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1920s Abstract Sculptures

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Period: 1920s
Claude-Levy Cast Iron Sculpture of Flora, Dated 1925

Claude-Levy Cast Iron Sculpture of Flora, Dated 1925

Located in New York, NY

Claude-Lévy, 1895 – 1942 Alice Nikitina in the role of Flora, from the Dukelsky/Braque production of the ballet Zephyr & Flore at the Ballets Russes, 1925 Cast Stone Signed and dated: Claude-Levy 1925 on rear face of self-base. The present sculpture is as rare as it is delightful. Mademoiselle Claude-Levy, as the catalogues of the period list her, was one of the truly original talents of the Art Deco period. Painter, architect, decorator, and sculptor, she was a friend of the Parisian, Modernist sculptors, Chana Orloff, Henri Laurens and the Martel brothers, to whom her work was often compared. The ingenuity of her models brought her great critical acclaim, but she seems to have stopped producing in the early 1930s. Her output, although fine, is rare. Claude-Levy’s gentle Cubism might be better described as Purism in sculpture. It is characterized by simplified surfaces, rounded (as opposed to angular) forms, and smooth, lustrous surfaces. The Purist movement included the painters Léger, Ozenfant and Le Corbusier in its ranks. Claude-Lévy, along with other artists of the avant- garde living in the Gallic capital (Czaky, Zadkine, Archipenko, Lipchitz, Lambert Rucki Miklos, Nadelman, Vörös, Orloff) helped to develop a collective twentieth century figurative sculptural idiom that exploited the daring and rich possibilities of geometric abstraction. The present work is Claude-Lévy’s Commedia dell’Arte figures inspired by the Stravinsky/Picasso Ballet...

Category

1920s Abstract Sculptures

Materials

Cast Stone

Life-Sized, Abstract Figurative Sculpture
Life-Sized, Abstract Figurative Sculpture

Life-Sized, Abstract Figurative Sculpture

Located in Los Angeles, CA

Remarkable, large, hand-carved, tribal-type, teak sculpture of an abstract, female form featuring a mix of refined and rough finishes.

Category

1920s Abstract Sculptures

Materials

Wood

Westside Highway Cast Iron Roundel  Art Deco - Rene Paul Chambellan
Westside Highway Cast Iron Roundel  Art Deco - Rene Paul Chambellan

Westside Highway Cast Iron Roundel Art Deco - Rene Paul Chambellan

Located in Miami, FL

This sale is for one of them of the Cast Iron Roundels. However, we have 3 Cast Iron Roundels from the Old West Side Highway in Manhattan if you want to buy all three... reach out to us. . Each retains its original industrial paint. If the paint is removed, the clear shape of the iron cast will be removed. Each roundel has a different image and story. They were designed in 1928 by Rene Paul Chambellan...

Category

Art Deco 1920s Abstract Sculptures

Materials

Iron

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Mother & Child
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H 10 in W 8 in D 5 in

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The sculpture titled "Mother & Child" by Bettina Seitz beautifully captures the intimate bond between a caregiver and an infant through its elegant form. Crafted from a unique white ...

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Cuban Master Florencio Gelabert Sculpture Large Wood Carving Bust Man Portrait
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Located in Surfside, FL

