Plaster Abstract Sculptures

This contemporary sculptural wall installation is comprised of more than 275 individual acorn caps mounted on brass pins - each cap is filled with plaster and paint in bright hues of...

Unity I, Plaster is a plaster sculpture by contemporary artist Delphine Brabant. Dimensions: 14.5 × 8.2 × 3.9 in / 37 × 21 × 10 cm. The sculpture is signed and numbered, it is part...

Raymond Graber's celestial light sculptures transform the sense of perception, challenging the human eye’s sense for scale and time with a transcendenta...

Ensemble, plaster is a sculpture by contemporary French artist Delphine Brabant from the “Human Being” series. Edition of 8 + 4 artist's proofs. 16.1 × 12.6 × 7.9 in / 41 × 32 × 20 c...

"She Carried Water", 2019 (Abstract Free Standing Tabletop Sculpture in Shades of White, Grey and Black) 31 x 12 x 8 inches Precision board, Venetian plaster, pigments, beeswax The ...

Block XI is a unique plaster sculpture by contemporary artist Delphine Brabant, dimensions are 20 × 11 × 14 cm (7.9 × 4.3 × 5.5 in). The sculpture is signed and comes with a certifi...

Delphine Brabant: Landscape I, Plaster, 2025 52 × 43 × 12 cm / 20.5 × 16.9 × 4.7 in 12 kg / 26.45 lbs Unique work Landscape I, plaster is a plaster sculpture by contemporary French ...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

"Da sempre sono attratto dagli oggetti semplici, spesso dimenticati o fuori contesto. Riporto alla luce piccoli frammenti del quotidiano – giocattoli, gadget, elementi della cultura ...

Abstract modernist, minimal, Brancusi inspired three dimensional wall sculpture in light grey. Made of carved high-density foam, epoxy resin, pigment and gypsum cement. Despite it's ...

Abstract minimalist three-dimensional wall sculpture in light grey and black "Please Leave Us Alone" by Dai Ban, 2020 29 x 24 x 10 inches Precision board, Venetian Plaster, Beeswax, Pigment Lightweight sculpture (weighs about 5 lbs.) and hangs on the wall with a French cleat Excellent condition and ready to hang as is Signed, verso This contemporary, abstract horizontal wall sculpture...

Abstract geometric, minimalist, three dimensional wall sculpture in light grey Precision board, Venetian Plaster, pigments, and beeswax Despite it's stone-like appearance, the scul...

Artist: John Taylor (1936-) Scottish Title: "Wall Relief Tiles" (a pair) Medium: oil on board Size: 15cm x 20cm inc. frame & 13cm x 21cm inc. frame Notes: Painter, notably in watercolour, and printmaker, gallery owner and teacher, born in Darvel, Ayrshire. Graduated from Glasgow School of Art in 1959, some years later taking a higher diploma in art. Taylor made a big impact on the Scottish gallery scene when in 1963 he opened the New Charing Cross Gallery in Glasgow, giving young artists a chance to exhibit more adventurous work. Taylor had a long association with the Glasgow Print Studio as senior technician. In 1977, with Ainslie Yule, he was recommended by Scottish Arts Council for a residency at Editions Alecto to work on a screenprint. Taylor’s own work could sometimes have a strong polemical element, notably regarding war and the nuclear threat. As well as taking part in many group shows across Europe he was a regular solo exhibitor. Notable among these were Compass Gallery, Glasgow, 1985 and 1987; Richard Demarco Gallery in Edinburgh and Glasgow Print Studio in 1987; and Edinburgh Print...

"Fruit of Poet" by Dai Ban, 2021 42" X 22" X 12" Foam Board, Venetian Plaster, Beeswax, Pigment Dai Ban designed this dynamic abstracted wall sculpture in his studio in the Berkshi...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...

Da sempre sono attratto dagli oggetti semplici, spesso dimenticati o fuori contesto. Riporto alla luce piccoli frammenti del quotidiano – giocattoli, gadget, elementi della cultura p...

This work encapsulates Zura's deep exploration of the human form, rendered with raw immediacy and emotional resonance. The sculpture’s sensuous curves and rough, tactile surface invi...

Minimalist, New Brutalism abstract three dimensional wall sculpture in white "Closing Gate Faster Than We Wished", by Japanese born artist, Dai Ban, in 2...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. Hayes received a...

This piece is made by casting Hydrocal FGR95 (a very hard plaster) on top of an oil clay pattern. Once cured, the oil clay is removed, then paint and brass leaf are applied to the su...

