Horizontal Abstract Prints

Very large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles. Striking print to hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is more painterly, expressionist, and abstract. Paper 45 x 55 in. / 114.3 x 139.7 cm. Souvenir by Howard Hodgkin. Screenprint on Arches aquarelle mould-made paper. Signed by the artist with initials and dated 80 in pencil lower center, numbered in pencil lower left. This bold Howard Hodgkin print layers five shades of black, with a wide variety of marks including some from the artist’s fingerprints and hand. Scribbles and lines of grey loosely define what could be an interior space with furniture. As is typical of his prints, there is a sense of space, and of the passage of time, expressed through shapes that seem to recede through the picture, deep black shades and, unusually for Hodgkin’s work, the white of the paper showing through. The last photograph displays these rich surface textures on the sheet at an angle. Catalogue reference: Elizabeth Knowles...

Larry Rivers At The Dwan Gallery: Rivers Small Recent Work (Hand Signed), 1965 Silkscreen on wove paper Hand signed and dated "Rivers, 1965" in graphite pencil lower right front Fram...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 107-108-109, 1958. Publishe...

Engraving, 1958 Handsigned by the artist in pencil and annotated "Epreuve artiste" 22.00 cm. x 32.00 cm. 8.66 in. x 12.6 in. (paper) 11.00 cm. x 13.00 cm. 4.33 in. x 5.12 in. (imag...

Sky Flowers by Ronald Julius Christensen, American (1923–1999) Date: 1980 Lithograph, signed and numbered in pencil Edition of 295 Size: 27 in. x 40 in. (68.58 cm x 101.6 cm) Ronald...

This is an exclusive handprinted limited edition cyanotype. This beautiful triptych is called "Summer Waters in Cannes" and it shows the water reflection of one of the most iconic ci...

This screen print was created to celebrate the Mostly Mozart Festival in 1982. A pattern of shapes in pale pinks, greens and silver tones creates an image resembling a tapestry. The total edition size is 144 plus 18 artist proofs. It is hand signed and numbered in pencil by the artist with the blindstamp of the printer, Fine Creations, Inc., New York. This print comes directly from Lincoln Center, the publisher of the edition. Joyce Kozloff was a founder of the 1970s Pattern...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, Hommage à Aimé et Marguerite M...

Medium: Lithograph on vélin paper, hinged on archival support sheet, as issued Year: 1968 Paper Size: 13 x 16 inches; image size: 4.375 x 13.75 inches Inscription: Signed in the plat...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Derrière le miroir, N° 164-165, 1967. ...

Guido Molinari’s ink blot lithograph, numbered 13/20, beautifully showcases his mastery of color and abstraction, featuring a striking blue palette on handmade paper. The various sha...

Guillaume Corneille 1970 Un Été Souverain Print, Lithograph on wove paper Image size 24 x 19 inches Framed Size 37.5″ x 32.5″ As a co-founder of the famed experimental artist group...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

large scale abstraction of floral water clouds in a liquid landscape FLORA I by Christian Stoll 25 x 40 inches (64 x 102cm) signed edition of 25 48 x 76 inches (122 x 193cm) sign...

Signed in bottom right corner. Also signed and on the reverse, This is unique color woodcut monoprint numbered 1/1. An abstracted view into foliage at night.. In January 2018, the ...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in white, back, blue gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

Artist: Josef Albers, German (1888 - 1976) Title: In the Water - P1, F2, I1 Year: 1972 Edition size: 1000 Medium: Screenprint on Mohawk Superfine Bristol paper Image Size: 13 x 15 in...

Gabriel Macotela (Mexico, 1954) 'Untitled', 2020 woodcut on paper Guarro Super Alpha 250g. 30 x 44.1 in. (76 x 112 cm.) Edition of 20 ID: MAG-103 Unframed

Robert Smith (United States, 1944) 'Open wide', 1972 lithograph in color on paper 21.7 x 29.6 in. (55 x 75 cm.) Edition of 75 Unframed ID: SMI1158-001-075 Hand-signed by author

Artist: Helen Thomas Title: Transformation Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 150 Paper Size: 22 x 28 inches

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Yellow Composition is a screen print realized by Victor Debach in 1970s. Hand signed and numbered. Edition of 100 prints. On headed paper.

Romas Viesulas, Lithuanian (1918 - 1986) - Skull, Year: 1953, Medium: Lithograph, signed, titled and dated in pencil, Image Size: 12.25 x 16.25 inches, Size: 16.25 x 20.5 in. (41...

This modern, geometric abstract, giclee print is by artist and graphic designer Burton Kramer. Mesmerizing circles in black and white pop against a deep blue background, edged in ne...

Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Picasso: Fifteen Drawings, 1946. Published by Pantheon Books, Inc., ...

Saul Steinberg Sam's Art, from The New York International Portfolio), 1966 Lithograph on wove paper with blind stamp Pencil signed and numbered 12/225 on the front Published by Tanglewood Press, Knickerbocker Machine and Foundry, Inc., New York Printed by Irwin Hollander with blind stamp Unframed This Steinberg lithograph is titled Sam's Art, which of course refers to Uncle Sam, the nickname for the United States government. It features his version of the motto seen on our dollar bills, "Annuit Coeptis", which is one of the mottoes found on the Great Seal of the United States. It is directly underneath the "Eye of Providence" and is translated by the US Treasury and State Department as "God (or Providence) favors our undertakings". American President Abraham Lincoln, sitting in front of an easel, is also depicted as an artist in this telling 1960s work. Commentary: "In Saul Steinberg’s lithograph ‘Sam’s Art’, Abraham Lincoln, in stove-pipe hat, poses as the artist in front of his canvas. While his attention looks fixed on rendering the slightly wobbly pyramid with an eye, the Masonic motif from the back of the one dollar bill, the line from his brush has floated off the canvas to become a cubist-futurist cloud in the sky. The American Eagle looks on, perched on a civil war cannon...

