Baseball Prints and Multiples

signed and numbered edition 7/40 Printed by Chris Sukimoto, Doris Simmelink, and Debra Salopek, Simmelink-Sukimoto Editions Published by Simmelink-Sukimoto Editions online archive #0...

Paper Size: 17.5 x 24 inches ( 44.45 x 60.96 cm ) Image Size: 14.5 x 19.25 inches ( 36.83 x 48.895 cm ) Framed: No Condition: A: Mint Additional Details: Part of the "For the L...

Baseball, Olympic Games Beijing 2008 is an original lithograph realized by Zhang Wei Guang (Mirror). This artwork is from the portfolio The Unique Collection for the Olympic Fine Arts 2008 presented during the Olympic Games and produced in 260 copies as the only official artistic product of the 2008 Beijing Olympics...

Color lithograph on wove paper Elizabeth Catlett has said the purpose of her art is to “present black people in their beauty and dignity for ourselves and others to understand and en...

Edition of 260 prints, numbered and hand signed. Realized in occasion of the Olympic Games in Beijing, China, in 2008. Excellent conditions. Zhang Wei Guang, also called ‘mirror'...

Marcus Brutus paints his Black diasporic subjects in disparate settings: His figures exercise, read, relax, and work across beaches, barbershops, lawns, and living rooms. Brutus capt...

TECHNICAL INFORMATION Alex Katz White Visor 2003 Etching Aquatint 33 3/8 x 66 7/8 in. Edition of 75 Pencil signed & numbered Accompanied with COA by Gregg Shienbaum Fine Art ...

Medium: Digital archival print Image Size: 13.5 x 35 inches Year: 2024 Edition: 500 This is a unusual item from Romero, a project completed for a movie. The Pleasantville Color Car...

Kehinde Wiley After Pontormo's "Two Men With a Passage" from Cicero's "On Friendship", 2009 Archival inkjet print on Hahnemuhle fine art paper Framed Dimensions: 38 3/8 x 32 7/8 inch...

Edition of 100. 26 colour screenprint with hand-painted gouache embellishments on Somerset Tub Sized Satin Radiant White 410gsm. Size: 76 x 60 cm. Signed and dated by the artist lowe...

A Single Frame - From the “Mnemonic Pictures Folio” is an original photo-lithograph realized by Robert Longo in 1995. Signed with initials and dated in pencil lower right, inscribed ...

This exquisite lithograph by Marc Chagall (1887–1985), titled David a la harpe (David with the Harp), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue ...

Szpital is a vintage offset print on paper realized by Marcin Mroszciak in 1973. Good condition and aged. Print: Marcin Mroszciak

Still Life is a color lithograph realized by Fernand Léger (1881-1955) and published by éditions Falaize, Paris, 1951. With the additional values of the blue ink signature and an ...

James Bond Thunderball - Original 1965 Lobby Card Vintage 1965 Thunderball Lobby Card - James Bond heads to the Bahamas to recover two nuclear ...

Barchman Green Portfolio, 1986 Suite of five etchings 31 x 22 1/2” each ed. 25 Framed

Baseball (Olympic Games Beijing 2008) is an original lithography print realized by Zhang Wei Guang (Mirror). This artwork is from the portfolio The Unique Collection for the Olympic...

Color lithograph from Vanity Fair of Mr. Abington. London, circa 1890.

Watercolor on WC Board Paper Size: 24 x 24 inches ( 60.96 x 60.96 cm ) Image Size: 20 x 20 inches ( 50.8 x 50.8 cm ) Framed: No Condition: A: Mint Shipping and Handling: We sh...

"The Gloves Left Behind 33 of 138" (2019) by Sophy Brown is an original mixed media collage on paper depicting a collection of gloves at different angles a...

Hanoi Pérez (Cuba, 1976) 'Causas y con consecuencias (La Huella Múltiple)', 2002 engraving, photoengraving on paper 8.1 x 8.1 in. (20.5 x 20.5 cm.) Edition of 300 ID: HUE-243 Hand-si...

Hadar takes euphoric moments and try to generate a three dimensional feeling with every image inviting the viewer to jump into the game and to be part of it. There's a hidden message...