Artist: Claes Oldenburg (1929-2022) Title: Fire Plug Souvenir-'Chicago August 1968' (Platzker 10) Year: 1967 Medium: Cast plaster with acrylic paint Sculpture Size: 7.875 x 7.5 x 5.8...

Sara Fine-Wilson's "Caterpillar" is a small 16 x 6 x 6 inch abstract mixed media sculpture in neutral white, gray and brown with a playful, raw and refined quality. In this whimsica...

Rah-Rah is made by casting Hydrocal FGR95 (a very hard plaster) on top of an oil clay pattern. The oil clay is extruded to take on a "noodle form". The composition is laid out on pl...

This is a white, plaster cast sculpture designed to be mounted directly to the wall or installed on a shelf. It is an abstract image evoking the churning sea. It is reminiscent of a fossil or natural or scientific curiosity in a "Wunderkammer," or historical cabinet of curiosities. It is signed on the back. Ava Blitz...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Sara Fine-Wilson's "Coming Up for Air" is a mixed media sculpture of multiple ceramic elements that were previously formed, fired, and glazed and the...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

Sara Fine-Wilson's "Emerge" is a small abstract mixed media ceramic and plaster sculpture measuring 8 x 8 x 6 inches. Multiple ceramic elements were previously hand formed and extrud...

This contemporary sculptural wall installation consists of more than 270 individual acorn caps mounted on brass pins - each cap is filled with plaster and paint in bright hues of pin...

Modern artist George L.K. Morris created this abstract biomorphic nonobjective plaster sculpture during the WPA era of the 1930s / 40s. Monogrammed. Though George Lovett Kingsland Morris studied with realist painters John Sloan and Kenneth Hayes Miller at the Art Students League, the influence of their points of view was replaced by that of abstractionists Amedee Ozenfant and Fernand Leger. The paintings of Morris were two-dimensional, hard-edged and brightly colored. Born in New York City in 1905, Morris became a full-fledged abstractionist and a founder in 1936 of the American Abstract Artists. He edited "The World of Abstract Art, the group's publication, and was their president from 1948-1950. Morris had graduated from Yale in 1928 and studied at the League until 1930, when he went to Paris to attend the Academie Moderne. A sculptor, writer, art critic and teacher in addition to abstract painter Morris himself later taught at the Art Students League from 1943-1944, as well as St. John's College, Annapolis, Maryland, 1960-1961. Morris' intrinsic abstract bent was made even clearer by his positive feeling for Hans Arp's sculpture. He and Arp edited the French art magazine, "Plastique." Morris also edited the "Bulletin of the Museum of Modern Art" and "Partisan Review." He died in 1975 in New York City. George LK...

A haunting, elongated head rendered with raw, expressive surface detail—Zura’s newest sculpture evokes a psychological intensity that feels unearthed rather than crafted. Stark and s...

Megan Klim's mixed media work juxtaposes several materials on one picture plane.  She highlights their inherent qualities to create surface tension which sparks a conversation and in...

Delphine Brabant: Low Wall, Plaster, 2024 25 × 58 × 20 cm / 9.8 × 22.8 × 7.9 in 12kg / 26.45 lbs Unique work Low Wall, Plaster is a sculpture by contemporary French artist Delphine ...

Artist Commentary: This piece is created using a variety of casting materials cast into a concrete form tube (sonotube) and combined with cast off indust...

18 x 24 x 8 inches styrofoam and venetian plaster Black and white three dimensional floating high contrast wall sculpture with clean lines Dai Ban presents new series of minimalis...

Delphine Brabant: Ensemble IV, plaster, 2025 10 × 10 × 8 cm / 3.9 × 3.9 × 3.1 in 2 kg / 4.4 lbs Edition of 8 + 4 Artist's Proofs Ensemble IV, plaster is a sculpture by contemporary ...

Da sempre sono attratto dagli oggetti semplici, spesso dimenticati o fuori contesto. Riporto alla luce piccoli frammenti del quotidiano – giocattoli, gadget, elementi della cultura p...

Delphine Brabant: Landscape III, Plaster, 2025 60 × 43 × 10 cm / 23.6 × 16.9 × 3.9 in 12 kg / 26.45 lbs Unique work Landscape III, plaster is a plaster sculpture by contemporary Fre...

Elevation is a unique plaster sculpture by contemporary artist Delphine Brabant, dimensions are 144 × 35 × 24.5 cm (56.6 × 13.7 × 9.4 in). The metal base measures 35 x 25 cm (13,8 x ...