Florencio Gelabert Y Perez (Cuban, 1904-1995) Hand carved, signed; 1979 Materials: Cuban wood (mahogany?) Dimensions 23 X 4 X 4 inches Label affixed to underside: National Registry of Cultural Assets of the Republic of Cuba Ministry of Culture. Provenance: Art Master Collection, Miami, Florida. Florencio Gelabert, with a style reminiscent of Art Deco and Art Nouveau in a Latin American Expressionist stylization. Carved wood sculpture. Depicts a modernist stylized form of a man in a streamline moderne style. José Florencio Gelabert Pérez (Caibarien, 1904 - Havana, 1995) Cuban musician, sculptor, draftsman and teacher. He graduated from the San Alejandro National Academy of Fine Arts in 1934. He received numerous awards, mentions and recognitions in Fine Arts Halls and Circles. His works are in the permanent collection of the National Museum of Fine Arts. Florencio Gelabert is a renowned sculptor, who made more than twenty solo exhibitions beginning in 1929, several in the National Museum of Fine Arts, and participated in more than thirty collectives in Cuba, Spain and Brazil, the latter in the Sao Paulo Biennial. he traveled from Caibarién to Santa Clara in 1928 to audition to enter the famous San Alejandro Fine Arts School in Havana. He obtained one of the five vacancies. Already in the Cuban capital, he combined fine arts and music. When he graduated, he became a professor in San Alejandro and the academy’s principal in 1960. With a calling common to wood sculptors –which began with his primary school carving carpentry classes and the active life of his home town’s shipyards, his chisels and gouges feverishly turned mahogany, “ácana” and ebony into female heads with black African features dating back to 1930. In 1938 he used his savings to explore Europe: France (Paris, Marseilles), Italy (Naples, Rome, Florence, and Venice), Belgium (Malina). His encounter with the works by Aristide Maillol, Auguste Rodin, Ossip Zadkine, Constantin Brancusi and even with Wifredo Lam, who was also born in another Cuban coastal area, Sagua la Grande, and his encounter with the nude marble David sculpture...

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Materials

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Brutalist Hand Forged Iron Mosaic Sculpture Menorah Israeli David Palombo
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Brutalist Hand Forged Iron Mosaic Sculpture Menorah Israeli David Palombo

By David Palombo

Located in Surfside, FL

Hand Forged Iron Stone Mosaic Hanukah Menorah Candelabra David Palombo was an Israeli sculptor and painter. He was born in Turkey to a traditional family and immigrated to the Land of Israel with his parents in 1923. They lived in the Nahalat Shiva neighborhood of Jerusalem. In 1940 he began his studies at Bezalel Academy of Arts and Design, and from 1942 was a student of sculptor Ze’ev Ben-Zvi. For a period of time, Palombo was an assistant at Ben-Zvi’s studio and also taught at Bezalel. During this period he was also a member of the “Histadrut HaNoar HaOved VeHaLomed” (The General Federation of Students and Young Workers in Israel). In the 1940s he took art lessons at night. In 1948 he went to Paris, where he visited the studio of the sculptor Constantin Brancusi whose work influenced him. Around 1958 he married the artist Shulamit Sirota. In 1960 he quit his job to devote himself to art. In 1964 he married for the second time to the artist Yona Palombo. The two of them went to live in an abandoned home on Mount Zion in Jerusalem. In 1966 he was killed when the motorcycle on which he was riding ran into a chain stretched across the street to prevent the desecration of Shabbat. His widow opened a museum in their home that was active until the year 2000. Work by Palombo is included in the Judaic collection of the Jewish Museum (a well known Hanukkah menora). Palombo executed the impressive metal gates of the Tent of Remembrance at the Yad Vashem, the memorial to the martyrs of the holocaust, as well as the gates to the Knesset Building the United Nations Educational Scientific and Cultural Organization (Unesco award) awarded him a scholarship for study in Japan. He worked in marble, granite, bronze, iron and steel. as well as with glass mosaic tiles. Palombo’s early works, in the 1950s, were influenced by modernist sculptors such as Brancusi. These works were composed of abstract images from nature and were carved out of stone or wood. At the end of the 1950s he began making metal sculptors, using the technique of welding. His work took on a more abstract and expressive character. Education 1940 Painting with Isidor Ascheim, New Bezalel School for Arts and Crafts, Jerusalem 1942 Sculpture with Zeev Ben Zvi, Jerusalem 1956 Mosaic, Ravenna, Italy 1958 Welding Course Awards And Prizes 1966 UNESCO Award Exhibitions: Sculpture in Israel, 1948-1958 Mishkan Museum of Art, Kibbutz Ein Harod Artists: Zvi Aldouby, Yitzhak Danziger, Arieh Merzer, Dov Feigin, Aaron Priver, David Palumbo, Menashe Kadishman, Kosso Eloul, Yehiel Shemi, Zahara Schatz. The Spring Exhibition of Jerusalem Artists, Artists' House, Jerusalem Artists: Palombo, David Bezalel Schatz, Mordechai Levanon, Fima, Ludwig Blum 12 Artists, The Bezalel National Museum, Jerusalem Avraham Ofek, Aviva Uri, Avigdor Arikha, Yosl Bergner, Lea Nikel, Palombo, Ruth Zarfati...