Agent X 50 Cent (Black & White) (50 Years, Hip Hop, Rap, Iconic, Artist, Musician, Rapper, Anniversary, Legend, Pop Art) Archival Pigment Print with Archival Inks on 240 gsm Hahn...

Agent X 50 Cent (Gold) (50 Years, Hip Hop, Rap, Iconic, Artist, Musician, Rapper, Anniversary, Legend, Pop Art) Archival Pigment Print with Archival Inks on 240 gsm Hahnemühle Paper ...

Lois Ward created a Fragile Series of images including "Crushed Beetle" in 1990 in a very small edition of just 9. This impression is #1 of 9. Ward has always been concerned with t...

Guard Your Grill (Naughty by Nature) by Mark Drew. 2018 print from an edition of 100. Dimensions of 16.5in x 11.7in. Numbered and hand-signed by Mar...

Paper Size: 34.75 x 23.5 inches ( 88.265 x 59.69 cm ) Image Size: 19 x 14.75 inches ( 48.26 x 37.465 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addi...

Original American Lobby Card of the Movie „POPEYE“ USA 1980 Director: Robert Altman, Actors/Stars: Robin Williams, Ray Walston Adventures of sailor man POPE...

Pop Art Digital Figurative Painting Print - Time to go A man on his journey: With a few strong lines that become finer in places and reveal details, the exterior is depicted to refl...

Unique Artist Proof Diamond Dusted Silkscreen canvas. Edition 1 of 1 Stunning black and white artwork, the diamond dust sparkles in the light making...

Red glove - Guanto rosso is a beautiful burnt Sienna color etching on paper, realized in 1972 by the Italian artist Giacomo Porzano (1925-2006). Hand-signed, dated and numbered by t...

Still Life is an original lithograph realized in the early 1930s by Emmanuel Gondouin, (Versailles, 1883 - Parigi, 1934) The artwork is depicted through strong strokes and is part...

Ex Libris Haeka is an original Contemporary Artwork realized in the early 20th Century. Original B/W woodcut print on ivory-colored paper. Sigled on plate on the lower right corner...

Michael Knigin, American (1942 - 2011) - Acting Proud, Portfolio: Vintage Nudes, Year: 2001, Medium: Giclee signed, numbered, dated, and titled in pencil, Edition: AP, Image Size...

Guard Your Grill (Naughty by Nature) Orange by Mark Drew. 2018 print from an edition of 100. Dimensions of 16.5in x 11.7in. Numbered and hand-signed...

Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.

New mixed media Original artwork, 1/1

Edition of 50 Ger Doornink's limited editions are based on a high resolution scan of the original artwork. They are printed on archival Hahnemühle German Etching paper. This techniq...

