PVC Prints and Multiples

This piece titled "Portal I" is an original piece by Alexis Nutini and is made from a woodcut monoprint mounted on panel. This piece measures 14.5"h x 9.5"w. Born in Mexico City, A...

Carlos Cruz Diez (1923-2019) “Physichromie No. 1354” 2002 Plastic inserts and digital print on cardboard Ed. 2/3 11 7/8 x 12 in Provenance: Galerie Mark Hachem, Paris. Private Colle...

Artist: Arnold Hoffman, Jr., American (1915 - 1991) Title: Intermesh Year: circa 1970 Medium: Screenprint, signed and numbered in pencil Edition: 90 Ima...

70x70cm, print on canvas Edition 20 pcs.

Seascape , 70x70cm, print on canvas Edition 20 pcs. A different print size can be made upon request.

Artist: Robert Natkin, American (1930 - 2010) Title: Intimate Lighting II Year: 1972 Medium: Screenprint on Cream Arches Paper, signed, dated and numbered in pencil Edition: 36/150 S...

Andy Warhol Deluxe Signed Edition of Film Festival Lincoln Center (Feldman & Schellmann, II.19), 1967 Silkscreen, die-cut on opaque acrylic Edition 2/200 (Signed and numbered on the back with engraving pen) Hand-signed by artist, As this work was done on acrylic, Warhol signed and numbered it by hand on verso with an engraving needle. Printed date with copyright Frame included: Elegantly framed in a museum quality wood frame with UV plexiglass. A die-cut window has been created in the back of the frame to reveal Warhol's incised signature and edition Publisher: Leo Castelli, New York Printer: Chiron Press, New York Catalogue Raisonne: Feldman & Schellmann, II.19 This work is often hung and displayed both vertically and horizontally - see photos for inspiration This work is one of only 200 done on opaque acrylic rather than wove paper, signed and numbered on the opaque acrylic by Andy Warhol with an engraving pen. (Separately, there was an unsigned edition of 500 on wove paper). What distinguishes this rare, extremely desirable signed edition of 200, other than that it is signed and numbered by hand by Andy Warhol, is that the black graphic text FIFTH NEW YORK is placed directly over the text Film Festival of Lincoln Center; whereas in the edition of 500, the text black text FIFTH NEW YORK is placed on top of the white text. An innovative feature that appears in this special edition is a perforated line running across the surface of the print, at its triangular cut out sides, mimicking the tear line present in real commercial movie admissions tickets. Chiron Press commissioned by Lincoln Center, devised a special process expressly to imprint the edition with this perforation using a die cut stamp. This work is quintessential early Warhol, with characteristic bright neon colors, featuring text, along with the artist's very recognizable flower motif. The Lincoln Center ticket...

Carmen Louis Cicero, American (1926 - ) - Untitled 10, Year: 1971, Medium: Screenprint, signed, numbered and dated in pencil, Edition: AP, Image Size: 18 x 20 inches, Size: 23 x 24...

Seascape , 70x70cm, print on canvas Edition 20 pcs.

Seascape , 70x70cm, print on canvas Edition 20 pcs.

James Rosenquist (American, 1933-2017), Sketch for Forest Ranger, Screenprint in Colors on Plastic Film, 1967, from Ten from Leo Castelli portfolio, published by Tanglewood Press, In...

Interspaceograph - multidimensional silkscreen print on two clear plexiglass panes. There is space between the two silkscreen print plexiglass panes in the custom frame giving the a...