Artist: Tony Bechara, Puerto Rican (1942 - ) Title: Sixes Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 30 Image Size: 18 x 26.5 in Size: 22 in. x 30 ...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

"Fuori il giallo" is a 1973 original color lithograph by Italian artist Giuseppe Santomaso. It is a typical work of his in his informel style showing black and white and a little bi...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good Condition; with bifold, as issued. Notes: From the volume, XXe Siècle, n°37, 1971. Published and prin...

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...

This geometric, minimalist print glows in rainbow shades. Vibrant raspberry pink, magenta, yellow, lime green, and sky-blue lines take on the organic quality of handmade paper, resul...

This artwork titled "Starburst" 2007,is an original colors woodcut on thin rice paper paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, titled, dated and inscri...

Framed "Flying Colors" lithograph by Alexander Calder. Signed Calder in lower right corner. Edition 11 of 100.

Abstract Composition is a Lithograph realized by Joan Mirò (1893-1983) within the suite "Mirò Lithographe". The artwork is from gallery "Toninelli Arte Moderna" in Milan. No signat...

“I prefer drawing to talking. Drawing is faster, and leaves less room for lies.” This colorful modern lithograph was printed at the Atelier Mourlot in Paris in 1963 and is from the printer's edition. It is signed and dated in the plate in the bottom left quadrant. Le Corbusier...

Untitled is an original artwork realized by Sam Francis in 1992. Mixed colored lithograph on velin paper. Hand signed on the lower margin. Artist's proof, aside of the numbered edi...

JOSEF ALBERS, Bottrop 1888 - New Haven 1976 Homage to the Square (diptych), 1971 Original colored serigraph. Perfect copies published in 1971 by the Ives-Sillman Inc. edition, New Ha...

**ANNUAL SUPER SALE UNTIL JUNE 15TH ONLY** *This Price Won't Be Repeated Again This Year-Take Advantage Of It* Colorful, sophisticated, mesmerizing and highly labored ...

Untitled (M.250) from the Album 19 suite is a lithograph on paper, image size 20 x 26.5 inches and framed in a contemporary, black wood frame, colors vibrant, initialed 'M.' lower ri...

This print was made for the American Abstract Artists Portfolio, 1937. All the images were lithographs made on zinc plates. Usually they were signed in the image -- on the plate, as this one is. As a group they explored abstraction in the 1930s, while maintaining their individual styles. The plan was to make an edition of 500 portfolios although it seems highly unlikely that this was accomplished. Ibram Lassaw (1913-2003) was primarily known for his sculpture. Born in Egypt to a Russian family...

mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, sun reflections on a summer pool, an homage to the iconic pool ...

Raoul UBAC Four Directions, Abstract Composition Original lithograph (arte / maeght workshop) Printed signature in the plate bottom right On Rives vellum 47 x 65 cm (c. 19 x 26 inch...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Artist: Joan Miro (1893-1983) Title: Le Lézard Aux Plumes D'or: Plate I (Mourlot 803; Cramer 148) Year: 1971 Edition: H.C.; 195, plus proofs Inscription: Signed and inscribed ‘H.C.’ ...

Artist: Pablo Picasso (1881-1973) Title: Femme a la Toilette Year: 1981 Medium: Lithograph on Arches paper Size: 21.75 x 28.5 inches Edition: 1000, plus proofs Condition: Good Inscri...

This abstract landscape limited edition print by Elwood Howell features the artist's signature high horizon line in white. Beneath the line is a textured deep blue that is composed o...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 166, 1967. Published by Aim...

Vendredi - Plate 10 from the 12 plate Portfolio, 1959 Published by Denise Rene, Paris Lithograph in colors on heavy paper 20 x 26 inches Signed, dated and numbered in ink, edition 20...

This large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...

This abstract landscape limited edition print by Elwood Howell features a cool, green and pale blue palette. The artist's signature high horizon line forms a very slight valley at th...

The 50th Anniversary of the League of Women Voters Screenprint Poster from 1970, designed by Richard Anuszkiewicz (1930 - 2020) printed in 1969,...

Meduse Etching and aquatint printed in colors, 1958 Signed, titled, numbered and dated in pencil (see photos) Edition: 50 (25/50) Etching and aquatint printed in colors ...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Screenprint on Rives BFK paper , edited in 1995. Limited edition of 120 copies plus 30 AP. Signed in pencil by artist in lower right corner , numbered 71/120 and dated 95. Paper siz...

Cover for Derrière Le Miroir is an original lithograph realized by Antoni Tapies for the Art Magazine Derrière le Miroir no. 175, in 1968. Printed by Ateliers de Maeght, Paris, 19...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

This is an exclusive handprinted limited edition cyanotype. This beautiful triptych is called "French Riviera Cove" and it shows the water reflection of one of the most iconic coves ...