Category

Arte Povera 1920s Abstract Sculptures

Materials

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"Untitled Bottles" Laurence Vail, Dada, Surrealist, Modernist College Bottles
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"Untitled Bottles" Laurence Vail, Dada, Surrealist, Modernist College Bottles

Located in New York, NY

Laurence Vail Untitled Bottles, circa 1942 Collaged glass bottles 8 3/4 x 5 inches, 12 1/4 x 3 3/4 inches Provenance The artist Art of the Century, New York Dwight Ripley Estate of Dwight Ripley By Descent, New York Acquired from the above, 2025 Exhibited New York, Art of This Century, Laurence Vail: Bottles, December 1942. Greenwich, CT, Bruce Museum, Connecticut Modern: Art, Design and the Avant-Garde, 1930-1960, September 23, 2023-January 7, 2024. Literature Susan Davidson, Peggy Guggenheim and Frederick Kiesler: The Story of Art of This Century, Guggenheim Museum Publications, 2004, p. 319-320. Laurence Vail was born in Paris on January 28, 1891, to American parents. His father, Eugène Vail, was a painter, renowned for his depictions of Brittany and Venice. For many years throughout his childhood, Vail accompanied his father on his travels to Venice. Having initially studied in France, he moved to England to study literature at Oxford University. Upon his return to Paris, he devoted himself to writing plays and essays, translating books from French, painting, sculpting, and creating collages. In the late 1920s he was considered a main figure of Paris's flourishing intellectual and social circles, to the extent that he became known as the "King of Bohemia." He associated with writers and artists, including Marcel Duchamp and Man Ray, who crowded the cafes of Montparnasse. In 1922 he married Peggy Guggenheim, who was, in his eyes, a young woman to whom he could teach art, life, and literature. After the birth of their first son, Sindbad, the couple travelled to Italy and Egypt. In 1926 they went to Switzerland, where their second child, Pegeen, was born. The family settled in Pramousquier in the south of France, where Vail started writing the novel Murder! Murder!, a cutting satire about his marriage, published in 1932. He also continued to paint, creating a series of works which were exhibited for the first time in 1926 at the Parisian boutique on the rue du Colisée managed by Guggenheim and her business partner, Mina Loy...

Category

Dada 1920s Abstract Sculptures

Materials

Glass, Paper, Mixed Media

Contemporary Cast Glass Sculpture, 'Geologic Editions #10, 2018 by David Ruth
Contemporary Cast Glass Sculpture, 'Geologic Editions #10, 2018 by David Ruth

Contemporary Cast Glass Sculpture, 'Geologic Editions #10, 2018 by David Ruth

By David Ruth

Located in Oakland, CA

Please allow a three month turnaround time for piece to be made. About the Geologic Editions: The Geologic Editions are studies for Colorado Cascade Mural. David pieced together bit...

Category

Contemporary 1920s Abstract Sculptures

Materials

Stainless Steel

Previously Available Items
Gaston Lachaise "La Montagne" Bronze Sculpture
Gaston Lachaise "La Montagne" Bronze Sculpture

Gaston Lachaise "La Montagne" Bronze Sculpture

By Gaston Lachaise

Located in Astoria, NY

Gaston Lachaise (French, 1882-1935) "La Montagne" [The Mountain, LF 45], Patinated Bronze Sculpture, posthumously cast later, stamped "Lachaise Estate" and numbered edition "2/11", m...

Category

1920s Abstract Sculptures

Materials

Bronze

Ghost like floating figure
Ghost like floating figure

Ghost like floating figure

By Walt Kuhn

Located in Fairlawn, OH

Initialed “WK” in ink on tail end of figure Kuhn’s sculptures were collected by the noted early modernist collector John Quinn (1870- 1924). Among the works in Quinn’s collection wa...

Category

Realist 1920s Abstract Sculptures

Materials

Wood, Pigment