1995) was an English documentary and press photographer known for his work published in the Picture Post magazine between 1941 and 1957. Life and work Born in Blackfriars, Bert Hardy rose from humble working class origins in Southwark, London. The eldest of seven children, he left school at age 14 to work for a chemist who also processed photos. His first big sale came in 1936 when he photographed King George V and Queen Mary in a passing carriage during the Silver Jubilee celebrations, and sold 200 small prints of his best view of the King. His first assignment, at age 23, was to photograph Hungarian actor Sakall at the Mayfair Hotel. Hardy freelanced for The Bicycle magazine, and bought his first small-format 35 mm Leica. He signed on with the General Photographic Agency as a Leica photographer, later founding his own freelance firm, Criterion. General Photographic Agency General Photographic Agency a Fleet Street, London agency, sold photos at least between 1880-1950. Picture Post and World War II In 1941, Hardy was recruited by the then editor Tom Hopkinson of the leading picture publication of the 1930s to the 1950s, Picture Post. Founded in 1938 and funded by publisher Edward Hulton, the magazine's first editor was Hungarian émigré Stefan Lorant (1901–97) assisted by Hopkinson, who took over as editor from 1940. The picture-centric, left-leaning and reasonably-priced publication was highly successful and circulation soon rose to over a million. Hardy's photographer colleagues included Felix H. Man (aka Hans Baumann...

ABOUT THIS ARTIST: Liz Von Hoene is an award winning fashion photographer and director known for her immaculate concept driven images that strike the right balance between sophistica...

Street Mechanic on Rivington Street, 1990 From a 6cm x 9cm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Artist Pr...

Edition of 25 Signed and numbered in black ink on print margin. Signed, titled, dated, print date and misc. notations in pencil on print verso AVAILABLE SIZES: 11 x 14 in., Edition ...

Archival digital print on Hahnemühle fine art matte paper. Edition size: 11 Paper size: 16 x 20 inches Sold Matted with 3" white mat Also, available in 11" x 1...

No Edition Signed in ink on print margin by Jesse Alexander Gelatin silver print Paper size: 11 x 14 in. Image size: 7 1/2 x 11 1/2 in. "Fangio is exiting a slow corner and looks ov...

ABOUT THIS ARTIST: Liz Von Hoene is an award winning fashion photographer and director known for her immaculate concept driven images that strike the right balance between sophistication and whimsy. Whether she’s shooting for brands like Dove, Diet Pepsi, Credit Suisse, L’Oreal, Tampax and Ligne Roset or diverse collaborative partners like Badgley Mischka, DSW, Kate Spade, Macy’s, Neiman Marcus and Target, Liz gives even the most familiar, everyday scene a fantastical twist. She transports us from the realm of the ordinary into the extraordinary. Starting with a no-nonsense approach, she lets the magic happen in front of the lens as simply as possible to keep the unexpected as human as possible. Liz’s personality is evident in her work as a photographer and director: at every turn, a sense of playfulness and polish, scaffolded by a carefully calculated vision. She meticulously compiles inspirations and influences, ranging from the everyday to the magnificent, making each image more inventive than the last. Liz Von Hoene is part of the Trunk Archive...

Hand-tinted albumen print, 7 3/4 x 10 inches (195 x 252 mm), pasted onto a gold-edged board with caption hand-written in black ink.

ABOUT THIS PIECE: Let's not pretend that we don't enjoy 80's music. ABOUT THIS ARTIST: Floyd P. Stanley is an LA based photographer creating product shot photographs of mixed tapes....

Set of two Framed Fun Typography Pop Art Prints. FUN! Carter's Yard, Maidenhead, 2022 Swim-in-Pool Supply Co. Las Vegas, 2003 Each individually framed artwork measures 39.5" x 33.5"...

New England Skiing - 'Skiing Essentials' (1955) - Limited Estate Stamped - Silver Gelatin Fibre Print (Photo By Slim Aarons/Getty Images Archive) A couple prepares for a day's ski...

'Blooms in vase’ photographed in London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnem...

My Fire Escape View 01 on Stanton Street, 1986 From a 35mm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Artist Pr...

Riders for Playboy is a black and white photograph realized by Helmut Newton. Black and white photograph.  From the series "Riders" realized by Newton for Playboy magazine. Editio...

Rita Hayworth was an American actress and dancer. She achieved fame during the 1940s as one of the era's top stars, appearing in a total of 61 films over 37 years. The press coined t...

New York Picnic (1959) Limited Estate Stamped (Photo By Slim Aarons) A chauffeur unpacks a picnic hamper from a Rolls Royce, against the New York skyline. 1952 Additional Info...

This black-and-white photograph captures the classic charm of San Francisco’s iconic cable cars. Taken in the 1960s, the image shows a boy hanging from the side of the cable car as i...

Barreto's on Stanton Street, 1987 by Tria Giovan From a 6cm x 4.5cm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 ...

Jim Clark in action Lotus Zan voort Holland, 1962 Gelatin silver print Paper size: 16 x 20 in. Signed in black ink on print margin by Jesse Alexander About the Artist: Jesse Alexan...

ABOUT THIS PIECE: Let's not pretend that we don't enjoy 80's music. ABOUT THIS ARTIST: Floyd P. Stanley is an LA based photographer creating product shot photographs of mixed tapes....

Dolly Parton in Joelton, Tennessee, 1997 by photographer Jim Herrington 17x22" Archival pigment print on baryta 315 gsm, acid-free, 100% cotton-fiber paper. Edition 75 Signed on re...

Listing includes free shipping to the continental US and a 14-day return policy. Joan Didion by Julian Wasser 16 x 20 inch gelatin silver print Edition 1...

Richard Heeps’ seductive, highly saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for his subject matter – be it cool, descriptive interio...

Circa 1955 in Hollywood, California: American actor and Hollywood icon Frank Sinatra poses with his 1955 'T-bird' Ford Thunderbird convertible sports car for a 1950's Ford Thunderbir...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Sammy ‘ from 1984. A man takes his dog ...

Silver Gelatine Print by Erich Andres, 1955. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photograph...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre recently visited New York City. His ...

Titled and dated with artists reference number and stamped on the back of the mount and signed by Cole Weston. This piece was loaned to Art in Embassies...

Need For Speed (1954) - Silver Gelatin Fibre Print (Photo by Joseph McKeown/Picture Post/Getty Images) 17th July 1954: Argentinian racer Juan Manuel Fangio (1911 - 1995) chalks up ...

Artist 1: Jeff Koons, American (1954 - ) Artist 2: Howard L. Bingham, American (1939 - ) Title: GOAT: A Tribute to Muhammad Ali - CHAMPS Edition Book: Hardcover Book in Clamshell Box, signed and numbered on Frontispiece by Artists and Muhammad Ali Koons Sculpture Title: Radial Champs Sculptures: Blow Up Dolphin, Tire Sculpture...

Vintage silver print 10 x 8 inches, sheet size This artwork is offered by ClampArt, located in New York City. One of the most famous names in physique photography, Bruce Bellas (1909–1974)—best known under the pseudonym Bruce of Los Angeles—is remembered today as a pioneer of beefcake. Beginning in the 1940s and continuing until his death in the 1970s, Bruce of LA photographed...

This is a photograph of a Swiss made Pilatus PC-12 airplane. There are other images in this series as well. A self-taught photographer, Phelps has won numerous awards for his photog...