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Thomas Michael AllemanBoulder City, Nevada2002
2002
$1,500
£1,133.50
€1,308.92
CA$2,096.02
A$2,325.71
CHF 1,218.26
MX$28,519.51
NOK 15,495.84
SEK 14,627.41
DKK 9,761.40
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About the Item
Black and White, American, Landscape, Sky, nevada, america, boulder, still life, landscape, photography, b&w, black & white, quiet, rural, photography, high contrast, vignette, rural
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
Since the inception of Sunshine & Noir in 2001, Alleman has shot extensively in Los Angeles, New York, San Francisco and other American cities. In his latest iteration Alleman takes a detour beyond the frenetic landscapes of urban America into Paris - playfully guiding the viewer through a simultaneously familiar and foreign geography.
In the exhibition, square and panoramic landscapes and iconic landmarks stretch across the gallery, where Alleman creates intrigue by re-expressing instantly recognizable subjects. Images with blurred, vignetted edges epitomize his surrealist style, haunting throughout the series. His artful mastery at capturing movement is seen in the invitational image, San Fernando Valley, LA, where a van is swallowed by a mass of twisted bicycles. The blurred clouds above give the illusion that the broken down vehicle is actually racing down the highway. This interesting paradox of a decrepit van seemingly in lively motion reflects Alleman’s trademark style - quirky, humorous, and often nostalgic.
His love for the ironic and misplaced becomes further evident in the panoramic California Theater Marquee, LA. Once grandiose, the hotel marquee takes on an eerie, carnival-like quality when shot dilapidated and discarded in a storage yard near the Hollywood Hills. To make his panoramas, Alleman exploits, “the very primitive technology” of his camera. The Holga, a medium-format plastic camera dating from 1982 allows him to “make terrible mistakes” on purpose. He intentionally “under cranks” the film-advance, such that several consecutive pictures bump into and overlap one another, causing the images to bleed and fade together to form an apparent panorama.
Despite “laughable failures” as “focus, exposure and parallax are uncontrollable,” Alleman’s deliberate camera choice achieves a dancing dynamic between lightness and darkness characterizing Sunshine and Noir. “The shutter sometimes bounces, causing partial double-exposures; light-leaks are inevitable, but random. Much to my surprise, however, the freaky results of that technical dysfunction resembled precisely the pictures I’d been dreaming of…” Alleman says.
An acclaimed lifelong photographer, Alleman’s career and technique travelled full circle, but by no simple trajectory. As a photojournalist when clarity and detail were paramount, he mastered Nikons and the highly technical Hasselblad. Opting for messier execution and rudimentary unruliness, Alleman discovers a somewhat hard-edged sentimentality in the show.
A Michigan State University English Literature graduate with no formal photography training, Alleman credits the influence of Henri Cartier-Bresson, Lee Friedlander and Garry Winogrand. As a magazine freelancer, Alleman’s photos have been published regularly in Time, People, Business Week, Smithsonian, and the National Geographic Traveler. Most notably, Alleman was named California Newspaper’s Photographer of the Year in 1995 and Los Angeles Newspaper’s Photographer of the Year in 1996. Nonetheless, the award he is most proud of came in 2011 from Photography Book Now, who awarded Sunshine & Noir, 1st place in the travel book category.
- Creator:
- Creation Year:2002
- Dimensions:Height: 24 in (60.96 cm)Width: 24.25 in (61.6 cm)
- More Editions & Sizes:11x14Price: $1,00016x20Price: $1,50030x40Price: $3,000
- Medium:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: G13020611663
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By Thomas Michael Alleman
Located in Hudson, NY
Black and White, Urban, American, Los Angeles, hollywood, street sign, street, highway, black & white, b&w, vignette, high contrast, car, driving, motion
Listing is for UNFRAMED pri...
Category
21st Century and Contemporary Photography
Materials
Archival Pigment
San Fernando Valley, Los Angeles
By Thomas Michael Alleman
Located in Hudson, NY
Black and White, Car, Urban, Los Angeles, Sky, american, b&w, black & white, urban photography, vehicle, bikes, driving, bicycle, motion blue, vignette, van, high contrast, California
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
Since the inception of Sunshine & Noir in 2001, Alleman has shot extensively in Los Angeles, New York, San Francisco and other American cities. In his latest iteration Alleman takes a detour beyond the frenetic landscapes of urban America into Paris - playfully guiding the viewer through a simultaneously familiar and foreign geography.
In the exhibition, square and panoramic landscapes and iconic landmarks stretch across the gallery, where Alleman creates intrigue by re-expressing instantly recognizable subjects. Images with blurred, vignetted edges epitomize his surrealist style, haunting throughout the series. His artful mastery at capturing movement is seen in the invitational image, San Fernando Valley...
Category
21st Century and Contemporary Photography
Materials
Archival Pigment
Other Desert Cities, Joshua Tree, CA, 2018
By Thomas Michael Alleman
Located in Hudson, NY
This listing is for the unframed photograph.
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
"Mount Hollywood, October 2004", Los Angeles, 2004
By Thomas Michael Alleman
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
Thomas Alleman’s urban landscapes convey the pulsating energy and sensual excitement of city life. With an eye for the visual rhythms and geometry of buildings, highways and parks, his photographs transform ordinary structures and events into emotionally charged images of modern life. “Hollywood Freeway...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
"Downtown Los Angeles, September 2005", Los Angeles, 2005
By Thomas Michael Alleman
Located in Hudson, NY
The skewed perspective and stark contrasts of dark and light gives a new point of view to the infamous Hollywood Walk of Fame. The rays of light cast upon the star give a sense of th...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
California Theater Marquee, Los Angeles
By Thomas Michael Alleman
Located in Hudson, NY
Black and White, California, Los Angeles, Panoramic, Landscape, Abstract, American, LA, Californian, Theater, Landscape Photography, Still Life, Sign, California Sign, b&w, black & white, film photography, vignette, high contrast, california, letters
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 15.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
Since the inception of Sunshine & Noir in 2001, Alleman has shot extensively in Los Angeles, New York, San Francisco and other American cities. In his latest iteration Alleman takes a detour beyond the frenetic landscapes of urban America into Paris - playfully guiding the viewer through a simultaneously familiar and foreign geography.
In the exhibition, square and panoramic landscapes and iconic landmarks stretch across the gallery, where Alleman creates intrigue by re-expressing instantly recognizable subjects. Images with blurred, vignetted edges epitomize his surrealist style, haunting throughout the series. His artful mastery at capturing movement is seen in the invitational image, San Fernando Valley, LA, where a van is swallowed by a mass of twisted bicycles. The blurred clouds above give the illusion that the broken down vehicle is actually racing down the highway. This interesting paradox of a decrepit van seemingly in lively motion reflects Alleman’s trademark style - quirky, humorous, and often nostalgic.
His love for the ironic and misplaced becomes further evident in the panoramic California Theater Marquee...
Category
21st Century and Contemporary Photography
Materials
Archival Pigment
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