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Art Subject: Smoke
New Year's Eve
Located in New York, NY
Catalogue raisonné 00594 edition 16/43 Published by Simmelink-Sukimoto Editions Although best known for his portraits, Katz has depicted landscapes both inside the studio and out o...
Category

1990s Contemporary Landscape Prints

Materials

Aquatint

Wren's City, by Joseph Pennell
Located in Palm Springs, CA
WREN'S CITY (Wuerth. 504) by Joseph Pennell (1857-1926) . Mezzotint, 1909, signed and inscribed imp. in pencil, edition of approximately 75. Fine rich impression and condition, trimm...
Category

Early 1900s Landscape Prints

Materials

Mezzotint

Winter Landscape, Abstract Screenprint Monoprint by Joseph Grippi
Located in Long Island City, NY
Joseph Grippi, American (1924 -2001) - Winter Landscape, Year: circa 1975, Medium: Screenprint Monoprint, signed in pencil, Size: 28.5 x 41.5 in. (72.39 x 105.41 cm)
Category

1970s Abstract Landscape Prints

Materials

Monoprint, Screen

Bauxite Factory, Suriname, Signed Lithograph by Clarence Carter
Located in Long Island City, NY
Bauxite Factory, Suriname Clarence Holbrook Carter American (1904–2000) Date: 1980 Lithograph, signed and numbered in pencil Edition of 200, AP 30 Image Size: 17.75 x 26 inches Siz...
Category

1980s American Modern Landscape Prints

Materials

Lithograph

Dakota Thunder I, lithograph showing oncoming herd of buffalo by John Axton
By John Axton
Located in Palm Springs, CA
Dakota Thunder is a contemplative lithograph by John Axton depicting a distant herd of buffalo emerging through a vast, atmospheric prairie. Rendered in subtle gradations of warm och...
Category

1970s Contemporary Animal Prints

Materials

Lithograph

Untitled IV
Located in Kansas City, MO
Stephan Küthe Untitled IV Giclée on Hahnemühle Velvet Year: 2021 Signed, numbered and dated by hand Edition: 15 Size: 13.0 × 19.5 on 18.3 × 23.8 inches COA provided (gallery issued) ...
Category

2010s Contemporary Landscape Prints

Materials

Giclée

Lee Wells 'Ephemeral Elegance (EOW L3)'
Located in New York, NY
Lee Wells Ephemeral Elegance (EOW L3) End of the World Party Series 2023 Archival pigment print Edition of 5 Signed, dated and numbered by the artist Caption: Ephemeral Elegance: Am...
Category

2010s Contemporary Figurative Prints

Materials

Archival Pigment

Financial District
Located in New York, NY
Howard Cook (1901-1980), Financial District, lithograph, 1931, signed and dated in pencil lower right and numbered 75 lower left. Reference: Duffy 155, from the stated edition of 75....
Category

1930s American Modern Landscape Prints

Materials

Lithograph

White Cloud, Modern Screenprint Monoprint by Joseph Grippi
Located in Long Island City, NY
Joseph Grippi, American (1924 -2001) - White Cloud, Year: 1984, Medium: Screenprint Monoprint, signed and numbered in pencil, Edition: 4/40, Size: 24 x 28.5 in. (60.96 x 72.39 cm)
Category

1980s Modern Landscape Prints

Materials

Monoprint, Screen

Chair & rooftoop
Located in New York, NY
“Chair & rooftop” is a mezzotint engraving created by Robert Kipniss in 2015. Printed in an edition of 30 this impression is signed in pencil and inscribed "27/30." The paper size i...
Category

21st Century and Contemporary Modern Landscape Prints

Materials

Mezzotint

Lee Wells 'Calm Before the Coda (EOW L2)'
Located in New York, NY
Lee Wells Calm Before the Coda (EOW L2) End of the World Party Series 2023 Archival pigment print Edition of 5 Signed, dated and numbered by the artist Caption: Calm Before the Coda...
Category

2010s Contemporary Figurative Prints

Materials

Archival Pigment

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Prodigal Son
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Prodigal Son
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'Financial District', New York City — American Modernism
Located in Myrtle Beach, SC
Howard Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 inches), in excellent condition. Image size 13 5/16 x 10 3/8 inches (338 x 264 mm); sheet size 23 x 16 inches (584 x 406 mm). Matted to museum standards, unframed. Literature: 'American Master Prints from the Betty and Douglas Duffy Collection', the Trust for Museum Exhibitions, Washington, D.C., 1987. Collections: Crystal Bridges Museum of American Art, Library of Congress, Metropolitan Museum of Art, Philadelphia Museum of Art, Smithsonian American Art Museum. ABOUT THE ARTIST Howard Norton Cook (1901-1980) was one of the best-known of the second generation of artists who moved to Taos. A native of Massachusetts, he studied at the Art Students League in New York City and at the Woodstock Art Colony. Beginning his association with Taos in 1926, he became a resident of the community in the 1930s. During his career, he received two Guggenheim Fellowships and was elected an Academician in the National Academy of Design. He earned a national reputation as a painter, muralist, and printmaker. Cook’s work in the print mediums received acclaim early in his career with one-person exhibitions at the Denver Art Museum (1927) and the Museum of New Mexico (1928). He received numerous honors and awards over the years, including selection in best-of-the-year exhibitions sponsored by the American Institute of Graphics Arts, the Brooklyn Museum, the Society of American Etchers, and the Philadelphia Print Club. His first Guggenheim Fellowship took him to Taxco, Mexico in 1932 and 1933; his second in the following year enabled him to travel through the American South and Southwest. Cook painted murals for the Public Works of Art Project in 1933 and the Treasury Departments Art Program in 1935. The latter project, completed in Pittsburgh, received a Gold Medal from the Architectural League of New York. One of his most acclaimed commissions was a mural in the San Antonio Post Office in 1937. He and Barbara Latham settled in Talpa, south of Taos, in 1938 and remained there for over three decades. Cook volunteered in World War II as an Artist War Correspondent for the US Navy, where he was deployed in the Pacific. In 1943 he was appointed Leader of a War Art Unit...
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