Limited Edition Giclee on Canvas Hand Signed by Stephen Holland

Alex Katz was born in Brooklyn, New York in 1927. In 1928, at the outset of the Depression, his family moved to St. Albans, a diverse suburb of Queens that had sprung up between the two wars. Katz was raised in St. Albans by his Russian parents. His mother had been an actress and possessed a deep interest in poetry and his father, a businessman, also had an interest in the arts. Katz attended Woodrow Wilson High School for its unique program that allowed him to devote his mornings to academics and his afternoons to the arts. In 1946, Katz entered The Cooper Union Art School in Manhattan, a prestigious college of art, architecture, and engineering. At The Cooper Union, Katz studied painting under Morris Kantor and was trained in Modern art theories and techniques. Upon graduating in 1949, Katz was awarded a scholarship for summer study at the Skowhegan School for Painting and Sculpture in Maine, a grant that he would renew the following summer. During his years at Cooper Union, Katz had been exposed primarily to modern art and was taught to paint from drawings. Skowhegan exposed him to painting from life, which would prove pivotal in his development as a painter and remains a staple of his practices today. Katz explains that Skowhegan’s plein air painting gave him “a reason to devote my life to painting.” Katz’s first one-person show was held at the Roko Gallery in 1954. Katz had begun to develop greater acquaintances with the New York School and their allies in the other arts; he counted amongst his friends’ figurative painters Larry Rivers and Fairfield Porter, photographer Rudolph Burckhardt, and poets John Ashbery, Edwin Denby, Frank O’Hara, and James Schuyler. From 1955 to 1959, usually following a day of painting, Katz made small collages of figures in landscapes from hand-colored strips of delicately cut paper. In the late 1950s, he moved towards greater realism in his paintings. Katz became increasingly interested in portraiture, and painted his friends and his wife and muse, Ada. He embraced monochrome backgrounds, which would become a defining characteristic of his style, anticipating Pop Art and separating him from gestural figure painters and the New Perceptual Realism. In 1959, Katz made his first cutout, which would grow into a series of flat “sculptures;” freestanding or relief portraits that exist in actual space. In the early 1960s, influenced by films, television, and billboard advertising, Katz began painting large-scale paintings, often with dramatically cropped faces. In 1965, he also embarked on a prolific career in printmaking. Katz would go on to produce many editions in lithography, etching, silkscreen, woodcut and linoleum cut. After 1964, Katz increasingly portrayed groups of figures. He would continue painting these complex groups into the 1970s, portraying the social world of painters, poets, critics, and other colleagues that surrounded him. He began designing sets and costumes for choreographer Paul Taylor in the early 1960s, and he has painted many images of dancers throughout the years. In the 1980s, Katz took on a new subject in his work: fashion models in designer clothing. In the late 1980s and 1990s, Katz focused much of his attention on large landscape paintings, which he characterizes as “environmental.” Rather than observing a scene from afar, the viewer feels enveloped by nearby nature. Katz began each of these canvases with “an idea of the landscape, a conception,” trying to find the image in nature afterwards. In his landscape paintings, Katz loosened the edges of the forms, executing the works with greater painterliness than before in these allover canvases. In 1986, Katz began painting a series of night pictures—a sharp departure from the sunlit landscapes he had previously painted, forcing him to explore a new type of light. Variations on the theme of light falling through branches appear in Katz’s work throughout the 1990s and into the 21st century. At the beginning of the new millennium, Katz also began painting flowers in profusion, covering canvases in blossoms similar to those he had first explored in the late 1960s, when he painted large close-ups of flowers in solitude or in small clusters. More recently Katz began painting a series of dancers and one of nudes, which was the subject of a 2011 exhibition at the Kestnergesellschaft in Hanover. Katz’s work continues to grow and evolve today. Alex Katz's work has been the subject of more than 200 solo exhibitions and nearly 500 group exhibitions internationally since 1951. In 2010, Alex Katz Prints was on view at the Albertina Museum in Vienna, which showed a retrospective survey of over 150 graphic works from a recent donation to the museum by Katz of his complete graphic oeuvre. The National Portrait Gallery in London presented an exhibition titled Alex Katz Portraits. In June 2010, The Farnsworth Art Museum in Rockland, Maine opened Alex Katz: New Work, exhibiting recent large-scale paintings inspired by his summers spent in Maine. Katz was also represented in a show at the Metropolitan Museum of Art, New York, curated by Marla Prather, entitled Facing the Figure: Selections from the Permanent Collection, 2010. In 2009-2010, Alex Katz: An American Way Of Seeing was on view at the Sara Hildén Art Museum, Tampere, Finland; Musée Grenoble, Grenoble, France; and the Museum Kurhaus Kleve, Kleve, Germany. In 2007, Alex Katz: New York opened at the Irish Museum of Modern Art, Dublin, Ireland. The show, which included approximately 40 paintings and aquatints, was the first exhibition to concentrate primarily on Katz’s relationship with his native city. The Jewish Museum, New York, presented Alex Katz Paints Ada in 2006-2007, an exhibition of 40 paintings focused on Katz’s wife, Ada, dating from 1957 to 2005. It coincided with an exhibition devoted to Katz’s paintings of the 1960s at PaceWildenstein, Alex Katz: The Sixties, on view from April 27 through June 17, 2006 at 545 West 22nd Street. Alex Katz in Maine, an exhibition of landscapes and portraits made over six decades, opened at The Farnsworth Art Museum and Wyeth...