Wes Lang Art

Shepard Fairey Lotus Hands - Teal Letterpress on Cream Cotton Paper with Hand-deckled Edges Year: 2023 Size: 12 x 9 inches (30.48 × 22.86 cm) Edition: 250 Signed, dated and numbered ...

Original drawing on canvas with black marker Hand signed lower right Dedicated in french, lower left Unique piece Framed Mint condition

Mixed media on coton canvas combining acrylic paint and marker Handsigned Unique piece Rare piece The canvas is not stretched on frame and will be sent rolled in a rigid tube

Kenny Scharf Boys and Girls, 2023 Archival pigment print on 290 gsm Entrada Rag paper Signed dated and numbered 16/100 in graphite pencil on the front 15 × 38 inches Unframed In 202...

Cellular 14, 2013 Print on archival paper 80 X 80 centimeters, 31 X 31 inches Edition of 10 New York based, Antonia Papatzanaki is a renowned international artist from Greece...

Crash Untitled, 1989 Signed and dated lower left Watercolor and ink on paper 30 x 20 1/2 inches A contemporary of Keith Haring and a modern-day master of this present day art form o...

Archival pigment print on 100% Cotton 290 gsm Entrada Rag paper with hand-deckled edges. Hand signed and dated lower right by Kenny Scharf. Hand numbered 13/60 lower left. Artwork...

The artwork is an original digital composition in which the artist experiments with the collage-like capabilities of computer graphics, composing directly with the computer. The prin...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limite...

Crash Pleased to See You, 1989 Signed and dated lower left Watercolor and ink on paper 30 x 20 1/2 inches A contemporary of Keith Haring and a modern-day master of this present day ...

Teal, brown and blue tone abstract figurative original print by Amado Maurilio Pena. The piece depicts five women figures that either appear back-to-back or fa...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Voted Dyas II, Lino-cut/ chine colle, on German Ivory paper Edition: 5 of 8, 1999 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'We belong where love finds us' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...