Achtung25 (Not the 25th version, but when it was made) is a vibrant large-scale mixed media wall sculpture. It is made from birch panels, stain and pigmented lacquer on MDF with a s...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended t...

Ensemble III, Plaster (2023), sculpture by French contemporary artist Delphine Brabant. Plaster, edition of 8 + 4 Artist's Proofs, 16.9 × 9.8 × 8.7 in / 45 cm × 25 cm × 22 cm. The a...

A weightless moment captured in form—Zura’s newest sculpture explores surrender, strength, and the poetry of gravity.

Da sempre sono attratto dagli oggetti semplici, spesso dimenticati o fuori contesto. Riporto alla luce piccoli frammenti del quotidiano – giocattoli, gadget, elementi della cultura p...

This free-standing sculpture titled "An Exact Record Of How It Happened" is an original artwork by Jedediah Morfit made of plaster, paint, wax, thermoplastic, epoxy, wood, rope. This piece measures 33.25"h x 10"w x 14"d. BIO Jedediah Morfit received his MFA in sculpture from the Rhode Island School of Design in 2005, where he was awarded the Sylvia Leslie Herman Young Scholarship and the Award Of Excellence. He was a Fellow at the Center For Emerging Visual Artists from 2007-2009, and received a New Jersey Council On the Arts Fellowship for sculpture in 2009. He received the Louise Kahn Award for Sculpture from the Woodmere Art Museum in 2006, and was awarded the Dexter Jones Award for Bas Relief from the National Sculpture Society in 2011 and 2012. In 2013, he was commissioned to create a series of new work for Artlantic:Wonder, which was named one of the 50 best...

"Portrait" is an expressive figurative sculpture by Zura exploring the human figure through movement, gesture and raw sculptural form. The flowing hair creates a sense of motion, as ...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Forms is a unique plaster sculpture coloured in the mass by contemporary artist Delphine Brabant, dimensions are 23 × 36 × 15 cm (9.1 × 14.2 × 5.9 in). The sculpture is signed and co...

In his sculptures, drawings and paintings, Michael O’Keefe employs unpredictable processes as a means to discover content. He couples accident and chance with unconventional methods, tools, and materials as a means to move beyond the boundaries of his tendencies. In his recent sculptures of heads...

Arch is a plaster sculpture by contemporary artist Delphine Brabant, dimensions are 35 × 32 × 29 cm (13.8 × 12.6 × 11.4 in). The sculpture is signed and numbered, it is part of a li...

Born in 1944 in the canton of Fribourg, Gilbert Pauli lived in Geneva, where he devoted himself to painting and sculpture, a passion he developed from his childhood. His favorite the...

This blue and gold-colored figurative sculpture titled "Parting Lines" is an original artwork by Jedediah Morfit made of plaster, paint, yarn, and adhesive. This piece measures 38”h x 23"w x 14"d. BIO Jedediah Morfit received his MFA in sculpture from the Rhode Island School of Design in 2005, where he was awarded the Sylvia Leslie Herman Young Scholarship and the Award Of Excellence. He was a Fellow at the Center For Emerging Visual Artists from 2007-2009, and received a New Jersey Council On the Arts Fellowship for sculpture in 2009. He received the Louise Kahn Award for Sculpture from the Woodmere Art Museum in 2006, and was awarded the Dexter Jones Award for Bas Relief from the National Sculpture Society in 2011 and 2012. In 2013, he was commissioned to create a series of new work for Artlantic:Wonder, which was named one of the 50 best...

This figurative sculpture titled "Deepfake National Monument" is an original artwork by Jedediah Morfit made of plaster, paint, pins, epoxy, adhesive, wood, rope, and hardware. This piece measures 32"h x 11"w x 27”d. BIO Jedediah Morfit received his MFA in sculpture from the Rhode Island School of Design in 2005, where he was awarded the Sylvia Leslie Herman Young Scholarship and the Award Of Excellence. He was a Fellow at the Center For Emerging Visual Artists from 2007-2009, and received a New Jersey Council On the Arts Fellowship for sculpture in 2009. He received the Louise Kahn Award for Sculpture from the Woodmere Art Museum in 2006, and was awarded the Dexter Jones Award for Bas Relief from the National Sculpture Society in 2011 and 2012. In 2013, he was commissioned to create a series of new work for Artlantic:Wonder, which was named one of the 50 best...

Bedfellows refers to partnerships and celebrates relationships. This piece is subtle and beautiful. The pale, purple paint accentuates the carved texture. The piece is framed in wh...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended t...